Author Archives: robbucher

Auditions Announced for GUESS WHO’S COMING TO DINNER at Falcon Theatre

FT_logoFalcon is excited to be able to resume in-person auditions this season! We will be following all CDC guidelines for safety.

July 27 & 28 from 6-8pm

Falcon Theatre
636 Monmouth St.
Newport, KY 41071

AUDITION REQUIREMENTS:

  • Use Falcon’s online Audition Sign-Up form to submit your information prior to auditions (see below)
  • Must submit a digital version of your resume (PDF Preferred)
  • Headshots must be PDF, or JPEG format

GUESS WHO’S COMING TO DINNER by Todd Kreidler
Directed by Piper N. Davis

Production dates on Sept. 24-Oct. 9

Audition Details:

  • Auditions will be held in person on July 27th and 28th from 6:00-8:00 PM. Actors only need attend one of the 2 audition days. All actors are requested to submit an audition form prior to attending auditions (click the Audition Sign-Up button below to register for auditions).
  • Auditions will consist of cold readings from the script.
  • Questions, contact director Piper N. Davis: piperndavis@gmail.com

Character Descriptions:

  • Matt Drayton – White – 50-70 – Newspaper Publisher
  • Christina Drayton – White – 50-70 – Matt’s wife, runs an art gallery
  • Joanna Drayton – White – 22-30 – Their daughter
  • Dr. John Prentice Jr. – Black – 30-40 – Joanna’s finance, a rising star doctor
  • John Prentice Sr. – 50-70- Dr. Prentice’s father, retired
  • Mary Prentice – 50-70 Dr. Prentice’s mother, retired
  • Matilda Binks – Black – 35-65 – The Drayton’s housekeeper
  • Monsignor Ryan – White – 45-70 – Drayton family friend

Click here to sign up for auditions.

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A GENTELMEN’S GUIDE TO LOVE AND MURDER Runs Aug. 19-Sept. 19

LAC_Gentlemens Guide logoA GENTELMEN’S GUIDE TO LOVE AND MURDER
La Comedia Dinner Theatre
Aug. 19-Sept. 19
[Springboro]

Cast: Chris Beiser as D’Ysquith Family, David Thomas as Monty Navarro, KatieAnn Bonavita as Sibella, Allison Gabert as Miss Barley/Ensemble, Hannah Hensler as Phoebe D’Ysquith, Tina Shatto as Lady Eugenia/Ensemble & Karie-Lee Sutherland as Miss Shingle/Ensemble
Ensemble: Colin Cranstoun, Digger Howard, Chris Kramer, 

When the low-born Monty Navarro finds out that he’s eighth in line for an earldom in the lofty D’Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. Can he knock off his unsuspecting relatives without being caught and become the ninth Earl of Highhurst? And what of love? Because murder isn’t the only thing on Monty’s mind….

8/26/21 Covid-19 Policy: Unable to find any information.
Note: 
Always verify the latest policy changes before attendance.

  • Thu-Fri, Aug. 19-20 at 10:30am & 5:30pm
  • Sat, Aug. 21 at 5:30pm
  • Sun, Aug. 22 at 10:30am & 5:30pm
  • Thu-Fri, Aug. 26-27 at 10:30am & 5:30pm
  • Sat, Aug. 28 at 5:30pm
  • Sun, Aug. 29 at 10:30am & 5:30pm
  • Thu-Fri, Sept. 2-3 at 10:30am & 5:30pm
  • Sat, Sept. 4 at 5:30pm
  • Sun, Sept. 5 at 10:30am & 5:30pm
  • Thu-Fri, Sept. 9-10 at 10:30am & 5:30pm
  • Sat, Sept. 11 at 5:30pm
  • Sun, Sept. 12 at 10:30am & 5:30pm
  • Thu-Fri, Sept. 16-17 at 10:30am & 5:30pm
  • Sat, Sept. 18 at 5:30pm
  • Sun, Sept. 19 at 10:30am & 5:30pm

Official page | Facebook event |

 

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Wardrobe Supervisor Sought by Cincinnati Shakespeare Company

CSC_logoTitle:  Wardrobe Supervisor
Reports to:  Costume Shop Manager & Production Stage Manager
Start Date:  September 27, 2021 (flexible)

About the Cincinnati Shakespeare Company
The Cincinnati Shakespeare Company (CSC) is a resident ensemble theatre company bringing Shakespeare and the Classics to life for all. Operating out of The Otto M. Budig Theater, CSC hosts a year-round theatrical season in addition to special events, educational programming, and community engagement activities. In its theatrical portfolio, CSC executes up to ten mainstage productions and six touring productions annually. Beyond its theatrical portfolio, CSC collaborates with many local community and arts organizations.

Diversity, equity, inclusion, and access (DEIA) are priorities of the Cincinnati Shakespeare Company. CSC strongly supports equal employment opportunity for all applicants regardless of race, sex, religion, creed, national origin, age, disability, sexual orientation or any other legally protected classification. All team members are expected to advance CSC’s DEIA commitments.

Position Overview
The Wardrobe Supervisor is essential to the production team of CSC, collaborating closely with designers, other production team members, artistic associates, and the producing artistic director to ensure that all projects produced at CSC are artistically executed to the highest possible standard.

The Wardrobe Supervisor is responsible for the costume and wig maintenance, preshow, and postshow needs for all CSC productions. They work closely with the Stage Management Team to run all productions and as a result will also report to the Production Stage Manager. The Wardrobe Supervisor works intimately with the acting ensemble; as such, they should be able to handle issues with discretion, prioritize privacy, and value creating a comfortable work environment.

When not in performance, the Wardrobe Supervisor works in the Costume Shop. Duties assigned will align with the skills of the Wardrobe Supervisor, and may include stitching, hair, makeup, or costume technical tasks.

This is a full-time, hourly position. The schedule for the Wardrobe Supervisor averages 40-45 hours per week. The specific work schedule is driven by the performance and technical rehearsal schedule. Extended hours and modified work weeks may be necessary due to technical rehearsal schedules and specific production needs.

The Cincinnati Shakespeare Company truly operates as a team. To consistently achieve excellence, it is possible that the Wardrobe Supervisor will be asked to assist departments beyond their areas of focus or expertise. This effort is requested under exceptional circumstances.

Responsibilities

Wardrobe

  • Running wardrobe backstage for all mainstage productions and educational matinees.
  • Maintaining and cleaning costumes during all production runs.
  • Doing all show laundry and redistributing clean clothes after each performance.
  • Spraying and deodorizing all non-washable clothes after each performance.
  • Steaming and pressing garments as needed.
  • Repairing garments as needed and informing the shop manager of any serious damages or repairs.
  • Styling, re-blocking, cleaning and maintaining wigs during the production run.
  • Attend production meetings and designer run-throughs as necessary.
  • Participate in stage cleaning and preparation leading into technical rehearsals and build processes.
  • Maintain cleanliness of backstage wardrobe spaces including dressing rooms (per Actors Equity Association rulebook), quick change booths, and any storage shelves, racks, or tables.
  • Participate in wardrobe strike for all productions.

Costume Shop

  • Weeks when running wardrobe does not require 40 working hours per week:
    • Participate in costume build process including pulling, patterning, and stitching.
    • Assist the Costume Shop Manager in the restock, cleaning, and maintaining of costume storage and work spaces as requested.
    • May be asked to coordinate costumes for remounted productions.

General

  • Advance the diversity, equity, inclusion, access, and strategic goals of CSC.
  • Adhere to company policies and regulations per the CSC Company Handbook.
  • Maintain a safe, fair, and ethical working environment.
  • Collaborate with the Costume Shop Manager to improve overall aesthetic product and production processes.
  • Maintain CPR certification provided by CSC.
  • Provide personal, reliable mode of transportation.
  • Other duties as requested by the Costume Shop Manager.
  • Serve as Covid-19 Safety Officer for all performances (per Actors Equity Association Covid-19 Guidelines).

Competencies & Qualifications
The items listed below are guidelines to skills and ambitions that a successful candidate should have. Successful candidates will identify as possessing the majority of these skills or being actively interested and committed to developing these skills. Candidates who have yet to cultivate some of these attributes, but feel passionate about growing them may still find success in this role.

Cultural

  • Passionate about cultivating a work environment and work product that supports CSC’s DEIA initiatives.
  • Drive to create excellent theater that has a significant impact in the community and beyond.
  • Eagerness to learn.
  • Ability to remain tactful in stressful situations.
  • Desire to lead a team, develop their skills, and foster their professional development.

Technical Skills

  • Previous experience in technical theatre with a focus in wardrobe. Experience in other areas such as costume construction, alterations, make-up execution, or management a plus.
  • Strong knowledge base of wardrobe maintenance and laundry.
  • Experience styling and maintaining wigs.
  • Excellent communication skills, particularly with actors and colleagues.
  • Comfortable problem solving and making decisions with limited supervision.
  • Able to keep calm under pressure and remain tactful in stressful situations.
  • Excellent time management and organizational skills.
  • Able to read and create detailed paperwork.
  • A sense of humor.
  • Leads with kindness.

Compensation & Benefits
This position is an hourly, full-time position with an estimated annual income range of $30,000 – $32,000. Overtime is received for hours worked over 40 in a workweek spanning Monday through Sunday. In addition to their earnings, the Wardrobe Supervisor is eligible for the following benefits:

  • Access to profit-sharing bonus program after first year of employment.
  • Ten days of paid vacation, accrued seasonally.
  • Six days of paid sick leave, accrued seasonally.
  • Paid holiday leave.
  • Access to group health insurance with 50% of employee premiums paid by CSC.
  • Optional enrollment in Health Savings Account plan.
  • Access to dental insurance with 50% of employee premiums paid by CSC.
  • Life and AD&D coverage for the employee paid by CSC.
  • Parental leave, short-term medical leave.
  • 401(k) Retirement Savings Plan with employer match.
  • Free access to CSC educational programming for dependents (Groundlings Junior, Groundlings, Summer Camp).
  • Complimentary enrollment and membership to the Y which offers fitness facilities throughout the region and other wellness benefits.
  • Complimentary and discounted tickets to all CSC productions.

To apply visit www.cincyshakes.com/job-advertisement-application-wardrobe-supervisor-2021 and scroll down to apply.

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Full Time Scenic Builder/Artist Sought by Cincinnati Landmark Productions

CLPCincinnati Landmark Productions, the parent theatrical organization for The Covedale Center for the Performing Art and the Warsaw Federal Incline Theater is seeking a full time set construction staffer/scenic artist.

Requirements:

  • Able to utilize technical equipment.
  • Able to utilize tools for set work.
  • Able and willing to follow instructions with good time management and problem-solving skills.
  • Carpentry and construction skills to be utilized for building sets.
  • Scenic Painting experience plus.
  • Ability to lift 50+ lbs.
  • Able to read and write and communicate effectively.
  • Thinks creatively.
  • Prefer B.A. in Theatre or Technical Theater or related field or sufficient professional experience.
    Candidates with qualifications in theatre studies, creative or performing arts, or visual arts are preferred.

Responsibilities:
Will partner with the Technical Director, Artistic Director and other production staff in execution of set production of 11 shows over the year.

  • Attend all scheduled design and production meetings.
  • Attend early rehearsals and dress rehearsals.
  • Supervise student workers as needed.
  • Other related duties as assigned.

Other Requirements:

  • Must have a valid driver’s license and reliable transportation.
  • Candidate must be able to work in an unsupervised environment.
  • Is a self-starter, dependable, and have excellent communications skills.
  • Able to work early mornings and afternoons (based on our production schedule).
  • Able to drive a box truck.
  • Even tempered and have a good sense of humor and be willing to work in a unique, and fun environment!
  • This is a full-time salaried position with benefits.

If interested, please email Denny Reed, Tech Director at dennyreed@clpshows.org (NO PHONE CALLS or WALK-INS PLEASE).

When applying, please include a cover letter and resume.

Deadline to submit resume cover letter and resume is Monday, August 2, 2021.

Start Date – immediate.

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SPRING AWAKENING Coming July 29-Aug. 8 to Cincinnati Actor’s Studio & Academy

CASA_Spring Awakening logoSPRING AWAKENING runs July 29th-August 1st & August 5th-August 8th at Cincinnati Actor’s Studio & Academy

Join CASA on this journey as we explore the importance of taking teenagers seriously in a world that demands so much from them.

Cincinnati, OH – July 19, 2021
What is at risk when we fail to communicate?

The award-winning musical “Spring Awakening” is a rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the 1891 German play Spring Awakening by Frank Wedekind, whose work, which often criticizes bourgeois attitudes (particularly towards sex), is considered to anticipate expressionism and was influential in the development of theatre of the absurd. Wedekind was also a life-long guitar player and surely would have been a rock star today. Hence, the 21st-century musical blends the 19th-century play with an alternative rock score.

Ticket and Production Details
Performances will be on Thursday, July 29th – Sunday, August 1st, & Thursday, August 5th – Sunday, August 8th all at 7:30 pm. All performances will be at Essex Studios (2511 Essex Place, Studio 282B, Cincinnati, OH 45206.

Tickets are $15 for students/seniors and $20 for adults and can be purchased online https://casastudio.booktix.com or at the door.

SPRING AWAKENING has a warning for mature content. Masks are REQUIRED for the audience OR proof of vaccination at the box office. The cast is fully vaccinated and will be performing without masks.

For more details, visit www.casastudioacademy.com or CASA’s Facebook page.

*Presented through special arrangement with Music Theatre International*

PRODUCTION TEAM

  • Director/Choreographer: Gina Cerimele-Mechley
  • Assistant Director: Meg Roulier
  • Stage Manager: Jess Cooper
  • Assistant Choreographer: Cecilia Gries
  • Music Director: Joseph Ivan
  • Vocal Coach: Kate Stuard
  • Mask Coach: Cheryl Couch
  • Assistant to Mask Coach: Aidan McCracken
  • Scenic Artist: Sara Detwiler
  • Social Media: Sara Detwiler
  • Dramaturg: Sarah Dykhuizen
  • Costumer: Julie Simmons
  • LIVE Videographer: Lorelai Goodwin
  • Videographer Coach: Evan Holzman
  • Sound Design/Board Op: Mickey Masterson

CAST

  • All Adult Women: Alaska Stoughton
  • All Adult Men: Justin Huddilston
  • Anna: Frankie Montazemi
  • Ernst: Alex Simpson
  • Georg: Ethan Baker
  • Hanschen: Worley Stidham
  • Ilse: Maddi O’Connell
  • Martha: Chloe Price
  • Melchior: Alex Pletikapich
  • Moritz: Nick Swope
  • Otto: Jason Coffenberry
  • Thea: Claire Adams
  • Wendla: Cassandra Reeves
  • Ensemble: Dani Underdown, Bryn Studer, Connor Williamson, Elliet Malatesta, Kayamarie Roll, Sabrina Mack, James Pinkley, Sean Britton, Grace Davis

SCHOOLS BEING REPRESENTED IN THE CAST AND CREW: NKU, TAYLOR HS, SCAD, MIAMI UNIVERSITY, BALDWIN WALLACE, OHIO UNIVERSITY, MARYMOUNT MANHATTAN UNIVERSITY, BALL STATE UNIVERSITY, SIENNA COLLEGE, CCM ACTING-UNIVERSITY OF CINCINNATI, GEORGETOWN UNIVERSITY, TURPIN HS, COLUMBIA COLLEGE CHICAGO, LOVELAND HS

ADDITIONAL INFORMATION:
“Set in late 19th-century Germany, the musical and the play tell the story of teenagers discovering the inner and outer tumult of adolescent sexuality, and the brutality and hypocrisy of the adults in their world, both of which are unfortunately timeless themes. Frank Wedekind takes the position that an entire society is destroying the children it claims to love. In the end, the only thing that really matters to teenagers is that they are taken seriously. The key to that is communication: healthy communication between teens and adults, and listening to the past and to “those you’ve known and lost” all the while looking ahead to the future. Failure in communication is always the catalyst for the tragedy in the story. These messages of the play often get overlooked in the musical due to the spectacles of ecstasy and obscenity. CASA explores returning to the ghostly roots of the play, and the heart of comedy, tragedy, and vulnerability it expresses.

As usual, CASA has set the production up with the audience as a part of the action, as we want you to enter the story, not the theatre. As always, we hope to create dialogue to create change. A portion of the proceeds from this run will be donated to Lighthouse Youth and Family Services.” — Gina Cerimele-Mechley, director

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