Category Archives: Casting Call

October 19, 2026 · 5:11 pm

Costume Designer, Lighting Designer, Sound Designer & Scenic Designer Sought for CLOS(IN)G at American Legacy Theatre

COSTUME DESIGNER

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION 
The Costume Designer will create, plan and execute the costumes that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given. 

ALT staff will be available to assist with critical components along the way. 

COMPENSATION 
Costume Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 
Please send resume, cover letter, any potential conflicts, and 3 references to: info@americanlegacytheatre.org with the subject line of “Clos(in)g -Costume Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees).

LIGHTING DESIGNER

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION
The Lighting Designer will create, plan and execute the steps required to implement a high quality lighting experience that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given.

COMPENSATION 
Lighting Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 
Please send resume, cover letter, any potential conflicts, and 3 references to:info@americanlegacytheatre.org with the subject line of “Clos(in)g -Lighting Designer Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

SOUND DESIGNER 

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION
The Sound Designer will create, plan and execute the steps required to implement a high quality sound experience that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given. Sound designers will be expected to be at all performances to help mix the show.

ALT staff will be available to assist with critical components along the way.

COMPENSATION 
Sound Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 
Please send resume, cover letter, any potential conflicts, and 3 references to:info@americanlegacytheatre.org with the subject line of “Clos(in)g -Sound Designer Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

SCENIC DESIGNER

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION
The Scenic/Properties Designer will create, plan and execute the steps required to implement a high quality scenic experience that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given.

ALT staff will be available to assist with critical components along the way.

COMPENSATION 
Scenic Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 

Please send resume, cover letter, any potential conflicts, and 3 references to:info@americanlegacytheatre.org with the subject line of “Clos(in)g -Scenic Designer Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

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October 8, 2026 · 6:14 pm

Technical Director Sought by The Children’s Theatre of Cincinnati

Technical Director (Full-Time)

Starting Date: January 4th, 2027

Organizational Overview:
TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming. We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre
  • TCT On Tour
  • TCT Academy

Position Overview:
The Technical Director is a skilled theater professional that is highly knowledgeable in all aspects of technical theatre including scenic construction, paint, lighting, sound, and AV systems. They will effectively navigate the complexities of a multifaceted work environment with an ambitious production calendar. The Technical Director will be responsible for managing the Scenery Departments and management of the scene shop.

The Technical Director must work closely with all scenic designers to maintain the integrity of the scenic design for all productions, approving its safety and feasibility in terms of time and budget. They ensure that the finished production visually represents the integrity of the design while staying within the allocated budgets.

The Technical director must have the ability to read and interpret designer draftings and elevations to decide what building techniques are necessary to complete the task. They also must be able to properly communicate this information to their team. They maintain technical spaces and equipment and develop/enforce practices that ensure safe, efficient, and effective operation of The Showtime Stage, The Scene Shop and the Emery Theater. The role directly supports the success of the scenic operations for 4 MainStage productions and 4-7 touring productions per year. They assist in identifying and prioritizing needs and initiatives, finding creative solutions to achieve goals while conserving resources.

The Technical Director reports directly to the Director of Production and supervises the ATD/Shop Foreman and the Scenic Charge Artist.

Responsibilities:
The Technical Director’s responsibilities include but are not limited to:

  • Create digital technical drawings and plans, using AutoCAD or Vectorworks
  • Work with director to understand his/her vision and needs, as well as to work out any potential problems related to schedule or other limitations
  • Approve scenic designs regarding safety, compatibility, feasibility, budget, and scheduling.
  • Assist/advise the members of the production team on technical aspects of each theatrical project.
  • Oversee scenic (carpentry and paint) build for all TCT Productions.
  • Determine technical needs for produced MainStage, Showtime Stage and TCT on Tour
    productions;
    • Order/obtain materials and manage scenic design budgets.
      o Work within the assigned budget by tracking set and paint materials, supplies and over-hire budgets
    • Determine build, paint, and maintenance schedules.
  • Efficiently manage and supervise staff
    • Coordinate with Shop Foreman and Scenic Charge on needs and scheduling of over-hire team.
  • Coordinate the stage and equipment logistics with the ATD, including the loading and unloading of trucks with crew.
  • Build and maintain relationships with IATSE teams, trucking companies and community partners (Opera, Ballet, etc. with whom we share/rent equipment).
  • Attend scheduled production/design meetings
  • Attend necessary staging, tech and dress rehearsals at the Emery Theater
  • Work with the Shop Foreman to maintain technical spaces and stage equipment in the shops and theater spaces (Showtime)
  • Work with ATD/Shop Foreman and Scenic Charge to create and maintain inventories and storage of scenic stock goods, soft goods, supplies and equipment.
  • Assist with technical needs for all TCT programs and divisions.
  • Work with the Events and Rentals Manager to fulfill set rental requests
  • Make recommendations regarding capital purchases of technical equipment.
  • Perform other duties and responsibilities as assigned.

Ideal and Minimum Qualifications:

  • Working knowledge of techniques, methods and procedures of theater, dance, and music productions and presentations including
    • Master level scenic carpentry construction techniques
    • Stage technology, scenic paint, sound, video and lighting design and implementation;
  • Ability to lead and communicate with a team deadlines and expectations in a dynamic environment.
  • Ability to prioritize multiple tasks and meet deadlines.
  • Ability to maintain confidentiality.
  • Ability to work independently and as part of a team.
  • Ability to exercise sound judgment and decision-making.
  • MIG welding, scenic painting and theatrical rigging.
  • Ability to drive a 26’ Box Truck and 12-person van is a plus.
  • Bachelor of Fine Arts or equivalent work experience.

Compensation & Benefits:

  • Salary range: $60,000-68,000.
  • Health, vision and dental benefits are available, partially subsidized by employer contributions, after a waiting period.
  • 03(b) retirement plan participation available, after a waiting period, with eligibility for an employer match after one year of credited service.
  • Generous PTO based on years of service.
  • Generous paid holiday schedule.

The Children’s Theatre of Cincinnati believes the stories on our stages and the work we do behind the scenes must reflect the diverse communities we serve. We believe inclusive work cultures spark wideranging, exploratory conversations and learning. Therefore, we strongly welcome and encourage people from all backgrounds, identities, abilities, and ages to apply as we continue our commitment to diversity and build an inclusive environment at TCT.

TO APPLY:
Qualified candidates should submit whatever they feel best reflects their qualifications. This can come in the form of a video, cover letter/resume, portfolio, and/or demo reels. (Files should be less than 3MB in total, links are welcome). No phone calls, please.

Please submit materials and any references to Samantha.wade@tctcincinnati.com

Subject Line: Technical Director 2026

Equal Opportunity Employer
The Children’s Theatre of Cincinnati is an Equal Opportunity Employer. TCT is committed to providing equal employment opportunities to all qualified applicants and employees and does not discriminate on the basis of race, color, religion, sex, pregnancy, sexual orientation, gender identity, national origin, age, disability, genetic information, veteran status, or any other status protected by applicable federal, state, or local law.

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October 6, 2026 · 4:59 pm

Casting Call for THE JURY EXPERIENCE Cincinnati

The Jury Experience is a 60-minute scripted play presented as a live courtroom trial. The audience serves as the jury, and the show features alternate endings based on their verdict.

The Deadly Boat Ride
On a summer night, the child of a powerful politician took the wheel of the family’s speedboat – an ex-lover and old friends on board. Hours later, one was dead, one in a coma, and the child is facing a murder charge. Was it an act of jealous rage? Or is there far more to this tragedy than meets the eye?

Production Type: Immersive Theatre
Location: Must be Cincinnati, OH local hire
Union Status: Non-Union

Rehearsals: Monday, October 12 from 5-9 PM. Additional paid pickup rehearsals scheduled prior to subsequent show dates on cast and crew availability.

Performance Location: Fawcett Event Center | 2400 Olentangy River Rd, Columbus, OH 43210
Performance Dates: 2 shows per date
Saturday, October 17 (4:00 & 6:30 PM)
Sunday, November 8 (4:30 & 7:00 PM) and more!

Additional show dates will be added and we are looking for cast with availability into 2027.

FEMALE UNDERSTUDY (Female, 40s+)
Covers two principal roles as follows:

WITNESS – SENATOR TERRY GILROY
A powerful politician and parent of the defendant. Terrified of scandal, but above all, a deeply loving parent.
The facade is polished while the emotions beneath are volcanic.

PROSECUTOR – ASSISTANT D.A. ANTONIA TISDALE
Driven and overprepared. The kind of prosecutor who still writes their notes by hand. Projects confidence.
Passionate, intelligent, and intense.

Compensation:
Rehearsals: $18/hour.
Understudy Show Day Rate: $80 per show day to hold the date.

If an understudy is called to go on in a principal role, they would instead receive the principal show day rate of $340 per show day. A van and driver would also be provided to transport performing cast to/from Cincinnati.

To Submit: Please email your materials (resume, reel, headshot, portfolio, etc. as applicable) to Casting@TBACasting.com with the subject line: The Jury Experience – Cincinnati

Due: Sunday, October 11 but earlier submissions preferred!

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August 27, 2026 · 5:04 pm

Call for Directors for 2027-2028 Season at CenterStage Players

CenterStage Players is now accepting applications for Directors for our 2027-28 season!

We are searching for creative and talented directors, both experienced and new, who aren’t afraid to take a risk. We are open to comedy, drama, farce, and musical submissions and are particulary interested in rarely performed shows, original works, and “edgy” scipts. You can see the list of our previous productions on our website – http://www.centerstageplayersinc.com
We are planning to produce three to four shows next season. All shows will be performed at Lockland High School, which should help you plan for the potential shows you may be interested in directing.
Interested applicants should send the information shown below to Mark Culp and Rebecca Coots, Vice-Presidents of Production, before the deadline of September 30, 2026. Director interviews will take place in late November or early December.
Please respond to this notice by e-mail to markcandjanec@gmail.com or by snail mail to:
Mark Culp
4 Alidrew Drive
Cold Spring, KY 41076
Please include the following in your submission:
Director Information:
  • Contact Information (name, phone number, email)
  • Current resume
Show Information:
  • Title of Show
  • Playwright
  • Please include a copy of the script, if possible, or ensure that it is a show that will have an easily accessible copy.
  • Please include a short summary of the show.
Production Information:
  • What about the show appeals to you as a director?
  • Please list any technical crew that you work with on a regular basis or would like to involve in this production.
  • What technical issues (if any) does the show present and how would you plan to resolve these?
  • Are there any anticipated casting difficulties and how would you overcome them?
  • Are there any budgeting issues or exceptional costs associated with this production?
  • If your show is selected, are there any schedule restrictions that might assist us in building our season (i.e., can only direct in the fall)?
NOTE: If considering multiple shows, we ask that you limit your submissions to two (2). Individual director interviews will be limited to 30 minutes, regardless of the the number of shows pitched.

We can’t wait to hear your ideas for the 2027-28 season!

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August 24, 2026 · 7:15 pm

Casting Call Announced for CLOS(IN)G at American Legacy Theatre

CLOS(IN)G: CASTING CALL

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Clos(in)g is a new play by Megan Benjamin Bennett, developed through ALT’s Playwrights for Change residency program, that is in its 2nd round of workshops. Set inside a soon-to-be-shuttered apartment building, the piece explores family, love, and the constant act of code-switching to survive.

As neighbors face the loss of their homes, the story unpacks what it means to belong — and what’s at stake when communities are displaced. At its heart, Clos(in)g is about resilience, relationships, and the fight to hold on when the world tells you to let go.

TIMELINE

Video Auditions: NOW. Submit by Friday, September 4th, 2026 for first consideration. Auditions accepted after as well. 

Rehearsals: December 6th, 2026- January 14th, 2027 (a two week unpaid break from December 21st, 2026-January 2nd, 2027).

Performances:

January 15th, 2027-January 31st, 2027 (Fridays-Sundays)

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece. 

COMPENSATION

This contract shall pay $130/week (there is no payment for the 2 week off from rehearsal from December 21st, 2027- January 2nd, 2027).

Artists are able to earn additional compensation for key audience referrals. 

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES 

Character List (roles not listed have already been cast)

  • George- African American, Male, 68
  • Theresa- African American, Female, 42
  • Brent- African American, Male, 16
  • Carter  – Any race, Male, 59
  • Theodore – African American, Male 38
  • Lucas – Caucasian, Male, 57
  • Marina – Latina, Female, 45

A Character Breakdown and audition sides can be found HERE. 

SUBMISSION

Video Auditions: NOW. Submit by Friday, September 4th, 2026 for first consideration. Auditions accepted after as well. 

Rehearsals: December 6th, 2026- January 14th, 2027 (a two week unpaid break from December 21st, 2026-January 2nd, 2027).

Performances: January 15th, 2027-January 31st, 2027 (Fridays-Sundays)

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

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