Tag Archives: The Carnegie

LA CAGE AUX FOLLES at The Carnegie Runs Aug. 14-23

LA CAGE AUX FOLLES
The Carnegie
Aug. 14-23
[Covington]

Directed by Rachel Stevens
Music directed by Jacob Priddy
Choreographed by Josh Walden

Beautiful. Bawdy. Bizarre. Welcome to LA CAGE AUX FOLLES—where the sequins shimmer, the feathers fly, and the laughter never stops. Step inside the hottest drag club in town for a night of showstopping numbers, outrageous comedy, and heart as big as the spotlight. With a glittering score by Jerry Herman (Hello, Dolly!) and a riotously funny book by Harvey Fierstein (Kinky Boots), this Tony Award-winning musical, which inspired the 1996 film The Birdcage, is a dazzling celebration of family, love, and unapologetic fabulousness. LA CAGE AUX FOLLES contains mature themes and language, including discussions of suicide, drugs and alcohol, violence, and sexual content. includes startling sounds, sexual innuendo and coarse language, as well as strobe, haze and fog effects.

  • Fri, Aug. 14 at 7:30pm
  • Sat. Aug. 15 at 2pm (ASL interpreted) & 7:30pm
  • Sun, Aug. 16 at 3pm
  • Thu-Fri, Aug. 20-21 at 7:30pm
  • Sat. Aug. 22 at 2pm & 7:30pm
  • Sun, Aug. 23 at 3pm

Official page | Facebook event |

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DEAR EVAN HANSEN at The Carnegie Review

By Katrina “Kat” Reynolds

DEAR EVAN HANSEN presented by The Carnegie through June 28th. I attended the Opening Saturday matinee performance.

As its 2026 season opener, The Carnegie presents Dear Evan Hansen with Book by Steven Levenson and Music and Lyrics by Benj Pasek and Justin Paul. The Tony Award-winning musical is an important social commentary on how each of us can feel isolated, alone, and invisible in the seemingly non-stop bustling world we must navigate each day.

Director Joe Bertucci leads this production with an appropriately sensitive POV. Pacing is flawless and use of the playing space is thoughtful and purposeful. Scenic and Media Design by Tyler Gabbard (with assistance on the Media portion from Angel Hardy) are both nothing short of perfection. Mr. Gabbard has a keen understanding of how to best use The Carnegie’s stage and I fail to be impressed each time his hand is involved. He along with Mr. Hardy found the perfect symmetry of “screen time” and it pays off.

Music Direction by Jacob Priddy is impressively strong. Mr. Priddy has been able to create a beautiful symphony of voices and instruments alike with the ideal balance between them. Much deserved shout-out to the band of talented musicians who helped to bring Evan Hansen’s world to life; they execute this excellent score beautifully.

Further credit to Mr. Bertucci for putting together a wonderfully mighty and cohesive ensemble of performing artists. Their chemistry is palpable and each actor truly gives it their “all”. I am hard-pressed to mention certain individuals above another but this is a review, after all. Denise Devlin (who plays Cynthia Murphy) graces The Carnegie stage once more after a long absence and we should all thank the Deities for it. Ms. Devlin is a consummate professional with a true understanding of her character’s role in this story. Sean Young excels in his portrayal of Connor Murphy, a role I daresay has some of the most fun. Mr. Young vacillates between brooding teen and caricature musical theatre narration with seemingly no effort. Not to be outdone by her stage sibling, Hannah Grace Ervin is a shining light as Zoe. Her voice is clear and lovely and her handle on the character’s arc is spot-on.

Finally, Tommy Sanders is exquisite as Evan Hansen. Playing the titular character is certainly a massive undertaking, but Mr. Sanders is the right man for the job. It is clear he gives in to the emotional journey and we see a very real, very raw human before our very eyes. Even while wrought with sentiment, he delivers impeccable vocals and character representation. Mr. Sanders’ use of his instrument is a master class in musicality and there is no doubt he will continue to impress audiences. Bravo!

While most of you know musicals are not my preference, a good musical is a special thing. Dear Evan Hansen has memorable songs, relatable stories, and wonderful visuals. On top of being a transparent look at how our hunger for acknowledgement can sometimes lead to poor choices, it is entertaining and free from judgement. No one is lauded for doing the wrong thing and it allows some grace to those who err which is something the world doesn’t offer us as easily. Even through painful topics, Dear Evan Hansen is fantastic art and well worth the trip to NKY to enjoy it.

Click here for more information about the production.

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MURDER FOR TWO at The Carnegie Runs July 22-26

MURDER FOR TWO
The Carnegie
July 22-26
[Covington]

Everyone’s a suspect in MURDER FOR TWO—the uproarious musical whodunit with a killer twist. One actor plays the detective, the other plays all the suspects, and together they accompany the madness on piano in a madcap homage to classic murder mysteries. This clever caper is equal parts chaos, comedy, and criminally good fun. Don’t miss the musical comedy that’s truly to die for! MURDER FOR TWO is appropriate for adults and teenagers. This hilarious, musical whodunit introduces a slew of whacky party guests who are suspected of committing murder, so some adult content and mild adult language ensues.

  • Wed-Fri, July 22-24 at 7:30pm
  • Sat. July 25 at 2pm & 7:30pm
  • Sun, July 26 at 3pm & 7:30pm

Official page | Facebook event |

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DEAR EVAN HANSEN at The Carnegie Runs June 19-28

DEAR EVAN HANSEN
The Carnegie
June 19-28
[Covington]

Declared “one of the most remarkable shows in musical theater history” by The Washington Post, DEAR EVAN HANSEN is a groundbreaking musical that looks at our tangled, social media-driven world. One private letter, one mistaken truth, and one life-changing opportunity set Evan Hansen on a journey he never expected—toward the thing he’s always longed for: a place to belong. Winner of six Tony Awards, DEAR EVAN HANSEN is a deeply personal and profoundly contemporary story that speaks to anyone who has ever felt invisible, isolated, or alone in a crowded room. Recommended for ages 12 and up and contains mature themes and language, including discussions of suicide, drugs and alcohol, violence, and sexual content.

  • Fri, June 19 at 7:30p,
  • Sat, June 20 at 2pm (ASL interpreted) and 7:30pm
  • Sun, June 21 at 3pm
  • Thu-Fri, June 25-26 at 7:30pm
  • Sat, June 27 at 2pm & 7:30pm
  • Sun, June 28 at 3pm

Official page | Facebook event |

 

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The Carnegie Announces 2027 Joint World Premiere of New Music HIT SHOW

The new musical from Billy Recce comes to Covington in June 2027

(Covington, KY, May 13, 2026) — Covington, KY’s THE CARNEGIE (Tyler Gabbard, Producing Director of Theatre) and Oklahoma City’s SOUTHERN PLAINS PRODUCTIONS (Jackson Gifford, Artistic Director) have announced a joint world premiere of the new musical Hit Show in Spring 2027, setting its sights on an Off Broadway production to follow. Hit Show features music, lyrics, and book by Billy Recce (Little Black Book, Fowl Play, FIVE: The Musical), with arrangements and orchestrations by Adam Dorfman (The Outsiders National Tour). Eamon Foley (Michael Arden, David Cromer) serves as director. The musical will launch in Oklahoma City, OK in May 2027 and move to Covington, KY in June 2027. Tickets will go on sale in June 2026. More information is available at HitShowMusical.com.

Hit Show drops you into a jazz-fueled fever dream where the spotlight burns and the truth keeps slipping out of reach. A swanky, noir-flavored musical inspired by the 1963 kidnapping of Frank Sinatra Jr. and set against the stirrings of the queer liberation movement, it unfolds like a smoky 60s floor show with a dangerous edge. The lights are low, the martinis are cold, and the night is closing in.

Sexy, volatile, and darkly funny, Hit Show is a high-gloss hallucination of fame at its most intoxicating and corrosive—a world of flashbulbs, backrooms, and buried secrets where image is currency and identity is a risk. Featuring a cast of four, Hit Show blurs performance and confession into an electrifying, late-night experience that lingers long after the music stops.


Billy Recce is an award-winning, Billboard-charting composer, lyricist, and playwright who believes in the transformative power of musical comedy. His work actively aims to queer the canon by centering fringe moments and characters from pop culture history. One of the most prolific young musical theatre writers of his generation, Billy began his career with Balloon Boy: The Musical, becoming the youngest writer ever selected for the New York Musical Theatre Festival at age 17. The show went on to receive productions across the country and is now available for licensing.

His Off-Broadway and NYC credits include Fowl Play (directed by Olivier Award winner and Tony Award nominee Tye Blue), FIVE: The Parody Musical (“ABC Nightline” and New York Times feature), A Musical About Star Wars, Singfeld, VAPE, Petunia’s Big Day, RealityTown, and Hear/Now. His Heidi Fleiss musical, Little Black Book, received its concert premiere at the Bowery Ballroom starring Tony Award nominee Orfeh and directed by Tony nominee Kristin Hanggi. Licensed titles include The Big Twist: A Musical OzVenture and 10 Ways to Survive the Zombie Apocalypse: The Musical.

Billy’s work has been performed by Bernadette Peters, Mandy Patinkin, Laura Benanti, Tituss Burgess, Alice Ripley, Beth Leavel, Bonnie Milligan, Leslie Kritzer, Kerry Butler, Rachel Dratch, Jackie Hoffman, Nathan Lee Graham, Jessica Vosk, and RuPaul’s Drag Race favorites Rosé, Jackie Cox, and Alexis Michelle. His songs have been heard internationally and at venues including Broadway in Bryant Park, Lincoln Center, The Kennedy Center, The Signature Theatre, and 54 Below. He has developed musicals and projects with Goodspeed Musicals, Barrington Stage, and the Edinburgh Fringe.

Billy is a two-time MAC Award winner and has been recognized by the The Orchard Project, the Eugene O’Neill Theater Center, NAMT, The Bushwick Starr, and the Jonathan Larson Grant. He is currently under commission with the EST/Sloan Project, USDAN, Barrington Stage, Broadway Licensing/Concord, and several production companies.

Billy is based in New York City. billyrecce.com

Eamon Foley was cast in his first Broadway show at nine years old and went on to perform in four other Broadway productions before the age of sixteen. He then went to Princeton University to turn his focus towards direction and choreography, where he founded Grind Arts Company. Eamon began his professional career choreographing two-time Tony Award winning director Michael Arden’s production of Merrily We Roll Along and went on to choreograph numerous productions with Arden including Guys and Dolls in Tokyo and Annie at the Hollywood Bowl. Eamon also choreographed Tony Award winning director David Cromer’s Next to Normal at Writer’s Theater.

As director-choreographer, he helmed the re-imagined, contemporary ballet-infused Sunday in the Park with George at The Axelrod Performing Arts Center to critical acclaim. He also conceived, directed, and choreographed the aerial-dance, rock musical Hero. He has directed and choreographed Cyrano, Sweeney Todd, Nine, and The Last Five Years with Grind Arts Company, along with a slew of dance films and music videos for which he has also been the cinematographer. Most recently, Eamon directed and choreographed I Wish My Life Were Like a Musical at SoHo Playhouse, which was nominated for a Drama Desk Award for Outstanding Musical Revue. Other choreography credits include His Story directed by Jeff Calhoun, Ragtime in Tokyo, The Wedding Banquet in Taiwan directed by Gordon Greenberg, Next to Normal at Barrington Stage Company, Waitress at Theater Raleigh, and Hello, Dolly! at Olney Theater Center.

Adam Dorfman is a music director, arranger/orchestrator, and multi-instrumentalist primarily based in New York City, and currently on the road as the associate music director for the first national tour of The Outsiders. He has worked closely with Nadia DiGiallonardo, Doug Besterman, Ian Weinberger, Nate Patten, Jeanine Tesori, Mark G. Meadows, Charlie Rosen, Will Van Dyke, Joey Contreras, and more.

The Carnegie Theatre, part of Northern Kentucky’s largest multidisciplinary arts organization, operates within a historic landmark dedicated to connecting people through meaningful arts experiences. As Greater Cincinnati’s only professional theatre devoted exclusively to musicals, it reimagines beloved titles through bold, contemporary staging—transforming audience familiarity into urgent, shared experience. In 2025, the Theatre welcomed more than 18,000 in-person audience members, signaling sustained growth and deepening regional demand driven by a younger, more diverse, and increasingly engaged audience. Looking ahead, the Theatre will expand its performance schedule in 2027 to meet this demand, reinvesting increased revenue into greater artistic scale, production capacity, and creative risk, while introducing new musical works alongside established titles. Through this evolution, The Carnegie Theatre is not only growing—it is redefining what a regional musical theatre can be: a dynamic cultural force and a vital gathering place for Northern Kentucky and Greater Cincinnati. For more information visit thecarnegie.com.

Southern Plains Productions is a professional, nonprofit arts organization dedicated to enriching Oklahoma City’s cultural landscape through dynamic live performance. Operating within a presenting and producing model, the company brings innovative and acclaimed work to local audiences. Most recently, Southern Plains Productions presented the Drama Desk and Obie Award-winning Wakka Wakka for a run of Dead as a Dodo. In addition, the company offers an annual free-to-the-public series, expanding access and ensuring a broad, diverse community can experience its programming. The company is currently in residence at the Oklahoma City Civic Center.

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