Monthly Archives: September 2026

2027 Season Announced by East Side Players

Roald Dah’ls CHARLIE AND THE CHOCOLATE FACTORY
June 3-12
Directed by Amanda Osburn

SEUSSICAL the Musical
July 29-Aug. 7
Directed by Kate Elliott

For more information visit www.esptheater.org

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Auditions Announced for CINDERELLA at Stage Right Musical Theatre Company

Stage Right Announces Auditions for Cinderella

Williamstown, KY – Stage Right Musical Theatre Company is thrilled to announce auditions for their semi-professional winter production of Rodgers & Hammerstein’s Cinderella, running January 29 – February 7, 2027 at the Williamstown Performing Arts Center. All Roles are available, with evening rehearsals beginning December 29, 2026 Auditions are open to kids 8-17 and Adults 18+.

One of the most beloved fairytales of all time comes to the WPAC stage in a dazzling celebration of magic, romance, and hope. This version is inspired by the iconic 1997 television event starring Brandy and Whitney Huston, featuring
toe-tapping classics like “In My Own Little Corner” and “Impossible.” Cinderella is a true theatrical spectacle full of enchantment, humor, and heart. With fairy godmothers, princes in disguise, and a message that kindness and
courage can change the world, this Rodgers & Hammerstein favorite invites audiences of all ages to believe in the impossible. Perfect for families, dreamers, and anyone who loves a classic fairytale told with modern magic, Cinderella is a spellbinding night at the theatre.

Performance Information:
Rehearsal Dates: Sundays – Fridays Dec 29 – Jan 28. Stage Right values the time of its artists and works with the production team to make sure actors are only called if they are working.
Show Dates: January 29-February 7, 2026 (Weekend performances, with Student Shows Feb 2 & 4)

Audition Information:
Auditions will be held: -October 23 6pm-9pm | First Love Community Fellowship (930 Curry Ln Dry Ridge, KY 41035) -October 24 2pm-7pm | Footlighters Inc. (802 York St Newport, KY 41071)

What to Prepare: -A Current Resume and Headshot -A 32 bar cut of musical theatre song in the style of the show. An accompanist will be provided. -Properly marked Sheet Music for accompaniment (Acapella auditions will not be considered)

A dance audition and cold readings will also take place following your singing audition.

To Request an audition slot visit: https://www.stagerightmtc.org/auditions

This show is a semi-professional production. Compensation is determined based on previous professional credits and experience. Not all roles are compensated. This production, as part of our “community company” series, gives an
opportunity for less experienced performers to work in a professional environment and gain credit before entering a professional theater experience. Stage Right Musical Theatre Company welcomes and encourages people of all backgrounds, identities, and ethnicities to audition. Your unique perspective makes our company stronger.

Character Description: Unless specifically noted below, all roles are open to people of all races and gender identities.

CINDERELLA (F | 20–30): Strong actor, soprano, and capable musical theatre dancer. A kind-hearted, imaginative young woman with an infectious generosity of spirit. In our production, Cinderella is an artist and visionary. She is someone who sees possibility and beauty where others see scraps, limitations, or things without value. Her creativity is not simply an escape from her circumstances, it is how she understands and transforms the world around her. Despite being belittled for the very qualities that make her extraordinary, she maintains a sense of curiosity, ingenuity, and hope. Please note: this role requires on-stage intimacy.

HER FAIRY GODMOTHER (F | 30–60): Strong mover and actor. An enchanting, motherly figure with a hint of mischief in her eye. Rather than giving Cinderella her imagination, the Fairy Godmother recognizes the creativity that is already there and gives her the resources to bring it to life. She sees Cinderella’s sketches, dreams, and creative potential and becomes the first person to truly say, “What if we made it real?” Warm, playful, and magical without losing her humanity.

HER STEPMOTHER (F | 35–60): Excellent comedic actor, strong singer, and capable mover. Cold, conniving, and determined to marry her daughters to the Prince at any cost. She values status, appearances, tradition, and propriety, and Cinderella’s creativity challenges everything she understands about what makes something, or someone, valuable. Her resentment is rooted not only in Cinderella’s position in the family, but in her inability to control or understand the imagination that makes Cinderella unique.

GRACE (F | 20–30): The older of Cinderella’s two stepsisters. Awkward, clumsy, and prone to an insatiable rash when she gets nervous. Grace has been raised to believe that being desirable means fitting perfectly into society’s expectations, which makes her desperation to impress the Prince both ridiculous and strangely sympathetic.

JOY (F | 20–30): The younger of Cinderella’s two stepsisters. Not always quick on the uptake, often sullen, and equipped with a piercing, high-pitched, supremely obnoxious laugh. Like Grace, Joy has learned to value appearances and status over individuality, leaving her ill-equipped when things do not go according to plan.

CHRISTOPHER (M | 20–30): A charming young prince searching for his purpose and an identity beyond the expectations attached to his title. Having spent his life surrounded by wealth, beauty, and carefully constructed appearances, he is captivated by Cinderella because she offers something genuinely new: originality. His journey is not simply about finding a bride, but discovering someone who sees possibilities beyond the world he has always known and beginning to imagine those possibilities himself. Please note: this role requires on-stage intimacy.

LIONEL (M | 20–45): The Prince’s royal steward and confidant. Dry, witty, intelligent, and possessing a great command of the stage. Lionel understands the rules, traditions, and expectations of palace life and helps keep its carefully ordered world running.

QUEEN CONSTANTINA (F | 40–65): The Prince’s mother; strong actor, singer, and capable mover. The Queen is loving but firmly rooted in the traditions and expectations of royalty. She wants what is best for Christopher, even when her understanding of “best” is shaped by the polished, proper world she has always known.

KING MAXIMILLIAN (M | 40–65): The Prince’s father; strong actor, singer, and capable mover. A warm royal presence who, like the Queen, inhabits a world built around tradition, appearances, and established expectations. His relationship with Christopher should reveal both genuine familial love and the pressure of being born into a life that has largely been planned for you.

CHARLES: A cat who is magically transformed into Cinderella’s Coachman. Part of the Fairy Godmother’s transformation of Cinderella’s imagination into reality; strong physical characterization and committed storytelling are essential.

4 WHITE MICE (any age): Cinderella’s tiny companions who are magically transformed into Horses. Playful, expressive performers who help bring Cinderella’s fantastical vision to life through strong physical storytelling.

A DOVE: Magically transformed into Cinderella’s Footman. Part of the world Cinderella has imagined becoming real; strong movement and physical characterization are encouraged.

ENSEMBLE (any age): Villagers, Merchants, Maidens, Palace Guests, and others who populate Cinderella’s world. The Ensemble is essential to establishing the contrast between a kingdom that begins polished, proper, and predictable and the increasingly imaginative world Cinderella inspires. Strong singers, movers, actors, and storytellers who are excited to create distinct characters are encouraged to audition.

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Auditions Announced for HOUSE AT POOH CORNER at Sunset Players

Our 2026 Children’s Play will be HOUSE AT POOH CORNER
Adapted by Bettye Knapp. From the work by A.A.Milne

Presented by Sunset Players

Audition Dates: 

  • Tuesday -September 29th, 2026
  • Thursday – October 1st, 2026

Location: Arts Center at Dunham – 1945 Dunham Way, Cincinnati, OH 45238

Time: 6:00 PM – 8:00 PM

About the Show:
Join Christopher Robin and his friends – Winnie the Pooh, Tigger, Piglet, Eeyore, and more – in this heartwarming adventure through the hundred-acre-wood. Faced with the looming possibility of being sent away to school, Christopher Robin contemplates running away to the North or South Pole with his friends. As they embark on this whimsical journey, they grapple with the fear of the unknown and the strength of their friendship. Will Chrisopher Robin decide to leave, or will he find a way to stay with friends that mean so much to him? 

Roles to Be Cast:

  • Christopher Robin 
  • Winnie the Pooh 
  • Piglet 
  • Owl 
  • Eeyore 
  • Tigger – 
  • Kanga 
  • Roo 
  • Rabbit 
  • Early Rabbit 
  • Late Rabbit 
  • Voice 

What to Prepare: Be prepared for cold readings from the script

Any questions contact Director Bob Kelley at rke5858@gmail.com.

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MENOPAUSE The Musical | March 30 – April 4, 2027 | Aronoff Center

NATIONAL TOUR OF MENOPAUSE THE MUSICAL® PLAYS
CINCINNATI’S ARONOFF CENTER FROM MARCH 30 – APRIL 4, 2027
FOR SEVEN PERFORMANCES ONLY!   

Tickets On Sale Friday, September 25

CINCINNATI, OH – GFour Productions, winner of sixty-eight Drama Desk and fifty-four Tony Awards®, is proudly bringing the international hit show Menopause The Musical® to the Aronoff Center’s intimate Jarson-Kaplan Theater from March 30 – April 4, 2027 for seven performances only (see full performance schedule below). Menopause The Musical® is a groundbreaking celebration of women who are on the brink of, in the middle of, or have survived “The Change.” The show is part of Cincinnati Arts Association’s 2026-27 CAA PRESENTS Season.

Tickets go on sale Friday, September 25 at 10:00 at www.CincinnatiArts.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office at 650 Walnut Street. For group sales (10 or more), call (513) 977-4155. Prices include all applicable fees and taxes and are subject to change.

Now celebrating twenty-five years of female empowerment through hilarious musical comedy, Menopause The Musical® has evolved as a “grassroots” movement of women who deal with life adjustments around the age of forty by embracing each other and the road ahead. What began with seventy-six women in an Orlando perfume shop-turned-theater who are laughing, kick lining, and celebrating menopause for the first time became a global movement. The musical shattered the stigma around menopause and turned a once-taboo topic into a badge of honor.

Set in a department store, four women meet while shopping for a black lace bra at a lingerie sale. After noticing similarities among one another, the ladies joke about their woeful hot flashes, mood swings, wrinkles, weight gain, and much more. These women form a sisterhood and a unique bond with the entire audience as they rejoice in celebrating that menopause is no longer “The Silent Passage.” It’s the Hilarious Celebration of Women and The Change!®

Inspired by a hot flash and a bottle of wine, playwright Jeanie Linders created Menopause The Musical® to celebrate women at every stage of “The Change.” The laughter-filled, 90-minute production gets audience members out of their seats and singing along to parodies from classic pop songs of the ‘60s, ‘70s, and ‘80s. 

The original Menopause The Musical® debuted in Orlando, FL, and ran Off-Broadway for four years, performing for more than 1,500 audiences, followed by a U.S. national tour that is still running today. In 2007, it opened internationally in the United Kingdom and has performed in countries including Australia, South Korea, Brazil, France, Slovenia, and many more. It was also the longest-running musical in Las Vegas history. Beloved for twenty-five years and seen by more than seventeen-million people, Menopause The Musical® has played every state in the continental U.S., more than 500 cities worldwide, and has been translated into nine languages.

The production’s Book and Lyrics are by Jeanie Linders. The creative team includes Director Seth Greenleaf, Music Supervisor and Additional Arrangements Alan J. Plado, Assistant Director Kim Simari, Choreography Supervisor Teri Adams, and Assistant Music Supervisor Roberta B. Wall. Columbia Artist Theatricals represents the production.

Menopause The Musical® Performance Schedule 

  • Tuesday, March 30 @ 7:30 PM
  • Wednesday, March 31 @ 7:30 PM
  • Thursday, April 1 @ 7:30 PM
  • Friday, April 2 @ 7:30 PM
  • Saturday, April 3 @ 1:00 PM & 7:30 PM
  • Sunday, April 4 @ 1:00 PM

For more information, visit:  MenopauseTheMusical.com, facebook.com/menopausethemusical, instagram.com/menopausethemusical, x.com/menomusical, and threads.com/@menopausethemusical.

About GFour Productions
GFour Productions proudly produces some of the world’s most recognized shows, from Broadway to the West End. Current and recent productions and investments: DEAD OUTLAW (Broadway); GLENGARRY GLEN ROSS (Broadway); STEREOPHONIC (Broadway, West End); THE SHARK IS BROKEN (West End, Broadway, UK Tour); STRANGER THINGS: THE FIRST SHADOW (West End, Broadway); SIX THE MUSICAL (Broadway, West End and Tour); THE BOOK OF MORMON; THE PLAY THAT GOES WRONG. Current tours include FUNNY GIRL, TINA: THE TINA TURNER MUSICAL, and the international sensation MENOPAUSE THE MUSICAL® and its sequel. Additional productions in active development include the controversial new Off-Broadway musical SLAM FRANK and YOU’VE STILL GOT A FRIEND, a touring tribute to the enduring friendship and collaboration between Carole King and James Taylor. www.GFourProductions.com

Cincinnati Arts Association SPONSORS 

he Cincinnati Arts Association is supported [in part] by an investment of public funds from the Ohio Arts Council (OAC). The OAC is a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically.

Season Sponsors:  AMERITAS (Founding Season Sponsor), MIAMI UNIVERSITY, ARTSWAVE, LOCAL 12 WKRC-TV, PROCTER & GAMBLE, TRIHEALTH 

SEASON PRESENTING SPONSORS:  21C Museum Hotel, altafiber, Bahl & Gaynor, CityBeat, Harlan Graphics, Heidelberg Distributing, Kinley Cincinnati, The Party Source, Pepsi, Summerfair Cincinnati

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CALENDAR INFORMATION

WHAT:                Menopause The Musical®

WHEN:                March 30 – April 4, 2027 (full performance schedule below)

WHERE:              Aronoff Center – Jarson-Kaplan Theater

PRICES:               Start at $78.75, inclusive of all fees.

INFO:                   COME JOIN OUR SISTERHOOD! Four women at a lingerie sale have nothing in common but a black lace bra AND memory loss, hot flashes, night sweats, not enough sex, too much sex, and more. This hilarious musical parody set to classic tunes from the ‘60s, ‘70s and ‘80s will have you cheering and dancing in the aisles. See what millions of women worldwide have been laughing about for twenty-five years. It’s the Hilarious Celebration of Women and The Change!®  (And men love it, too.) 

TICKET INFORMATION – on sale Friday, September 25

  • www.CincinnatiArts.org
  • (513) 621-ARTS [2787]
  • Aronoff Center Ticket Office
  • Group sales (10 or more): (513) 977-4155

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TITUS ANDRONICUS: A Revenge Tragedy at NKU School of the Arts Runs Oct. 23-Nov. 1

TITUS ANDRONICUS: A Revenge Tragedy
NKU School of the Arts
Oct. 23-Nov. 1
Stauss Theatre [Highland Heights]

Directed by Darnell Benjamin

What happens when revenge becomes the rule? n a fractured America of the distant future, high tech, and deeply divided—power and vengeance collide in a brutal struggle for dominance. Set in Rome, Kansas, this electrifying reimagining of Shakespeare’s bloodiest tragedy exposes the cost of an “eye for an eye” in a world spiraling toward chaos. How far will we go for control? What will we sacrifice for revenge?

  • Fri-Sat, Sept. 23-24 at 7:30pm
  • Sun, Oct. 25 at 2pm
  • Wed-Fri, Oct. 28-30 at 7:30pm
  • Sat, Oct. 31 at 2pm & 7:30pm
  • Sun, Nov. 1 at 2pm

Official page |

 

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