Author Archives: robbucher

April 20, 2020 · 10:28 am

trueFAKES Moves to Free Live-Streaming on May 7 at trueTHEATRE

TRUE_logoDue to the current forecast of the length of the stay-at-home order, Memorial Hall has had to cancel all shows scheduled at their venue through the month of May, including “trueFAKES” (scheduled for May 7).

We do intend to be bringing you some stories that night, however! Keep reading for more on that, below.

Meanwhile, for those of you who already purchased tickets to “trueFAKES,” you have the option to move your ticket to our July 23rd show (“trueSUFFRAGE”) or accept a refund (prorated for subscribers, based on the subscription rate). Please choose whatever option is comfortable for you. If you do nothing by close-of-business on Thursday, April 23rd, a refund for your ticket(s) will be submitted. To move your ticket(s) or initiate your refund right away, please contact the Memorial Hall box office during their normal business hours (Tuesday through Friday, 1 – 6PM at 513-977-8838). [NOTE: For those of you who won, earned, or were otherwise gifted a ticket to “trueFAKES,” know that your tickets are being automatically moved to the July 23rd show.]

Now for some good news: we recognize the need, more than ever, for connection during these trying times, so we are currently working on bringing you “trueFAKES” via live-streaming — for FREE! We will be keeping to the same schedule (Thursday, May 7th, at 7:30 PM) . We will be writing you again, as the evening gets closer, to give you details about joining us via this new format.

Your feedback as to whether this is something you’d like to see more of will be invaluable to us as we continue to prepare for downstream events that may be hosted online, even after the stay-at-home order is lifted, so we hope you will join us online on May 7th to experience how this works for yourself!

Again, keep an eye out for our next message about this in the coming weeks. If a friend has forwarded this to you, consider signing up for our mailing list (by visiting our website) and/or following us on Facebook, Twitter, and Instagram to stay “in the loop.”

Even over the Internet, we believe that live-streaming of stories can break down walls and build bridges between people and that is why we cannot wait to bring you “trueFAKES” on May 7th!

Stay healthy, stay connected, and stay true.

Dave & your friends at True Theatre

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April 20, 2020 · 10:18 am

Video Auditions Announced for BACK TO THE ’80S! at Dare to Defy Productions

D2D_logoWe are excited to announce auditions for BACK TO THE ’80S! This a professionally staged youth production (with featured adult roles) with stipends available for all performers. There is no minimum age (must be able to portray 14-18) and we will accept up to age 21.

Rehearsals will begin July 20th and will rehearse Monday-Thursday, 6-9pm with the possibility of some Saturday afternoon rehearsals. Performances are September 4-6th.

With the current Stay at Home order in place, we are requesting video submissions. Please send a 16 bar cut of an 80’s style song, as well as a one minute monologue. We ask that you please slate your name and age at the beginning of your audition video, as well as any role you are interested in. Don’t forget to include a headshot and resume as well. All materials can be sent to Norgaard@dare2defy.org by May 4th. We are hoping to have callbacks in person, but are monitoring the situation daily.

Roles Available:

  • Corey Palmer(Young)
    The hero of the musical. He is an ordinary, likeable senior in high school that is dealing with typical issues including his love for Tiffany Houston.
    Vocal range top: D5
    Vocal range bottom: Bb2
  • Alf Bueller
    One of Corey Junior’s best friends. A likeable teenager just coming out of childhood and beginning adulthood.
    Vocal range top: Bb4
    Vocal range bottom: Bb2
  • Kirk Keaton
    One of the “nice” boys who is naive and has difficulty with girls.
    Vocal range top: F4
    Vocal range bottom: Bb2
  • Cyndi Gibson
    A street-smart, boy-wary member of Tiffany’s posse who has a crush on Michael but always settles for other boys.
    Vocal range top: E5
    Vocal range bottom: A3
  • Mel Easton
    One of the elite “Cool Girls,” she is the twin sister of Kim who loves to rock out as a backup to the group.
    Vocal range top: C5
    Vocal range bottom: A3
  • Kim Easton
    The twin sister of Mel and friend of Cyndi. Kim is a party-loving cheerleader who does not do well in school.
    Vocal range top: C#5
    Vocal range bottom: A3
  • Michael Feldman
    The coolest guy in the school who has the attention of all the girls. When the girls are not around, he is a mean manipulative oaf who picks on smaller kids.
    Vocal range top: B4
    Vocal range bottom: D3
  • Billy Arnold
    A popular, athletic guy who appears tough and is revered yet has little backbone without Michael.
    Vocal range top: A4
    Vocal range bottom: A3
  • Lionel Astley
    He is a follower and not quite as cool as the other guys in his posse, but is tolerated by the girls.
    Vocal range top: G4
    Vocal range bottom: Bb2
  • Huey Jackson
    The final guy to round out the group of Michael Feldman’s friends. Not much else to be said – big hair, wears clothes that were cool at the time, but now just look like fluorescent mismatches of colour. Huey is an 80’s tragic – he is the only member of the cool group to go as far as wearing a white Michael Jackson glove – as was the fashion of the day!
  • Feargal Mcferrin
    The sensitive school nerd. He is supremely intelligent, but his visions of life in the new millenium are always mocked.
    Vocal range top: B4
    Vocal range bottom: E3
  • Laura Wilde
    Debbie’s best friend. She is awkward and has trouble with boys, but is a nice girl.
    Vocal range top: E5
    Vocal range bottom: F3
  • Debbie Fox
    Laura’s competitive best friend. She lies about her fantasy relationships with celebrities.
    Vocal range top: E5
    Vocal range bottom: F3
  • Featured Singers/ Ensemble
    The roles of Corey Sr, Tiffany Houston, Eileen Reagan and Miss Brannigan have been filled by D2D ensemble members.

Songs in the show (For reference)

  • Wake Me Up Before You Go-Go
  • Kids In America
  • Girls Just Want To Have Fun
  • We Built This City
  • Mickey
  • Video Killed The Radio Star
  • Believe It Or Not
  • Morning Train (9 to 5)
  • I’m Gonna Be (500 Miles)
  • You Give Love A Bad Name
  • You Give Love A Bad Name (Reprise)
  • Man In The Mirror
  • Nothing’s Gonna Stop Us Now
  • Love Shack
  • Total Eclipse Of The Heart
  • Walking On Sunshine
  • Get Outta Me Dreams (Get Into My Car)
  • Centerfold
  • Lost In Your Eyes
  • Never Gonna Give You Up
  • Material Girl
  • Don’t Worry Be Happy / Come On, Eileen
  • Wake Me Up Before You Go-Go (Reprise)
  • (I’ve Had) The Time Of Me Life
  • Back To The 80’s Megamix!

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April 17, 2020 · 9:24 am

Audition Announced for END OF THE RAINBOW at Actor’s Theatre, Fairborn

ATF_logoMay 3 & 4 from 7-9:30pm

Actor’s Theatre, Fairborn
23 E Main St, Fairborn, Ohio 45324

END OF THE RAINBOW by Peter Quilter is a savagely funny drama featuring a glorious ensemble of Judy Garland hits such as “Get Happy,” “The Man that Got Away,” and, of course, “Somewhere Over the Rainbow.” The production follows Judy Garland on the comeback trail in 1968. The failed marriages, the suicide attempts, and the addictions are all behind her. At forty-six and with new flame Mickey Deans at her side, she seems determined to carry it off and recapture her magic. But lasting happiness always eludes some people, and there was never any answer to the question with which Judy ended every show: “If happy little bluebirds fly beyond the rainbow, why, oh why, can’t I?”

The available roles for the production are:

  • Judy Garland: Female, 45-55, strong actress-singer/singer-actress who can credibly play Judy Garland and accurately portray Judy Garland through her songs, and the emotional highs and lows of her life, physically thin and looks older, this is not to be an impersonation but should be able to sing in the Garland style, must be able to portray the calm as well as manic periods of Garland’s life physically and vocally, good movement abilities and physicality are required. Note: For the auditions, actress must sing a Judy Garland song.
  • Mickey Deans: Male, 30-40. Non-Singing Role. The last husband to Judy Garland; her manager and former club owner; handsome, charming, and can be imposing physically; there is a lovely, caring, and charming side of him and at the same time he can be physically imposing and combative, dark and somewhat dangerous; he gives off the appearance of being caring, yet also has a selfish side.
  • Anthony: Male, 40-55. Non-Singing Role. English or Scottish accent required. Ability to play piano accompaniment throughout show required. Anthony is Judy’s accompanist and musical advisor as well as sometimes spiritual guide, gay and soft spoken with a clever edge, gentle and caring with an inner strength, ethical and honest, is capable of support and understanding, and yet is aware of the inevitable outcome ahead.
  • British Broadcasting Company Man/Hotel Porter/Assistant Stage Manager:
    Male, 30-45, strong character actor able to play various types and characters, must be able to speak various British dialects.
    The above characters are usually played by 1 person BUT I am willing to separate them into individual parts.

A play with music about the final years in the life of Judy Garland.

A musical drama of Judy Garland’s “come-back” concerts Christmas 1968: with a six week booking at London’s Talk of the Town, it looks like Judy Garland is set firmly on the comeback trail. The failed marriages, the suicide attempts and the addictions are all behind her. At forty-six and with new flame Mickey Deans at her side, she seems determined to carry it off and recapture her magic. But lasting happiness always eludes some people, and there was never any answer to the question with which Judy ended every show: “If happy little bluebirds fly beyond the rainbow, why, oh, why, can’t I?”
End of the Rainbow is a savagely funny drama featuring a glorious ensemble of Judy Garland hits and infused with the glamour and the melancholy of stardom.

DETAILS
Time Period: 1960s
Duration: 120 minutes (2 hours) 2 Acts
Setting: A suite at the Ritz Hotel in London, 1969.
Musical numbers include: “I Can’t Give You Anything but Love, Baby””Just in Time””For Me and My Gal””You Made Me Love You (I Didn’t Want to Do It)””The Trolley Song””The Man that Got Away””When You’re Smiling””Come Rain or Come Shine””Over the Rainbow””Get Happy””By Myself”

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April 17, 2020 · 9:04 am

Costume Shop Mentor Sought by Ursuline Academy

MISC_Ursuline logoUrsuline Academy, a private Catholic college-preparatory school for young women in grades 9–12, has a need for a Costume Shop Mentor beginning with the 2020-2021 school year. The position entails overseeing students in the planning and execution of costume design, production, costume changes, and emergency alterations for two stage productions: fall musical and spring play. This includes auditions, instruction, and direction leading up to and including performance weekend. This position involves weekend and evening commitments; approximately 4-5 hours per week during months of August-November and January-April. More hours are to be expected during tech week. Contract period: July 30, 2020-April 30, 2021.

Responsibilities

  • Provide adult guidance and assistance to students as they perform machine and hand sewing, costume construction, patterning, and alterations for each production in accordance to the rules set in place by the Cappies of Greater Cincinnati
  • Collaborate with Theatre and Technical Directors to help oversee coherent rehearsals, dress rehearsals, and performances
  • Report equipment maintenance and needs to Technical Director
  • Attend all production meetings with Performing Arts Director, Vocal Director, Theatre Director, Technical Director, and student production team

Requirements

  • Experience in costuming for high school theatrical productions
  • Effective communication skills
  • Understanding of and the ability to live out the mission of Ursuline Academy
  • Desire to collaborate with colleagues on a regular basis
  • Knowledge of the Cappies of Greater Cincinnati and their rules is preferred
  • Ability to work evenings and weekends
  • Completion of background check and VIRTUS

To Apply

Please email a cover letter, résumé, and three professional references to Jimmy Wiederhold, Performing Arts Director, at jwiederhold@ursulineacademy.org. No phone calls please.

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April 17, 2020 · 9:03 am

Technical Director Sought by Ursuline Academy

MISC_Ursuline logoUrsuline Academy, a private Catholic college-preparatory school for young women in grades 9–12, has a need for a Technical Director beginning with the 2020-2021 school year. The position entails overseeing students in the planning and execution of lighting, sound, and stage setup of the fall musical and spring play, and supporting the Theatre Arts Group (TAG) show. This also entails providing reports and documentation which reflect materials, equipment, and other costs associated with a stage production as well as reporting all maintenance needs. This position involves weekend and evening commitments; approximately 6-8 hours per week during months of August-November and January-April. More hours are to be expected during tech week. Contract period: July 30, 2020-April 30, 2021.

Responsibilities

  • Provide adult guidance and assistance to students as they design and build all aspects of each production (set, lights, sounds, props, marketing and publicity) in accordance to the rules set in place by the Cappies of Greater Cincinnati
  • Collaborate with Theatre Director to help oversee coherent rehearsals, dress rehearsals, and performances
  • Prepare a financially responsible list of tech needs for each show to Theatre Director and Performing Arts Director to ensure all items can be purchased and delivered in a timely manner
  • Assist Costume Shop Mentor with their equipment maintenance and needs
  • Attend all production meetings with Performing Arts Director, Vocal Director, Theatre Director, Costumes Shop Mentor, and student production team

Requirements

  • Experience serving as technical director in a variety of high school theatrical productions; a bachelor’s degree in an appropriate subject area is preferred
  • Effective communication skills
  • Understanding of and the ability to live out the mission of Ursuline Academy
  • Desire to collaborate with colleagues on a regular basis
  • Knowledge of the Cappies of Greater Cincinnati and their rules is preferred
  • Ability to work evenings and weekends
  • Completion of background check and VIRTUS

To Apply

Please email a cover letter, résumé, and three professional references to Jimmy Wiederhold, Performing Arts Director, at jwiederhold@ursulineacademy.org. No phone calls please.

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