Category Archives: Casting Call

July 2, 2012 · 10:05 am

TCP Call for Directors

Calling interested directors for the three shows listed below to be performed at the Sharonville Fine Arts Center 11165 Reading Rd, Sharonville OH.

Contact Sharon Buchtman, president (at least for a few more weeks) at rbuchtman@cinci.rr.com or call my cell at 513.604.0631.

Sent to interested parties and potential directors

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Please let us know dates that you will be out of town during the next 4 weeks and any conflicts you would have to meet with the board members. Preperation for interviews should include answering the following questions:

  1. Are you familiar with the space at SFAC?
  2. What is your concept of the play you are interested in? and How would it work in the SFAC space?
  3. Do you have a preference of plays?
  4. Are you bringing any production assistance with you? or have helpers in mind.
  5. What is your (calendar) availability?

Our usual rehearsal days are T/Th/Sun and we will discuss other scheduling issues

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Tri-County Players, Inc. Season

Oct. 26, 27, 28 Nov. 2 & 3, 2012
MURDER ON THE NILE by Agatha Christie
Call for : 8 men 5 women

Jan. 25, 26, 27 Feb. 1 & 2, 2013
RUN FOR YOUR WIFE by Ray Cooney
Call for : 6 men 2 women

Apr. 12, 13, 14, 19 & 20, 2013
NUPTIALS by Judy Simpson Cook
Call for : 5 men 5 women

www.tricountyplayers.com

Ticket line will reach Judy Berrens: 513.471.2030

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June 25, 2012 · 9:24 pm

TrueTheatre Accepting Story Submissions for trueGRIT

True Theatre, is looking for 5 people to share their *true, personal stories* as part of their next show, “trueGRIT” (show date: Monday, July 23rd).

For all you John and Jane Waynes out there, they’re looking for all your stories of perseverance, endurance, and survival.

Deadline for trueGRIT submissions is Saturday, June 30th.

Meetings with prospective storytellers will be held on Sunday, July 1st, or by appointment, as needed.

Storytellers selected will be expected to attend 1 – 3 rehearsals before the performance.

For further details or to submit a synopsis, write stories@truetheatre.com or visit http://www.truetheatre.com/contact.html<http://truetheatre.com/contact.html.

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June 20, 2012 · 2:33 pm

Actor Needed for BELOVED MY FRIEND

Friends of Marjorie Book Continuing Education –

We are currently looking for someone to act in a few small roles in our current play production, BELOVED MY FRIEND, by Nancy Pahl Gilsenan, about two pen pals from the United States and Zimbawbe. We have a $250 stipend to offer the actor. The actor could be male or female, but we need them to be able to step into roles quickly and be flexible.

We have about 5 evening rehearsals over the next 10 days, and then we take a break from June 20 – July 6. We start up again on July 6 and rehearse and perform every night the following week, ending altogether on July 13.

Anyone interested should drop Joe Link a line at linkj@xavier.edu, and we can talk further.

Thanks, as always, for your support of Marjorie Book’s theater program.

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June 18, 2012 · 10:15 am

Emergency Auditions for Female Role in THE LAST RACE

We will be holding a second round of emergency auditions for the role of Army Major Julie McKenna Tuesday, June 19th at 7pm. 4733 Devitt Drive, West Chester Ohio.

Due to unforeseen circumstances, a major role has become available for “The Last Race, a feature motion picture benefiting the American Cancer Society.

We are looking for an experienced female actor aged 25-35, athletic, well defined to portray an Army major assigned to a private aerospace company. Race unimportant. Role is physically challenging. Candidates should have excellent balance and coordination, good upper body strength, no fear of heights.

Military and/or MMA skills a plus.

The role would require several weekends of shooting over the next three months as well as two weeks in Hawaii in September. Some weekday evenings may also be needed.

As this project is for charity, there is no financial compensation, but travel and lodging to Hawaii will be covered.

We are looking to fill this role as soon as possible, as we had already begun filming before we lost a vital cast member.

If you represent someone interested in pursuing this opportunity working with an Emmy Award winning director with 40+ years of experience, please respond to this email as soon as possible, and I will send you sides for an audition.

For more information, visit the website listed below.

Sincerely,
Scott Wegener
Executive Producer

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June 18, 2012 · 9:42 am

CLP Seeks Stage Manager for CAT ON A HOT TIN ROOF

Cincinnati Landmark Productions is seeking a STAGE MANAGER for The Covedale Center for the Performing Arts season opener: CAT ON A HOT TIN ROOF

Rehearsals run: August 7 – September 5, 2012

Rehearsal Times: Monday – Friday 6:30 – 10:30 pm; Sat 3 to 6 pm; Sunday 6 to 10 pm.

This is a paid position.

If interested, please contact Jennifer Perrino @ jenniferperrino@covedalecenter.com (no calls please).

Requirements: Must have stage management experience. Excellent administrative, organizational and communication skills. Ability to run all aspect of rehearsals/performances, must be able to call the show. Must work well with others and be able to work unsupervised. Must be able to attend ALL rehearsals and performances. Must have valid driver’s licenses and reliable transportation.

Complete Performance Dates (2012)

  • Thurs. Sept. 6 – Fri. Sept. 7 – Sat. Sept. 8 – Sun. Sept. 9
  • Thurs. Sept. 13 – Fri. Sept. 14 – Sat. Sept. 15 – Sun. Sept. 16
  • Thurs. Sept. 20 – Fri. Sept. 21 – Sat. Sept. 22 – Sun. Sept. 23
  • Thurs. Sept. 27 – Fri. Sept. 28 – Sat. Sept. 29 – Sun. Sept. 30

Performances are Thursday – Saturday at 8 pm. Sunday at 2 pm.

CAT ON A HOT TIN ROOF
September 6 – 30, 2012
by Tennessee Williams

In a plantation house, a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. This is a gripping and intensely moving play, a play that can hold its own. Brilliant scenes of sudden and lashing dramatic power, break open…There is no one moment in the evening when the stinging accuracy of Mr. Williams’ ear for human speech is not compellingly in evidence. Greg Procaccino, Director

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