Tag Archives: The Carnegie

DEAR EVAN HANSEN at The Carnegie Runs June 19-28

DEAR EVAN HANSEN
The Carnegie
June 19-28
[Covington]

Declared “one of the most remarkable shows in musical theater history” by The Washington Post, DEAR EVAN HANSEN is a groundbreaking musical that looks at our tangled, social media-driven world. One private letter, one mistaken truth, and one life-changing opportunity set Evan Hansen on a journey he never expected—toward the thing he’s always longed for: a place to belong. Winner of six Tony Awards, DEAR EVAN HANSEN is a deeply personal and profoundly contemporary story that speaks to anyone who has ever felt invisible, isolated, or alone in a crowded room. Recommended for ages 12 and up and contains mature themes and language, including discussions of suicide, drugs and alcohol, violence, and sexual content.

  • Fri, June 19 at 7:30p,
  • Sat, June 20 at 2pm (ASL interpreted) and 7:30pm
  • Sun, June 21 at 3pm
  • Thu-Fri, June 25-26 at 7:30pm
  • Sat, June 27 at 2pm & 7:30pm
  • Sun, June 28 at 3pm

Official page | Facebook event |

 

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The Carnegie Announces 2027 Joint World Premiere of New Music HIT SHOW

The new musical from Billy Recce comes to Covington in June 2027

(Covington, KY, May 13, 2026) — Covington, KY’s THE CARNEGIE (Tyler Gabbard, Producing Director of Theatre) and Oklahoma City’s SOUTHERN PLAINS PRODUCTIONS (Jackson Gifford, Artistic Director) have announced a joint world premiere of the new musical Hit Show in Spring 2027, setting its sights on an Off Broadway production to follow. Hit Show features music, lyrics, and book by Billy Recce (Little Black Book, Fowl Play, FIVE: The Musical), with arrangements and orchestrations by Adam Dorfman (The Outsiders National Tour). Eamon Foley (Michael Arden, David Cromer) serves as director. The musical will launch in Oklahoma City, OK in May 2027 and move to Covington, KY in June 2027. Tickets will go on sale in June 2026. More information is available at HitShowMusical.com.

Hit Show drops you into a jazz-fueled fever dream where the spotlight burns and the truth keeps slipping out of reach. A swanky, noir-flavored musical inspired by the 1963 kidnapping of Frank Sinatra Jr. and set against the stirrings of the queer liberation movement, it unfolds like a smoky 60s floor show with a dangerous edge. The lights are low, the martinis are cold, and the night is closing in.

Sexy, volatile, and darkly funny, Hit Show is a high-gloss hallucination of fame at its most intoxicating and corrosive—a world of flashbulbs, backrooms, and buried secrets where image is currency and identity is a risk. Featuring a cast of four, Hit Show blurs performance and confession into an electrifying, late-night experience that lingers long after the music stops.


Billy Recce is an award-winning, Billboard-charting composer, lyricist, and playwright who believes in the transformative power of musical comedy. His work actively aims to queer the canon by centering fringe moments and characters from pop culture history. One of the most prolific young musical theatre writers of his generation, Billy began his career with Balloon Boy: The Musical, becoming the youngest writer ever selected for the New York Musical Theatre Festival at age 17. The show went on to receive productions across the country and is now available for licensing.

His Off-Broadway and NYC credits include Fowl Play (directed by Olivier Award winner and Tony Award nominee Tye Blue), FIVE: The Parody Musical (“ABC Nightline” and New York Times feature), A Musical About Star Wars, Singfeld, VAPE, Petunia’s Big Day, RealityTown, and Hear/Now. His Heidi Fleiss musical, Little Black Book, received its concert premiere at the Bowery Ballroom starring Tony Award nominee Orfeh and directed by Tony nominee Kristin Hanggi. Licensed titles include The Big Twist: A Musical OzVenture and 10 Ways to Survive the Zombie Apocalypse: The Musical.

Billy’s work has been performed by Bernadette Peters, Mandy Patinkin, Laura Benanti, Tituss Burgess, Alice Ripley, Beth Leavel, Bonnie Milligan, Leslie Kritzer, Kerry Butler, Rachel Dratch, Jackie Hoffman, Nathan Lee Graham, Jessica Vosk, and RuPaul’s Drag Race favorites Rosé, Jackie Cox, and Alexis Michelle. His songs have been heard internationally and at venues including Broadway in Bryant Park, Lincoln Center, The Kennedy Center, The Signature Theatre, and 54 Below. He has developed musicals and projects with Goodspeed Musicals, Barrington Stage, and the Edinburgh Fringe.

Billy is a two-time MAC Award winner and has been recognized by the The Orchard Project, the Eugene O’Neill Theater Center, NAMT, The Bushwick Starr, and the Jonathan Larson Grant. He is currently under commission with the EST/Sloan Project, USDAN, Barrington Stage, Broadway Licensing/Concord, and several production companies.

Billy is based in New York City. billyrecce.com

Eamon Foley was cast in his first Broadway show at nine years old and went on to perform in four other Broadway productions before the age of sixteen. He then went to Princeton University to turn his focus towards direction and choreography, where he founded Grind Arts Company. Eamon began his professional career choreographing two-time Tony Award winning director Michael Arden’s production of Merrily We Roll Along and went on to choreograph numerous productions with Arden including Guys and Dolls in Tokyo and Annie at the Hollywood Bowl. Eamon also choreographed Tony Award winning director David Cromer’s Next to Normal at Writer’s Theater.

As director-choreographer, he helmed the re-imagined, contemporary ballet-infused Sunday in the Park with George at The Axelrod Performing Arts Center to critical acclaim. He also conceived, directed, and choreographed the aerial-dance, rock musical Hero. He has directed and choreographed Cyrano, Sweeney Todd, Nine, and The Last Five Years with Grind Arts Company, along with a slew of dance films and music videos for which he has also been the cinematographer. Most recently, Eamon directed and choreographed I Wish My Life Were Like a Musical at SoHo Playhouse, which was nominated for a Drama Desk Award for Outstanding Musical Revue. Other choreography credits include His Story directed by Jeff Calhoun, Ragtime in Tokyo, The Wedding Banquet in Taiwan directed by Gordon Greenberg, Next to Normal at Barrington Stage Company, Waitress at Theater Raleigh, and Hello, Dolly! at Olney Theater Center.

Adam Dorfman is a music director, arranger/orchestrator, and multi-instrumentalist primarily based in New York City, and currently on the road as the associate music director for the first national tour of The Outsiders. He has worked closely with Nadia DiGiallonardo, Doug Besterman, Ian Weinberger, Nate Patten, Jeanine Tesori, Mark G. Meadows, Charlie Rosen, Will Van Dyke, Joey Contreras, and more.

The Carnegie Theatre, part of Northern Kentucky’s largest multidisciplinary arts organization, operates within a historic landmark dedicated to connecting people through meaningful arts experiences. As Greater Cincinnati’s only professional theatre devoted exclusively to musicals, it reimagines beloved titles through bold, contemporary staging—transforming audience familiarity into urgent, shared experience. In 2025, the Theatre welcomed more than 18,000 in-person audience members, signaling sustained growth and deepening regional demand driven by a younger, more diverse, and increasingly engaged audience. Looking ahead, the Theatre will expand its performance schedule in 2027 to meet this demand, reinvesting increased revenue into greater artistic scale, production capacity, and creative risk, while introducing new musical works alongside established titles. Through this evolution, The Carnegie Theatre is not only growing—it is redefining what a regional musical theatre can be: a dynamic cultural force and a vital gathering place for Northern Kentucky and Greater Cincinnati. For more information visit thecarnegie.com.

Southern Plains Productions is a professional, nonprofit arts organization dedicated to enriching Oklahoma City’s cultural landscape through dynamic live performance. Operating within a presenting and producing model, the company brings innovative and acclaimed work to local audiences. Most recently, Southern Plains Productions presented the Drama Desk and Obie Award-winning Wakka Wakka for a run of Dead as a Dodo. In addition, the company offers an annual free-to-the-public series, expanding access and ensuring a broad, diverse community can experience its programming. The company is currently in residence at the Oklahoma City Civic Center.

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ANYTHING GOES Review

Review by Katrina “Kat” Reynolds

ANYTHING GOES presented by The Carnegie through March 8th. I attended the opening Sunday matinee performance. 

The Cast. Photo by Mikki Schaffner.

I’m going to let you in on a little secret: I am a sucker for tap dance. Had I been allowed to take tap at the same time I was Irish dancing competitively, I don’t think there would have been any stopping me. So when it was announced that The Carnegie would again partner with University of Cincinnati College-Conservatory of Music to produce Cole Porter’s Anything Goes, I knew I was all in. This screwball comedy is rife with mistaken identities, romance, and – of course – dancing!

Director Eric Byrd expertly navigates his talented cast’s paths across a magnificent set designed by Tyler Gabbard. Choreographer Jessica Harris fully understands the highs and lows of movement and knows exactly when to crescendo. Group numbers in particular are beautifully staged and executed. Particular shoutout to Costume Designer Clara Jean Kelly for some of the best period costumes seen on a Cincinnati-area stage. To have found the perfect balance between functional (dancer-wise) and aesthetically pleasing is a tall order and she exceeds expectations. P.S. I want to commission Ms. Kelly to make one of the gorgeous dresses the Angels and Hope wear in both the “De-Lovely” and final scenes. Stun-ning!

This strong ensemble of CCM students boasts nearly immeasurable levels of talent. Josh Devine is rock solid as Billy Crocker, the lovesick would-be Wall Street employee. Monique Churchill is effervescent as Hope Harcourt, the target of Billy’s affections. Dominic Carroll’s handle on maintaining correct and steady dialects is beyond impressive – but as much as I appreciated the subtleties of his characterization of Moonface Martin, this is a show where bigger is better. Joey Baciocco is sensational as Lord Evelyn Oakleigh: flawless accent, wonderful physicality, and vocal chops to boot! Last but certainly not least we have Indya Lincicome as Reno Sweeney. My goodness, Ms. Lincicome is a powerhouse performer with a prowess to deliver beyond her years! Keep your eyes on this one, folx: we shall be seeing her name in lights. 

With something for everyone, Anything Goes is one of those feel-good shows guaranteed to put a smile on your face and a pep in your step. Whether you come for the timeless Cole Porter score, the upbeat dancing, or just for the laughs you will have a good time on the S.S. American.

Click here for more information about the production.

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The Carnegie and University of Cincinnati Partner on Classic Musical Comedy ANYTHING GOES

The Cole Porter hit sails into Covington February 27 – March 8

Indya Lincicome is Reno Sweeney in ANYTHING GOES. Photo by Mikki Schaffner.

(Covington, KY, February 9, 2026) — The Carnegie launches its 2026 season with the sparkle, sophistication, and show-stopping energy of Cole Porter’s Broadway classic ANYTHING GOES. Produced in partnership with the University of Cincinnati College–Conservatory of Music (CCM) and featuring performers from CCM’s nationally recognized Musical Theatre program, this fresh, high-spirited production runs at The Carnegie February 27 through March 8.

Set sail for madcap mayhem in this tuneful, tap-dancing romp where high society and low morals collide. Aboard the S.S. American, con men are celebrated, evangelists become showbiz sensations, and romance runs delightfully amok. Featuring Cole Porter’s sparkling score—including “You’re the Top,” “I Get a Kick Out of You,” and the toe-tapping title number—this screwball spectacle proves that with a little charm (and a catchy tune), you can get away with anything. ANYTHING GOES is your first-class ticket to fun.

Indya Lincicome, a senior at CCM, stars as evangelist-turned-nightclub singer Reno Sweeney. Lincicome recently appeared as Rizzo in The Carnegie’s Summer 2025 production of GREASE. Also returning to the Covington stage are Monique Churchill (Hope Harcourt), Josh Devine (Billy Crocker), Joey Baciocco (Lord Evelyn Oakleight), Dominic Carroll (Moonface Martin), and Jack Haroutunian, Arden Allmon, Grace Baker, Annika Jonker, Carter Minor, and Jameson Zoller in the ensemble.

Making their Carnegie debut are Zach “Zoo” Finkelstein, Benjamin Schultz, Abigayle Kate Gatton Stokes, Annie Dauk, Max Patrick, Andy Bakun, and Griffin Simmons. The productions swings and standbys include Matthew Williamson, Kage Cliburn, Naomi Thuren, Jack Bear Ryan, and JJ Korkin.

Joining the student cast are guest artists and real-life husband and wife Diane Lala (Mrs. Evangeline Harcourt) and Robert Pavlovich (Elisha J. Whitney). Lala, Professor Emerita of Musical Theatre at UC–CCM, returns to the stage after 36 years of teaching, directing, and choreographing. Pavlovich, a longtime UC–CCM Acting & Musical Theatre faculty member, is a veteran stage and screen actor and currently serves as host of All Things Considered for WWNO New Orleans.

The production is directed and co-choreographed by CCM faculty member Eric Byrd. Byrd directed several of The Carnegie’s best-selling productions including GREASE, THE ROCKY HORROR SHOW, RENT, and GUYS AND DOLLS. Choreographer Jessica Harris and Music Director Julie Spangler, both CCM faculty members, return after collaborating on last season’s SEUSSICAL.


ANYTHING GOES
Music and Lyrics by COLE PORTER
Original Book by P.G. WODEHOUSE & GUY BOLTON and HOWARD LINDSAY & RUSSEL CROUSE
New Book by TIMOTHY CROUSE & JOHN WEIDMAN

ANYTHING GOES is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. This version of ANYTHING GOES was adapted from the 1987 Broadway revival, originally produced by Lincoln Center Theater.

Production Sponsor for ANYTHING GOES
Piper’s Ice Cream Bar

Artist Sponsors for ANYTHING GOES
Debbie Bardonaro, Realtor, Sibcy Cline
J. Brett Offenberger, MD and Mr. Douglas E. Duckett
Rosemary and Mark Schlachter

UC–CCM Production Supporters for ANYTHING GOES
Ken and Toni Kanter


Subscriptions & Tickets
Flexible subscriptions and single tickets for the 2026 season are available now at thecarnegie.com or by calling the box office at 859-957-1940. Flexible subscription options allow audiences to choose the shows, dates, and seats that work best for them — with savings up to 15% on ticket prices.

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About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.

The Carnegie is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Kentucky Arts Council, City of Covington, Kenton County Fiscal Courts, Carol Ann & Ralph V. Haile, Jr. Foundation, the Greater Cincinnati Foundation, Cincinnati International Wine Festival, and Suits That Rock.

For more information on the 2026 season or First Show Free, visit thecarnegie.com.

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ANYTHING GOES Runs Feb. 27-March 8

ANYTHING GOES
The Carnegie and UC College-Conservatory of Music
Feb. 27-March 8
The Carnegie [Covington]

Set sail for madcap mayhem in ANYTHING GOES, the tuneful, tap-dancing musical where high society and low morals collide! Aboard the S.S. American, con men are celebrated, evangelists are made showbiz sensations, and romance runs amok. Featuring Cole Porter’s sparkling score—including “You’re the Top,” “I Get a Kick Out of You,” and the toe-tapping title number—this screwball spectacle proves that with a little charm (and a catchy tune), you can get away with anything. ANYTHING GOES is your first-class ticket to fun! ANYTHING GOES contains discussions around alcohol, mild adult themes and references to sex, prop guns and shooting sound effects.

  • Fri, Feb. 27 at 7:30pm
  • Sat, Feb. 28 at 2pm & 7:30pm
  • Sun, March 1 at 3pm
  • Thu-Fri, March 5-6 at 7:30pm
  • Sat, March 7 at 2pm & 7:30pm
  • Sun, March 8 at 3pm

Official page | Facebook event |

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