Monthly Archives: March 2018

Actor Needed for FAITH at Irish American Theatre Company

iatc_irish-theatre-festival-logoThe Irish American Theatre Company, needs your help! Our show is called FAITH, it’s a new play by Irish playwright, Paul Meade. We held the national premiere of the play in January as part of the First Irish Theatre Festival. I have had an actor drop out and I am in desperate need of a replacement.

The play is about a middle aged man who is dealing with a lot of middle aged issues- he’s lost his job, he’s trying to run the household, he feels he has no control over his life, and on top of all of that, he’s battling depression. He meets a man who offers him a new job and outlook on life. The play follows the character’s (Michael) journey through his highs and lows. His battles with anxiety, depression, medication, and he gets caught between the two most important people in his life- his wife and his friend. Both want what’s best for him, but they forget to ask the most important person of all – Michael.

The play will run two shows in Cincinnati, May 18 and 19. Then we will take the show to the Acting Irish International Theatre Festival in Calgary, Canada. http://actingirish.com/ The admission to the festival, play tickets, and rooms (if staying with the other actors) are paid for. You will need to supply your own way to Canada. Calgary is about a 19hr drive from Cincy or a plane ticket.

Let me know if you are interested in this fantastic role. You can reach the director, Michelle Crowley, by my cell 859-750-6773.

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Cincinnati Shakespeare Company Stages Sizzling Family Drama, CAT ON A HOT TIN ROOF

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Maggie Lou Rader as Maggie in CAT ON A HOT TIN ROOF. Photo by Mikki Schaffner Photography.

Tennessee Williams’s Pulitzer-winning drama, by turns sultry and explosive, comes to the The Otto M. Budig Theater directed by Michael Evan Haney

CINCINNATI, March 16, 2018 – Cincinnati Shakespeare Company continues their Debut Season at The Otto M. Budig Theater with Cat on a Hot Tin Roof, by Tennessee Williams. The production is directed by Michael Evan Haney, the former Associate Artistic Director of the Playhouse in the Park, and features Cincinnati Shakespeare Company’s resident ensemble, including Maggie Lou Rader, Grant Niezgodski, Jim Hopkins, Justin McCombs, and Kelly Mengelkoch. This show is generously sponsored by Huntington, Murphy Landen Jones, and Roehr Insurance Agency.

The Pollitt family has gathered to celebrate their patriarch, the ailing Big Daddy (Jim Hopkins), but rumors of his declining health have everyone scheming to secure the largest part of the family estate. Meanwhile, Brick Pollitt (Grant Niezgodski) and his wife, Maggie (Maggie Lou Rader) wrestle with their own secret griefs and losses within their marriage. In the course of a single evening, relationships are tested, lies are exposed, and long-buried secrets at last come to light. This searing family drama by a true American master remains a potent exploration of the ties that bind, and sometimes strangle.

Cat on a Hot Tin Roof won the 1955 Pulitzer Prize for Drama, and remains as resonant today as when it was first performed. Director Michael Evan Haney says, “Living in this age where the truth is questioned constantly on a national level, it has been fascinating to work on a play like Cat on a Hot Tin RoofCat explores the lies and mendacity within the Pollitt family living on the Mississippi Delta. Lies between parents and children, brothers and sisters and husbands and wives, permeate this Tennessee Williams masterwork.” Longtime company member Maggie Lou Rader says of preparing to play the show’s iconic leading lady, Maggie “The Cat” Pollitt: “I first saw the film of Cat on a Hot Tin Roof, the one with Elizabeth Taylor, when I was just a kid, twenty-two years ago. Even though I didn’t quite understand yet everything she was talking about, I looked at her and thought ‘I really want to do that someday.’ And now, I’m so excited to finally dive into the role of Maggie the Cat.”

Director Michael Evan Haney previously directed at Cincinnati Shakespeare, helming The Hound of the Baskervilles and Oliver Twist. As Associate Artistic director for Cincinnati Playhouse in the Park, he directed over thirty plays including four world premieres and A Christmas Carol for the past twenty-five seasons. He has also directed Off-Broadway for the Irish Rep and regionally for Ensemble Theatre Cincinnati, Actor’s Theatre of Louisville, Repertory Theatre of St. Louis, Alabama Shakespeare Festival and many others.

Cat on a Hot Tin Roof runs April 6-28 with performances on Thursdays, Fridays, and Saturdays at 7:30 PM and Sundays at 2:00 PM, as well as Saturday April 28 at 2:00 PM.  Preview performances are April 4 and 5 at 7:30 PM.

On Sundays April 15 and 22, bring your younger kids (4+) for artist-led childcare DURING the performance! The “Playdate” program is only $15 and free for subscribers. The option to add this program will be available as you are buying tickets for either of these show dates. Activities will range from Storytime to theatre games and crafts. Share the great benefits of CSC’s programming with your children: Playdate will style activities to correspond with each production, so even your youngest can join in the discussion on the ride home!

The theater is now located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park. Single ticket prices range from $14-$52.  Student/Children and Preview tickets are only $28. If available that day, $14 student rush tickets may be purchased thirty minutes before a show with a valid student ID. This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees may apply.  Discounts are available for students, seniors and groups as well as AAA members. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at http://www.cincyshakes.com. 

Valet Parking is now available for every performance! Make reservations for $10 in advance when purchasing tickets. Purchasing in advance guarantees a spot at the discounted rate of $10 (vs. $15-20+ at the curb).  Valet is available right at the corner of 12th and Elm Street in front of the theater and begins approx. 1.5 hours before a performance. Cars can be picked up for up to one hour following a performance. (After one hour, you will need to arrange pick up with the valet service directly.) The valet will have your name on the list after you purchase- it’s that easy!

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2017-2018 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Cincinnati Shakespeare Company was one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle- and high-school students in communities across the United States.

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Auditions Announced for I LOVE YOU, YOU’RE PERFECT, NOW CHANGE at Fairfield Footlighters

fflMonday, April 2 at 6:30pm

Fairfield Community Arts Center- 411 Wessel Drive, 45014

Auditions for 1 Women / 1 Men
(more may be cast, if audition numbers permit)

Auditions will consist of vocal auditions (Two-minutes prepared song, not from the show) and cold-readings from the script. Please be prepared to list all rehearsal conflicts.

Due to the nature of a small cast, only minimal conflicts will be accepted.

Woman #1 – age 25-45, confident to solo in soprano range (low A to top Bb)
Woman #2 – age 25-45, confident to solo in alto range (low F# to Db)

Man #1 – age 25-45, confident to solo in bari/tenor range (middle C to high G#)
Man #2 – age 25-45, confident to solo in bari/tenor range (middle C to high G#).

Directed by Heidi Schiller. Music Direction by Mark Durbin.
Rehearsals: Monday – Thursday, 6:30 PM to 9 PM, starting April 2

ABOUT THE SHOW: Presented in the form of a series of vignettes connected by the central theme of love and relationships. With few exceptions, the scenes stand independent of the others, but progress in a fashion designed to suggest an overall arc to relationships throughout the course of one’s life. All actors have to play multiple roles and be good vocal artists, as the songs feature lots of close harmonies and a cappella singing.

This production is for mature audiences. Rated PG-13 for language and sexual innuendo that may not be suitable for young children. 

For more information, call 513-896-8415 or email hschiller@fairfield-city.org

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Auditions Announced for A FEW GOOD MEN, THE WIZARD OF OZ and NEXT TO NORMAL at Cincinnati Landmark Productions

CLPCincinnati Landmark Productions to hold auditions for two Marquee Season Shows at the Covedale Center and one District Series Show at Warsaw Federal Incline Theater including A FEW GOOD MEN, THE WIZARD OF OZ and NEXT TO NORMAL.

Open Audition dates/time for Adults all shows:

  • Saturday, May 5th from Noon-5pm
  • Sunday, May 6th from 5-9pm 

Open Audition dates/time for Children for THE WIZARD OF OZ: 

  • Saturday, May 5th Noon-2pm
  • Sunday, May 6th 5-7pm 

Audition Location:
The Warsaw Federal Incline Theatre
801 Matson Place, Cincinnati, OH 45204

Callback dates:

  • Monday, May 7th from 5-7pm for A FEW GOOD MEN
  • Monday, May 7th from 7-9:30pm for NEXT TO NORMAL
  • Tuesday, May 8th from 6-9pm for THE WIZARD OF OZ

Please note: Everyone will not have to attend callbacks – you will be asked to attend (and expected to attend if asked). However, not being asked to callbacks doesn’t mean you won’t be cast.

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at jenniferperrino@CLPShows.org

Important Audition Information

  • You may audition for more than one show. 
  • For A FEW GOOD MEN please prepare one 30-45 second monologue. (Actors will read from the script AT THE CALLBACKS only). Age Requirement: Mid 20s – 50s
  • For NEXT TO NORMAL prepare 16 to 32 bars of a contemporary musical theatre style song that best demonstrates your vocal ability. You will read from the script at callbacks. Must be a minimum of 16 years of age to audition for this show. No Dance Required.
  • For THE WIZARD OF OZ all Adults/Children please prepare 16 – 32 bars of a song that best demonstrates your vocal ability. You will be tested for dance ability at the audition. 
  • For THE WIZARD OF OZ children auditioning for the roles of Munchkins, Crows and Flying Monkeys height requirement will be no taller than 4′ 10″. 
  • For THE WIZARD OF OZ children (ages 8 to 14) Adults (ages 15 and up)
  • Adults – If you are auditioning for NEXT TO NORMAL and THE WIZARD OF OZ you’ll want to prep two songs that represent the styles of each of these shows.
  • Adults MUST HAVE A RESUME listing theatrical experience in order to audition.
  • A headshot/picture is appreciated. Please bring a head shot and resume for each show you are auditioning for, e.g. two shows =two head shots and resumes; three shows =three headshots etc.
  • No more than 2 conflicts will be accepted during the rehearsal process for each of these productions. 
  • All roles are paid positions. No Roles have been precast.

Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly. 

A FEW GOOD MEN
By Aaron Sorkin
September 13 – October 7, 2018

This Broadway hit about the trial of two Marines for complicity in the death of a fellow Marine at Guantanamo Bay sizzles on stage. The Navy lawyer, a callow young man more interested in softball games than the case, expects a plea bargain and a cover-up of what really happened. Prodded by a female member of his defense team, the lawyer eventually makes a valiant effort to defend his clients and, in so doing, puts the military mentality and the Marine code of honor on trial.
Ed Cohen, Director

THE WIZARD OF OZ
By L. Frank Baum
October 25 – November 18, 2018
With Music and Lyrics by Harold Arlen and E. Y. Harburg; Background Music by Herbert Stothart Dance and Vocal Arrangements by Peter Howard; Orchestration by Larry Wilcox; Adapted by John Kane for the Royal Shakespeare Company. Based on the 1939 movie with Judy Garland. 

Dorothy Gale, a young girl living on a Kansas farm with her Aunt Em and Uncle Henry, dreams of escaping her mundane life. So when witchy old Miss Gulch threatens to impound Dorothy’s dog Toto, Dorothy runs away with her pet, only to be whisked away to the Land of OZ in a terrifying cyclone. Looking for her way back home, she and her new friends sing some of the most iconic songs ever, including “If I Only Had a Brain/Heart/Nerve”, “Munchkin Land”, “Follow The Yellow Brick Road” and the classic “Over the Rainbow”.
Bob Brunner, Director; Ron Attreau, Music Director; Jeni Bayer Schwiers, Choreographer

NEXT TO NORMAL
Music by Tom Kitt; Book and Lyrics by Brian Yorkey
October 4 – 21, 2018

NEXT TO NORMAL, explores how one suburban household copes with crisis and mental illness. Winner of three 2009 Tony Awards, including Best Musical Score and the 2010 Pulitzer Prize, Next to Normal was named “one of the year’s ten best shows” by critics around the country, including The Los Angeles Times, The Washington Post, Rolling Stone and The New York Times.

Dad’s an architect; Mom packs lunches and pours cereal; their daughter and son are bright, wise-cracking teens in a typical American family. And yet their lives are anything but normal; mother has been battling manic depression for 16 years. Next to Normal takes audiences into the minds and hearts of each character, with deep love and sympathy. An emotional powerhouse encompassing grieving a loss, bewildering psychiatry and modern life.
Matthew Wilson, Director/Choreographer; Brian Hoffman, Music Director

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web @ www.CLPShows.org

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Neil Simon Proves Why He’s the Eternal King of Broadway Comedy with Hilarious BRIGHTON BEACH MEMOIRS

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Richard Buchanan as Stanley, Eric Deiboldt as Eugene and Rory Sheridan as Jack. Photo courtesy of Immobulus Photography

The Human Race continues its 31st Season with his semi-autobiographical classic,
April 5 – 22, 2018 at the Loft Theatre

(Dayton, OH) —This April, The Human Race Theatre Company (HRTC) is going back in time with Neil Simon’s Brighton Beach Memoirs, the first of Neil Simon’s semi-autobiographical trilogy. He has holes in his shoes and liver on the dinner table, but all teenage Eugene Jerome can think of is girls, baseball and writing—in that order. There’s hardly a moment’s peace in a house filled with his domineering mother, over-worked father, and worldly older brother, not to mention his widowed aunt and her two maturing daughters. Simon’s comedy about growing up in a crowded, lower middle class home in 1937 Brooklyn is a touching coming-of-age classic that proves no matter how crazy life gets, family can make it crazier.

Brighton Beach Memoirs reveals Neil Simon as his wittiest and most poignant self. The first play of the Eugene Trilogy, and semi-autobiographical, we meet Eugene at 15, taking us through his memoirs as he writes about a blended family, living on top of each other in a little-bit-too-small house: each individual yearning for independence, yet fiercely committed to keeping the family strong. Oh so funny and relevant, I invite you into the Jerome home for a look at love, growing pains, and blood being thicker than water!” – Marya Spring Cordes, director.

Marya Spring Cordes (HRTC’s Becky’s New Car and Managing Maxine), returns to The Race to direct Brighton Beach MemoirsCordes serves as Head of Acting in Wright State University’s Department of Theatre, Dance, and Motion Pictures and is a proud Resident Artist of The Human Race Theatre Company.

American playwright and screenwriter Neil Simon is widely regarded as one of the most successful, prolific and performed playwrights in the world. In addition to Lost in Yonkers, which won a Tony Award and Pulitzer Prize, his plays and musicals include Come Blow Your HornLittle MeBarefoot in the ParkThe Odd CoupleSweet CharityThe Star-Spangled GirlPlaza Suite, and many more.

The preview performance of Brighton Beach Memoirs is Thursday, April 5. Opening night is Friday, April 6.

CAST AND DESIGN TEAM
The cast of seven includes two Human Race veterans and several faces new to local audiences.

Richard Buchanan (Shakespeare in Love at Baltimore Center Stage and Cincinnati Playhouse) plays Eugene’s older brother, Stanley, in his debut performance at The Human Race Theatre. Eric Deiboldt (Peter Pan at Northern Stage, West Side Story, All Shook Up, Lend Me a Tenor) is excited to be making his debut at The Human Race Theatre Company as Eugene. Lisa Ann Goldsmith (HRTC’s Macbeth, Mame and Torch Song Trilogy, World Premiere of Windfall, directed by Seinfeld’s Jason Alexander, Sundance nominee for The Lifeguard, The Next Three Days, and many other titles) is back at HRTC playing Eugene’s mother, Kate. Oakwood High School student Julie Murphy (Muse Machine’s Mary Poppins, We Could Be Heroes, Hairspray, and Hello, Dolly!) plays his younger cousin, Laurie. Sonia Perez (HRTC’s The Fully Monty, Shawnee Playhouse’s Carousel and many more) plays Eugene’s aunt, Blanche. Rory Sheridan (The Pillowman at Falcon Theatre, Neverwhere at Know Theatre of Cincinnati, and Doubt at Cincinnati Landmark Productions) plays his father, Jack. Wright State University student Katie Sinicki (You Can’t Take It with YouJane the PlainThe Children’s Hour, and King Lear) makes her HRTC debut as Eugene’s older cousin, Nora.

Dan Gray (scenic designer) rejoins HRTC for Brighton Beach Memoirs. Other HRTC credits include: Sweeney Todd, Taking Shakespeare, and more. Dave Arevalo (costume designer) is making his Human Race design premiere. Resident Artists John Rensel (lighting designer) and Jay Brunner (sound designer) round out the design team. Jacquelyn Duncan, who has worked as Production Assistant for HRTC since 2016, moves up to the position of production stage manager.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of Brighton Beach Memoirs is sponsored by The Richard A. and Mary T. Whitney Fund for the Arts, Marion’s Piazza, Two Friends, Jack and Maryann Bernstein, Larry S. Glickler – Glickler Funeral Home, Marni Flagel, John and Barbara Rion, and Patti Giering.

PERFORMANCE AND SPECIAL EVENT INFORMATION
Tickets for the preview performance of Brighton Beach Memoirs on April 5 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances April 5 – 22, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities during the run of the show. A limited number of $12 and $25 side-area seats are available in advance for all performances. The Sunday, April 8 7:00 p.m. performance is “Sawbuck Sunday,” when any available seat can be purchased in person for just $10 at the Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for Brighton Beach Memoirs are 8:00 p.m. on Thursday, Friday and Saturday evenings. Performances on Sunday, Tuesday and Wednesday evenings begin at 7:00 p.m., and at 2:00 p.m. on Sunday matinees.

Tickets and performance information for Brighton Beach Memoirs are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office. 

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2017-2018 marks the 31st season for The Human Race Theatre Company, “Dayton’s Official Professional Theatre Company.” Founded in 1986, The Human Race moved into the Metropolitan Arts Center in 1991, taking up residence in its current home, the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces new works development and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools and a summer youth program. Human Race organizational support is provided by the Montgomery County Arts and Cultural District, Culture Works, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2017-2018 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson, Steve and Lou Mason, and Morris Home. The 2017-2018 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health, Heidelberg Distributing Company and Buckeye Vodka.

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