Monthly Archives: June 2026

LALOVAVI Future Visions Launch Party Unveils Community Murals and a New Comic Book Inspired by Cincinnati Opera’s Upcoming World Premiere Opera LALOVAVI

CINCINNATI (June 24, 2026)—Cincinnati Opera, in partnership with The Robert O’Neal Multicultural Arts Center (ROMAC) and Soul Palette, invites the public to the Lalovavi Future Visions Launch Party. This free community celebration honors the artists and collaborators whose creativity helped bring two ambitious projects to life inspired by the company’s upcoming world premiere of the Afrofuturist adventure, Lalovavi. The event takes place on Tuesday, June 30, 2026, 6:00–8:00 p.m., at the ROMAC Artpreneur Center, 1701 Race Street, Cincinnati, OH.

Next month, Cincinnati Opera presents the world premiere of Lalovavi at Music Hall (July 9 and 11), an Afrofuturist opera set 400 years in the future, with music by Kevin Day and libretto by Tifara Brown. Inspired by the setting and themes of the opera—truth, self-determination, and love—Cincinnati Opera partnered with artists and creative organizations to develop two community-generated projects: the Future Visions Community Murals and Rise of Titan, a comic-book prequel to Lalovavi.

Future Visions Community Murals
The evening will mark the official public unveiling of Future Visions Community Murals, a citizen-powered mural series inspired by the Afrofuturist themes at the heart of Lalovavi. The project grew out of a sustained engagement with more than 100 Greater Cincinnati residents, who contributed their ideas and hopes for the future to shape each panel’s imagery, and six core artists who helped bring these ideas to life.

Developed in partnership with Soul Palette, the mural series reflects the power of community voices in the artistic process. Guests at the Launch Party will be among the first to see a sample of the completed panels on display and will have the opportunity to meet some of the mural artists and project partners who brought the work to life. The complete collection of mural panels will be displayed at Music Hall during Cincinnati Opera’s performances of Lalovavi.

Rise of Titan: A Comic-Book Prequel to Lalovavi
The event also celebrates the release of the first volume of Rise of Titan, a comic-book prequel to Lalovavi, written by librettist Tifara Brown and illustrated by Michael Taylor. Developed in partnership with ROMAC’s Artpreneur Program (in which Taylor is a participant), the book expands the world of Lalovavi, offering readers a deeper look at the characters and mythology that underpin Cincinnati Opera’s groundbreaking Afrofuturist world premiere. Brown and Taylor will be on hand to greet attendees, and signed copies of the comic book will be available for purchase.

Lalovavi Community Engagement and Education sponsors are P&G, Millstone Fund, and ArtsWave Circle of African American Leaders for the Arts. 


Lalovavi Future Visions Launch Party

When:
Tuesday, June 30, 2026, 6:00 p.m.-8:00 p.m.

Where:
ROMAC Artpreneur Center
1701 Ray Street, Cincinnati, OH 45202

Description:
Join Cincinnati Opera and community partners to celebrate the launch of two Lalovavi-themed community creations: the Future Visions Mural Project and the Rise of Titan prequel comic book. Mural panels and Rise of Titan copies will be available for viewing, and participating artists and partners will be in attendance.

Admission:
Free and open to the public

For information:
cincinnatiopera.org


About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a mainstage season of grand opera every summer at Cincinnati Music Hall, a National Historic Landmark, performed with the renowned Cincinnati Symphony Orchestra. The company also offers year-round community programming throughout the Greater Cincinnati region.

The company’s repertoire spans beloved classics and bold new works, with a distinguished tradition of producing opera that resonates far beyond the stage. Select regional, national, and world premieres include Margaret Garner (2005), Fellow Travelers (2016), and Blind Injustice (2019), which have gone on to productions across the country. Cincinnati Opera is also the originating home of The Black Opera Project, a first-of-its-kind, multiyear commissioning initiative creating three full-length operas celebrating the Black American experience, beginning with the Afrofuturist grand opera Lalovavi (July 2026). Through Opera Fusion: New Works, its long-running creative partnership with the University of Cincinnati College-Conservatory of Music, the company continues to shepherd new American operas from workshop to world premiere. Cincinnati Opera is a proud member of OPERA America. Learn more at cincinnatiopera.org.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Our programming is made possible in part by an investment of public funds from the Ohio Arts Council (OAC), a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically. Cincinnati Opera also receives support from The Louise Dieterle Nippert Musical Arts Fund, the Harry T. Wilks Family Foundation, and the H.B., E.W. & F.R. Luther Charitable Foundation, along with many other generous individuals, corporations, and foundations. Support for The Black Opera Project has been provided by the Mellon Foundation, Susan and Joseph Pichler, Ann and Harry Santen, The David C. Herriman Fund of Greater Cincinnati Foundation, Carol Ann and Ralph V. Haile, Jr. Foundation, Michael L. Cioffi and Rachael A. Rowe, P&G, The Robert and Adele Schiff Family Foundation, Fifth Third Bank, Liz Kathman Grubow and Jerry Kathman, The Louise Taft Semple Foundation, ArtsWave FLOW, Kari and Jonathan Ullman, H.B., E.W. & F.R. Luther Charitable Foundation, Vilcek Foundation, Arts Midwest, and the many donors recognized as Friends of The Black Opera Project.

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ORPHEUS AND EURIDICE at Cincinnati Opera Runs July 28-Aug. 1

ORPHEUS AND EURIDICE
Cincinnati Opera
July 28-Aug. 1
Wilks Studio Music Hall [Over-the-Rhine]

Official cast and creative team (scroll down)

Orpheus, a grieving musician, loses his beloved Euridice too soon—and is granted one impossible chance to bring her back from the underworld. Guided by music and memory, he descends into a realm of shadows with only one rule: don’t look back. Ricky Ian Gordon’s Orpheus and Euridice retells the ancient myth with lyrical intimacy and emotional clarity, blending classical voice with contemporary style. It’s a haunting meditation on love, loss, and letting go. Sung in English with projected lyrics.

  • Tue & Thu, July 28 & 30 at 7:30pm
  • Sat, Aug. 1 at 3pm & 8pm

Official page | Facebook events |

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CARMEN at Cincinnati Opera Runs July 25-31

CARMEN
Cincinnati Opera
July 25-Aug. 2
Springer Auditorium Music Hall [Over-the-Rhine]

Official cast and creative team (scroll down)

The fiercely independent Carmen lives—and loves—on her own terms. When she sets her sights on Don José, a straitlaced soldier with a sweetheart back home, he quickly unravels, abandoning everything for her. But Carmen’s heart doesn’t stay in one place for long, and when the charismatic toreador Escamillo enters the ring, jealousy turns deadly. Set to Bizet’s iconic, rhythm-driven score, Carmen is a story of desire, freedom, and fatal choices. Sung in French with projected English translations

  • Sat, July 25 at 7:30pm
  • Wed & Friday, July 29 & 31 at 7:30pm
  • Sun, Aug. 2 at 3pm

Official page | Facebook events |

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DEAR EVAN HANSEN at The Carnegie Review

By Katrina “Kat” Reynolds

DEAR EVAN HANSEN presented by The Carnegie through June 28th. I attended the Opening Saturday matinee performance.

As its 2026 season opener, The Carnegie presents Dear Evan Hansen with Book by Steven Levenson and Music and Lyrics by Benj Pasek and Justin Paul. The Tony Award-winning musical is an important social commentary on how each of us can feel isolated, alone, and invisible in the seemingly non-stop bustling world we must navigate each day.

Director Joe Bertucci leads this production with an appropriately sensitive POV. Pacing is flawless and use of the playing space is thoughtful and purposeful. Scenic and Media Design by Tyler Gabbard (with assistance on the Media portion from Angel Hardy) are both nothing short of perfection. Mr. Gabbard has a keen understanding of how to best use The Carnegie’s stage and I fail to be impressed each time his hand is involved. He along with Mr. Hardy found the perfect symmetry of “screen time” and it pays off.

Music Direction by Jacob Priddy is impressively strong. Mr. Priddy has been able to create a beautiful symphony of voices and instruments alike with the ideal balance between them. Much deserved shout-out to the band of talented musicians who helped to bring Evan Hansen’s world to life; they execute this excellent score beautifully.

Further credit to Mr. Bertucci for putting together a wonderfully mighty and cohesive ensemble of performing artists. Their chemistry is palpable and each actor truly gives it their “all”. I am hard-pressed to mention certain individuals above another but this is a review, after all. Denise Devlin (who plays Cynthia Murphy) graces The Carnegie stage once more after a long absence and we should all thank the Deities for it. Ms. Devlin is a consummate professional with a true understanding of her character’s role in this story. Sean Young excels in his portrayal of Connor Murphy, a role I daresay has some of the most fun. Mr. Young vacillates between brooding teen and caricature musical theatre narration with seemingly no effort. Not to be outdone by her stage sibling, Hannah Grace Ervin is a shining light as Zoe. Her voice is clear and lovely and her handle on the character’s arc is spot-on.

Finally, Tommy Sanders is exquisite as Evan Hansen. Playing the titular character is certainly a massive undertaking, but Mr. Sanders is the right man for the job. It is clear he gives in to the emotional journey and we see a very real, very raw human before our very eyes. Even while wrought with sentiment, he delivers impeccable vocals and character representation. Mr. Sanders’ use of his instrument is a master class in musicality and there is no doubt he will continue to impress audiences. Bravo!

While most of you know musicals are not my preference, a good musical is a special thing. Dear Evan Hansen has memorable songs, relatable stories, and wonderful visuals. On top of being a transparent look at how our hunger for acknowledgement can sometimes lead to poor choices, it is entertaining and free from judgement. No one is lauded for doing the wrong thing and it allows some grace to those who err which is something the world doesn’t offer us as easily. Even through painful topics, Dear Evan Hansen is fantastic art and well worth the trip to NKY to enjoy it.

Click here for more information about the production.

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Agatha Christie’s AND THEN THERE WERE NONE at The Drama Workshop Runs July 24-Aug. 9

Agatha Christie’s AND THEN THERE WERE NONE
The Drama Workshop
July 24-Aug. 9
Glenmore Playhouse [Cheviot]

Directed by Amy Eyers
Produced by Chris Eyers

Cast: Glenn Schaich as Rogers, Madelynn Meredith as Mrs. Rogers, Jason Cox as Fred Narracott, Kate Matthews as Vera Claythorne, Austin Fidler as Philip Lombard, Richard Cramer as Anthony Marston, Rob Bucher as William Blore, Michael Scarpelli as General Mackenzie, Virginia Venegas as Emily Brent, Geoff Simmons as Sir Lawrence Wargrave & John McInerney as Dr. Armstrong

AND THEN THERE WERE NONE is a dark thriller. One of Agatha Christie’s most foreboding tales and a masterpiece of dramatic construction, this classic play’s growing sense of dread and unfaltering tension will keep you guessing to the very end.

  • Fri-Sat, July 24-25 at 7:30pm
  • Sun, July 26 at 2pm
  • Fri-Sat, July 31-Aug. 1 at 7:30pm
  • Sun, Aug. 2 at 2pm
  • Thu-Sat, Aug. 6-8 at 7:30pm
    Sun, Aug. 9 at 2pm

Official page

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