Category Archives: Casting Call

Technical Director Sought by The Children’s Theatre of Cincinnati

Technical Director (Full-Time)

Starting Date: January 4th, 2027

Organizational Overview:
TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming. We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre
  • TCT On Tour
  • TCT Academy

Position Overview:
The Technical Director is a skilled theater professional that is highly knowledgeable in all aspects of technical theatre including scenic construction, paint, lighting, sound, and AV systems. They will effectively navigate the complexities of a multifaceted work environment with an ambitious production calendar. The Technical Director will be responsible for managing the Scenery Departments and management of the scene shop.

The Technical Director must work closely with all scenic designers to maintain the integrity of the scenic design for all productions, approving its safety and feasibility in terms of time and budget. They ensure that the finished production visually represents the integrity of the design while staying within the allocated budgets.

The Technical director must have the ability to read and interpret designer draftings and elevations to decide what building techniques are necessary to complete the task. They also must be able to properly communicate this information to their team. They maintain technical spaces and equipment and develop/enforce practices that ensure safe, efficient, and effective operation of The Showtime Stage, The Scene Shop and the Emery Theater. The role directly supports the success of the scenic operations for 4 MainStage productions and 4-7 touring productions per year. They assist in identifying and prioritizing needs and initiatives, finding creative solutions to achieve goals while conserving resources.

The Technical Director reports directly to the Director of Production and supervises the ATD/Shop Foreman and the Scenic Charge Artist.

Responsibilities:
The Technical Director’s responsibilities include but are not limited to:

  • Create digital technical drawings and plans, using AutoCAD or Vectorworks
  • Work with director to understand his/her vision and needs, as well as to work out any potential problems related to schedule or other limitations
  • Approve scenic designs regarding safety, compatibility, feasibility, budget, and scheduling.
  • Assist/advise the members of the production team on technical aspects of each theatrical project.
  • Oversee scenic (carpentry and paint) build for all TCT Productions.
  • Determine technical needs for produced MainStage, Showtime Stage and TCT on Tour
    productions;
    • Order/obtain materials and manage scenic design budgets.
      o Work within the assigned budget by tracking set and paint materials, supplies and over-hire budgets
    • Determine build, paint, and maintenance schedules.
  • Efficiently manage and supervise staff
    • Coordinate with Shop Foreman and Scenic Charge on needs and scheduling of over-hire team.
  • Coordinate the stage and equipment logistics with the ATD, including the loading and unloading of trucks with crew.
  • Build and maintain relationships with IATSE teams, trucking companies and community partners (Opera, Ballet, etc. with whom we share/rent equipment).
  • Attend scheduled production/design meetings
  • Attend necessary staging, tech and dress rehearsals at the Emery Theater
  • Work with the Shop Foreman to maintain technical spaces and stage equipment in the shops and theater spaces (Showtime)
  • Work with ATD/Shop Foreman and Scenic Charge to create and maintain inventories and storage of scenic stock goods, soft goods, supplies and equipment.
  • Assist with technical needs for all TCT programs and divisions.
  • Work with the Events and Rentals Manager to fulfill set rental requests
  • Make recommendations regarding capital purchases of technical equipment.
  • Perform other duties and responsibilities as assigned.

Ideal and Minimum Qualifications:

  • Working knowledge of techniques, methods and procedures of theater, dance, and music productions and presentations including
    • Master level scenic carpentry construction techniques
    • Stage technology, scenic paint, sound, video and lighting design and implementation;
  • Ability to lead and communicate with a team deadlines and expectations in a dynamic environment.
  • Ability to prioritize multiple tasks and meet deadlines.
  • Ability to maintain confidentiality.
  • Ability to work independently and as part of a team.
  • Ability to exercise sound judgment and decision-making.
  • MIG welding, scenic painting and theatrical rigging.
  • Ability to drive a 26’ Box Truck and 12-person van is a plus.
  • Bachelor of Fine Arts or equivalent work experience.

Compensation & Benefits:

  • Salary range: $60,000-68,000.
  • Health, vision and dental benefits are available, partially subsidized by employer contributions, after a waiting period.
  • 03(b) retirement plan participation available, after a waiting period, with eligibility for an employer match after one year of credited service.
  • Generous PTO based on years of service.
  • Generous paid holiday schedule.

The Children’s Theatre of Cincinnati believes the stories on our stages and the work we do behind the scenes must reflect the diverse communities we serve. We believe inclusive work cultures spark wideranging, exploratory conversations and learning. Therefore, we strongly welcome and encourage people from all backgrounds, identities, abilities, and ages to apply as we continue our commitment to diversity and build an inclusive environment at TCT.

TO APPLY:
Qualified candidates should submit whatever they feel best reflects their qualifications. This can come in the form of a video, cover letter/resume, portfolio, and/or demo reels. (Files should be less than 3MB in total, links are welcome). No phone calls, please.

Please submit materials and any references to Samantha.wade@tctcincinnati.com

Subject Line: Technical Director 2026

Equal Opportunity Employer
The Children’s Theatre of Cincinnati is an Equal Opportunity Employer. TCT is committed to providing equal employment opportunities to all qualified applicants and employees and does not discriminate on the basis of race, color, religion, sex, pregnancy, sexual orientation, gender identity, national origin, age, disability, genetic information, veteran status, or any other status protected by applicable federal, state, or local law.

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Casting Call for THE JURY EXPERIENCE Cincinnati

The Jury Experience is a 60-minute scripted play presented as a live courtroom trial. The audience serves as the jury, and the show features alternate endings based on their verdict.

The Deadly Boat Ride
On a summer night, the child of a powerful politician took the wheel of the family’s speedboat – an ex-lover and old friends on board. Hours later, one was dead, one in a coma, and the child is facing a murder charge. Was it an act of jealous rage? Or is there far more to this tragedy than meets the eye?

Production Type: Immersive Theatre
Location: Must be Cincinnati, OH local hire
Union Status: Non-Union

Rehearsals: Monday, October 12 from 5-9 PM. Additional paid pickup rehearsals scheduled prior to subsequent show dates on cast and crew availability.

Performance Location: Fawcett Event Center | 2400 Olentangy River Rd, Columbus, OH 43210
Performance Dates: 2 shows per date
Saturday, October 17 (4:00 & 6:30 PM)
Sunday, November 8 (4:30 & 7:00 PM) and more!

Additional show dates will be added and we are looking for cast with availability into 2027.

FEMALE UNDERSTUDY (Female, 40s+)
Covers two principal roles as follows:

WITNESS – SENATOR TERRY GILROY
A powerful politician and parent of the defendant. Terrified of scandal, but above all, a deeply loving parent.
The facade is polished while the emotions beneath are volcanic.

PROSECUTOR – ASSISTANT D.A. ANTONIA TISDALE
Driven and overprepared. The kind of prosecutor who still writes their notes by hand. Projects confidence.
Passionate, intelligent, and intense.

Compensation:
Rehearsals: $18/hour.
Understudy Show Day Rate: $80 per show day to hold the date.

If an understudy is called to go on in a principal role, they would instead receive the principal show day rate of $340 per show day. A van and driver would also be provided to transport performing cast to/from Cincinnati.

To Submit: Please email your materials (resume, reel, headshot, portfolio, etc. as applicable) to Casting@TBACasting.com with the subject line: The Jury Experience – Cincinnati

Due: Sunday, October 11 but earlier submissions preferred!

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Call for Directors for 2027-2028 Season at CenterStage Players

CenterStage Players is now accepting applications for Directors for our 2027-28 season!

We are searching for creative and talented directors, both experienced and new, who aren’t afraid to take a risk. We are open to comedy, drama, farce, and musical submissions and are particulary interested in rarely performed shows, original works, and “edgy” scipts. You can see the list of our previous productions on our website – http://www.centerstageplayersinc.com
We are planning to produce three to four shows next season. All shows will be performed at Lockland High School, which should help you plan for the potential shows you may be interested in directing.
Interested applicants should send the information shown below to Mark Culp and Rebecca Coots, Vice-Presidents of Production, before the deadline of September 30, 2026. Director interviews will take place in late November or early December.
Please respond to this notice by e-mail to markcandjanec@gmail.com or by snail mail to:
Mark Culp
4 Alidrew Drive
Cold Spring, KY 41076
Please include the following in your submission:
Director Information:
  • Contact Information (name, phone number, email)
  • Current resume
Show Information:
  • Title of Show
  • Playwright
  • Please include a copy of the script, if possible, or ensure that it is a show that will have an easily accessible copy.
  • Please include a short summary of the show.
Production Information:
  • What about the show appeals to you as a director?
  • Please list any technical crew that you work with on a regular basis or would like to involve in this production.
  • What technical issues (if any) does the show present and how would you plan to resolve these?
  • Are there any anticipated casting difficulties and how would you overcome them?
  • Are there any budgeting issues or exceptional costs associated with this production?
  • If your show is selected, are there any schedule restrictions that might assist us in building our season (i.e., can only direct in the fall)?
NOTE: If considering multiple shows, we ask that you limit your submissions to two (2). Individual director interviews will be limited to 30 minutes, regardless of the the number of shows pitched.

We can’t wait to hear your ideas for the 2027-28 season!

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Casting Call Announced for CLOS(IN)G at American Legacy Theatre

CLOS(IN)G: CASTING CALL

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Clos(in)g is a new play by Megan Benjamin Bennett, developed through ALT’s Playwrights for Change residency program, that is in its 2nd round of workshops. Set inside a soon-to-be-shuttered apartment building, the piece explores family, love, and the constant act of code-switching to survive.

As neighbors face the loss of their homes, the story unpacks what it means to belong — and what’s at stake when communities are displaced. At its heart, Clos(in)g is about resilience, relationships, and the fight to hold on when the world tells you to let go.

TIMELINE

Video Auditions: NOW. Submit by Friday, September 4th, 2026 for first consideration. Auditions accepted after as well. 

Rehearsals: December 6th, 2026- January 14th, 2027 (a two week unpaid break from December 21st, 2026-January 2nd, 2027).

Performances:

January 15th, 2027-January 31st, 2027 (Fridays-Sundays)

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece. 

COMPENSATION

This contract shall pay $130/week (there is no payment for the 2 week off from rehearsal from December 21st, 2027- January 2nd, 2027).

Artists are able to earn additional compensation for key audience referrals. 

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES 

Character List (roles not listed have already been cast)

  • George- African American, Male, 68
  • Theresa- African American, Female, 42
  • Brent- African American, Male, 16
  • Carter  – Any race, Male, 59
  • Theodore – African American, Male 38
  • Lucas – Caucasian, Male, 57
  • Marina – Latina, Female, 45

A Character Breakdown and audition sides can be found HERE. 

SUBMISSION

Video Auditions: NOW. Submit by Friday, September 4th, 2026 for first consideration. Auditions accepted after as well. 

Rehearsals: December 6th, 2026- January 14th, 2027 (a two week unpaid break from December 21st, 2026-January 2nd, 2027).

Performances: January 15th, 2027-January 31st, 2027 (Fridays-Sundays)

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

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Cincy Shakes is Expanding: New Theater and Arts Center Announced

BREAKING:
Cincinnati Shakespeare Company Launches Capital Expansion Campaign to Shape the Future of Theatre,
Education, and Community in Cincinnati

The newly announced For All, For All Time campaign will expand access to theatre, arts education, and community gathering in OTR with a new studio theater space and more


CINCINNATI (Aug. 21, 2026)- Cincinnati Shakespeare Company (CSC) announced today the launch of a Capital Expansion Campaign: For All, For All Time, an investment in the future of theatre, arts education, and community engagement in Cincinnati. The estimated $25M campaign will fund the construction of a 19,000-square-foot community arts and education center, including a new studio theater, due south of The Otto M. Budig Theater. The new theater will invite audiences to expand their experience with an entirely flexible performance space that can be reimagined with new seating layouts for every production.

The announcement marks the next chapter in a vision first introduced in 2015, when Cincinnati Shakespeare Company announced plans to complete the “Classical Arts Corridor” with its permanent home at the corner of 12th and Elm Streets in Over-the-Rhine which opened in 2017. Nearly a decade after opening the Otto M. Budig Theater, CSC has outgrown the capacity of its current space. The expansion will complete the original vision for a fully integrated performing arts campus designed to serve audiences, students, artists, and the community for generations to come.

“When we announced our new theater in 2015, we knew it was only the beginning,” said Brian Isaac Phillips, Producing Artistic Director and CEO. “The Otto M. Budig Theater transformed what Cincinnati Shakespeare Company could accomplish artistically. Today, we have the opportunity to complete that vision by building spaces where more artists can create, more students can learn, more community partners can gather, and more audiences can experience live theatre. This campaign is about ensuring that theatre belongs to everyone—not just today, but for all time.”

Since opening the Otto M. Budig Theater in 2017, Cincinnati Shakespeare Company has experienced extraordinary growth. Between 2017 and 2026, the company expanded from six to ten productions annually, accelerating audience growth, and increasing opportunities for artists and audiences alike. Today, approximately 15% of CSC’s patrons travel from outside the Greater Cincinnati region, contributing to the city’s growing cultural tourism economy. Each year, CSC welcomes approximately 28,000 audience members annually, generating an estimated $1M in neighborhood spending at nearby restaurants, businesses, hotels, and attractions.

“Across the industry, institutions are being challenged to rely less on any single revenue source and to maximize performance,” said Sara Clark, Director of Development. “For organizations like Cincy Shakes with strong demand and stable operations, this moment rewards flexibility. Audiences are returning, demand for arts summer camps and student programs continues to rise, and we find ourselves at a rare convergence of readiness and opportunity.”

The expansion will add 19,000 square feet to CSC’s facility and will include:

  • A 150+ seat Studio Theater designed as one of the most artistically flexible performance spaces in the region.
  • Three multi-purpose education and community spaces supporting year-round classes, camps, rehearsals, community events, and public programming.
  • Expanded operational and production facilities that allow both buildings to function as one integrated theatrical campus.

At the heart of the project is the studio theater—a performance venue unlike any other in Greater Cincinnati. Designed with a fully transformable seating system and state-of-the-art theatrical technology, the space can be configured in proscenium end-stage, thrust, theatre-in-the-round, traverse, cabaret, and other creative layouts, allowing each production to determine the relationship between artists and audiences.

“Cincy Shakes has always been about creating an intimate, engaging experience that invites audiences to come closer,” said Jeanna Vella, Director of Marketing. “This new theater builds on what we already do so well and gives us the opportunity to truly expand your experience.”

“Audiences may surround the production on all four sides. The next may seat patrons opposite one another across the playing space. Another may use a traditional proscenium configuration with cutting-edge technical design,” said Mr. Phillips. “Every production can have its own unique experience for the audience. No other theater in Cincinnati offers this level of artistic flexibility.”

The expansion will enable Cincinnati Shakespeare Company to realize the full potential of its mission to bring Shakespeare and the classics to life for all. Upon completion, CSC will be able to produce upwards of 15 productions annually across two venues, extending the runs of high-demand productions, improving the financial sustainability of its artistic portfolio, expanding year-round educational programming, and providing affordable gathering and performance space for community partners and emerging arts organizations.

CSC is thrilled to once again work with GBBN Architects and Messer Construction on the expansion, with GBBN leading the design and Messer leading the construction. Both firms were the lead partners in the creation of The Otto M. Budig Theater and bring their deep knowledge of CSC and its current home to this exciting next chapter.

Joining the project as theatrical planning consultant is internationally renowned theater, acoustic, and experience design consultancy Charcoalblue. The firm has worked with some of the world’s leading Shakespeare institutions, including the Royal Shakespeare Company in Stratford-upon-Avon and Chicago Shakespeare Theater, as well as major performance and entertainment projects including the Perelman Performing Arts Center at the World Trade Center in New York and Sphere in Las Vegas. Charcoalblue is working alongside CSC, GBBN, and Messer to help shape the theatrical, technical, and audience experience of the new venue.

Project groundbreaking is currently planned for the Spring of 2027. Construction will continue throughout the following season while mainstage performances continue as usual in The Otto M. Budig Theater during the 2027-2028 Season. The new studio theater is expected to open for the 2028-2029 Season, welcoming audiences for its first slate of productions in the new space.

The For All, For All Time campaign is a strategic investment that will ensure Cincinnati Shakespeare Company remains artistically ambitious and financially sustainable for decades to come. The campaign is built upon leadership gifts, foundation support, and broad community investment.

“Projects of this scale and consequence do not happen without leadership. They require partners who understand that the arts are not an accessory to civic life, but a driver of it,” said Ms. Clark. “It is about ensuring that great theatre, transformative arts education, and spaces for creativity and connection remain accessible for everyone. The future we’re building belongs to all of us—and it is being built for all, for all time.”

Longtime patrons and donors Debby and Jim Mason have signed on to chair the campaign. “We are honored to take on this responsibility because we believe deeply in CSC’s mission and have tremendous confidence in the theater’s leadership and staff,” said Debby, daughter of James Bridgeland, one of the leadership donors to CSC’s first capital campaign. “We hope you will join us in bringing this vision to life. My Dad’s generosity—as a father and through the legacy he left me—has given us the means and the inspiration to help make that vision a reality.”

Don and Linda Tecklenburg have committed a leadership gift to name the studio theater in honor of Don’s late parents, Harry and Mary Lou Tecklenburg. Additional early support for the project has been generously committed by Dick and Debbie Westheimer, Sean and Tracie Conway, Martin and Kim Chavez, and Rosemary and Mark Schlachter. Cincinnati Shakespeare Company was also awarded a state grant towards the project in the most recent Ohio Capital Budget.

Supporters interested in learning more about the For All, For All Time campaign, making a gift, or exploring naming opportunities are encouraged to visit cincyshakes.com or contact Cincinnati Shakespeare Company.

“CSC has already transformed the city once. It is now constrained by the very success it created. For All, For All Time unlocks the next era,” said Mr. Phillips. “CSC’s financial stability and programmatic influence make it uniquely positioned to deliver a capital expansion that secures and expands these public benefits for decades to come. In choosing to support, you are not funding an experiment. You are finishing a proven trajectory.”

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About Cincinnati Shakespeare Company:
Founded in 1993, Cincinnati Shakespeare Company (CSC) is a professional theatre company dedicated to bringing Shakespeare and the classics to life for all. Today, CSC serves more than 45,000 people annually through over 250 performances of a dozen productions on its Mainstage and in communities throughout the region. In 2017, CSC opened The Otto M. Budig Theater in Cincinnati’s historic Over-the-Rhine neighborhood, establishing a permanent home for the company and anchoring the neighborhood’s Classical Arts Corridor.

CSC’s Mainstage season features Shakespeare, literary adaptations, contemporary plays in conversation with the classics, and ambitious works that make live theatre welcoming to broad audiences. In 2015, CSC became one of the first five theatres in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. More recently, CSC’s new works program has emerged as a national incubator for classical innovation, commissioning new plays, hosting development workshops, and presenting world premieres in Cincinnati.

Beyond the Mainstage, CSC brings theatre directly into schools, parks, community centers, and neighborhoods throughout the region. Education programs include student matinees, touring productions, in-school workshops, acting classes, summer camps, and PROJECT38, while FREE Shakespeare in the Park brings professional Shakespeare performances to as many as 50 communities each summer.

Cincinnati Shakespeare Company performs under a Small Professional Theatre contract with Actors’ Equity Association and is a member of Theatre Communications Group and the Shakespeare Theatre Association. CSC is a 501(c)(3) nonprofit organization, and all gifts are tax deductible.

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