Category Archives: Auditions

The Children’s Theatre of Cincinnati (TCT) is holding auditions in August for the third and fourth MainStage productions in their 2024-2025 season at the Taft Theatre.

Performers ages 9-14:
For performers ages 9-14, we are accepting virtual submissions ONLY. Please sign up to audition at the following link. https://thechildrenstheatre.com/jobs-auditions/ When you go to select a time slot, please only select “waiting list” as an option, so we have all of your correct information. After that, you must submit your virtual submission of a one-minute song with backing track or piano accompaniment HERE no later than Sunday, August 18^th. NOTE: Please make the title of your video submission the performers first and last name. We will review your submission on Monday, August 19^th and reach back out to you via email IF we are interested in seeing you for callbacks.

Adult performers and young performers ages 15-18:
Adults over 18 to be considered for casting and performers 15-18 to be considered for TCT’s Young Artist Company, you may make an audition appointment by visiting https://thechildrenstheatre.com/jobs-auditions/ 

Appointment dates:

• Monday, August 19, 2024- 5:30-9:00 PM
• Tuesday, August 20, 2024- 5:30-9:00 PM
• Wednesday, August 21, 2024- 5:30-9:00 PM
• Thursday, August 22, 2024- 5:30-9:00 PM

All roles are paid positions.

TCT, the nation’s oldest theatre for children, is passionate about creating an inclusive workplace and is committed to a dynamic casting process. All roles are open to everyone regardless of ethnicity, background, ability, or gender identity.

Upon audition registration, you may indicate which shows for which you would like to be considered. Auditions are by appointment only.

You only need ONE audition appointment, even if you are interested in both productions. 

Dr. Seuss’ The Cat in the Hat callbacks will take place on Saturday, August 24, 2024, 11:00 AM-3:00 PM.

Disney’s Frozen JR. callbacks will take place on Sunday, August 25, 2024, 5:00-9:00 PM.

Auditions and Callbacks are held at TCT’s headquarters located at: 4015 Red Bank Road, Cincinnati OH 45227.

If you are unable to attend auditions in person and would like to inquire about a virtual submission, or for information concerning auditions email Maddie Jones at Maddie.Jones@tctcincinnati.com.

Visit https://thechildrenstheatre.com/jobs-auditions/ to sign-up for an audition appointment.

PREPARATION CHECKLIST

1. Please prepare the piano sheet music to a memorized song that shows your acting and vocal range. (1-minute max). The song must be age Remember to have your PIANO SHEET MUSIC, as we will not be auditioning for a cappella skills. An accompanist will be provided. Your sheet music MUST have the piano part, not just the vocal line, and music should be in a 3-ring binder with any cuts CLEARLY marked for the accompanist.

   You only need a song. You do NOT need to prepare a monologue.

2. Bring a RECENT 8×10 headshot and up-to-date performance Even if you upload to the audition website, a hard copy of your headshot and resume is needed.
3. Plan to arrive at least 15-20 minutes ahead of your appointment to check/correct previously submitted paperwork. If we are ahead of schedule, we may bring you in to audition early.
4. Come with your scheduling conflicts. Due to concentrated rehearsal periods, we ask that conflicts during rehearsals be at a minimum. In an effort to best facilitate all rehearsal times, you will be asked to list all conflicts at the time of the Conflicts may result in a stipend adjustment. Please take note of when rehearsals begin, the day and evening tech and performance schedule, and bring your calendar with you to the audition.

ABOUT THE SHOWS

SEUSS’S THE CAT IN THE HAT
Based on the book by Dr. Seuss. Play Originally Produced by the National Theatre of Great Britain.
Adapted and Originally Directed by Katie Mitchell.
Directed by: James Jones

From the moment his tall, red-and-white-striped hat appears around the door, Sally and her brother know that The Cat in the Hat is the funniest, most mischievous cat that they have ever met. With the trickiest of tricks and the craziest of ideas, he is certainly loads of fun. He turns a rainy afternoon into an amazing adventure… but what will mom find when she gets home…?

Rehearsals: January 11- February 8, 2025. Rehearsals typically take place Mondays-Thursdays, 6:30- 9:30 PM and Saturdays, 10 AM-4:00 PM

Tech in the Taft Theatre: February 11 – 14, 2025, Daytime/Evening

Performances: February 15- February 24, 2025

The first Monday of the week is dark after opening. Throughout the week, TCT hosts morning and afternoon performances for school field trips. Afternoon and evening performances for the public take place Friday-Sunday.

SEEKING THE FOLLOWING:

[BOY] Male identifying. Portrays age 10-12. Sally’s brother. Curious and excitable, but responsible and cautious. Director may cast an Adult who can play a young boy.

[SALLY] Female identifying. Portrays age 9-10; The Boy’s sister. She is wide-eyed and very curious. Director may cast an Adult who can play a young girl

[THING 1 & THING 2] Any gender. Age: 20-40; The kite-flying duo that wreaks havoc on Boy and Sally’s house.

[THE FISH] Any gender. Age 20-50; The family fish and parental figure of the story. Anxious, uptight, and sapient.

[ENSEMBLE AND UNDERSTUDIES] Age: 20-50. Characters in wild pursuit of fun. Covers the roles of the Cat in the Hat, Boy, Sally, The Fish, Thing 1 and Thing 2.

DISNEY’S FROZEN JR.
Music and Lyrics by Kristen Anderson-Lopez, Robert Lopez. Book by Jennifer Lee.
Based on the Disney film written by Jennifer Lee and directed by Chris Buck and Jennifer Lee.
The original Broadway production of Frozen was directed by Michael Grandage and produced by Disney Theatrical Productions.
Directed by: Roderick Justice
Choreography by: Angelo Cerniglia

Disney’s Frozen JR. is based on the 2018 Broadway musical, and brings Elsa, Anna, and the magical land of Arendelle to life, onstage. The show features all of the memorable songs from the animated film, with music and lyrics by Kristen Anderson-Lopez and Robert Lopez, plus five new songs written for the Broadway production.

A story of true love and acceptance between sisters, Disney’s Frozen JR. expands upon the emotional relationship and journey between Princesses Anna and Elsa. When faced with danger, the two discover their hidden potential and the powerful bond of sisterhood. With a cast of beloved characters and loaded with magic, adventure, and plenty of humor, Disney’s Frozen JR. is sure to thaw even the coldest heart! 

Rehearsals: March 22 – April 19, 2025. Rehearsals typically take place Mondays-Thursdays, 6:30- 9:30 PM and Saturdays, 10 AM-4:00 PM.

Tech in the Taft Theatre: April 21 – 24, 2025 Daytime/Evening

Performances: April 25 – May 4, 2025

The first Monday of the week is dark after opening. Throughout the week, TCT hosts morning and afternoon performances for school field trips. Afternoon and evening performances for the public take place Friday-Sunday. 

SEEKING THE FOLLOWING:

[YOUNG ANNA] Female identifying. Age 9-12. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Vocal range: A3-D5.

[MIDDLE ANNA] Female identifying. Age 12-14. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Vocal range: A3- B4.

[ANNA] Female identifying. Age 16-25. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Vocal range: G3-D5.

[YOUNG ELSA] Female identifying. Age 9-12. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. Vocal range: A3- C#5.

[MIDDLE ELSA] Female identifying. Age 12-14. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. Vocal range: A3- F#4.

[ELSA] Female identifying. Age 16-28. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. Vocal range: F#3- D5.

[KING AGNARR] Male identifying. Age 30-60. The warm-hearted ruler of Arendelle is committed to protecting both his family and the Townspeople from his eldest daughter’s powers.

[QUEEN IDUNA] Female identifying. Age 30-60. The queen possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen has the ability to communicate with the Hidden Folk of the mountains and so understands Elsa’s powers deeply.

[PABBIE] Any gender. Age 18-40. Pabbie and Bulda are the mystical leaders of the Hidden Folk who have a soft spot for “strays.” Ever-benevolent, these parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts.

[BULDA] Any gender. Age 18-40. Pabbie and Bulda are the mystical leaders of the Hidden Folk who have a soft spot for “strays.” Ever-benevolent, these parental figures want what’s best for Kristoff, even if they are a bit misguided in their efforts.

[KRISTOFF] Male identifying. Kristoff is a hardworking ice harvester. Kristoff has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend- until he meets Anna. Vocal range: G2- A3.

[SVEN PUPPETEER] Any gender. Age 18-40. Sven is a reindeer of few words, fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Has good comic timing and terrific physical acting skills. Vocal range: A3-A4.

[HANS] Male identifying. Age 18-35. The ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone – including Anna and, ideally, the audience! – into believing he’s Prince Charming, when really, he’s just a jerk. Vocal range: G2-B3.

[WESELTON] Male identifying. Age 30-60. A visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton’s sole purpose is to hobnob with influencers and royalty.

[OLAF] Male identifying. Age 18-40. The magical, puppet snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything – especially the idea of summer. Vocal range: F#2- D4.

[OAKEN] Male identifying. Age 25-45. An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable.

[ENSEMBLE] Any gender. All ages. The Ensemble makes up the Townspeople, Snow Chorus, Hidden Folk, Castle Staff, Housekeeper, Butler, Handmaiden, Cook, Steward, Guards, Summer Chorus, Oaken’s Family. Must be excellent singers, dancers, and actors and will understudy the various roles listed above.