Tag Archives: The Carnegie

SLEUTH Runs Nov. 7-22

Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle in SLEUTH at The Carnegie.

Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle in SLEUTH at The Carnegie.

SLEUTH
The Carnegie
Nov. 7-22
Covington

Directed by Greg Procaccino

Cast: Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle.

Famous mystery writer, Andrew Wyke, loves to play games. But when he finds out his wife plans to leave him for a young travel agent, he plots a game with murderous consequences. Of course, in a mystery, things are never quite as they seem and games can quickly get out of hand. A fast-paced comedy full of deception and mistaken identities, SLEUTH is a who-dun-it that will keep you riveted in your seat from start to finish.

  • Sat, Nov. 7 at 7:30pm
  • Sun, Nov. 8 at 3pm
  • Fri-Sat, Nov. 13-14 at 7:30pm
  • Sun, Nov. 15 at 3pm
  • Fri-Sat, Nov. 20-21 at 7:30pm
  • Sun, Nov. 22 at 3pm

Official page |

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The 2015-2016 Carnegie Theatre Series Continues with SLEUTH

TC_Sleuth LogoWHAT: The Carnegie presents SLEUTH

WHEN: Weekends November 7 – 22, 2015

Saturday, November 7, 7:30pm ● Sunday, November 8, 3pm
Friday, November 13, 7:30pm ● Saturday, November 14, 7:30pm ● Sunday, November 15, 3pm
Friday, November 20, 7:30pm ● Saturday, November 21, 7:30pm ● Sunday, November 22, 3pm

WHERE: The Carnegie | 1028 Scott Boulevard | Covington, KY 41011

TICKETS: Tickets $25, $23 for Carnegie Members and Enjoy the Arts Members, and $18 for students. Tickets to Carnegie Theatre Series performances are available at The Carnegie Box Office, open Tuesday through Friday 12 pm – 5 pm, online at www.thecarnegie.com, or by phone at (859) 957-1940.

DESCRIPTION: Famous mystery writer, Andrew Wyke, loves to play games. But when he finds out his wife plans to leave him for a young travel agent, he plots a game with murderous consequences. Of course, in a mystery, things are never quite as they seem, and games can quickly get out of hand. A fast-paced comedy full of deception and mistaken identities, SLEUTH is a who-dun-it that will keep you riveted in your seat from start to finish.

SLEUTH is the winner of both Tony and Drama Desk awards for Best Play, and has been adapted for the silver screen several times over. This popular show is a mystery thrill-ride that audiences will want to take again and again.

Directed by Greg Procaccino, the cast includes Brent Alan Burington as Andrew Wyke & Rory Sheridan as Milo Tindle.

SLEUTH is presented by special arrangement with SAMUEL FRENCH, INC.

About The Carnegie: The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from ArtsWave, Cincinnati Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

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COMPANY Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Sara Kenny as Amy. Photo by Mikki Schaffner Photography.

Sara Kenny as Amy. Photo by Mikki Schaffner Photography.

COMPANY presented The Carnegie through Aug. 30. Click here for more information on the production. I attended the opening night performance.

The Carnegie kicks off their 2015-2016 with a solid and entertaining production of Stephen Sondheim’s COMPANY.

On the musical side of things, I found the orchestra and vocals of the show, directed by Erin McCamley, to be a highlight. A balance issue, between the two, was quickly corrected at the beginning of the show. Solo performances by Aiden Marie Sims as Marta and Sara Kenny as Amy were personal favorites.

Jeremy Montana Long as David, Mary Kate Vanegas as Jenny & Zachary Huffman as Robert. Photo by Mikki Schaffner Photography.

Jeremy Montana Long as David, Mary Kate Vanegas as Jenny & Zachary Huffman as Robert. Photo by Mikki Schaffner Photography.

The scene where Robert (Zachary Huffman) visits married friends David and Jenny (Jeremy Montana Long and Mary Kate Vanegas) felt the most honest and real to me. Opening night, the remaining pairs had not yet gelled into believable couples. While Huffman looks and sounds great in the role, he has a tendency to disappear into the ensemble and not anchor the show as the lead. I would have like to have seen him stand tall and move with purpose and energy.

Stephanie Louise Park as Joanne. Photo by Mikki Schaffner Photography.

Stephanie Louise Park as Joanne. Photo by Mikki Schaffner Photography.

Selling solos to the audience is not easy and several of the performers seemed to be “winging it.” This caused the delivery to be unfocused in eye contact and movement. In gesturing, numerous variations of “the shoulder shrug while raising hands palms up” peppered the show. I’m not saying the numbers needed to be choreographed by any means, but some rehearsed, personal blocking choices would give the numbers a better sense of focus.

The decision to update the time-period to 2015 was a mixed bag for me. It’s true the show’s themes about relationships and marriage still hold weight today. However, since the book has not been updated since the ’70s, I found the dated dialogue to be distracting.

The cast. Photo by Mikki Schaffner Photography.

The Cast. Photo by Mikki Schaffner Photography.

Another alteration switched the sex of Harry to a woman, giving the show a same-sex relationship. While I appreciate the idea, it seemed that the couple was being forced into hetero-traditional male/female gender roles. Also, in the scene where Peter (Will Reed) lightly propositions Robert about a sexual encounter between the two, I found Robert’s tone to be a bit too gay-panic-y, implying that the idea of a sexual encounter between two men to be wrong (1970), instead of it simply not something Robert was interested in pursuing (2015).

Aiden Marie Sims as Marta. Photo by Mikki Schaffner Photography.

Aiden Marie Sims as Marta. Photo by Mikki Schaffner Photography.

The fact that ’70s fashions are back gave costumer designer Dean Walz a bit of leeway in mixing the time periods. And for the most part I enjoyed the looks. I thought Marta’s ensemble was unique and perfect for the character. The costumes for the lesbian couple didn’t work for me. Harry was dressed in jeans with a jacket over a button-down shirt (“the male”) while Sarah looked frumpy in a loose-fitting top and flowered stretch pants. Considering how well-dress the rest of the party-goers were, the pair looked out of place.

The multi-level scenic design by Ron Shaw worked well within the space and I thought it had a nice contemporary feel to it. The placement of the bed was a smart surprise. The only hiccup I noticed is that the stage right steps, being so close to the curtain line, made for some traffic issues on entrances and exits. Also nicely down was the lighting design by Alan Kleesattel.

Megan Ainsley Callahan as April, Aiden Marie Sims as Marta & Kathryn Miller as Kathy. Photo by Mikki Schaffner Photography.

Megan Ainsley Callahan as April, Aiden Marie Sims as Marta & Kathryn Miller as Kathy. Photo by Mikki Schaffner Photography.

Not truly a dance show, choreographer Jennifer Martin does a nice job with the dance solo performed by Kathryn Miller. For “You Could Drive a Person Crazy” it would have been nice to see a more contemporary take on the choreography. Even though the sound of the song has an Andrew Sisters sound, the decision was made to set the show in 2015. The 1940s were 70 years ago.

TC_Company7Director Corrie Danieley does well in her Carnegie debut. I would have liked to have seen a stronger hand in some of the book scenes and solos. I felt that the night club scene leading into “The Ladies Who Lunch” where the “friends ensemble” were playing different characters would have been more successful with the other play areas in silhouette. As performed, I found their presence distracting to the scene work. Honesty, the ensemble was unnecessary as Joanne’s comments could have been directed to the action happening off stage.

Don’t get me wrong, COMPANY is an entertaining evening of theater, I just found the modern updates to the show more cosmetic than actually thought through and impactful.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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2015 League of Cincinnati Theatres Awards

On Monday evening, the League of Cincinnati Theatres recognized the outstanding achievements of their member companies. Honored shows received the most accolades from the League panelists during the 2014-2015 season. 

Below is the transcript of the awards, provided by Joshua Steele and the League.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

The Carnegie’s excellent DRIVING MISS DAISY seemed hard to beat, but WEST SIDE STORY with its passionate and vibrant magic, just topped it. The ensemble understood the beauty and power of this timeless classic, highlighted by the captivating and charismatic Layan Elwazani as Anita, and Jay Goodlett’s exciting reinvention of the original choreography despite the limited space of the Carnegie. LCT is proud to honor The Carnegie’s production of WEST SIDE STORY.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

CCM Drama’s production of Stephen Karam’s deep play SPEECH AND DEBATE, three misfit high school students form a debate club and band together to disclose the truth about a drama teacher who preys on his male students. Richard Hess’ outstanding direction brought together the perfect balance of angst and whimsy, artfully enabling a marvelous trio of actors, led by sophomore Katie Langham’s brilliantly comic performance. LCT is proud to honor CCM Drama’s SPEECH AND DEBATE.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve,  Carol Brammer as Barbara & Kevin Crowley as Bill.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve, Carol Brammer as Barbara & Kevin Crowley as Bill.

In Untethered’s and Clifton Players’ first collaborative effort, the heart-wrenching drama about the dysfunctional Weston family and their secrets hit every emotional button and kept the audience riveted to their seats. Dale Hodges was particularly electrifying but every ensemble member shone in their performances. Buz Davis provided tight and impressive direction as well as a spectacular scenic design in the intimate space of the Clifton Performance Theater. LCT is proud to honor Clifton Players and Untethered Theatre Company’s production of AUGUST: OSAGE COUNTY.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

A must-see murder mystery and racial drama playing out against the backdrop of the racially charged Civil Rights Era in the deep south, Falcon Theatre’s IN THE HEAT OF THE NIGHT was noteworthy for taut pacing and clever staging by director Ed Cohen, an outstanding ensemble cast and superb performances by lead actors Derek Snow and Michael Hall. LCT is proud to honor Falcon Theatre’s production of IN THE HEAT OF THE NIGHT.

ANY GIVEN MONDAY was a dark comedy that investigated the consequences of infidelity, the newly separated Lenny broods over pizza and Monday Night football with his cynical friend, Mickey. Chris Kramer and Daniel Britt slip into their respective roles with ease, providing plenty of moral questions and surprising twists to keep the audience involved to the bitter end. LCT is proud to honor Mad Anthony Theatre Company’s production of ANY GIVEN MONDAY.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

In an emotional roller coaster of a ride, New Edgecliff took on David Mamet’s controversial story of a billionaire accused of raping a black woman. The strong ensemble included Renika Williams and Bob Allen, with particularly memorable and compelling performances by Michael Shooner and Reggie Willis as the racially diverse lawyers who agree to take on the case. LCT is proud to honor New Edgecliff Theatre’s production of RACE.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by  Mikki Schaffner Photography.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by Mikki Schaffner Photography.

NKU’s THE WEDDING SINGER was a bold, brassy, high-energy musical that highlighted the talents of the NKU students who sang their hearts out. The production was slick, professional, and fast-paced, and show-cased Ronnie Chamberlain’s luxurious costume design bringing out the 80s vibe. LCT is proud to honor NKU’s production of THE WEDDING SINGER.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

The Covedale provided a solid, enjoyable, and touching production of the Rodgers and Hammerstein classic, thoughtfully directed by Ed Cohen and Dee Anne Bryll, and featuring a well-rounded and vocally strong Helen Raymond Goers as Maria and a graceful, mature Margot Grom as Liesl. LCT is proud to honor Cincinnati Landmark Productions’ THE SOUND OF MUSIC. 

Bruce Cromer* as The Poet. Photo by Ryan Kurtz.

Bruce Cromer as The Poet. Photo by Ryan Kurtz.

A magnificent one man production based on Homer’s Iliad, Ensemble Theatre Cincinnati’s AN ILIAD featured a powerful and emotional tour-de-force by Bruce Cromer as The Poet as well as versatile and gripping direction by Michael Evan Haney. It also was underscored by engaging lighting and sound design by Brian Mehring and Matt Callahan, respectively. LCT is proud to honor Ensemble Theatre Cincinnati’s production of AN ILIAD.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

CCM Musical Theatre had four very strong productions this year, all worthy of note: BLOOD BROTHERS, PETER PAN and 110 IN THE SHADE, with LEGALLY BLONDE singled out as a powerhouse of song and dance, spectacularly directed and choreographed by Diane Lala. The talented cast did not miss a beat headlined by Lawson Young, Chris Collins Pisano, and Madeline Lynch. Scenic director Joe Leonard also deserves kudos for a masterfully designed set that was almost cinematic in its transformations. LCT is proud to honor CCM Musical Theatre’s production of LEGALLY BLONDE.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

In Diogenes Theatre Company’s timely and well executed one woman production of the 1992 Rodney King trial and subsequent riots, Tori Wiggins gave an astonishing performance bringing to life over 30 characters of various ages, race, and genders, based on transcripts from the actual witnesses. LCT is proud to honor Diogenes Theatre Company’s production of TWILIGHT: LOS ANGELES 1992.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Cincinnati Shakespeare Company put on a “really big shrew” with a boisterous, funny production of Shakespeare’s battle of the sexes, featuring multi-dimensional, passionate, and charming performances by Kelly Mengelkoch and Nicholas Rose as well as a host of impressive ensemble characters, entertainingly directed by Kevin Hammond. LCT is proud to honor Cincinnati Shakespeare Company’s TAMING OF THE SHREW. 

Maranda Rossi as Belle and Sam Rueff as The Beast.

Maranda Rossi as Belle and Sam Rueff as The Beast.

A true feast for the eyes and ears, The Children’s Theatre of Cincinnati’s BEAUTY AND THE BEAST, JR just edged out CTC’s other contender, ALADDIN, providing an enchanting experience transformed by Noelle Wedig’s lavish costumes and David Center’s scenic design prowess. Angela Powell Walker directed her numerous ensemble members perfectly in a well-calculated and well-rehearsed musical treat. LCT is proud to honor The Children’s Theatre of Cincinnati’s production of BEAUTY AND THE BEAST, JR.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

In Know Theatre Cincinnati’s A HANDMAID’S TALE, Corinne Mohlenhoff, effectively directed by Brian Isaac Phillips, gave a compelling and committed performance in this one-woman adaptation of Margaret Atwood’s dystopian novel. Her performance was notably enhanced by a stellar design team including Andrew Hungerford’s eerie and suggestive set and lighting, and Doug Borntrager’s subtle but effective sound design. LCT is proud to honor Know Theatre Cincinnati’s production of A HANDMAID’S TALE.

In their presentation of the Sesame Street-inspired Tony Award winner, Miami University students virtually inhabited their puppets and brought out the heart of their characters in AVENUE Q. The entire ensemble was impressive, especially Kelcey Steele’s Princeton and Sean Davis’ Nicky. Special nods to Grant Lemasters and Aretta Baumgartner for puppet design and coaching, respectively, and Gion DeFrancesco’s evocative and dimensional scenic design. LCT is proud to honor Miami University’s production of AVENUE Q.

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Top Stories for July 2015

TCT_logoListed below are the top 25 stories for July 2015. Breaking it down, there are ten auditions notices, five cast lists, four press releases, three production pages, two casting calls, two season announcements, and one review. (Yes, that totals 27 as there were two ties. 🙂 )

  1. Casting Call for Skyline Chili TV Commercial
  2. The Children’s Theatre of Cincinnati’s 2015-2016 Mainstage Season Auditions
  3. Cast Announced for MARY POPPINS at the Covedale Center for the Performing Arts
  4. Exciting Changes Afoot at The Children’s Theatre of Cincinnati
  5. Cast Announced for HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING at The Footlighters
    2016 Season Announced at La Comedia Dinner Theatre
  6. Cast Announced for BONNIE AND CLYDE at Sunset Players
  7. Cast Announced for RENT at Warsaw Federal Incline Theatre
  8. Auditions Announced for A CHRISTMAS STORY The Musical at La Comedia Dinner Theatre
  9. 1776 Review
  10. Auditions Announced for THE WIZARD OF OZ presented by The Carnegie
  11. 2015-2016 Season Announced by Miami University
  12. Auditions Announced for THE DINNER DETECTIVE Cincinnati
  13. 2015-2016 Season Auditions Announced for Dare to Defy Productions
  14. Auditions Announced for JEKYLL & HYDE at Loveland Stage Company
  15. Teaching Positions Available at Indian Hill Performing Arts
  16. Theatre Company Finds New Home in Northside
  17. MARY POPPINS Runs Aug. 6-15
  18. 1776 Runs July 8-26
  19. Auditions Announced for JUNIE B. IN JINGLE BELLS, BATMAN SMELLS at CenterStage Players
  20. Auditions Announced for BYE BYE LIVER by 628 Productions
    2014-2015 Southwest Regional OCTAFest Awards
  21. Cast Announced for SIX DANCE LESSONS IN SIX WEEKS at Mariemont Players
  22. Auditions Announced for CURTAINS at Lebanon Theatre Company
  23. Auditions Announced for PICNIC by The Footlighters Inc.
  24. CCM Drama – Amazing Changes
  25. 9 TO 5 THE MUSICAL Runs Aug. 12-30

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