Category Archives: Reviews

THE MUSIC MAN Review

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Photo by Mikki Schaffner Photography.

THE MUSIC MAN presented The Carnegie through Feb. 5. Click here for more information on the production. I attended the opening night performance.

THE MUSIC MAN was possibly my first exposure to a Broadway musical. Knowing my parents, there is probably still a Betamax copy of it floating around the house somewhere. So for me, a visit to River City is a bit of a nostalgic homecoming and this production boasts the largest cast in a production by The Carnegie.

Dave Wilson is solid as the charming con man, Harold Hill. Sara Viola’s strong vocals are a highlight of the show and it is fun to watch her as Marion begins to fall under Harold’s spell. Together, the real-life husband and wife have an easy chemistry that plays well from the playful “Marion the Librarian” to the honest “Then There Was You.”

A favorite of the audience was the school board barbershop quartet played by Michael Bell, Paul Gilman, Mike Connelly & Zac Coleman. The “Lida Rose/Will I Ever Tell You” number was extremely well-received.

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Sarah Viola as Marian Paroo & Dave Wilson as Harold Hill. Photo by Mikki Schaffner Photography.

Always fun to watch on stage, Sean Mette takes on the role of Marcellus. I would have like to have seen a stronger friendship between Marcellus and Hill. During “Shipoopi,” Mette did seem to get lost amid the young dancers. Maybe moving him downstage and to the side would have made him more visible. There was also fun character work by Angela Alexander Nalley as Mother Paroo, Jim Stump and Torie Pate as Mayor Shinn and his wife, and the Pick-A-Little Ladies (Lori Valentine, Sara Kenny, Burgess Byrd, and Lauren Carr).

Director Greg Procaccino kept the pacing tight and fast, but there were several times when I would like to have seen a bit more of a moment taken with the scene. Even the queues for some of the held poses at the end of the scenes seemed rushed.

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Torie Pate as Eulalie Shinn, Sara Kenny as Ethel Tofflemeier, Sarah Viloa as Marian Paroo, Burgess Byrd as Alma Hix, Lori Valentine as Maude Dunlop & Lauren Carr as Mrs. Squires. Photo by Mikki Schaffner Photography.

The eight musicians, under the conductor Michael Kennedy had a strong and full presence. Sound designer Eric Bardes did a great job in this somewhat temperamental venue.

Maggie Perrino’s choreography worked well for this production even when dealing with the entire cast on stage together. I thought the teen and youth ensembles really shined in their numbers.

Personally I was not a fan of the set. I think it’s great to use a local artist, and while I found the set to be functional, I also felt it was static and uninspired.

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The School Board and Sarah Viola as Marion Paroo. Photo by Mikki Schaffner Photography..

Small complaints aside, THE MUSIC MAN is a charming and fun, big musical perfect for the whole family.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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FIRST DATE Review

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The Company. Photo by Ryan Kurtz.

FIRST DATE presented Ensemble Theatre Cincinnati through Feb. 5. Click here for more information on the production. I attended the opening night performance.

As a host at a now-defunct downtown restaurant for several years, I had a front row seat to many bad first dates. Unfortunately for me, not once did anyone break out into song and none of them were nearly as entertaining to watch as FIRST DATE now playing at ETC.

While the book doesn’t cover much new territory when it comes to today’s dating scene, it is the talented, versatile, and charismatic cast, under the smart direction of Vince DeGeorge, which elevates the show. There are many touching and fun moments peppered throughout the 90 minutes to keep the audience engaged in the story. However, there are also a couple of places in the script where the momentum falters a bit.

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Sarah Hoch as Casey & Michael Gerard Carr as Aaron. Photo by Ryan Kurtz.

Leads Michael Gerard Carr as Aaron and Sara Hoch as Casey are well-cast and have a great, easy chemistry together. They handle the emotional arc of the book scenes and musical numbers extremely well.

The ensemble of Jared D. Doren, Maya Farhat, Andrew Maloney, Jeremy Parker and Nathan Robert Pecchia fill out the cast as the quirky and not-too-over-the-top family, friends, and exes. They alternately coerce and cajole the duo during their dating escapade.

Music director Scot Woolley deftly leads the quartet of excellent musicians, split evenly on opposing sides of the stage, creating a rich accompaniment that belies the band’s size. Favorite numbers include “Safer,” “The Things I Never Said,” and “In Love with You.” Director DeGeorge also staged the musical numbers, giving the show consistency in emotion and humor.

 

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Maya Farhat as Woman #2, Nathan Robert Pecchia as Man #1, Jared D. Doren as Man #3, Jeremy Parker as Woman #1 & Andrew Maloney as Man #2. Photo by Ryan Kurtz.

Opening night as the performance neared its conclusion, the audience was definitely invested in the hopes of a happy beginning for the pair.

Overall a production that is endearing and laugh-out-loud funny. FIRST DATE makes for a great date or an enjoyable outing with friends who have dealt with their share of dating drama.

My rating: 4.5 out of 5

Tickets for FIRST DATE are selling extremely well. A 7pm performance has already been added on Feb. 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Disney’s THE LITTLE MERMAID Review

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Photo by M. Kitaoka.

Disney’s THE LITTLE MERMAID presented Broadway in Cincinnati through Jan. 29. Click here for more information on the production. I attended the opening night performance.

For several reasons, last week was a bit rough for me on a personal level. Half-jokingly, I lamented, on Facebook, that I was overdue for some “Disney magic.” Thanks to the touring production of Disney’s THE LITTLE MERMAID, currently playing the Aronoff Center, I received a much-needed Disney magic booster.

The production features all your favorite characters and songs from the animated movie. The story has been tweaked a bit for the stage adaption, with the addition of several new scenes and songs.

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Photo by T. Martin.

Visually THE LITTLE MERMAID is stunning. The character costumes, designed by Amy Clark, are beautiful and cleverly conceived. From hiding the mer-folks’ (what do you call ’em, – oh) feet; to mimicking Flotsam & Jetsam’s smooth swimming style and electrifying personalities; to the construction of Ursula and Sebastian’s additional appendages.

Diana Huey as Ariel leads the talented and strong ensemble. She is enchanting to watch and handles the vocally challenging role with ease. Jennifer Allen is a treat as Ursula, making the bigger-than-life character her own.

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Photo by T. Martin.

The flying works extremely well in this production,  for both an airborne Scuttle and the swimming mer-folk. I think this is the first performance I’ve seen where all the actors were attached to their harnesses off stage, allowing that piece of stage magic to stay magical.

The only number that failed to reach its full potential, for me, was “Under the Sea.” As the number continually builds toward its conclusion, visually it just didn’t quite reach the same heights, but not for the lack of trying.

Overall a magical and entertaining experience for kids of all ages.

My rating: 4.75 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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A GENTLEMEN’S GUIDE TO LOVE AND MURDER Review

A GENTLEMEN’S GUIDE TO LOVE AND MURDER presented Broadway in Cincinnati through Jan. 8. Click here for more information on the production. I attended the opening night performance.

Broadway in Cincinnati kicks off 2017 by welcoming A GENTLEMEN’S GUIDE TO LOVE AND MURDER, winner of four 2014 Tony Awards including Best Musical and Best Book of a Musical.

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John Rapson as Henry D’Ysquith, Megan Loomis & Kevin Massey as Monty Navarro. Photo credit: Joan Marcus.

Leading the strong cast is John Papson in the multiple, quick-changing roles of the D’Ysquith Family. Papson does well in giving each character their own distinct, bigger-than-life personality and generates laugh after laugh. As Lord Adalbert, he does meet his scene-chewing equal in Lady Eugenia played by Kristen Mengelkoch. Opening night, I struggled to understand Papson in several numbers due to a combination of his character’s accent, plus the volume of the ensemble and orchestra.

Kevin Massey is fun as Monty Navarro, whose confidence increases with every loss in his newly discovered family. Massey has a great singing voice and handles the physical comedy well. I wouldn’t mind him being a bit bigger and more frantic when appropriate throughout the show.

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Kristen Beth Williams as Sibella Hallward, Kevin Massey as Monty Navarro & Kristen Hahn as Phoebe D’Ysquith. Photo credit: Joan Marcus.

The number “I’ve Decided to Marry You,” where Monty struggles to keep the two women in his life apart (Kristen Beth Williams as Sibella Hallward & Kristen Hahn as Phoebe D’Ysquith) was a personal favorite.

The centerpiece of the set is a raised proscenium stage complete with its own curtain. The piece itself only takes up about 1/3 of the P&G Hall stage, with increasingly larger “punch-outs” of the set reaching to the wings. A rear projection screen is smartly used to create the various locales and provide a bit real-life movement in the “outside” world. Even better, the screen isn’t relied upon for every scene. The versatility of Alexander Dodge’s set design (who was also nominated for a Tony for his Broadway set) is amazing with many hidden surprises that I’ll let you experience for yourself. There were a few times when I felt the cast struggled to move naturally within the confined space.

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The cast with Kevin Massey as Monty Navarro (left) and Megan Loomis as Tour Guide (right). Photo credit: Joan Marcus.

My one major complaint would be that, with the humor of multiple scenes spiking so big and broad, that often the following scenes would seem almost sedate in comparison, giving the production an uneven feel.

Overall a riotous, bawdy good time at the theater.

My rating: 4.5 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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NAKED STRANGERS Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

CFF_Naked Strangers promoNAKED STRANGERS presented by Out of School Productions as part of the 2016 Cincinnati Fringe Festival. You can read the show description here.

This production is one of several fringe shows this year that uses an ensemble to discuss a topic and impart information to its audience. For me, it was also the most successful.

STRANGERS features a talented and diverse cast of nine recent college-graduates, who are very much at-ease on stage and enjoyable to watch. I was grateful for the overall tone of the show and its underlying sense of humor. I felt included in the experience, the difference between being talked to vs. being talked at. The material was well-written and organized. Properties and costumes were well-chosen and used sparingly. It was nice to see the urge to “kitchen sink” the production was avoided. Credit for this fine production is shared with creator and director Richard Hess.

“Wasn’t that pleasant?” the audience is rhetorically asked several times throughout the production. Indeed it was.

Two performances remain through June 8.

 

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