Monthly Archives: February 2019

Caesar’s Ford Theatre Extends Call for Submissions

CFT_logoThe Board of Trustees has made the decision to extend the submission deadline to May 22, 2019 to accommodate playwright requests for additional time to perform historical research. The Board would also like to see additional submissions regarding Col. Charles Young, the Shawnee Nation, and Ohio’s wonderful aviation history. Caesar’s Ford Theatre, Inc is seeking a variety of dramatic genres and especially encourages submissions from diverse writers including women, African Americans, and Native Americans.

Caesar’s Ford Theatre, Inc is looking for short dramatic scripts based about Ohio history to be included in “History in ACTion: A Festival of New Historic Drama”, to be presented as staged readings September 21, 22, 28, 29, 2019. The festival will take place in an outdoor theatre venue. Playwright and student playwright festivals will occur on separate weekends. Original one-act plays, monologues, or scenes from longer works will be considered. Each script should require no more than 10 performers and run somewhere between 10 and 30 minutes in length. All scripts should be based on stories from the history and culture of Ohio. Visit www.caesarsford.com for some suggested subjects and further details. Fictional characters and incidents can be included but historical accuracy is a priority. Scripts should not be based upon previously published works.

Writers should be residents of Ohio, a graduate of a college or university located in Ohio, or has a significant tie to the state. Student writers should be residents of Ohio and attend a charter, parochial, private, or public middle school or high school. Students who are home schooled or students living out-of-state but have a significant tie to the State of Ohio are also invited to participate. The authors of scripts chosen for inclusion in the Festival will be offered compensation for performance rights, ranging from $25 to $100, depending on the length of the material. Caesar’s Ford Theatre, Inc is particularly interested in material that might further be developed into a trilogy of full length plays to be presented in an Ohio outdoor theatre venue in the future. Writers are permitted to submit more than one script. There is no submission fee. Scripts can be submitted in an attachment to info@caesarsford.com , in Word or PDF format, or they can be sent in hard copy to Caesar’s Ford Theatre, Inc PO BOX C Xenia, Ohio 45385-0692. Electronic submission is preferred. For more information please contact Caesar’s Ford Theatre, Inc at info@caesarsford.com .

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Cincinnati Landmark Productions Adds Managing Director

CLP_Rodger Pille2Cincinnati Landmark Productions announced today the promotion of Rodger Pille to the role of Managing Director.

Pille previously served as Communications/Development Manager for CLP, one of the region’s fastest growing arts organizations, since 2012.

Landmark is the owner/operator of the Covedale Center for the Performing Arts and the Warsaw Federal Incline Theater. It merged with Madcap Puppets in 2017 and oversaw the construction and opening of the new Madcap Education Center in Westwood. In addition, CLP is the producer of the Cincinnati Young People’s Theatre (CYPT), the region’s long-running, national award-winning teen summer theater program.

Pille served as Project Manager for those two recent capital projects: the Warsaw Federal Incline Theater and the Madcap Education Center.

As Managing Director, Pille will now oversee operations and staff of CLP’s three venues as well as fundraising, strategic planning, marketing, public relations and development for the organization.

“When CLP was ready to make the next step in its evolution, I hired Rodger,” said Tim Perrino, founder and Artistic Director of CLP. “His ability to manage projects and build a collaborative team made both the Warsaw Federal Incline Theater and the Madcap Education Center developments a reality. As Managing Director, he’ll see to the success of all CLP’s exciting venues and programming.”

Before coming to CLP, he worked in the marketing communications departments of Newport Aquarium (2008-11) and Cincinnati Museum Center at Union Terminal (1997-2008), managing public relations and social media initiatives.

He’s also well acquainted with the theater. Pille began his relationship with CLP in 1990 as a teen participant in CYPT. In college and for many years after, he performed on the Showboat Majestic stage for CLP, and later at the Covedale and Incline venues.

Pille is a 1995 graduate of the E. W. Scripps School of Journalism at Ohio University. He and his wife Krista reside in Western Hills with their son Charlie.

For more information about CLP, visit http://www.clpshows.org or call (513) 241-6550.

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CCM Musical Theatre Stages Epic THE HUNCHBACK OF NOTRE DAME

CCM_Hunchback of NotreFrom the Oscar-winning team of Alan Menken and Stephen Schwartz comes a lush retelling of Victor Hugo’s epic story of love, acceptance and what it means to be a hero

CINCINNATI, OH — The University of Cincinnati College-Conservatory of Music’s (CCM) Mainstage Series production of The Hunchback of Notre Dame opens on Thursday, March 7 and continues through Sunday, March 10, 2019, at CCM’s Corbett Auditorium. Directed by CCM Musical Theatre Chair Aubrey Berg, the beloved musical features the college’s musical theatre stars of tomorrow with musical direction from Stephen Goers.

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame features the film’s Academy Award-nominated score, as well as new songs by Alan Menken and Stephen Schwartz. Peter Parnell’s book features verbatim passages from Hugo’s gothic novel. Parental discretion is advised.

This isn’t the first time Berg has brought one of Victor Hugo’s dramatic tales to the CCM Mainstage. Berg staged a critically acclaimed production of Les Misérables at CCM in March 2014. CityBeat’s Rick Pender called CCM’s production “powerful and memorable, one of the best musical theater productions on a Cincinnati stage this season.”

“With Hunchback, we are employing similar techniques,” Berg says. “Set designer Lindsey Purvis has created a 40-ton timber cathedral of the mind — a poetic rather than literal space — in which the action unfolds. Dean Mogle is supplying a boatload of Medieval costumes and Kelly Yurko and her elves are creating wigs and make-up that would be at home in any painting by Brueghel. Oliver Tidwell-Littleton, currently under contract to the Walt Disney Company, is creating the lighting.”

“There is quite a lot to look at, but the stars of the production are the hard-working actors who play a multitude of roles to bring the story to life. They are true ‘triple threats,’ singing and dancing and acting their hearts out to tell this moving tale.”

The musical begins as bells sound through the famed Notre Dame cathedral in 15th-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all.

Celebrating its 50th anniversary this year, CCM Musical Theatre took the No. 3 spot in Playbill Magazine’s list of “10 Most Represented Colleges on Broadway” in the 2018-19 season. Cincinnati audiences get the chance to see CCM’s stars of tomorrow perform locally before students move on to the worlds stages.

Berg first came to CCM 32 years ago to direct Nine as part of the college’s Hot Summer Nights performance series. He says that he particularly enjoyed working on CCM’s productions of Evita, West Side Story, The Secret Garden, Into the Woods and Les Misérables. “None of these would have been possible without the help of my collaborators, the musical directors, choreographers and designers who give their all to teach our students professionalism and discipline,” he adds.

“A lot of blood, sweat and tears have gone into making the Musical Theatre program at CCM one of the best in the nation,” Berg says. “But the rewards of seeing our graduates on Broadway, Off-Broadway, in national and international tours, and in every facet of the performing arts, have been rewarding indeed.”

Don’t miss your opportunity to see CCM’s stars in the college’s epic production of The Hunchback of Notre Dame on March 7-10, 2019. Tickets on sale now through the CCM Box Office.

CCM’s production of The Hunchback of Notre Dame will last 2 hours and 45 minutes, including a 15-minute intermission.

THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions

Creative Team

  • Aubrey Berg, director
  • Stephen Goers, musical director
  • Katie Johannigman, choreographer
  • Erin Magner*, production stage manager
  • Dean Mogle, costume designer
  • Oliver Tidwell-Littleton*, lighting designer
  • Matthew Tibbs, sound designer
  • Aria Braswell*, assistant director
  • Kelly Yurko, hair and make-up designer
  • Lindsey Purvis*, scenic designer
  • Hankyu Lee*, associate sound designer
  • k. Jenny Jones, fight choreographer
    * CCM Student

Cast List

  • Andrew Alstat as Lieutenant Frederic Charlus
  • Bryce Baxter as Claude Frollo
  • Jack Brewer as Father Dupin
  • Kevin Chlapecka as Clopin Trouillefou
  • Matt Copley as Jehan Frollo
  • Dylan Dougal as Saint Aphrodisius
  • Madison Hagler as King Louis Xi
  • Kendall McCarthy as Florika
  • Jenny Mollet as Esmeralda
  • Sam Pickart as Tribunal
  • Alex Stone as Quasimodo
  • Frankie Thams as Captain Phoebus de Martin
  • Madelaine Vandenberg as Madam
  • Jordan Alexander, Michael Canu, Madison Deadman, Sofie Flores, Kylie Goldstein, Zoe Grolnick, Chip Hawver, Joshua Johnson, Camila Paquet, Bryn Purvis, Mikayla Renfrow, Aaron Richert, Hank Von Kolnitz, Ethan Zeph as Multiple Roles
  • Leo Carmody, Samuel Cohen, Britta Cowan, Christian Feliciano, Carina Florio, Ashton Francis, Colton Harksen, Kai Horvit, Jack Johnson, Christian Kidd, Anna Chase Lanier, Tyler J. Martin, Cassandra Lyn Maurer, Drew Minard, Chesney Mitchell, Stone Mountain, Eli Owens, Ben Pimental, Brandon Schumacker, Matthew Skrovan, Eleanor Zambarano as The Voices of Notre Dame
  • Dance Captains: Joshua Johnson, Bryn Purvis
  • Vocal Warm-Ups: Ben Pimental

Understudies:

  • Quasimodo – Aaron Richert
  • Esmeralda – Camila Paquet
  • Male Cover – Ben Pimental
  • Swings – Tori Heinlein, Sammy Schechter

Performance Times

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Ticket prices start at $32. Discounts are available for UC and non-UC students. Service changes may apply for online orders.

Student rush tickets will be available one hour before each performance to non-UC students, based on availability. UC students can receive one free student rush ticket with a valid Bearcat ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through CCM’s e-Box Office.

Parking and Directions

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available offcampus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

Mainstage Production Sponsor: Macy’s

Musical Theatre Production Sponsor: Dr. & Mrs. Carl G. Fischer

THE HUNCHBACK OF NOTRE DAME is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI, 421 West 54th Street, New York, NY 10019 Tel: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at https://ccm.uc.edu/.

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Auditions Announced for JAMES AND THE GIANT PEACH at Bart’s Bards

BB_logoBart’s Bards is excited to announce the auditions for their 2019 summer show, JAMES AND THE GIANT PEACH. (Music by Justin Paul & Benj Pasek). We’re looking for anyone ages 6 and up!

Director: Maddy Weinkam
Music Director: Danielle Reynolds
Choreographer: Elenya Stephani

Show runs June 20th-23rd with 5 performances

Audition dates and times:

  • March 23rd from 1:00-4:00
  • March 25th from 7:00-9:00
    Callbacks, March 26th from 7:00-9:00

Audition location:
John Paul II school at St. Bartholomew Parish (9375 Winton Road, Cincinnati, Ohio 45231)

Signup for an audition time here:
https://www.signupgenius.com/go/70A044DAEAA22A5FA7-james

**We are more than happy to accept walk-ins, but please know scheduled auditions will be taken first.**

Please prepare 16-32 bars of a Broadway song NOT from James and the Giant Peach. An accompanist will be present, but feel free to bring accompaniment tracks if that is preferred. There will be a choreo audition following three groups of audition time slots. Please wear appropriate clothing and shoes (no open toed shoes).

If you are out of high school and over the age of 18, you must be willing to be Virtus trained through the Archdiocese of Cincinnati to participate in this show. We will be offering a training session after the show has been cast on March 30th in the afternoon, but feel free to attend another training session prior to auditions if you know you want to be in the show! Link for times and dates for trainings is below:
https://www.virtusonline.org/virtus/reg_list2.cfm?theme=0

**If you have been in a Bart’s Bards show before and ONLY want to be in the ENSEMBLE, please email BartsBardsPeach@gmail.com and we will add you to the list**

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THE THANKSGIVING PLAY Runs March 23-April 21

PIP_Thanksgiving Play promo

Photo by Tony Arrasmith/Arrasmith & Associates.

THE THANKSGIVING PLAY
Cincinnati Playhouse in the Park
March 23-April 21
Shelterhouse Theater [Eden Park]

Directed by Lisa Portes

Cast: Jennifer Bareilles as Logan, Nat DeWolf as Caden, Ashley Austin Morris as Alicia & Scott Parkinson as Jaxton

Watch as a group of liberal artists walk the fine line of political correctness in this fresh, satirical comedy. Armed with progressive lingo and questionably good intentions, they attempt to devise a culturally sensitive Thanksgiving play for local elementary schools. Slowly but surely, the well-meaning plans dissolve into an outrageous sendup of PC behavior. THE THANKSGIVING PLAY treads the minefields of appropriation to inject some laughter into activism, apathy and all the assumptions in between. Advisory: THE THANKSGIVING PLAY is suitable for adults and teenage audiences. This biting satire contains mature themes and mild adult language about America’s sometimes troubling history. It also contains some questionable Thanksgiving reenactments. Be advised: no turkeys will be harmed in the making of this play.

  • In preview Sat, March 23 at 8pm and Sun, March 24 at 2pm
  • In preview, Tue-Wed, March 26-27 at 7:30pm
  • Thu, March 28 at 7:30pm
  • Fri, March 29 at 8pm
  • Sat, March 30 at 4pm & 8pm
  • Sun, March 31 at 2pm & 7pm
  • Tue-Thu, April 2-4 at 7:30pm
  • Fri, April 5 at 8pm
  • Sat, April 6 at 4pm & 8pm
  • Sun, April 7 at 2pm & 7pm
  • Tue-Thu, April 9-11 at 7:30pm
  • Fri, April 12 at 8pm
  • Sat, April 13 at 4pm & 8pm
  • Sun, April 14 at 2pm & 7pm
  • Tue, April 16 at 7:30pm
  • Wed, April 17 at 1pm & 7:30pm
  • Thu, April 18 at 7:30pm
  • Fri, April 19 at 8pm
  • Sat, April 20 at 4pm & 8pm
  • Sun, April 21 at 2pm

Official page |

 

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