Category Archives: Auditions

Auditions Announced for ONCE UPON A ONE MORE TIME at Queen City Productions

Queen City Productions will hold auditions for its summer musical! Powered by the chart-topping hits of the undisputed Princess of Pop, ONCE UPON A ONE MORE TIME turns our favorite fairytales upside down with a clever twist! When a fairy godmother goes rogue and plops copies of The Feminine Mystique in the laps of classic heroines, the damsels embark on a quest to rewrite their stories and redefine “happily ever after.”

ONCE UPON A ONE MORE TIME weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core.” (ABC News)

Auditions will take place:

  • Friday, May 1st from 7:00-10:00pm
  • Sunday, May 3rd from 6:00-9:00pm

Invited callbacks will be held Tuesday, May 5th at 7:00pm.

  • All auditionees should prepare a 1 minute cut of a song in the 90s/2000s pop style or a modern pop musical style (Six, Altar Boyz, etc…). please bring your accompaniment track with you. a Bluetooth speaker will be provided. There will also be cold-reading from the script and a dance call so please wear/bring appropriate attire.
  • You can sign up for an audition at the following link. Walk-ins will be seen in the next available audition slot. We will also accept video audition submissions at queencityproductions@yahoo.com.
    www.signupgenius.com/go/8050C44ACAA2AAAFD0-63716809-once#/

Rehearsals will begin on/around May 17th and will typically be on Sundays, Mondays, Wednesdays and Fridays.

Show dates are July 31st-August 9th.

Auditions, rehearsals and performances are at the Arts Center at Dunham.

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Auditions Announced for A FUNNY THING HAPPENED ON THE WAY TO THE FORUM at Lebanon Theatre Company

AUDITION NOTICE! A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

Directed by: Kurt Percy

When: May 18 and 19 at 7:00pm

Performances are Aug 7-9 & 14-16

Where: Lebanon Theatre Company – 10 Mechanic St. Lebanon, Ohio

  • Please come prepared with a 36 bar cut of a song of your choosing. Pianist will be provided for those who bring sheet music and a Bluetooth speaker will be provided for those who wish to sing with a track.
  • Please note that there will be a dance audition so come prepared to move. Bring comfortable clothes and shoes.
For more information please check out our website at ltcplays.com
Characters
Male Presenting Roles
-Pseudolus – Baritone
A Roman slave, owned by Hero, who seeks to win his freedom by helping his young master win the heart of Philia. Quick-witted, scheming, childlike spirit. His name means “Faker”
  • By far the largest and most comic role.
  • Comic timing is everything.
  • Sings partial solos in 8 songs, delivery and enthusiasm and the ability to “sell” the songs are far more important than a beautiful voice.
  • Some choreography — likely to be more comic than technical and adapted to the actor. Age: 30 to 50
-Hero – Tenor
The young son of Senex and Domina. He falls in love with Philia and agrees to give Pseudolus his freedom if he can help Hero woo her. Practical, privileged, romantic.
  • Singing role. Some dance.
  • Of all the characters he is the most traditional leading man type.
  • However, as he is also a virgin, it is imperative that he impart a naivety. Age: 20 to 30
-Senex: (Latin for ”old man”) A henpecked, sardonic Roman senator living in a less fashionable suburb of Rome.
  • Plausibly Hero’s father.
  • Singing role.
  • When his domineering wife is away, he enjoys believing the mistaken idea that he can be the object of the young virgin’s affection. Age: 45 to 70 (Age related to age of actors cast as Hero and Domina).
-Hysterium – Baritone
The chief slave in the House of Senex. Believes he is in control, but is actually Pseudolus’ puppet to carry out his schemes. Anxious, conservative, loyal. He desperately wants everything to be in order. (Latin for ”Hysterical” the suffix “-um” makes the name neuter, and the character’s gender is often mistaken throughout the piece)
  • Although he is chief slave in the same house where Pseudolus is also a slave, Pseudolus bullies him and treats him as an underling
  • Much of his humor comes from the fact that he impersonates the young, female virgin, Philia
  • Must be able to sing, speak in a falsetto voice. Age: 30 to 55
-Miles Gloriosus – Bass
(Latin for ”boastful soldier” the archetype of the braggart soldier in Roman comedies) A captain in the Roman army to whom Marcus Lycus has promised Philia. Commanding, boastful, manly and strong.
  • Must sing, speak and act in a booming, arrogant voice
  • Although a costume may provide the muscles, the actor must be able to pull off “gladiator-ness.” Age: 25 to 40
-Marcus Lycus: – Baritone
A purveyor of courtesans, who operates from the house to the right of Senex. (Name based on Lycus, the
pimp) Always out to make a profit, but also wants to provide good on what his business offers.
  • Singing role (not major)
  • Think of him as the “used car salesman” of the courtesans. Age: 30 to 50 (but not critical)
-Erronius: – Baritone
(Latin for wandering) Senex’s elderly neighbor in the house to the left. He has spent the past twenty years searching for his two children, kidnapped in infancy by pirates.
  • The smallest of the principal roles
  • Sings only as part of the chorus in 2 songs
  • Must be able to sound and move like an old man
Female Presenting Roles
-Philia – Soprano
(Greek for Love): A virgin in the House of Lycus whom we also find out is Erronius’ daughter. She is promised to Miles and vows to give him bodily what he has paid for, but loves Hero and promises he will always have her heart. Young, pretty, devoted. An archetypal ingénue. Age: 18 to 25+
-Domina: – Mezzo-Soprano
(Latin for mistress) The wife of Senex and mother to Hero. She is a shrewish woman who is loathed and feared by even her husband. Senex’s wife. She dominates to the point of answering herself the questions she asks of others. Loves her husband deep down, but is outwardly controlling, demanding, and manipulative.
  • Singing role
  • Must play the stereotypical overbearing wife and mother Age 40 – 60 (Age related to age of actors cast as Hero and Domina).
*Cortesans in the house of Lycus (provide part of the female chorus. Notice there are 6 courtesans as the
Geminae are twins)
Please note that the courtesans can be played by actors across a range of ages and looks. Lycus caters to all
tastes. At least some of the courtesans will however need to be prepared to wear revealing costumes and move
and dance in a sexy or sensuous way. If this is likely to be of concern to you please mention your concerns at the audition.
Anyone age 16 or 17 (by the date of the first performance) intending to audition as a courtesan – Please note we will need to get parental consent. The courtesans will be expected to display their own personalities and characters largely through
movement and attitude
  • Gymnasia: (Greek for Athletic with the connotation of nakedness) A courtesan from the house of Lycus with whom Pseudolus falls in love. Often played be a very statuesque or voluptuous woman; however, a female of any size and shape may be cast as long as she portrays the voluptuous attitude.
  • Tintinabula: (Latin for Bells) A jingling, bell-wearing courtesan in the house of Lycus. Think of a belly dancer whose every motion makes the bells ring
  • Vibrata: (Latin for Vibrant) A wild, vibrant courtesan in the house of Lycus. In all likelihood her costume would be made of leopard skin – Needs to be able to growl sensuously and move like a tigress
  • Geminae: (Latin for Twins) Twin courtesans in the house of Lycus. The aim will be to get 2 actors of similar stature and colouring, however it is more important that the two actors can work together and act (in fact move) in tune with each other.
  • Panacea: (Greek for Cure All) A courtesan in the house of Lycus. A face that can say a thousand words and a body that can hold a thousand promises.

Ensemble

  • Proteans, Soldiers

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Auditions Announced for ONCE UPON A MATTRESS at East Side Players

ONCE UPON A MATTRESS Audition Announcement! May 3 & May 10

We are excited to announce auditions for our second show of the season – ONCE UPON A MATTRESS

Auditions are May 3 & May 10 from 1-5PM at the Tom Stone Amphitheater near the Blue Ash Recreation Center.

Performances are July 30-31 & August 1-2, 5-8

Pick a slot in the SignUpGenius: https://www.signupgenius.com/…/10C0449ACAE22ABFFC25

Hope to see you there!

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Auditions Announced for THE HOLY RUG at Dayton Playhouse

AUDITIONS FOR THE HOLY RUG

THE HOLY RUG will be a one performance, staged reading.

Story and Book by Ray Gambrel
Music by Terry O’Brien
Lyrics by Jeff Sams and Terry O’Brien
Director: Annie Pesch
Music Director: Brennan Paulin

Auditions will be held on Sunday, May 3 rd from 1:00 – 3:00 PM at the Dayton Playhouse.

Annie Pesch, Ray Gambrel, and Accompanist, Charles Larkowski, will be attending.

NEEDED

  • Please provide a 32-bar cut. Bring your own sheet music. (a Bluetooth speaker will be provided for accompaniment on audio files if you choose)
  • You will be asked to read sides. Please note: Audition songs may be recorded for the musical director.
    If callbacks are needed, they will be held on May 4th or 5th .

If you have any questions or are unable to attend and would like to submit an audition video (YouTube or Vimeo link), please send an email to: theholyrugmusical@gmail.com

Performance Date: June 6th, 2026

Place: Dayton Playhouse
Time: 7:30 PM

There will be about 10 rehearsals from May 18th to June 5th .

Synopsis

The Holy Rug is a musical about a young man, Harlan, that was raised in a Pentecostal church and realizes that he’s gay. He confides in the pastor but
is betrayed when the church attempts to exorcise the “demon of homosexuality” out of him. Harlan leaves the church and goes on a personal and spiritual journey that consists of loss, pain, and acceptance.

Cast

  • HARLAN: Mid 20s to early 30s, on a spiritual and personal journey (Baritone/Tenor A2 – Ab4)
  • DAD: Early 40s to early 50s, Harlan’s father, stern Evangelical (Bass/Baritone A2 -Ab4)
  • SISSY: Mid 20s to early 30s, Harlan’s sister, rebel later in life (Mezzo Soprano E3 – C5)
  • PASTOR RAY: Late 40s to Early 50s, Evangelical pastor / preacher (Baritone/Tenor A2 – G4)
  • SISTER PAULINE: Late 40s to late 50s, Pastor Ray’s wife (Mezzo/Alto G3 – A4)
  • SKIP: 20s to early 30s, the Pastor’s son, Harlan’s best friend (Baritone A3 – E4)
  • SISTER OVA: Mid 50s to late 60s, Traveling evangelical preacher, energetic and quite the character (Mezzo/Alto A3 – A4)
  • BROTHER BRICE: Mid 50s to late 60s, evangelical church member, very self-centered (non-singing)
  • EDITH DAVENPORT: Mid 30s to late 40s, drag queen and gay club owner, extremely over the top, lots of fun, diva (Baritone D3 – F4)
  • ELDER THOMAS: 20s to early 30s, Mormon missionary (Baritone F3 – F4)
  • SHIRLEY MACLAINE: Around 55, singer, dancer, actress, DIVA (Mezzo/Soprano B3 – B4)

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Auditions Announced for FutureFest 2026 at Dayton Playhouse

Auditions for FutureFest 2026

Open auditions for FutureFest 2026 will be held Tuesday, May 26 and Wednesday, May 27, 2026 starting at 7:00 pm each evening. Auditioners are encouraged to arrive early in order to complete the audition form before auditions begin. All five scripts will be auditioned each evening.

The festival will run July 17 through July 19, with each script performed once over the weekend. All scripts will be presented as Staged Readings, meaning all actors will carry their scripts with them, and will be “on book.” Directors will have the freedom to use lighting, sound, costuming, props, and blocking to present as full a production as possible within the festival framework.

Questions about these auditions or FutureFest generally may be directed to Matt Lindsay, FutureFest 2026 Chair at box.office.dayton.playhouse@gmail.com.

Below are synopses and cast descriptions from the five finalist scripts. The scripts are listed in alphabetical order.

AT THE BROKEN PLACES
Director: TBD
Worried that his son Devon–who is on the neurodiversity spectrum–might be harboring suicidal thoughts, Mike reaches out as a last resort to his half-brother Jimmy–the man responsible for the death of Devon’s mother five years earlier. But the men face a challenge they never expected; a challenge made more desperate because of secrets that could destroy their fragile bonds–or be the underpinnings of mercy. When are broken relationships worth mending no matter the cost? And when must they be discarded because the price of truth is too high? When a desire to heal eventually pits brother against brother and father against son, there is a road out. But is anyone willing to walk that road?

Characters:

  • Mike Father, 48; Widower, crusty, life weary Jimmy Mike’s half-brother, 41; Lost soul
    Devon Mike’s son, 21; neuro-divergent, smart
    Franny Mike and Jimmy’s aunt, 68: firecracker
    Karl Franny’s love interest, 72: a gentleman

CHAGUTOK
Director: TBD
Four Americans each make a solitary pilgrimage to a remote, unpopulated Alaskan island, hoping to witness a mysterious atmospheric phenomenon known as the Chagutok Lights, which occurs only once every 17 years. These people-skills-challenged individuals find themselves stuck in each other’s company, but they manage…until a dead body appears. And it’s just the first. Alone on this barren island, these four loners must work together to solve the mysteries of the dead, the Lights, and each other.

Characters:

  • TASHA: woman in her early 20s, white, American-born granddaughter of Russian Jewish immigrants; her natural-fiber, crunchy-granola aesthetic clashes with her prickly personality.
  • REX : man in his late 30s, white. Ideally of meaty build, scruffy or bearded. Conversationally and emotionally guarded, if not downright secretive. A photographer.
  • MARY JO: woman in her early-to-mid 50s, white; a redneck in sound and vibe, but smart and well-educated. Witty, cantankerous, and a loner — but also a talker.
  • DANIEL: man in his early 30s, Black, an American-born son of South African immigrants. A science nerd. Smart, insightful, a little excitable but emotionally grounded.

None of these people have a lot of friends.


dress
Director: TBD
Martin’s surprising fashion choice sets his friend group of Brooklyn hipsters into a tailspin, reopening old wounds and leading them to question the very basis of what holds them together. A dark social comedy about liberal blindspots and the messy minefield that is gender in the 21st century.

  • chuck: male, mid-thirties, white, a writer, straight
  • ted: male, mid-thirties, white, a bartender, straight
  • clem: female, almost halfway to twenty-five, white, actress, pan
  • danielle: female, mid-thirties, jamaican-american, a lawyer, straight
  • elijah: male, mid-thirties, black, a fashion designer, gay
  • martin: mid-thirties, white, a cook

POCKETS
Director: TBD
After putting her career on hold to raise her son and support her husband’s rise in the US Attorney’s office, Mona finds herself divorced, alone, and in a low paying job that barely covers her debt and her rent at an age when most women are thinking about retirement. While she is struggling to put her life together, Mona not only discovers she has a very special talent, but risks everything for the joy of using it.

Characters:

  • Mona Middleway Female, late 50’s early 60’s
  • Mike Middleway Male, late 50’s early 60’s
  • Lilith Fortuna Female, late 40’s
  • Max Duffy Male, 60’s
  • Judge Griswold Female, 50’s
    All roles are racially neutral.

VICHY
Director: TBD
When a young man returns Elyce’s lost ration book in Nazi-occupied Vichy, France, she’s torn between trust and suspicion. Her friend Emma, a Jewish mother, begs for help hiding her daughter. As danger grows, Elyce relies more on the man Emma fears is the enemy—until a final reckoning reveals the truth.

Characters:

  • ELYCE Mid-thirties.
  • PHILIPPE SCHILLER Mid twenties.
  • CAMILLE GOLDSTEIN Fourteen years old.
  • EMMA GOLDSTEIN Mid-thirties, CAMILLE’S mother.

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