Category Archives: Auditions

Auditions Announced for CRIMES OF THE HEART at The Drama Workshop

TDW_VERTThe Drama Workshop and director Jerry Wiesenhahn are pleased to announce auditions for CRIMES OF THE HEART by Beth Henley on the evenings of Sunday May 5th, and Monday May 6th 2024. Auditioners should reserve May 7th in the case that callbacks are warranted. Auditions will be held at The Drama Workshop located at 3716 Glenmore Ave. Megan Schultheis is producing.

Synopsis: CRIMES OF THE HEART is a Pulitzer Prize winning drama by Beth Henley. The three Magrath sisters reunite at their Grandfather’s home in Hazlehurst, Mississippi due to his severely failing health; it quickly comes to light that Babe, the youngest sister, shot her abusive husband earlier that day. As they await news of his status from the hospital, past resentments bubble to the surface and the sisters are forced to deal with assorted relatives and past relationships while coping with Babe’s impending trial. Each sister is forced to face the consequences of her own “crimes of the heart”.

Note: This play deals with attempted suicide, spousal abuse and other possibly difficult topics. TDW is committed to dealing with these issues with as much sensitivity as possible throughout the rehearsal process.

Please sign up for a time slot here:
https://www.signupgenius.com/…/70A094FA8A622A6FC1…

Audition Requirements:

  • Please bring a headshot and resume, and your conflicts from August through October 2024.
  • An audition form will be emailed to those who sign up.
  • Auditions will consist of readings from the script.
  • Note some actors might be asked to stay for the next session depending on the mix of people signed up.
  • All cast members will be required to become members of The Drama Workshop, and agree to TDW’s Code of Conduct prior to rehearsals starting..

Character Breakdown:

  • Lenny Magrath, 30, the oldest sister. Lenny is insecure about most things in her life, but especially about her relationships with men. She has a difficult relationship with her sister Meg and hides in her caregiving, which gives her an excuse to stay home.
  • Meg Magrath, 27, the middle sister. Meg moved to Hollywood to pursue her singing career, seemingly abandoning her sisters and her relationship with Doc. She appears to live her life in the moment, but may not be as steely hard as she seems.
  • Babe Botrelle, 24, the youngest sister. Babe is the most fragile of the sisters. A dreamer and innocent, she’s not quite sure what all the fuss is about her shooting her husband.
  • Chick Boyle, 29, the sisters’ first cousin. Chick is brassy, loud and continually passes judgment on her cousins and how they live their lives.
  • Doc Porter, 30, Meg’s old boyfriend. Doc is now married with two children, but the flame he carries for Meg still burns bright.
  • Barnette Lloyd, 26, Babe’s lawyer. Barnette is a recent law school graduate who is competent beyond his years. He has a soft spot for Babe and wants to protect her from her abusive husband.

Production Dates: Performances run 3 weekends from October 4th – 20th, 2024.. There are a total of 10 performances. Friday 8pm, Saturday 8pm, Sunday 2pm each weekend, with a Thursday 730pm performance the final weekend.

Rehearsal Plan: Pending confirmation of actors’ availability, the rehearsal schedule will be four rehearsals per week beginning in late August.

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Auditions Announced for SISTER ACT at INNOVAtheatre

INNOV_logoWe are excited to announce the opening show of our 2024 – 2025 Season:
SISTER ACT!

We’d love to have you raise your voice at auditions.

If you’ve ever been involved in any of our past musicals then you are invited to join us WITHOUT auditions. Come and help us celebrate 8 years.

May 13 & 14 at 7pm

If you are wanting a named role or have not been a part of an INNOVA production then we ask that you prepare 16-32 bars of a Non-Broadway number of your choice in the style of the show and for your second number please select one of the songs we have chosen from the show that best represents the character you are auditioning for.

Links for this list can be found on the audition page of our website as well as links to the audition forms and sign ups.

The auditions will be open so please make sure to sign up for your audition slot. Walk ins will be taken on a open slot availability basis.

You may or may not be asked to sing both selections from the show.

You may be asked to return to a callback on Wednesday.

Please bring a resume and all known conflicts.

Headshots are not required but are appreciated.

Please make sure your music is clearly marked with any changes. We will provide your cuts on the music selected from the show.

A talented sight reading accompanist will be provided.

There will be a brief dance call for all auditionees. You may be asked to do some vocalizing with the Music Director.

NO ACAPELLA or track auditions will be accepted.

Performance dates Aug. 16-25.

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Auditions Announced for URINETOWN at The Story Collective

TSC_logoThe Story Collective is looking for performers with strong singing and acting skills, who can move or dance well, for our production of URINETOWN.

Show dates are July 26th-28th.

Rehearsals begin in mid-late May.

All roles are paid.

AUDITION INFORMATION
For online submissions: Please prepare 24-32 bars of a musical theatre comedy song AND a 1 minute comedic monologue. HOWEVER, please deliver both the song and monologue as if you were in a dramatic piece.  Send submissions to susanj@thestorycollective.org with “urinetown” in the subject line. Deadline to submit is April 15th.

For in person auditions: Please prepare 24-32 bars of a musical theatre comedy song AND a 1 minute comedic monologue. HOWEVER, please plan to deliver both the song and monologue as if you were in a dramatic piece.

Auditioners must provide EITHER marked sheet music for the accompanist or a track. No a cappella auditions please.

Auditions will take place at Summit City Church on April 9th. Please sign up for an audition time.

In person auditions are located at Summit City Church, 7950 Pfeiffer Rd, Montgomery, OH 45242

Open to all performers 18+.

Sign up for an audition time here

Questions? Email Susan Jung, susanj@thestorycollective.org

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Auditions Announced for THE HELLO GIRLS at Beavercreek Community Theatre

bctDirector: Matt Owens
Choreographer: Gretchen Obergefell
Music Director: Jenn Clark

Monday, April 22, or Tuesday, April 23, at 7pm each night
Callbacks on Wednesday, April 24, at 7pm

Performance dates are June 21-30

Prepare one minute of a Broadway-style song that demonstrates your vocal abilities and character.  An accompanist and Bluetooth speaker will be provided.

Auditioners should also be prepared to learn a brief dance combination to demonstrate movement ability.

Please arrive early to fill out audition form, which will include a listing of any conflicts between April 29 and the opening of the show on June 21.

We are looking for diverse performers to build a vocally strong ensemble of five women and at least five men who can each independently hold a harmony line.

Character Breakdown (general “stage age” listed in parentheses):
Grace Banker (mid 20s-30s): From Passaic, New Jersey; the leader of the squadron that went to the front, she received the Distinguished Service Medal for her bravery under fire; graduated from Barnard in 1915 and worked at AT&T as a telephone operator and supervisor before joining the army; articulate and poised, with a core of steely strength that makes itself apparent as she grows into her role as leader.

Suzanne Prevot (mid 20s-30s): From New York City; feisty, sardonic, tough talking; a close friend of Grace’s from AT&T; she was among the few who lived to be officially recognized by the Army; very invested in the fight for women’s suffrage and leads the women’s fight for recognition after the war.

Louise LeBreton (late teens-early 20s): From San Francisco; fearless, flirty, headstrong and often insubordinate; she lies about her age to join the army; born in France, she has family fighting with the French army.

Helen Hill (early 20s-30s): From outside Boise, Idaho; a typical small town farm girl. From a family of 17 children with a mother who speaks French; sweet, over-enthusiastic, wholesomely kooky and prone to nervous panic.

Bertha Hunt (30s-40s): From San Francisco; married to a Navy doctor who is also serving; older, wiser, reliable; The Den Mother; extremely knowledgeable about military matters.

Cpt. Joseph Riser (30s to 40s): The Signal Corps commanding officer who recruits and trains the women, and journeys with them to the front; a career army man, a stickler for rules and order, he is skeptical of the women’s presence in the army, even as his own success relies on theirs; he develops a close working relationship with Grace, who challenges his world view and converts him to an advocate.

Gen. John Pershing (40s to 50s): Commander of the American Expeditionary Forces; Hard, relentless, inflexible, with a deep sense of honor and American individualism and identity.

Pvt. Eugene Matterson* (20s to 30s): An enlisted man who works closely with Lt. Riser.

Lt. Ernest Wessen* (20s to 30s): Head of the recruiting center for the Signal Corps

Pvt. Robert Dempsey* (20s to 30s): A Signal Corps operator at the Paris Telephone Exchange

Official page |

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Auditions Announced for MOMENTS OF TRUTH at Village Players

VP_new logoVillage Players of Fort Thomas is holding auditions for MOMENTS OF TRUTH – a Village Players New Works Production. In-person auditions will take place on Wednesday, April 17, at 7:00pm, and Thursday, April 18, at 7:00pm, at 8 North Center for the Arts (in the street-level Judith M. Sarakatsannis Gallery) at 8 North Fort Thomas Ave., KY, 41075. Show dates are June 28, 29, 30.

MOMENTS OF TRUTH will be directed by Teri Foltz and Drue Harris, and produced by Angela Klocke Forbes and Peggy Kenney. Narisa Williams will serve as the Stage Manager.​

Auditions will consist of cold readings with sides provided; no prepared monologues. A resume and headshot are appreciated but not required. Auditionees should be prepared to list all known conflicts between May 6 and June 30.​

Roles are available for adults of all ages, types, genders, and ethnicities. Dual casting is possible. Notes: Ages indicate approximate stage ages. M = male-identifying; F = female-identifying. Actors of all ages, ethnicities, genders, and abilities are encouraged to audition.

For any inquiries, please contact info@villageplayers.org.

Details are available at https://www.villageplayers.org/auditions

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