Tag Archives: Cincinnati Shakespeare Company

THE MERRY WIVES OF WINDSOR at Cincinnati Shakespeare Company Runs Nov. 13-Dec. 5

THE MERRY WIVES OF WINDSOR
Cincinnati Shakespeare Company
Nov. 13-Dec. 5
[Over-the-Rhine]

Directed by Brant Russell

Cast: Geoffrey Warren Barnes II* as Bardolph/Servant, Beasley* as Pistol/Servant, Eva Olivia Catanzariti as Anne Page, Billy Chace* as Ford, Montez Jenkins Copeland* as Rugby, Cary Davenport* as Dr. Caius, Giles Davies* as Sir Hugh Evans, Jeremy Dubin* as George Page, Mierka Girten* as Host/Servant, Matthew Lewis Johnson* as Sir John Falstaff, Jennifer Joplin* as Mistress Quickly,
Sylvester Little Jr.* as Shallow, Courtney Lucien* as Nym/Servant, Elizabeth Chinn Molloy as Mistress Ford, Connan Morrissey*
as Mistress Page, Grant Niezgodski* as Slender, Jay Wade* as Fenton & Colin Waters as Simple

Schemes, disguises, and delicious comeuppance abound in Shakespeare’s merriest misadventure. Set in a sparkling winter wonderland filled with plenty of good cheer, The Merry Wives of Windsor follows two clever women who outwit the devious and debauched Sir John Falstaff. This puffed-up tipsy holiday patriarch, who believes he belongs at the head of the feast, finds himself bundled, baffled, and brilliantly outplayed by wives who refuse to be fooled. Each clever trap lands with festive flair, proving that Windsor’s women really run the show.

  • In preview Wed-Thu, Nov. 11-12 at 7:30pm. All sets half price.
  • Fri-Sat, Nov. 13-14 at 7:30pm
  • Thu-Sat, Nov. 19-21 at 7:30pm 
  • Sun, Nov. 22 at 2pm
  • Fri, Nov. 27 at 7:30pm
  • Sat, Nov. 28 at 2pm & 7:30pm
  • Sun, Nov. 29 at 2pm
  • Thu-Fri, Dec. 3-4 at 7:30pm
  • Sat, Dec. 5 at 2pm & 7:30pm

Official page |

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Cincinnati Shakespeare Company Presents an Encore of the Hilarious DRACULA: A COMEDY OF TERRORS

After a sold-out run last Halloween, this Off-Broadway and West End hit comes back to life, just in time for spooky season in Cincinnati! 

Cincinnati, October 8, 2026 – Cincinnati Shakespeare Company is thrilled to present the smash Halloween hit Dracula: A Comedy of Terrors by Gordon Greenberg and Steve Rosen, directed by Producing Artistic Director and CEO Brian Isaac Phillips. Following a sold-out run last season, this wildly entertaining comedy returns to the Cincy Shakes stage with its original cast for another round of hilarious Halloween fun. “This was one of our most successful productions of all time, and we loved welcoming so many new faces to the theater during the Halloween season,” says Mr. Phillips, who returns to direct the production. “We knew we had to bring it back for another year!”

About the show: Filled with outrageous twists, playful innuendo, and more laughs than you can count, this delightful romp reimagines Bram Stoker’s gothic classic like you’ve never seen before. This dangerously debonair Dracula brings seductive chaos, proving that sometimes the Prince of Darkness can be as captivating as he is cunning. Join the hilarious hunt this Halloween season, where the only thing sharper than Dracula’s fangs are the gags that’ll leave audiences in stitches (again).

Dracula: A Comedy of Terrors premiered Off-Broadway at New World Stages on September 4, 2023, where it quickly gained popularity with critics and audiences for its fast-paced farce and campy spin on Bram Stoker’s classic. The production became a viral sensation and went on to enjoy strong success in regional theatres across the U.S. Following its New York run, it made its UK premiere in March 2025 at London’s Menier Chocolate Factory, marking a significant step in its international reach and continued popularity.

Bringing the outrageous world of Dracula: A Comedy of Terrors to life is a stellar cast of CSC favorites. Christopher Guthrie sinks his teeth into the title role of Count Dracula, while Kelly Mengelkoch showcases her versatility as both Mina Westfeldt and the fearless Dr. Van Helsing. Candice Handy takes on the role of Jonathan Harker, with Jasimine Bouldin as the spirited Lucy Westfeldt. Rounding out the ensemble, Billy Chace delivers double the laughs as both Dr. Westfeldt and the delightfully unhinged Renfield.

Directed by CSC Producing Artistic Director and CEO Brian Isaac Phillips, with Assistant Director Robert Carlton Stimmel, this creative team is bringing Halloween hilarity to life! Scenic Designer Chris Holloway sets the stage for comedic chaos, while Costume Designer Rainy Edwards—along with Kayla Cieslinski’s wig design—gives Dracula and the cast their iconic looks. Lighting Designer Ben Niemczyk and Sound Designer Doug Borntrager add to the fun with a playful mix of gags and sound effects. Gina Cerimele-Mechley serves as Fight and Intimacy Director, and Susan Jung brings movement to the stage as Dance Choreographer. The production is stage managed by Cole Sweasy, with Assistant Stage Management by Colton Wolf.

Every performance of Dracula: A Comedy of Terrors is a wild night out, complete with Blood Bag Cocktails, Halloween candy, spooky surprises, killer music and, most importantly, one hilariously over-the-top show! But because it’s Halloween season, we couldn’t stop there. We’ve planned a few extra-special nights packed with costumes, prizes, themed treats and even more frighteningly fun surprises. Pick your night and join the madness:

BLINKULA
Thursday, October 8 & Friday, October 9
Dracula is getting the BLINK treatment! Both performances start early at 6:30 PM, so you can see the show first and then head out to experience BLINK throughout the city. Grab a free BLINKULA Goodie Bag filled with glow-in-the-dark vampire teeth, bat rings, temporary tattoos, candy and more. Plus, pre-paid parking is available nearby so you can park before the BLINK crowds arrive. It’s the perfect spooky start to your BLINK night! 

Insights: Behind the Bite
Thursday, October 15
Sink your teeth a little deeper into Dracula: A Comedy of Terrors! Before the performance, join John Getz, Professor Emeritus of English at Xavier University, for a special Insights discussion exploring Dracula, comedy, and what happens when one of literature’s most famous monsters gets played for laughs. 

Costume Nights

Friday, October 16 – Villains After Dark
Tonight, the villains take over! Dress as your favorite Halloween villain, from classic monsters and movie baddies to your own devilish creation. We’ll crown our favorite villain of the night and award a themed prize. Evil has never looked so good! 

Friday, October 23 – Bard Bash 
Huzzah! It’s time to get fantastical. Come dressed in your best Renaissance, Shakespeare-inspired or fantasy look. Think kings, queens, fairies, knights, witches, woodland creatures and more. Our favorite look of the night will take home a themed prize! 

Friday, October 30 – Double, Double, Toil & Trouble Night
Calling all witches, wizards and magical mischief-makers! Dress in your best witch or wizard-inspired costume for a chance to win a themed prize. We’ll also have exclusive spooky cocktails and drinks on the menu for the evening. Consider it your Halloween Eve warm-up! 

Saturday, October 31 – Ultimate Halloween Costume Double Header
It’s Halloween, and we’re going all in with two performances at 2 PM and 7:30 PM! Come in costume for the ultimate Halloween celebration at CSC, with themed prizes, candy in the lobby and plenty of spooky fun. Everyone who comes dressed up can stick around after the performance for a special group photo with the cast. Two performances. One very ridiculous Dracula. Maximum Halloween chaos! 

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Dracula: A Comedy of Terrors runs October 9 through 31, 2026. Performances are Thursdays, Fridays, and Saturdays at 7:30pm. Saturday matinees take place on October 10, 17, 24, and 31, with a Sunday matinee on October 25 and 18 all at 2:00pm.

Cincinnati Shakespeare Company also offers these performances with accessibility resources: Live Audio Description will be available on Friday October 9, and an American Sign Language-interpreted performance will take place on October 31 at 2:00pm.

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Tickets are on sale now. Discounts are available for students, seniors, local residents, and community partners. Each performance also includes a limited number of $14 “Access” tickets, available in advance online or by calling the Box Office. Beginning one hour before each performance, any remaining unreserved seats may become available as $12 Rush Tickets for anyone, not just students. Rush Tickets may be located anywhere in the theater depending on that evening’s availability, cannot be reserved in advance, and must be purchased in person at the Box Office.

All major credit cards are accepted. Ticketing fees apply. To purchase tickets or learn more, contact the Cincinnati Shakespeare Company Box Office at 513.381.BARD (2273) ext. 1 or visit the website online at cincyshakes.com.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  Many parking spaces are available on the street and in nearby lots and garages- for more information, visit online here.

CSC has coordinated a prepaid self-parking option right next door to the theater for a hassle‐free, guaranteed spot. A limited number of reserved spaces are available starting 1.5 hours before performances and lasting through the end of the show. The 3CDC parking attendant will have your name on the list with advance purchase, guaranteeing your spot and price. Visit www.cincyshakes.com/parking to reserve self-parking.

This is the fourth production in Cincinnati Shakespeare Company’s 2026-2027 Season which is generously presented by our Operating Support Partners: The Carol Ann and Ralph V. Haile, Jr. Foundation; The Linnemann Family Foundation; The Ohio Arts Council; The Robert and Adele Schiff Family Foundation; The National Endowment for the Arts in partnership with Arts Midwest; The Shubert Foundation; Maureen and John Bridgeland, Cindy Bridgeland Crilley, and Debby and Jim Mason in honor of Jim Bridgeland; Lightborne, and the tens of thousands of people who give generously to the ArtsWave Community Campaign.

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About Cincinnati Shakespeare Company:

Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in the Over-the-Rhine neighborhood of Cincinnati. CSC’s repertoire is composed of the works of William Shakespeare, literary adaptations, world premieres, and contemporary classics. CSC performs on a Small Professional Theatre contract with the Actors’ Equity Association. Cincinnati Shakespeare is a member of Theater Communications Group and Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach more than 50,000 young people and community members by meeting audiences where they are. This includes sharing programming in schools, parks, community centers and hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501(c)(3) non-profit organization, and all donations are tax-deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the Classics!

 

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DRACULA: A Comedy of Terrors at Cincinnati Shakespeare Company Runs Oct. 9-31

Chris Guthrie as Dracula. Photo by Mikki Schafffner.

DRACULA: A Comedy of Terrors
Cincinnati Shakespeare Company
Oct. 9-31
[Over-the-Rhine]

Directed by Brian Isaac Phillips

Cast: Jasimine Bouldin as Lucy Westfeldt, Bill Chace as Dr. Westfeldt/Renfield, Chris Guthrie as Dracula, Candice Handy as Jonathan Harker & Kelly Mengelkoch as Mina Westfield/Dr. Van Helsing

Sink your teeth into a hilarious new take on the world’s most famous vampire! Filled with outrageous twists, playful innuendo, and more laughs than you can count, this delightful romp reimagines Bram Stoker’s gothic classic like you’ve never seen before. This dangerously debonair Dracula brings seductive chaos, proving that sometimes the Prince of Darkness can be as captivating as he is cunning. Join the hilarious hunt this Halloween season, where the only thing sharper than Dracula’s fangs are the gags that’ll leave you in stitches. Don’t miss the riotous ride that’s sure to leave you howling with laughter!

  • In preview, Wed, Oct. 7 at 7:30pm
  • In preview, Wed, Oct. 8 at 6:30pm
  • Fri, Oct. 9 at 6:30pm
  • Sat. Oct. 10 at 2pm
  • Thu-Fri, Oct. 15-16 at 7:30pm
  • Sat, Oct. 17 at 2pm & 7:30pm
  • Sun, Oct. 18 at 2pm
  • Thu-Fri, Oct. 22-23 at 7:30pm
  • Sat, Oct. 24 at 2pm & 7:30pm
  • Sun, Oct. 25 at 2pm
  • Wed-Fri, Oct. 28-30 at 7:30pm
  • Sat, Oct. 31 at 2pm & 7:30pm

Official page |

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NETWORK Review

By Katrina “Kat” Reynolds

NETWORK presented by Cincinnati Shakespeare Company through September 26th. I attended the Opening Night performance.

Jim Hopkins as Howard Beale. Photo by Phil Armstrong.

This September, Cincinnati Shakespeare Company is going live on the air (well, sort of) with its premiere of Network adapted for the stage by Lee Hall, based on the Paddy Chayefsky film. Set in mid-1970s America, a veteran anchorman begins to unravel while the executives see nothing but dollar signs.

Director Brian Isaac Phillips should consider this venture one of the jewels in his proverbial crown. Mr. Phillips’ pacing is ideal and the action across the entire stage is appropriately focused. Scenic Design by Jon Savage is nothing short of perfection with his smart use of screens along with tactile pieces. Costume Designer Erin Reed Carter has a keen eye for exactly the brand of 1970s fashion we would see on network employees and executives alike. Special shout-out to Sound Design by Zack Bennett for his seamless blend of “on air” versus “in person” sound effect and volume; it was no small feat and he did it beautifully. (And kudos to Danitza Piper for her rock-star Stage Managing skills on this one!)

I could quite literally just list the entire ensemble of performing artists by name and call it a day – and I’m tempted to do it because choosing stand-outs is like choosing your favourite child. But I shall try to be specific.

In your entire life, you will probably never be as suave as Barry Mulholland – but it would sure be fun to try. Mr. Mulholland brings the ideal blend of gentleman and cad to his role as Max Schumacher, head of the news division. While he is an actor who excels at playing confident characters, he is also lovely when he is vulnerable. In the role of Howard Beale, Jim Hopkins gives probably one of the best performances we’ve seen. Howard is a complicated character and Mr. Hopkins’ earnest portrayal is stellar; from disappointed anchorman who believes he has nothing more to give to accidental spokesman of the people, we buy into it all. Bravo, Mr. Hopkins, and thank you for the master class in acting.

Finally, I would be remiss not to mention the incredible Hayley Guthrie as cutthroat Diane Christiensen. Part of the trio of characters who somehow remain likable, flaws and all, Ms. Guthrie does not disappoint. She is a fundamentally likable performer and offers true grit and honesty in her depiction. She and the rest of this impressive ensemble – Geoffrey Warren Barnes II, Jasimine Bouldin, Eva Olivia Catanzariti, Montez Jenkins Copeland, Cary Davenport, Giles Davies, Phil Fiorini, Candice Handy, Kelly Mengelkoch, Connan Morrissey (Ms. Morrissey’s Act II monologue is worth the price of admission alone!), Patrick Earl Phillips, Robert Carlton Stimmel, and Brent Vimtrup – are all necessary to this impeccable show.

And last but not least, the exquisite Bryan Cranston (yes, Heisenberg) makes a cameo that will remind you of just how freaking brilliant he is.  

Like many things Cincy Shakes chooses to produce, Network is still terribly relatable despite its action being placed 5 decades ago: oil costs rising, wars on their brink, the rich men out only for themselves – it can be enough for us to wonder if things ever really change. I choose to believe there have always been highs and lows in our existence as humans and while things are bleak at present, they will get better. In the meantime, theatre helps and with an incredible Design Team, an energetic Production Team, and a superb ensemble of performers, this is one which should not be missed. As my partner in mischief and I both agree, we will be talking about this one as being a top contender this 2026-2027 theatre season for some time.

Click here for more information about the production.

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The Academy Award Winning Film, NETWORK comes to Cincy Shakes’ Stage

Brent Vimtrup, Patrick Earl Phillips, Geoffrey Warren Barnes II, Hayley Guthrie, and Jasimine Bouldin. Photo by Phil Armstrong.

A sensation on Broadway and in London, the immersive and relevant “Network” receives its Regional Premiere here in Cincinnati 

Cincinnati, September 9, 2026 – Cincinnati Shakespeare Company is proud to present the Regional Premiere of Network, adapted for the stage by Lee Hall, based on the Academy Award winning film by Paddy Chayefsky. The production is directed by Cincinnati Shakespeare Company Producing Artistic Director and CEO Brian Isaac Phillips. The Ensemble is generously sponsored by Macie and Jim Kinney joined with the Production Support Sponsor is Brave Berlin.

“I’m mad as hell, and I’m not going to take it anymore!” erupts across the airwaves in this immersive stage adaptation of the Academy Award winning film. Set in 1970s America, as television tightens its grip on American culture, veteran anchorman Howard Beale unravels live on air. What begins as a breakdown becomes a broadcast phenomenon. Soaring ratings transform him into an unlikely prophet for a network hungry for spectacle, in a world where outrage sells and attention is the ultimate currency. A sensation on Broadway and in London, Network blurs the line between news and entertainment with explosive consequences.

Network features an incredible ensemble of 16 actors, including many familiar faces. Jim Hopkins stars as Howard Beale, whose public unraveling becomes the center of the story. When Beale’s breakdown turns into a broadcast sensation, Max Schumacher, played by Barry Mulholland, finds himself battling network executives Frank Hackett and Diana Christensen, played by Brent Vimtrup and Hayley Guthrie, over the future of the network. Rounding out the cast is a talented ensemble featuring Geoffrey Warren Barnes II, Jasimine Bouldin, Eva Olivia Catanzariti, Montez Jenkins Copeland, Cary Davenport, Giles Davies, Phil Fiorini, Candice Handy, Kelly Mengelkoch, Connan Morrissey, Patrick Earl Phillips, and Robert Carlton Stimmel.

Bringing this iconic film to the stage is our design team, directed by Brian Isaac Phillips. Jon Savage’s scenic design brings the audience into a 1970s newsroom, with vintage cameras and TV screens. Costumes designed by Erin Reed Carter and wigs by Kayla Cieslinski further establish the 1970s setting with subtle nods to the original film. Zack Bennett’s sound design and Robert Carlton Stimmel’s media design bring the world of television news to life, incorporating real news clips from the 1970s. Alicia Rodis serves as fight and intimacy director. Network is stage managed by Danitza Piper with Tessa Killen as Assistant Stage Manager.

Please note: This production includes gunshots and other loud noises, strong language, discussions of suicide, simulated sexual activity, theatrical haze, and flashing lights. Patrons with questions should reach out to the Box Office at 513-381-2273.

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Network runs September 11 through 26, 2026. Performances are Thursdays, Fridays, and Saturdays at 7:30pm. Saturday matinees take place on September 19 and 26, with a Sunday matinee on September 20 all at 2:00pm. A special Media Night has been added for Wednesday Sep. 23 at 7:30pm.

Cincinnati Shakespeare Company also offers these performances with accessibility resources: Live Audio Description will be available on Friday September 11, and an American Sign Language-interpreted performance will take place on September 26 at 2:00pm.

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Tickets are on sale now. Discounts are available for students, seniors, local residents, and community partners. Each performance also includes a limited number of $14 “Access” tickets, available in advance online or by calling the Box Office. Beginning one hour before each performance, any remaining unreserved seats may become available as $12 Rush Tickets for anyone, not just students. Rush Tickets may be located anywhere in the theater depending on that evening’s availability, cannot be reserved in advance, and must be purchased in person at the Box Office.

All major credit cards are accepted. Ticketing fees apply. To purchase tickets or learn more, contact the Cincinnati Shakespeare Company Box Office at 513.381.BARD (2273) ext. 1 or visit the website online at cincyshakes.com.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park.  Many parking spaces are available on the street and in nearby lots and garages- for more information, visit online here.

CSC has coordinated a prepaid self-parking option right next door to the theater for a hassle‐free, guaranteed spot. A limited number of reserved spaces are available starting 1.5 hours before performances and lasting through the end of the show. The 3CDC parking attendant will have your name on the list with advance purchase, guaranteeing your spot and price. Visit www.cincyshakes.com/parking to reserve self-parking.

This is the second production in Cincinnati Shakespeare Company’s 2026-2027 Season which is generously presented by our Operating Support Partners: The Carol Ann and Ralph V. Haile, Jr. Foundation; The Linnemann Family Foundation; The Ohio Arts Council; The Robert and Adele Schiff Family Foundation; The National Endowment for the Arts in partnership with Arts Midwest; The Shubert Foundation; Maureen and John Bridgeland, Cindy Bridgeland Crilley, and Debby and Jim Mason in honor of Jim Bridgeland; Lightborne, and the tens of thousands of people who give generously to the ArtsWave Community Campaign.

###

About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in the Over-the-Rhine neighborhood of Cincinnati. CSC’s repertoire is composed of the works of William Shakespeare, literary adaptations, world premieres, and contemporary classics. CSC performs on a Small Professional Theatre contract with the Actors’ Equity Association. Cincinnati Shakespeare is a member of Theater Communications Group and Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach more than 50,000 young people and community members by meeting audiences where they are. This includes sharing programming in schools, parks, community centers and hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501(c)(3) non-profit organization, and all donations are tax-deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the Classics!

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