Tag Archives: UC College-Conservatory of Music

2015 League of Cincinnati Theatres Awards

On Monday evening, the League of Cincinnati Theatres recognized the outstanding achievements of their member companies. Honored shows received the most accolades from the League panelists during the 2014-2015 season. 

Below is the transcript of the awards, provided by Joshua Steele and the League.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

The Carnegie’s excellent DRIVING MISS DAISY seemed hard to beat, but WEST SIDE STORY with its passionate and vibrant magic, just topped it. The ensemble understood the beauty and power of this timeless classic, highlighted by the captivating and charismatic Layan Elwazani as Anita, and Jay Goodlett’s exciting reinvention of the original choreography despite the limited space of the Carnegie. LCT is proud to honor The Carnegie’s production of WEST SIDE STORY.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

CCM Drama’s production of Stephen Karam’s deep play SPEECH AND DEBATE, three misfit high school students form a debate club and band together to disclose the truth about a drama teacher who preys on his male students. Richard Hess’ outstanding direction brought together the perfect balance of angst and whimsy, artfully enabling a marvelous trio of actors, led by sophomore Katie Langham’s brilliantly comic performance. LCT is proud to honor CCM Drama’s SPEECH AND DEBATE.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve,  Carol Brammer as Barbara & Kevin Crowley as Bill.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve, Carol Brammer as Barbara & Kevin Crowley as Bill.

In Untethered’s and Clifton Players’ first collaborative effort, the heart-wrenching drama about the dysfunctional Weston family and their secrets hit every emotional button and kept the audience riveted to their seats. Dale Hodges was particularly electrifying but every ensemble member shone in their performances. Buz Davis provided tight and impressive direction as well as a spectacular scenic design in the intimate space of the Clifton Performance Theater. LCT is proud to honor Clifton Players and Untethered Theatre Company’s production of AUGUST: OSAGE COUNTY.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

A must-see murder mystery and racial drama playing out against the backdrop of the racially charged Civil Rights Era in the deep south, Falcon Theatre’s IN THE HEAT OF THE NIGHT was noteworthy for taut pacing and clever staging by director Ed Cohen, an outstanding ensemble cast and superb performances by lead actors Derek Snow and Michael Hall. LCT is proud to honor Falcon Theatre’s production of IN THE HEAT OF THE NIGHT.

ANY GIVEN MONDAY was a dark comedy that investigated the consequences of infidelity, the newly separated Lenny broods over pizza and Monday Night football with his cynical friend, Mickey. Chris Kramer and Daniel Britt slip into their respective roles with ease, providing plenty of moral questions and surprising twists to keep the audience involved to the bitter end. LCT is proud to honor Mad Anthony Theatre Company’s production of ANY GIVEN MONDAY.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

In an emotional roller coaster of a ride, New Edgecliff took on David Mamet’s controversial story of a billionaire accused of raping a black woman. The strong ensemble included Renika Williams and Bob Allen, with particularly memorable and compelling performances by Michael Shooner and Reggie Willis as the racially diverse lawyers who agree to take on the case. LCT is proud to honor New Edgecliff Theatre’s production of RACE.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by  Mikki Schaffner Photography.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by Mikki Schaffner Photography.

NKU’s THE WEDDING SINGER was a bold, brassy, high-energy musical that highlighted the talents of the NKU students who sang their hearts out. The production was slick, professional, and fast-paced, and show-cased Ronnie Chamberlain’s luxurious costume design bringing out the 80s vibe. LCT is proud to honor NKU’s production of THE WEDDING SINGER.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

The Covedale provided a solid, enjoyable, and touching production of the Rodgers and Hammerstein classic, thoughtfully directed by Ed Cohen and Dee Anne Bryll, and featuring a well-rounded and vocally strong Helen Raymond Goers as Maria and a graceful, mature Margot Grom as Liesl. LCT is proud to honor Cincinnati Landmark Productions’ THE SOUND OF MUSIC. 

Bruce Cromer* as The Poet. Photo by Ryan Kurtz.

Bruce Cromer as The Poet. Photo by Ryan Kurtz.

A magnificent one man production based on Homer’s Iliad, Ensemble Theatre Cincinnati’s AN ILIAD featured a powerful and emotional tour-de-force by Bruce Cromer as The Poet as well as versatile and gripping direction by Michael Evan Haney. It also was underscored by engaging lighting and sound design by Brian Mehring and Matt Callahan, respectively. LCT is proud to honor Ensemble Theatre Cincinnati’s production of AN ILIAD.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

CCM Musical Theatre had four very strong productions this year, all worthy of note: BLOOD BROTHERS, PETER PAN and 110 IN THE SHADE, with LEGALLY BLONDE singled out as a powerhouse of song and dance, spectacularly directed and choreographed by Diane Lala. The talented cast did not miss a beat headlined by Lawson Young, Chris Collins Pisano, and Madeline Lynch. Scenic director Joe Leonard also deserves kudos for a masterfully designed set that was almost cinematic in its transformations. LCT is proud to honor CCM Musical Theatre’s production of LEGALLY BLONDE.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

In Diogenes Theatre Company’s timely and well executed one woman production of the 1992 Rodney King trial and subsequent riots, Tori Wiggins gave an astonishing performance bringing to life over 30 characters of various ages, race, and genders, based on transcripts from the actual witnesses. LCT is proud to honor Diogenes Theatre Company’s production of TWILIGHT: LOS ANGELES 1992.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Cincinnati Shakespeare Company put on a “really big shrew” with a boisterous, funny production of Shakespeare’s battle of the sexes, featuring multi-dimensional, passionate, and charming performances by Kelly Mengelkoch and Nicholas Rose as well as a host of impressive ensemble characters, entertainingly directed by Kevin Hammond. LCT is proud to honor Cincinnati Shakespeare Company’s TAMING OF THE SHREW. 

Maranda Rossi as Belle and Sam Rueff as The Beast.

Maranda Rossi as Belle and Sam Rueff as The Beast.

A true feast for the eyes and ears, The Children’s Theatre of Cincinnati’s BEAUTY AND THE BEAST, JR just edged out CTC’s other contender, ALADDIN, providing an enchanting experience transformed by Noelle Wedig’s lavish costumes and David Center’s scenic design prowess. Angela Powell Walker directed her numerous ensemble members perfectly in a well-calculated and well-rehearsed musical treat. LCT is proud to honor The Children’s Theatre of Cincinnati’s production of BEAUTY AND THE BEAST, JR.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

In Know Theatre Cincinnati’s A HANDMAID’S TALE, Corinne Mohlenhoff, effectively directed by Brian Isaac Phillips, gave a compelling and committed performance in this one-woman adaptation of Margaret Atwood’s dystopian novel. Her performance was notably enhanced by a stellar design team including Andrew Hungerford’s eerie and suggestive set and lighting, and Doug Borntrager’s subtle but effective sound design. LCT is proud to honor Know Theatre Cincinnati’s production of A HANDMAID’S TALE.

In their presentation of the Sesame Street-inspired Tony Award winner, Miami University students virtually inhabited their puppets and brought out the heart of their characters in AVENUE Q. The entire ensemble was impressive, especially Kelcey Steele’s Princeton and Sean Davis’ Nicky. Special nods to Grant Lemasters and Aretta Baumgartner for puppet design and coaching, respectively, and Gion DeFrancesco’s evocative and dimensional scenic design. LCT is proud to honor Miami University’s production of AVENUE Q.

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Top Stories for July 2015

TCT_logoListed below are the top 25 stories for July 2015. Breaking it down, there are ten auditions notices, five cast lists, four press releases, three production pages, two casting calls, two season announcements, and one review. (Yes, that totals 27 as there were two ties. 🙂 )

  1. Casting Call for Skyline Chili TV Commercial
  2. The Children’s Theatre of Cincinnati’s 2015-2016 Mainstage Season Auditions
  3. Cast Announced for MARY POPPINS at the Covedale Center for the Performing Arts
  4. Exciting Changes Afoot at The Children’s Theatre of Cincinnati
  5. Cast Announced for HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING at The Footlighters
    2016 Season Announced at La Comedia Dinner Theatre
  6. Cast Announced for BONNIE AND CLYDE at Sunset Players
  7. Cast Announced for RENT at Warsaw Federal Incline Theatre
  8. Auditions Announced for A CHRISTMAS STORY The Musical at La Comedia Dinner Theatre
  9. 1776 Review
  10. Auditions Announced for THE WIZARD OF OZ presented by The Carnegie
  11. 2015-2016 Season Announced by Miami University
  12. Auditions Announced for THE DINNER DETECTIVE Cincinnati
  13. 2015-2016 Season Auditions Announced for Dare to Defy Productions
  14. Auditions Announced for JEKYLL & HYDE at Loveland Stage Company
  15. Teaching Positions Available at Indian Hill Performing Arts
  16. Theatre Company Finds New Home in Northside
  17. MARY POPPINS Runs Aug. 6-15
  18. 1776 Runs July 8-26
  19. Auditions Announced for JUNIE B. IN JINGLE BELLS, BATMAN SMELLS at CenterStage Players
  20. Auditions Announced for BYE BYE LIVER by 628 Productions
    2014-2015 Southwest Regional OCTAFest Awards
  21. Cast Announced for SIX DANCE LESSONS IN SIX WEEKS at Mariemont Players
  22. Auditions Announced for CURTAINS at Lebanon Theatre Company
  23. Auditions Announced for PICNIC by The Footlighters Inc.
  24. CCM Drama – Amazing Changes
  25. 9 TO 5 THE MUSICAL Runs Aug. 12-30

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CCM Drama – Amazing Changes

Via Richard Hess, Chair of CCM Drama

Rocco Dal Vera

Rocco Dal Vera

Please join me in celebrating the recent appointment of Professor ROCCO DAL VERA to his new role as TAPAA (Theatre Arts, Production, Arts Administration) Division Head. Since joining the CCM Drama faculty in 1999 Rocco has distinguished himself with excellent teaching, leadership, and service to the department and college. His new appointment will allow him to continue to be an advocate for CCM Drama on a higher level, and to help move our Division to new heights with new opportunities. Rocco has moved his office up to our Division Head Office next to Patti Hall. He will continue to teach for CCM Drama, one course per semester to be determined, and he will still be available to us in many ways. Congratulations!

AMAZING CHANGES, there’s more exciting news
I am so pleased to announce the appointment of D’ARCY SMITH to the CCM Drama Faculty. In our time of need we moved quickly and efficiently to find an exceptional Voice and Speech teacher for CCM Drama.

D'Arcy Smith

D’Arcy Smith

D’Arcy Smith, BFA, MFA, Voice Teaching Specialist
D’Arcy Smith was recently the resident voice/dialect coach at the Guthrie Theater and a Lecturer of Voice/Speech/Text at the University of Minnesota. He has worked as a teacher and voice and speech specialist in the United States, U.K., Canada and New Zealand. A graduate of York University, Toronto, Canada from the MFA program in Acting with an additional Diploma in Voice Teaching, he has taught at The Central School for Speech and Drama in London, Toi Whakaari: New Zealand Drama School, Wright State University, the Canadian National Voice Intensive, and at York University in Toronto. He has also worked as voice, speech and dialect coach on countless professional productions. He produced and directed the audio CD that accompanies the book “Phonics for Dummies”. D’Arcy is well versed in a variety of different voice, speech and communication techniques so that he can best help the individual in their learning. He believes in always keeping a sense of play while guiding the actor to find freedom, confidence and empowerment.

AMAZING CHANGES, there’s even more exciting news
Please Welcome GILES DAVIES to his position as Full Time Visiting Faculty member for the 2015-2016 school year. Giles has graciously agreed to put his successful acting career on hiatus, to leave Florida, and to spend the year in a full time capacity with us teaching a variety of courses. Giles was an adjunct instructor for us for 3 years from 2004-2007 as our Movement II teacher, as well as covering my teaching duties for a term while I was on sabbatical. He is a Cincinnati icon, now based in Florida, highly respected in the field as an actor and teacher, and I know you will all have an amazing year and life changing experiences working with Giles after the retirement of Diane Kvapil.

Giles Davies.

Giles Davies.

Mr. Davies was born and bred in Hong Kong where he began acting at the age of five at the behest of his sister. He received his M.F.A. from Ohio State University where he specialized in creating solo performances, and his Bachelor of Science degree in Theatre and History, Honors College, Ball State University. He has performed two of his solo shows, An Evening with Charles Dickens and Turgid Tales of Turmoil, Terror and Tortured Souls, in Hong Kong, Belgium, Malaysia, California, New Hampshire, Indiana and Cincinnati. He specializes in teaching Shakespeare, movement, and acting. He has had the privilege of studying with Marcel Marceau, The SITI Co., Richard Schechner, The Wooster Group, Kevin Kling, and Danny Hoch, among others. He initiated a High School age actor training program at The Cincinnati Shakespeare Co., where he worked full time as an ensemble member for 9 years (performing in over 45 productions on their stage). In the Tampa area he has taught with The Patel Conservatory, The American Stage summer programs, Hillsborough Community College, workshops at The Gorilla Theatre and independent sessions with various local artists and students. Most recent Tampa Bay credits include A Midsummer Night’s Dream (freeFall Theatre), Death and the Maiden (A Simple Theatre) Quills (Jobsite Theatre), and November (American Stage.)

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Tony Award-Winning Broadway Producer Kevin McCollum Joins CCM Faculty

TONY AWARD-WINNING BROADWAY PRODUCER
KEVIN MCCOLLUM JOINS CCM’S FACULTY
AS DISTINGUISHED VISITING PROFESSOR

 As part of his appointment, the renowned theatre producer and honored University of Cincinnati alumnus will develop a new musical theatre incubator program at UC’s College-Conservatory of Music.

Kevin McCollum

Kevin McCollum

CINCINNATI, OH — Peter Landgren, dean and Thomas James Kelly professor of music at the University of Cincinnati College-Conservatory of Music (CCM), has appointed leading Broadway producer Kevin McCollum to the position of Distinguished Visiting Professor. McCollum’s initial appointment will be for three years and will become effective in August of 2015.

A distinguished alumnus of the University of Cincinnati, McCollum (BFA Musical Theatre, 1984; HonDoc, 2005) is the Tony Award-winning producer of Rent, Avenue Q, In the Heights, Motown the Musical and many other acclaimed Broadway, off-Broadway and touring productions. Earlier this spring, McCollum received two more Tony nominations for his current productions of Something Rotten! (Best Musical) and Hand to God (Best Play). He also received 12 Outer Critics Circle Award nominations, including Outstanding New Broadway Musical, and nine Drama Desk nominations, including Outstanding Musical.

As a Distinguished Visiting Professor at CCM, McCollum’s influence on the college’s students and programs will be broad, focusing his work on musical theatre, although his entrepreneurial expertise will also be applied to aspects of auditioning, career development, arts administration and more. Through this new appointment, McCollum will also work with faculty and administrators to develop a new musical theatre incubator program at CCM. A collaborative venture between CCM and Alchemation, McCollum’s Broadway producing office, this incubator will be designed to support the creation of new musical theatre works, utilizing McCollum’s entrepreneurial expertise and CCM’s abundance of talent.

“We are very excited to bring Kevin back to CCM as a member of our faculty,” says Dean Landgren. “Kevin is arguably the most accomplished and successful producer working in theatre today. Given his diverse background and his proven expertise in the business of the performing arts, his presence on our faculty will enhance the already world-class training that our students receive.”

“CCM was an essential part of my professional training and I am thrilled to return to such a top-notch institution,” says McCollum. “There are many things that attracted me to this position on CCM’s faculty; Peter Landgren’s bold leadership and openness to collaboration, the level of excellence found in the faculty, the highly accomplished young artists and the state-of-the-art facilities of my Alma Mater. I am proud to be counted amongst the internationally renowned faculty of this great institution. CCM has a longstanding commitment to presenting new works, and I am equally proud to help develop a program that will usher in the next generation of musical theatre artists.”

Speaking of the significance of an incubator program for musical theatre, Landgren explains, “Keeping with the University of Cincinnati’s proud tradition of cooperative education and experiential learning, this collaboration with Kevin and Alchemation will present our students with extraordinary opportunities to hone their craft while working to develop future theatre classics. Developing Broadway’s blockbusters-of-tomorrow with CCM’s stars-of-tomorrow is a win-win.”

About Kevin McCollum
With a career spanning 25 years in the theatre industry, Kevin McCollum remains one of the most prolific and successful producers on Broadway today. He has received the Tony Award for Best Musical for In the Heights (2008), Avenue Q (2004) and Rent (1996), which also won the Pulitzer Prize. He produced Motown the Musical (Broadway and National Tour), The Drowsy Chaperone in 2006, which won five Tony Awards, Baz Luhrmann’s production of Puccini’s La Boheme in 2002, [title of show] in 2008, the touring and Broadway productions of Irving Berlin’s White Christmas, the off-Broadway hit De La Guarda, the recent hit revival of West Side Story and Bengal Tiger at the Baghdad Zoo.

In 1995 McCollum co-founded the Producing Office, and has since created Alchemation, a theatrical and media producing company committed to new work. In addition to his training at CCM, McCollum earned his Master’s degree in film producing from the Peter Stark Program at the University of Southern California.

In 1995, McCollum received the Robert Whitehead Award for Outstanding Commercial Theatre Producing. In 2005, he received an honorary doctorate from the University of Cincinnati. He is represented on Broadway this spring with the original musical Something Rotten! and the new American play Hand to God. His wife is actress and fellow UC graduate Lynette Perry-McCollum (BM Musical Theatre, 1985).

About Alchemation
Founded in 2012, Alchemation is a theatre and media company under McCollum’s leadership. Productions under the Alchemation banner include Motown the Musical, Something Rotten!, Hand to God and the third season of theatrical web-series Submissions Only. In the summer of 2013, McCollum entered a joint venture with 20th Century Fox to develop titles from the Fox catalogue into stage properties.

About CCM
Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. Declared “one of the nation’s leading conservatories” by the New York Times, CCM provides life-changing experiences within a highly creative and multidisciplinary artistic environment.

CCM’s educational roots date back to 1867, and a solid, visionary instruction has been at our core since that time. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage.

CCM’s faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts.

More than 150 internationally recognized faculty members work with students from around the world, specializing in the areas of Composition, Musicology and Theory; Electronic Media; Ensembles and Conducting; Keyboard Studies; Music Education; Performance Studies and Theatre Arts, Production and Arts Administration.

The largest single source of performing arts events in the state of Ohio, CCM presents nearly 1000 major public performances each year, ranging from faculty and guest artist concerts to fully supported opera, musical theatre, drama and dance productions.

For more information about the University of Cincinnati College-Conservatory of Music, please visit us online at ccm.uc.edu.

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LCT Reviews of YOU’RE WELCOME (A Cycle of Bad Plays)

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

I have no idea what I saw on stage the Cohen Family Studio Theatre of the College-Conservatory of Music, but I haven’t laughed this hard at a farce in a long time. What a wacky refreshing evening of theatre at CCM Studio Series. If Monty Python and Carol Burnett had a child this would be the offspring.  The play is a series of sketches, vignettes, or whatever you want to call it (it’s billed as a cycle of bad plays so take your pick). The fun is that it’s a series of satirical views of theatre — complete with an overzealous director (the real one, not the one portrayed by very talented Bartley Booz and, well, a very famous CCM director in cameo at the curtain call!).

CCM_Youre Welcome promo 2It was very “fringey” and that’s what I loved. While this show feels like acting exercises and improv games made into a piece of theatre, I enjoyed the effort. Often times when I see shows at CCM their offerings are highly polished and technically proficient but lack some emotional energy or edginess. Kudos to director Brant Russell for changing things up!! This is devised theatre, funny and scrappy and showcasing several of the drama students to great effect. It’s hard to single out individuals when you’re seeing an ensemble hard at work. Spencer Lackey was disturbingly charming and mysterious in a Norman Bates sort of way sitting on a bench waiting for a train. It took the audience a while (if not right at his reveal) to realize it was a man as a woman boozing it up during the voice-over monologue.  Andrew Iannacci, Colleen Ladrick, Laura McCarthy, Devan Pruitt, Alison Slutter and Arielle de Versterre are all juniors in the program, so you should not miss this fun with them before they graduate. I’m looking forward to more work by sophomore Emily Walton (along with sophomore Lackey), who seem to make the transition from drama to comedy smoothly.

It’s theatrical sin at its finest. The “We’ve got a fog machine” was a brilliant zinger of the rule “just because you can, doesn’t mean you have to” that plagues many theatre productions — professional, community, high school, Las Vegas, even mega-churches. Not to mention the hilarious send-up in sound design and choreography of Michael Jackson’s “Thriller”. I loved the breaking of the fourth wall and loved the fun ending.

I’m reminded of a John Cleese bit “If you’re not old enough to cope with bad language then you should not have chat shows.” If you’re not old enough to laugh at some fine theatre you shouldn’t be a theatre-goer at all.

For more information on the production, click here.

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