Category Archives: Auditions

Auditions Announced for DRACULA – A Comedy of Terrors at Beavercreek Community Theatre

Aug. 31 & Sept. 1 at 7pm

Directed by Chris Harmon

Rose

  • Actor 1 – Harker/Cavendish/Worthington/Havemercy
  • Actor 2 – Dr. Westfeldt/Renfield/Captain
  • Actor 3 – Lucy/Kitty/Driver
  • Actor 4 – Mina/Van Helsing
  • Actor 5 – Dracula

Auditions consist of cold readings from the script.

All characters can be played by any gender, age, ethnicity, or type

Production dates: Oct. 23-Nov. 1

For more information visit www.bctheatre.org.

Leave a comment

Filed under Auditions

Auditions Announced for TINDERBOX at Falcon Theatre

Auditions continue for our 2026-2027 season!

Aug. 17 & 18 from 6:30-8:30pm

Directed by Ted Weil

Auditions consist of cold readings from the script.

Next week we are holding auditions for TINDERBOX by Lucy Kirkwood. Additional information about how to prepare can be found on our website: https://falcontheater.net/current-season/auditions/

Production dates: Nov. 6-21

About TINDERBOX:
Sometime in the not-so-distant future, the British Isles are dissolving into the sea. Cities are rioting. Scotland has become a foreign country. And in a Bradford butcher shop clinging to the memory of a glorious past, Saul Everard reigns over his little kingdom of tradition, nationalism, and questionable cuts of meat.

When a fugitive Scottish artist — soaking wet and desperately on the run — crawls through the door seeking sanctuary, the uneasy balance of Saul’s world begins to crack. What follows is a love triangle, a power struggle, and a series of increasingly alarming discoveries about what, exactly, is in the sausages.

TINDERBOX is the electrifying debut of one of Britain’s most celebrated playwrights — fast, wild, and farcically funny, with a pitch-black comic vision that cuts right to the bone. -Bookmate

Lucy Kirkwood went on to write Chimerica, The Children, and Mosquitoes — but it all started here, with a butcher, his wife, and a very suspicious shop.

Leave a comment

Filed under Auditions

Auditions Announced for 12 ANGRY JURORS at Fairfield Footlighters

Fairfield Footlighters is excited to hold auditions for 12 ANGRY JURORS

Director – Chase Engel
Producer – Nicholas and Anna Brown

Audition Dates: September 1st and 2nd
There will be slots for audition times at 6:00, 7:00, and 8:00 respectively. Please sign up using the following link: https://www.signupgenius.com/…/8050F4AABAB2AAAF49…

Callbacks, if needed, will be September 3rd. Callback times will be determined after auditions.

Auditions and callbacks will be held at the Fairfield Community Arts Center – 411 Wessel Dr. Fairfield, OH, 45014.

Auditions will consist of cold readings from the script. Please arrive early as you will need to fill out an audition form prior to your audition time. Headshot and resume are appreciated but not required. Please prepare to list any scheduling conflicts between September 28 – November 15th. Please also list any foreign accents that you are comfortable performing in.

Online submissions will be considered. Please prepare a monologue of no more than five minutes in length and email the file to caengel0615@gmail.com. Subject Line: “First Name Last Name 12 Angry Jurors Audition.”

REHEARSALS
Rehearsals will begin September 28th, and will be held Monday-Thursday evenings at the Fairfield Community Arts Center from 6:30 – 9:00. This show is unique as many of the characters are on stage for the entirety of the script. Even though a character may not have many lines, there is staging and blocking to be considered. Most, if not all, rehearsals will have every actor called each night. As such, availability will be a larger factor than usual when determining casting. Please list any scheduling conflicts accurately so that as many actors as possible can be present for staging rehearsals. NO rehearsals can be missed beginning November 2nd.

While no “tech” rehearsals will occur on the weekends leading up to the show, volunteer work for set construction on weekends as we approach the show would be appreciated. Volunteer work may or may not be needed for this production depending on other activities and programs that the Community Arts Center have scheduled. This will be determined as we approach the production dates.

SHOWS

  • November 13th 7:30 PM
  • November 14th 2:00 PM and 7:30 PM
  • November 15th 2:00
    A mandatory strike of the set will be required at the conclusion of the November 15th show.

ABOUT THE SHOW:
In the mid-1950s, a 19-year-old man has just stood trial for the fatal stabbing of his father. “He doesn’t stand a chance,” mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case—until one of the jurors begins opening the others’ eyes to the facts. “This is a remarkable thing about democracy,” says the foreign-born juror, “that we are notified by mail to come down to this place—and decide on the guilt or innocence of a person; of a man or woman we have not known before. We have nothing to gain or lose by our verdict. We should not make it a personal thing.” But personal it is, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted and a new murder threat is born before their eyes! Tempers get short, arguments grow heated, and the jurors become 12 angry men. The jurors’ final verdict and how they reach it—intense scenes that will electrify your audience and keep them on the edge of their seats—add up to a fine, mature piece of dramatic literature, an experience you’ll be proud to present.

CHARACTERS:
(Note that any role may be played by any gender expression common in the mid 1950s)

  • FOREMAN: He is a small, petty man who is impressed with the authority he has and handles himself quite formally. He is not overly bright, but dogged.
  • JUROR NO. TWO: He is a meek, hesitant man who finds it difficult to maintain any opinions of his own. He is easily swayed and usually adopts the opinion of the last person to whom has spoken.
  • JUROR NO. THREE: He is a very strong, very forceful, extremely opinionated man, within whom can be detected a streak of sadism. Also, he is a humorless man who is intolerant of opinions other than his own and accustomed to forcing his wishes and views upon others.
  • JUROR NO. FOUR: He seems to be a man of wealth and position, and a practiced speaker who always presents himself well. He seems to feel a little bit above the rest of the jurors. His only concern is with the facts in this case, and he is appalled with the behavior of the others.
  • JUROR NO. FIVE: He is a naïve, very frightened young man who takes his obligations in this case very seriously, but who finds it difficult to speak up when his elders have the floor.
  • JUROR NO. SIX: He is an honest but dull-witted man who comes upon his decisions slowly and carefully. He is a man who finds it difficult to create positive opinions, but will listen to, digest, and accept opinions offered by others who appeal to him most.
  • JUROR NO. SEVEN: He is a loud, flashy, glad-handed salesman type who has more important things to do than to sit on a jury. He is quick to show temper and equally quick to form opinions on things about which he knows nothing. He is a bully, and, of course, a coward.
  • JUROR NO. EIGHT: He is a quiet, thoughtful, gentle man – a man who sees all sides of every question and constantly seeks the truth. He is a man of strength tempered with compassion. Above all, he is a man who wants justice to be done and will fight to see that it is.
  • JUROR NO. NINE: He is a mild, gentle old man, long since defeated by life, and merely waiting to die. He recognizes himself for what he is and mourns the days when it would have been possible to be courageous without shielding himself behind his many years.
  • JUROR NO. TEN: He is an angry, bitter man – a man who antagonizes almost at sight. He is also a bigot who places no values on any human life save his own. Here is a man who has been nowhere and is going nowhere knows it deep within him.
  • JUROR NO. ELEVEN: He is a refugee from a foreign country. He speaks with an accent and is ashamed, humble, almost subservient to the people around him. He will honestly seek justice because he has suffered through so much injustice.
  • JUROR NO. TWELVE: He is a slick, bright advertising man who thinks of human beings in terms of percentages, graphs, and polls, and has no real understanding of people. He is a superficial slob. But trying to be a good fellow.

Other offstage and bit parts will be assigned as needed.

Please email any questions to the following contacts:
Chase Engel: caengel0615@gmail.com
Anna Brown: annaraebrown@gmail.com
Nicholas Brown: nicholasanthonybrown1@gmail.com

Leave a comment

Filed under Auditions

Auditions Announced for BLITHE SPIRIT at Mariemont Players Inc.

Mariemont Players, Inc. is pleased to announce auditions for BLITHE SPIRIT, a comedy by Nöel Coward.

Directed by David Derringer
Produced by Natasha Boeckmann

Audition Dates/Times:

  • Monday, September 14, 2026 6:00-9:00 p.m.
  • Tuesday, September 15, 2026 6:00–9:00 p.m.
    Callbacks (as needed): Wednesday, September 16, 2026 6:00 p.m.

Please sign up for an audition slot here.

Note: Because the auditions are all based on scene work, the director will be seeing multiple actors at one time. If you are the only one signed up for a specific time slot, the director may ask if he can move you to an earlier/later time depending on the need.

Location:
Mariemont Players – 4101 Walton Creek Road, Cincinnati, OH 45227

Audition Requirements:

  • Auditions will consist of “warm” readings from the script. Sides can be found here.
  • Please bring a theatrical résumé and headshots are appreciated but not required
  • The production team encourages actors of all races, ethnicities, identities, abilities, experience levels, etc. to audition – all are welcome! Director is open to casting roles as younger or older than the character descriptions depending on the talent pool in the audition room. 
  • Please contact director David Derringer with questions about the script or audition process here.
  • If in need of accommodations or questions about accessibility, please contact producer Natasha Boeckmann here.

Production Dates: January 7-24, 2027

Rehearsal Schedule:
Rehearsals will begin in mid-November and run through the opening. Due to the rehearsal process taking place over the holiday season, some rehearsals will be more spread out than usual. Please come to auditions with a complete list of any and all conflicts, winter holiday plans, trips, etc. so the rehearsal calendar can be adapted according to the needs of the cast. 

Synopsis:
Novelist Charles Condomine hosts a séance to gather material for his next book. Instead, he accidentally summons the ghost of his mischievous first wife, Elvira. Her return sparks jealousy, confusion, and supernatural mayhem in his household. As the living and the dead collide, tempers flare and loyalties are tested. Coward’s trademark wit shines through in every razor-sharp exchange. Elegant, fast-moving, and deliciously irreverent. A sparkling comedy that proves love and marriage can be truly haunting.

A Note from the Director as You Consider Character:

If you have never acted in a Coward play or need a reminder, the important rules are as follows:

  • the lines are delivered at a fast pace with sharp wit and told with a straight face. Noel saw himself as the smartest person in the room, and while he may have been right, many of his characters see themselves that way too. The beauty of his plays is when the airs of aristocracy end up not helping the aristocrats as they suffer the same issues of love, relationship, and turmoil that is universal, no matter the size of one’s pocketbook. And by playing it truthfully, we
    will find the comedy.

Character Breakdown:​

  • Ruth Condomine – A smart looking woman, Ruth is the wife of Charles. She is a bit jealous of Charles’s relationship with his first wife and does not do well with change.
  • Charles Condomine – Charles is an intelligent and urbane English novelist. Charles is the husband of Ruth Condomine and deceased first wife, Elvira. He is the cornerstone of which the audience relies on in order to accept all the craziness this play brings. 
  • Elvira Condomine – Charles Condomine’s deceased first wife, Elvira returns as a ghost with a goal. In the process, she makes Charles’s and Ruth’s lives very complicated.
  • Edith – The Condomine’s maid, Edith is always in a hurry. (While not as prolifically written as the other characters, she will appear in more moments than is written in the play and react to the news she overhears accordingly for comedic effect, making her a more central part of the overall story.)
  • Dr. George Bradman – A bit of a skeptic, Dr. Bradman is a friend of the Condomines.
  • Mrs. Violet Bradman – The wife of Dr. Bradman, Mrs. Bradman is a bit faded but also groundedand a good friend to Ruth.
  • Madame Arcati – Madame Arcati is a striking woman with a definite bias toward the barbaric. Charles straight man persona allows Arcati the opportunity to explore the exact opposite.wn values.

Leave a comment

Filed under Auditions

Auditions Announced for A CHRISTMAS CAROL at Stage Right Musical Theatre Company

Stage Right Announces Auditions for A CHRISTMAS CAROL

Williamstown, KY – Stage Right Musical Theatre Company is thrilled to announce auditions for their holiday production of A CHRISTMAS CAROL running December 4-13 at the Williamstown Performing Arts Center.

Audition Information:
Auditions will be held September 5 from 1pm to 4pm at First Love Community Fellowship (930 Curry Ln Dry Ridge, KY 41035)

To Request an audition slot visit: www.stagerightmtc.org/auditions

A CHRISTMAS CAROL by Christopher Barlow, Adapted from Charles Dickens

Rehearsal Dates: November 9 – Dec 3 (Weeknight evening rehearsals and midday rehearsal on the weekend)
Stage Right understands that the majority of our artists are coming from away. We value the time of our artists and work to make sure actors are only called if they are working.
Show Dates: Dec 4 – 13 (Friday – Sunday performances)

A fast-paced, imaginative, and delightfully theatrical reimagining of Charles Dickens’ timeless tale. With inventive staging, playful storytelling, and moments of heartfelt warmth, this version brings new life to the journey of Ebenezer Scrooge as he is visited by spirits who challenge him to rediscover generosity, compassion, and joy. Both faithful to Dickens’ language and bursting with theatrical creativity, Barlow’s adaptation celebrates the magic of redemption and the enduring spirit of the season, reminding us that it’s never too late to change.

Character Descriptions: All Actors must be 18 years old or older. In Barlow’s adaption he takes an approach similar to that of his other show The 39 Steps wherein one actor will take on the role of Scrooge for the entire production while the other 4 actors weave in and out of various roles. This play is not a musical, but may contain light carol singing.

Ebenezer Scrooge: Plays age 50-70. Male presenting actor.

Actors 1-4: Age 18+ Not gender specific. These 4 actors collectively play all other characters in the production. Looking for comedic character actors capable of performing multiple roles distinctly and almost simultaneously.

For Auditions:

  • Current Resume and Headshot
  • You may be asked to participate in cold readings from the script.

For Scrooge: Prepare a memorized 60-second monologue in the style of Scrooge (or your take on him). Selections from A Christmas Carol are permitted (but not required). You may also be asked to participate in a Cold reading from the script.

For Actors 1 – 4: The director is looking for a cohesive ensemble from which to build out this world in a fun and full way. For auditions the director will host cold readings and group improv exercises. We are looking for actors who can create distinct characters through physicality, voice, and performance.

To Request an audition slot visit: www.stagerightmtc.org/auditions

All Roles are paid. Stage Right Musical Theatre Company welcomes and encourages people of backgrounds, identities, and ethnicities to audition. Your unique perspective makes our company stronger. For any questions contact Casting@StageRightMTC.org.

###

Leave a comment

Filed under Auditions