Monthly Archives: October 2026

Costume Designer, Lighting Designer, Sound Designer & Scenic Designer Sought for CLOS(IN)G at American Legacy Theatre

COSTUME DESIGNER

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION 
The Costume Designer will create, plan and execute the costumes that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given. 

ALT staff will be available to assist with critical components along the way. 

COMPENSATION 
Costume Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 
Please send resume, cover letter, any potential conflicts, and 3 references to: info@americanlegacytheatre.org with the subject line of “Clos(in)g -Costume Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees).


LIGHTING DESIGNER

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION
The Lighting Designer will create, plan and execute the steps required to implement a high quality lighting experience that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given.

COMPENSATION 
Lighting Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 
Please send resume, cover letter, any potential conflicts, and 3 references to:info@americanlegacytheatre.org with the subject line of “Clos(in)g -Lighting Designer Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 


SOUND DESIGNER 

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION
The Sound Designer will create, plan and execute the steps required to implement a high quality sound experience that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given. Sound designers will be expected to be at all performances to help mix the show.

ALT staff will be available to assist with critical components along the way.

COMPENSATION 
Sound Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 
Please send resume, cover letter, any potential conflicts, and 3 references to:info@americanlegacytheatre.org with the subject line of “Clos(in)g -Sound Designer Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 


SCENIC DESIGNER

MISSION 
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society. 

PROJECT 
Clos(in)g is a new drama by ALT Playwright-in-Residence Megan Benjamin Bennett, making its world premiere in January 2027.

When the close-knit residents of an apartment building gather to mourn their beloved matriarch, Angela Martin, they receive devastating news: their building has been sold, and the new owners are demanding a 200% rent increase.

Faced with an impossible choice to pay up or move out, the residents must confront what it means to lose not just their homes, but the community they’ve built together. Blending humor and heartbreak, Clos(in)g explores family, identity, belonging, and the relationships that sustain us in times of uncertainty.

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

EXPECTATION
The Scenic/Properties Designer will create, plan and execute the steps required to implement a high quality scenic experience that enhances the message of the play, bolsters the actors, leverages space, and heightens audience engagement with the piece. Attendance at production meetings and understanding of staging is a given.

ALT staff will be available to assist with critical components along the way.

COMPENSATION 
Scenic Designer will be paid a $600 stipend.

TIMELINE & SUBMISSIONS 

Please send resume, cover letter, any potential conflicts, and 3 references to:info@americanlegacytheatre.org with the subject line of “Clos(in)g -Scenic Designer Designer (Last Name)”. 

Submit by Friday, October 23rd, 2026 for first consideration. Applications are still accepted afterwards if the position is not filled. 

** Rehearsals will be five days per week, including weekends, from December 6th-January 14th (with a 2 week break from December 21st through January 2nd). These rehearsals will take place in the evenings during the week and varying times when on weekends. Tech rehearsals will begin January 9th or 10th and run through the 14th, depending on space availability. Designers should be available during tech week and for a designer’s run earlier in the process.

*** Performances will be January 15-17, 22-24, and 29-31. (Friday and Saturday evenings, Sunday matinees). 

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Auditions Announced for COMPANY at Mason Community Players

COMPANY is the first show of Mason Community Players’ 2027 Season. 

It will be presented February 19-27, 2027.

The show will be directed by Jim Cronin, produced by Tess Catlin, stage managed by Stephanie Dalsfoist with music direction by Lara Gonzalez.

Auditions will be held at the Mason Community Playhouse – 5529 Mason Road in Mason:

  • Saturday, November 14th, from Noon to 2:00pm 
  • Sunday, November 15th, from 1:00 to 3:00pm 
  • Monday, November 16th, from 7:00 to 9:00pm 

Auditions will consist of cold readings from the script.

Those trying out are asked to bring a prepared vocal selection of 16-32 bars from musical theatre. An accompanist will be provided, as well as a Bluetooth speaker for tracks. No A capella selections, please.

Dance per se will not be a part of the audition process. There will be a simple observation of movement by the choreographer, but please wear comfortable shoes … ones that won’t trip you up.

Those auditioning are asked to fill out a form, which can be accessed here – https://www.masonplayers.org/j30/index.php?view=article&id=513:page-233&catid=2.

A complete list of character descriptions, which includes vocal ranges is also included on the page, as is contact information for the director, if you have questions or concerns.

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Cast Announced for IN-LAWS, OUTLAWS AND OTHER PEOPLE (THAT SHOULD BE SHOT) at Tri-County Players

Director Jamie Ball and Tri-County Players announces their cast of IN-LAWS, OUTLAWS AND OTHER PEOPLE (THAT SHOULD BE SHOT) by Steven Franco.

The cast includes:

  • Christie Bishop
  • Nan Bongiani
  • Lori Bowling
  • Laura Brezinski
  • Miranda Brown
  • Robert Buchtman
  • George Cardona
  • Michael Chiseck
  • Terri Howard
  • Elaine Michael
  • Kali Reeves
  • Tim Rogers
  • Lanie Sorge
  • John Vanderplough
  • Cathy Woodruff

Join TCP for this lighthearted Christmas comedy
December 4th, 5th. 11th & 12th @ 7:30pm
December 6th @ 3:00pm
The Evendale Bell Tower Art Pavillion

Tickets $18
Ticketline: 513.604.0631
https://tricountplayers.seatyourself.biz

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Auditions Announced for THE MUSIC MAN at The Carnegie

THE MUSIC MAN
July 1-18, 2027
Rehearse: June 7-30

Rachel Stevens, Director
TBA, Choreographer
Ian Axness, Music Director

Note: These auditions are for roles in THE MUSIC MAN. Auditions for MEAN GIRLS will take place in early 2027.

AEA Contracts: Single Engagement Agreement Tier B ($604/week minimum). AEA eligible roles are indicated in the production breakdowns.
Non-AEA Contracts: Non-AEA actors will receive $350/week minimum.

Actors must be 18+ by June 1, 2027 to be considered.
Housing, travel, and transportation are provided for select roles for non-local actors.

The Carnegie is committed to inclusive casting. All races, ethnicities, gender identities, body types, and mobilities are encouraged to apply. The character breakdown refers to the genders of the characters only. Actors should submit for any roles they feel comfortable playing. Equity’s contracts prohibit discrimination.

IN-PERSON AUDITIONS
Saturday, December 5, 2026
10am-6pm, by appointment
Lunch break from 1:00 PM – 2:00 PM

Walk-ins will be seen as time permits.

The Carnegie
Eva G. Farris Education Center
1028 Scott Blvd.
Covington, KY 41011 

Prepare one 16-32 bar cut.
Please bring a hard copy of your headshot and résumé stapled together.

An accompanist will be provided.

Expected to attend are Tyler Gabbard (Producing Director of Theatre), director, choreographer, and music director. An Equity Monitor will not be provided. The producer will run all aspects of this audition.

 VIDEO SUBMISSIONS
Submissions are due by 11:59 PM EST on Sunday, November 15, 2026.

Prepare one 16-32 bar cut.

  • Audition videos will only be accepted as links. Files requiring download will not be accepted.
  • Please ensure that privacy settings are such that we are enabled to view by the link only, with no need for password or additional access request. Please film your material in a horizontal/landscape frame on a solid background or plain wall.  A ¾ shot is preferred.

Please submit your headshot and résumé.

  • Your headshot must be an image file and your resume must be in PDF format. Both should be labeled with you name (i.e. Gabbard_Tyler.pdf)

CALLBACKS
Callbacks will be a mix of live and digital based on availability of the auditionee and production staff. In-person callbacks will take place on Sunday, December 6, 2026.

AVAILABLE ROLES

*AEA Eligible Roles are indicated by an asterisk.

PRINCIPALS

  • Harold Hill* (He/Him; Ab2–F4) A charismatic traveling salesman with a carefully constructed persona. His confidence and quick wit help him win over a town full of skeptics.
  • Marian Paroo* (She/Her; G3–A5) River City’s librarian and a dedicated music teacher. Independent-minded and observant, Marian values honesty and intellectual curiosity.
  • Marcellus Washburn* (He/Him; G2–A4) Harold’s longtime friend and former partner in confidence schemes, now settled in River City..
  • Mayor Shinn* (He/Him) A forceful public figure who takes his civic responsibilities seriously. Protective of his authority and reputation, he approaches newcomers with skepticism.
  • Eulaiie Mackecknie Shinn* (She/Her; D4–D5) The mayor’s wife and a prominent presence in River City society. Socially ambitious and outspoken, Eulalie enjoys being at the center of community life and rarely keeps an opinion to herself.
  • Mrs. Paroo* (She/Her; Ab3–Eb5) Marian and Winthrop’s Irish-born mother, a warmhearted widow with a lively spirit and a talent for matchmaking. She wants the best for her children and is never short on advice.

ENSEMBLE

Eight versatile actors of varying ages will portray all of the following townspeople and supporting characters, with each actor playing multiple roles. Specific role assignments and doubling will be determined during the casting process.

  • Zaneeta Shinn (She/Her) The mayor’s daughter, who brings energy and enthusiasm.
  • Tommy Djilas (He/Him) A resourceful young River City resident who is pursuing a relationship with Zaneeta Shinn.
  • Ewart Dunlop (He/Him; F3–F5) A River City resident who joins Harold Hill’s barbershop quartet.
  • Jacey Squires (He/Him; C3–C5) A River City resident who joins Harold Hill’s barbershop quartet.
  • Oliver Hix (He/Him; B2–F4) A River City resident who joins Harold Hill’s barbershop quartet.
  • Olin Britt (He/Him; F2–C4) A River City resident who joins Harold Hill’s barbershop quartet.
  • Maud Dunlop (She/Her) A member of River City’s socially connected “Pick-a-Little Ladies.”
  • Mrs. Squires (She/Her) A member of the “Pick-a-Little Ladies.”
  • Alma Hix (She/Her) A member of the “Pick-a-Little Ladies.”
  • Ethel Toffelmier (She/Her) A member of the “Pick-a-Little Ladies.”
  • Amaryllis (She/Her; C4–E5) A young piano student of Marian Paroo.
  • Winthrop Paroo (He/Him; C4–Eb5) Marian’s younger brother, whose world begins to open up through music and new friendships.
  • Charlie Cowell (He/Him) A traveling salesman who recognizes inconsistencies in Harold Hill’s story and is determined to expose them.
  • Constable Locke (He/Him) A River City lawman responsible for maintaining order in the community.

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National Tellers Announced for 6th Annual 
Cincinnati Storytelling Festival November 12-14

(Cincinnati, OH) Cincinnati’s favorite storytelling event returns for their sixth annual festival. This November, three nationally recognized storytellers are taking center stage in historic Over-The-Rhine’s Know Theatre. Kevin Kling, Motoko, and Paul Strickland will delight audiences young and old over three days of live storytelling.

Tickets go on sale October 15th. No stories are repeated over the three days of programming, so come to as many as you like and enjoy them all.

The festival’s first events, “Gather Round” and “Twisted Tales,” have sold out the last three years, so it is recommended to secure advance tickets. Friday night’s shows include “Laugh Riot!” a short dinner break, and then the much-anticipated ghost story show “Spooky Stories.” Who says spooky season ends October 31st?

Saturday will include a wide variety of programming, starting with a free show for children and families, and then a guest performance featuring the best of “True Theatre.” “Old Tales Told New” will feature masterful and entertaining reimagining of age-old stories, and the closing show “My Favorite Stories” is sure to delight and entertain.

This year’s featured tellers are both new to the Cincinnati Storytelling Festival, but neither is new to professional storytelling. “Kevin Kling is the first professional storyteller I ever saw, and he remains one of my favorites,” says Artistic Director Paul Strickland. “Kevin combines the highest level of craft with an incredible relatability, and he’s also one of the best joke writers I’ve ever encountered. I’m so excited to have the opportunity to share Kevin’s work with Cincinnati audiences.”

Strickland continues, “Motoko is a fantastic teller of fantastical tales, particularly folktales from her native Japan. And while it’s impressive that she appeared on Mister Rogers’ Neighborhood, I promise you’ll be even more impressed by the brilliant artistry she brings to her performances, from the expressive movement to the delightful quirkiness of the stories themselves.”

Most shows are for adults and children ages thirteen and up, with the exception of the Saturday afternoon show which is specifically for children and families.

FESTIVAL HISTORY
The Cincinnati Storytelling Festival, founded in 2020, is a weekend event featuring professional storytellers from a variety of backgrounds and traditions. The festival brings communities together to enjoy fairy tales, scary stories, laugh-out-loud tales, and everything in between! Over the past five festivals, the Cincinnati Storytelling Festival has brought nationally-recognized storytellers to Cincinnati audiences, including Bil Lepp, Lyn Ford, Sheila Arnold, Adam Booth, Megan Hicks, Antonio Rocha, Andy Offutt-Irwin, and Charlotte Blake Alston.

 
THE STORYTELLERS

KEVIN KLING
Kevin is a frequent storyteller at storytelling festivals across the country, as well as an author and a playwright. He has written five books and appears often on PBS and Minnesota Public Radio. Kevin is most proud of his work as a teacher, playwright and performer with Interact Center, a company that creates art in the spirit of radical inclusion. He has written a wide range of plays, including everything from adaptations and original plays for children and families to orchestral commissions. His one person shows Home and Away, 21A, and How How, Why, Why, Why and his full cast plays Lloyd’s Prayer and The Ice Fishing Play have been produced in regional theaters, including The Guthrie, Seattle Rep, Cincinnati Playhouse in the Park, and more. Awards include the Whiting Award, NEA, McKnight, Bush Fellowship, Jerome Foundation, Minnesota State Arts Board the A.P. Anderson Award, the VSA Jeahny, the Eric Peterson Award, and two regional Emmys for Kevin Kling: Lost and Found and Art + Medicine: Disability, Culture and Creativity. He graduated from Gustavus Adolphus College with a BA in Theater in 1979. kevinkling.com

MOTOKO
Recipient of the National Storytelling Network’s 2017 Circle of Excellence Award, Motoko has captivated audiences of all ages since 1993. She brings to life a rich repertoire of Asian folktales, Rakugo and Zen tales, ghost stories, and oral memoirs inspired by her childhood in Osaka and her journey as an immigrant. Motoko has been featured in the National Storytelling Festival, Timpanogos Storytelling Festival, Bay Area Storytelling Festival, and the Provincetown Playhouse at NYU. Storytelling has taken her to China, Japan, Senegal, and the U.A.E. She is the author of A Year in Japan: Folktales, Songs and Art for the Classroom. motoko.folktales.net/

PAUL STRICKLAND, ARTISTIC DIRECTOR
Paul is a professional storyteller and theatre artist who lives in Covington, Kentucky. He performs over 150 shows a year across the U.S. and has well over seven hours of unique family friendly stories in his repertoire, including reupholstered folk tales, fairytales for adults and future adults, tall-tales and even historical stories that just happen to have never happened. Paul has been a Featured Teller at the National Storytelling Festival, the Timpanogos Storytelling Festival, and many more major storytelling festivals across the U.S. Cincinnati audiences know and love Paul Strickland for his award-winning performances at the Cincinnati Fringe Festival. He runs TellStoriesBetter.com , an online coaching and education business. He is one of the co-founders of the Cincinnati Storytelling Festival. ainttrue.com

SCHEDULE AND INFO

FESTIVAL SCHEDULE AND TICKETS
Full Weekend Pass: $72
Thursday Pass: $40
Friday Pass: $40
Saturday Pass: $50
Single Tickets also available ($20 per show)
All prices listed here include ticketing fees.

Advance Tickets go on sale October 15:
https://www.cincystoryfest.com/buy-tickets
Ratings: All shows are recommended ages 13+ unless otherwise noted.

Thursday, November 12, 2026
“Gather Round” at 7pm (60 min.) $20
“Twisted Tales” at 8:15pm (75 min.) $20

Friday, November 13, 2025
“Laugh Riot!” at 6pm (60 min.) $20
Dinner break from 7-8:30pm
“Spooky Stories” at 8:30pm (75 min.) $20

Saturday, November 14, 2026
Special Family Event – recommended ages 4 and up
“Children’s Stories” at 2pm (45 min.) FREE
Main Events
“True Theatre” at 4:30pm (60 min.) $20
“Old Tales Told New” at 5:45pm (65 min.) $20
Dinner break from 7-8:15pm
“My Favorite Stories” at 8:15pm (90 min.) $20

LOCATION
Know Theatre – in the heart of OTR – 1120 Jackson St. Cincinnati OH 45202
Entrance just off 12th St. on Jackson (between Walnut & Vine)
Box office hours: 11am-5pm Tue-Friday | 513.300.5669

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