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Auditions Announced for I LOVE YOU, YOU’RE PERFECT, NOW CHANGE at Fairfield Footlighters

fflMonday, April 2 at 6:30pm

Fairfield Community Arts Center- 411 Wessel Drive, 45014

Auditions for 1 Women / 1 Men
(more may be cast, if audition numbers permit)

Auditions will consist of vocal auditions (Two-minutes prepared song, not from the show) and cold-readings from the script. Please be prepared to list all rehearsal conflicts.

Due to the nature of a small cast, only minimal conflicts will be accepted.

Woman #1 – age 25-45, confident to solo in soprano range (low A to top Bb)
Woman #2 – age 25-45, confident to solo in alto range (low F# to Db)

Man #1 – age 25-45, confident to solo in bari/tenor range (middle C to high G#)
Man #2 – age 25-45, confident to solo in bari/tenor range (middle C to high G#).

Directed by Heidi Schiller. Music Direction by Mark Durbin.
Rehearsals: Monday – Thursday, 6:30 PM to 9 PM, starting April 2

ABOUT THE SHOW: Presented in the form of a series of vignettes connected by the central theme of love and relationships. With few exceptions, the scenes stand independent of the others, but progress in a fashion designed to suggest an overall arc to relationships throughout the course of one’s life. All actors have to play multiple roles and be good vocal artists, as the songs feature lots of close harmonies and a cappella singing.

This production is for mature audiences. Rated PG-13 for language and sexual innuendo that may not be suitable for young children. 

For more information, call 513-896-8415 or email hschiller@fairfield-city.org

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Auditions Announced for A FEW GOOD MEN, THE WIZARD OF OZ and NEXT TO NORMAL at Cincinnati Landmark Productions

CLPCincinnati Landmark Productions to hold auditions for two Marquee Season Shows at the Covedale Center and one District Series Show at Warsaw Federal Incline Theater including A FEW GOOD MEN, THE WIZARD OF OZ and NEXT TO NORMAL.

Open Audition dates/time for Adults all shows:

  • Saturday, May 5th from Noon-5pm
  • Sunday, May 6th from 5-9pm 

Open Audition dates/time for Children for THE WIZARD OF OZ: 

  • Saturday, May 5th Noon-2pm
  • Sunday, May 6th 5-7pm 

Audition Location:
The Warsaw Federal Incline Theatre
801 Matson Place, Cincinnati, OH 45204

Callback dates:

  • Monday, May 7th from 5-7pm for A FEW GOOD MEN
  • Monday, May 7th from 7-9:30pm for NEXT TO NORMAL
  • Tuesday, May 8th from 6-9pm for THE WIZARD OF OZ

Please note: Everyone will not have to attend callbacks – you will be asked to attend (and expected to attend if asked). However, not being asked to callbacks doesn’t mean you won’t be cast.

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at jenniferperrino@CLPShows.org

Important Audition Information

  • You may audition for more than one show. 
  • For A FEW GOOD MEN please prepare one 30-45 second monologue. (Actors will read from the script AT THE CALLBACKS only). Age Requirement: Mid 20s – 50s
  • For NEXT TO NORMAL prepare 16 to 32 bars of a contemporary musical theatre style song that best demonstrates your vocal ability. You will read from the script at callbacks. Must be a minimum of 16 years of age to audition for this show. No Dance Required.
  • For THE WIZARD OF OZ all Adults/Children please prepare 16 – 32 bars of a song that best demonstrates your vocal ability. You will be tested for dance ability at the audition. 
  • For THE WIZARD OF OZ children auditioning for the roles of Munchkins, Crows and Flying Monkeys height requirement will be no taller than 4′ 10″. 
  • For THE WIZARD OF OZ children (ages 8 to 14) Adults (ages 15 and up)
  • Adults – If you are auditioning for NEXT TO NORMAL and THE WIZARD OF OZ you’ll want to prep two songs that represent the styles of each of these shows.
  • Adults MUST HAVE A RESUME listing theatrical experience in order to audition.
  • A headshot/picture is appreciated. Please bring a head shot and resume for each show you are auditioning for, e.g. two shows =two head shots and resumes; three shows =three headshots etc.
  • No more than 2 conflicts will be accepted during the rehearsal process for each of these productions. 
  • All roles are paid positions. No Roles have been precast.

Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly. 

A FEW GOOD MEN
By Aaron Sorkin
September 13 – October 7, 2018

This Broadway hit about the trial of two Marines for complicity in the death of a fellow Marine at Guantanamo Bay sizzles on stage. The Navy lawyer, a callow young man more interested in softball games than the case, expects a plea bargain and a cover-up of what really happened. Prodded by a female member of his defense team, the lawyer eventually makes a valiant effort to defend his clients and, in so doing, puts the military mentality and the Marine code of honor on trial.
Ed Cohen, Director

THE WIZARD OF OZ
By L. Frank Baum
October 25 – November 18, 2018
With Music and Lyrics by Harold Arlen and E. Y. Harburg; Background Music by Herbert Stothart Dance and Vocal Arrangements by Peter Howard; Orchestration by Larry Wilcox; Adapted by John Kane for the Royal Shakespeare Company. Based on the 1939 movie with Judy Garland. 

Dorothy Gale, a young girl living on a Kansas farm with her Aunt Em and Uncle Henry, dreams of escaping her mundane life. So when witchy old Miss Gulch threatens to impound Dorothy’s dog Toto, Dorothy runs away with her pet, only to be whisked away to the Land of OZ in a terrifying cyclone. Looking for her way back home, she and her new friends sing some of the most iconic songs ever, including “If I Only Had a Brain/Heart/Nerve”, “Munchkin Land”, “Follow The Yellow Brick Road” and the classic “Over the Rainbow”.
Bob Brunner, Director; Ron Attreau, Music Director; Jeni Bayer Schwiers, Choreographer

NEXT TO NORMAL
Music by Tom Kitt; Book and Lyrics by Brian Yorkey
October 4 – 21, 2018

NEXT TO NORMAL, explores how one suburban household copes with crisis and mental illness. Winner of three 2009 Tony Awards, including Best Musical Score and the 2010 Pulitzer Prize, Next to Normal was named “one of the year’s ten best shows” by critics around the country, including The Los Angeles Times, The Washington Post, Rolling Stone and The New York Times.

Dad’s an architect; Mom packs lunches and pours cereal; their daughter and son are bright, wise-cracking teens in a typical American family. And yet their lives are anything but normal; mother has been battling manic depression for 16 years. Next to Normal takes audiences into the minds and hearts of each character, with deep love and sympathy. An emotional powerhouse encompassing grieving a loss, bewildering psychiatry and modern life.
Matthew Wilson, Director/Choreographer; Brian Hoffman, Music Director

For more information on auditions, contact us at (513) 241 – 6550. Check us out on the web @ www.CLPShows.org

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Neil Simon Proves Why He’s the Eternal King of Broadway Comedy with Hilarious BRIGHTON BEACH MEMOIRS

HRTC_Brighton-Publicity-5

Richard Buchanan as Stanley, Eric Deiboldt as Eugene and Rory Sheridan as Jack. Photo courtesy of Immobulus Photography

The Human Race continues its 31st Season with his semi-autobiographical classic,
April 5 – 22, 2018 at the Loft Theatre

(Dayton, OH) —This April, The Human Race Theatre Company (HRTC) is going back in time with Neil Simon’s Brighton Beach Memoirs, the first of Neil Simon’s semi-autobiographical trilogy. He has holes in his shoes and liver on the dinner table, but all teenage Eugene Jerome can think of is girls, baseball and writing—in that order. There’s hardly a moment’s peace in a house filled with his domineering mother, over-worked father, and worldly older brother, not to mention his widowed aunt and her two maturing daughters. Simon’s comedy about growing up in a crowded, lower middle class home in 1937 Brooklyn is a touching coming-of-age classic that proves no matter how crazy life gets, family can make it crazier.

Brighton Beach Memoirs reveals Neil Simon as his wittiest and most poignant self. The first play of the Eugene Trilogy, and semi-autobiographical, we meet Eugene at 15, taking us through his memoirs as he writes about a blended family, living on top of each other in a little-bit-too-small house: each individual yearning for independence, yet fiercely committed to keeping the family strong. Oh so funny and relevant, I invite you into the Jerome home for a look at love, growing pains, and blood being thicker than water!” – Marya Spring Cordes, director.

Marya Spring Cordes (HRTC’s Becky’s New Car and Managing Maxine), returns to The Race to direct Brighton Beach MemoirsCordes serves as Head of Acting in Wright State University’s Department of Theatre, Dance, and Motion Pictures and is a proud Resident Artist of The Human Race Theatre Company.

American playwright and screenwriter Neil Simon is widely regarded as one of the most successful, prolific and performed playwrights in the world. In addition to Lost in Yonkers, which won a Tony Award and Pulitzer Prize, his plays and musicals include Come Blow Your HornLittle MeBarefoot in the ParkThe Odd CoupleSweet CharityThe Star-Spangled GirlPlaza Suite, and many more.

The preview performance of Brighton Beach Memoirs is Thursday, April 5. Opening night is Friday, April 6.

CAST AND DESIGN TEAM
The cast of seven includes two Human Race veterans and several faces new to local audiences.

Richard Buchanan (Shakespeare in Love at Baltimore Center Stage and Cincinnati Playhouse) plays Eugene’s older brother, Stanley, in his debut performance at The Human Race Theatre. Eric Deiboldt (Peter Pan at Northern Stage, West Side Story, All Shook Up, Lend Me a Tenor) is excited to be making his debut at The Human Race Theatre Company as Eugene. Lisa Ann Goldsmith (HRTC’s Macbeth, Mame and Torch Song Trilogy, World Premiere of Windfall, directed by Seinfeld’s Jason Alexander, Sundance nominee for The Lifeguard, The Next Three Days, and many other titles) is back at HRTC playing Eugene’s mother, Kate. Oakwood High School student Julie Murphy (Muse Machine’s Mary Poppins, We Could Be Heroes, Hairspray, and Hello, Dolly!) plays his younger cousin, Laurie. Sonia Perez (HRTC’s The Fully Monty, Shawnee Playhouse’s Carousel and many more) plays Eugene’s aunt, Blanche. Rory Sheridan (The Pillowman at Falcon Theatre, Neverwhere at Know Theatre of Cincinnati, and Doubt at Cincinnati Landmark Productions) plays his father, Jack. Wright State University student Katie Sinicki (You Can’t Take It with YouJane the PlainThe Children’s Hour, and King Lear) makes her HRTC debut as Eugene’s older cousin, Nora.

Dan Gray (scenic designer) rejoins HRTC for Brighton Beach Memoirs. Other HRTC credits include: Sweeney Todd, Taking Shakespeare, and more. Dave Arevalo (costume designer) is making his Human Race design premiere. Resident Artists John Rensel (lighting designer) and Jay Brunner (sound designer) round out the design team. Jacquelyn Duncan, who has worked as Production Assistant for HRTC since 2016, moves up to the position of production stage manager.

Biographies on the cast and creative team can be found on The Human Race Theatre Company’s website.

The Human Race Theatre Company’s production of Brighton Beach Memoirs is sponsored by The Richard A. and Mary T. Whitney Fund for the Arts, Marion’s Piazza, Two Friends, Jack and Maryann Bernstein, Larry S. Glickler – Glickler Funeral Home, Marni Flagel, John and Barbara Rion, and Patti Giering.

PERFORMANCE AND SPECIAL EVENT INFORMATION
Tickets for the preview performance of Brighton Beach Memoirs on April 5 start at $35 for adults, $32 for seniors and $17.50 for students. For all performances April 5 – 22, single ticket prices start at $40 for adults, $37 for seniors and $20 for students. Prices vary depending on the day of the week and seating location. Group discounts are available for parties of 10 or more. The Human Race is offering a pair of discount ticket opportunities during the run of the show. A limited number of $12 and $25 side-area seats are available in advance for all performances. The Sunday, April 8 7:00 p.m. performance is “Sawbuck Sunday,” when any available seat can be purchased in person for just $10 at the Loft Theatre box office two hours prior to the show. Discounts are subject to availability and some restrictions apply.

All performances are at the Metropolitan Art Center’s Loft Theatre, located at 126 North Main Street in downtown Dayton, Ohio. Show times for Brighton Beach Memoirs are 8:00 p.m. on Thursday, Friday and Saturday evenings. Performances on Sunday, Tuesday and Wednesday evenings begin at 7:00 p.m., and at 2:00 p.m. on Sunday matinees.

Tickets and performance information for Brighton Beach Memoirs are available at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office. 

# # #

2017-2018 marks the 31st season for The Human Race Theatre Company, “Dayton’s Official Professional Theatre Company.” Founded in 1986, The Human Race moved into the Metropolitan Arts Center in 1991, taking up residence in its current home, the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces new works development and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools and a summer youth program. Human Race organizational support is provided by the Montgomery County Arts and Cultural District, Culture Works, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2017-2018 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson, Steve and Lou Mason, and Morris Home. The 2017-2018 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health, Heidelberg Distributing Company and Buckeye Vodka.

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Auditions Announced for The Who’s TOMMY Concert Presentation at Memorial Hall

memo_logoDirected and choreographed by Leslie Goddard
Music Direction by Steve Goers
Produced by Joshua Steele

Rehearsals: September 5 – 13, 2018
Performances: September 14, 15, 20, 21, 2018
At Historic Memorial Hall in Over-the-Rhine

ABOUT THE SHOW
Memorial Hall seeks professional singing and dancing performers for its planned concert performance of The Who’s TOMMY. Broadway veteran Leslie Goddard directs and choreographs a presentation to include costumes, projection design and live band in the beautifully restored Anderson Theater.

Supporting performers can expect a short, dense evening and weekend rehearsal schedule. Principals can expect the same, in addition to weekday rehearsals. Conflicts will likely not be accepted.

Performer pay begins at $500.00 for the entire project. Housing not available.

AEA talent warmly invited to audition.

AUDITION REQUIREMENTS

  • Please prepare one 32-bar selection in the style of the show. Please provide sheet music in the correct key. An accompanist will be provided. There will also be a dance audition. Please bring comfortable dancewear.
  • Please provide two (2) copies of your headshot and resume.
  • Performers who wish to be considered ONLY for the tracks of Tommy / Narrator, Mrs. Walker, Mr. Walker or Uncle Ernie are not required to dance. It is recommend that all other performers participate in the dance call.
  • Video auditions may be accepted. Please follow the registration instructions below to indicate your preference to submit a video audition.

AUDITION REGISTRATION
Auditions will be held on the evenings of Sunday, May 6 and Tuesday, May 8, 2018 in the Fine Arts building at Northern Kentucky University.

Auditions are by appointment only.

To register for auditions, please visit MemorialHallOTR.com/auditions. Staff will be in touch with you shortly thereafter to confirm your audition appointment.

Please review the production dates and audition requirements carefully before registering.

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Auditions Announced for LIFE COULD BE A DREAM at Commonwealth Theatre Company

CTC_Life Could Be a DreamSATURDAY, MARCH 31, 2018 12:00 (NOON)-5:00

Please email Mike King at mking@nku.edu to schedule an appointment.

Directed by Dee Anne Bryll
Musical Direction by Jacob Priddy

Rehearsals begin Monday.  May 14, 2018.
Shows runs June 6-24, 2018

  • Prepare two songs that showcase vocal range in the style of the 1950s–60s.
  • Headshot and resume required.

SH-BOOM! Take another trip to Springfield and meet Denny and the Dreamers, a fledgling doo-wop singing group preparing to enter the Big Whopper Radio contest to realize their dreams of making it to the big time! Trouble comes in the form of Lois, who arrives to put some polish on the boys. Denny falls in love, Wally falls in line, Eugene falls apart, and along comes handsome heartthrob Skip to send the whole situation spinning. The ’60s hits say it all: “Fools Fall in Love,” “Tears on My Pillow,” “Runaround Sue,” “Earth Angel,” “Stay,” “Unchained Melody,” “Lonely Teardrops,” and “The Glory of Love.” Winner of the Los Angeles Drama Critics Circle Best Musical Award, Life Could Be a Dream will leave you laughing, singing, and cheering—let’s hear it for the boys!

  • Denny Varney (Vocal Range: Tenor C3–Ab 4; Falsetto to D5) Playing age 20-30
  • Eugene Johnson (Vocal Range: Tenor C3–A4; Falsetto to A5) Playing age 20-30
  • Wally Patton (Vocal Range: Bass/Baritone F2–G4; Falsetto to D5) Playing age 20-30
  • Skip Henderson (Vocal Range: Bass/Baritone Ab 2–G4; Falsetto to Eb 5) Playing age 20-30
  • Lois Franklin (Vocal Range: G3–F5) Playing age 20-30

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