Tag Archives: Diogenes Theatre Company

SAINT JOAN Runs Feb. 18-March 5

DTC_Saint Joan promo2

Sara Clark as Saint Joan.

SAINT JOAN
Di0genes Theatre Company
Feb. 18-March 5
Aronoff Center Fifth Third Bank Theatre [Downtown]

Directed by Lindsey Augusta Mercer

Cast: Sara Clark as Saint Joan
Ensemble: Geoffrey Barnes, Billy Chace, Jared Earland, Patrick Phillips, Rory Sheridan & Nicole Jeannine Smith

The story of the rise and fall of one of history’s most fascinating characters. Joan is a young country girl who claims to hear voices from God that tell her to raise a siege at Orleans. She claims that she has divine direction to chase the English out of France. As she continues to claim victory after victory and her voice becomes more powerful, the church turns on her, setting up one of the most dramatic trials of all time. The battle Joan will wage to hold on to her voice and her principals will be more daunting than any foe faced on the battlefield.

  • Thu-Sat, Feb. 18-20 at 7:30pm
  • Sun, Feb. 21 at 2pm
  • Wed-Fri, March 2-4 at 7:30pm
  • Sat, March 5 at 2pm & 7:30pm

Official page |

 

 

Leave a comment

Filed under On Stage

Diogenes Theatre Company creates History with George Bernard Shaw’s SAINT JOAN

DTC_Saint Joan promo
Sara Clark stars as title character in Shaw’s masterpiece directed by Lindsey Augusta Mercer

CINCINNATI – January 20, 2016 – Diogenes Theatre will produce George Bernard Shaw’s SAINT JOAN in the Aronoff Center’s Fifth Third Theatre for the second play of their season.  Lindsey Augusta Mercer directs the twentieth century classic that will feature Sara Clark in the title role.

SAINT JOAN, a masterpiece by George Bernard Shaw, is the story of the rise and fall of one of history’s most fascinating characters.  Joan is a young country girl who claims to hear voices from God that tell her to raise a siege at Orleans.  She claims that she has divine direction to chase the English out of France.  As she continues to claim victory after victory and her voice b ecomes more powerful, the church turns on her, setting up one of the most dramatic trials of all time.  The battle Joan will wage to hold on to her voice and her principals will be more daunting than any foe faced on the battlefield.  Saint Joan, originally staged in 1923-4, became Shaw’s most popular play almost immediately and continues to be just as powerful today.

Mercer, who has assistant directed many productions with the Cincinnati Shakespeare Company says, “The beautiful effect of Shaw’s account is the way his language encapsulates Joan’s strength, conviction, and unshakable positivity. As I am immersed in the cadence and passion of this play, I find myself filled with inspiration that perhaps is descendent of the spirit Joan moved in her contemporaries. It is a fine homage to her legacy- and should make for an even finer night of theatre.”

The play will feature Sara Clark as Joan.  The enormous cast of characters that surround Joan will be portrayed by only six other actors, making this a theatrical feat not to be missed.  The cast includes: Geoffrey Barnes, Billy Chace, Jared Earland, Patrick Phillips, Rory Sheridan & Nicole Jeannine Smith.  Sara Clark, says of the project: “Shaw always looks a little intimidating from the outside….like you’re at the bottom of a mountain wondering how on earth you’ll ever make it to the top. But in reality, it’s a very, very good play…and it’s always easier to tackle a great play than a bad one. Because he’s done all the work for you. Learn all of the words accurately and say them clearly. Take a small breath at the commas and a big one at the full stops. You don’t have to be the world’s most brilliant actor, just one who’s smart enough to get out of your own way.”

The design team features costume design by Amanda McGee, set design by Sarah Beth Hall, sound design by Doug Borntrager, and lighting design by Alan Kleesattel.  The production is stage managed by Justin McCombs.  Brian Isaac Phillips serves as a special consultant for the production.

Performances will be on February 18, 19, 20 and March 2, 3, 4, and 5  at 7:30pm and February 21 at 2:00pm.  All performances will take place at the Aronoff Center for the Arts’ Fifth Third Theatre.

Diogenes Theatre Company is a small professional theatre performing the best of comedy and drama in intimate studio settings .  For more information visit – www.diogenestheatrecompany.com.  Tickets can also be purchased at www.cincinnatiarts.org.

Up next for Diogenes Theatre Company will be Samuel Beckett’s “Happy Days” directed by Michael Evan Haney and featuring Amy Warner.

1 Comment

Filed under Press Releases

RELATIVELY SPEAKING, Alan Ayckbourn’s Masterpiece of British Comedy, Comes to the Aronoff Center

WE CAN ALL USE A GOOD LAUGH!

“RELATIVELY SPEAKING,” ALAN AYCKBOURN’S MASTERPIECE
OF BRITISH COMEDY, COMES TO THE ARONOFF CENTER

DTC_Relatively Speaking logoCINCINNATI (FOR IMMEDIATE RELEASE) – As the first production in its 2015-16 season, Diogenes Theatre Company presents Alan Ayckbourn’s comedic masterpiece RELATIVELY SPEAKING at the Aronoff Center’s Fifth Third Black Box Theater November 11 through November 22.

The production, directed by Brian Isaac Phillips, stars Robert Pavlovich, Abby Rowold, Patrick Phillips and Bailie Breaux.

RELATIVELY SPEAKING is one of Alan Ayckbourn’s finest plays. A series of mistaken identities and misunderstandings lead to an evening of pure enjoyment for the audience.

Ginny goes to the house of her older lover, Phillip, in order to end a relationship and to retrieve some compromising letters. Matters are complicated when her current partner, Greg, also turns up and meets Sheila, Phillip’s wife, believing her to be Ginny’s mother. Confusion ensues, as the characters become more and more tangled in their own attempts to hide the truth about who they really are and their unspoken relationships to each other. Critics of British productions have described the play as “achingly funny” and “riotously funny.”

Robert Pavlovich plays Phillip, Ginny’s lover. Recently, he premiered the play BIBI: A One Man Show with Diogenes at the Aronoff. He was also seen as Zero in Adding Machine: A Musical, and The Father in Eurydice with The Know Theatre here in Cincinnati. Other recent productions include: Lawrence in Dirty Rotten Scoundrels, Zach in A Chorus Line, Lazar Wolfe in Fiddler on the Roof, and Feldzeig in Drowsy Chaperon, in New Orleans. On the Drama faculty at the University of Cincinnati, CCM, Robert is a proud 18-year member of Actor’s Equity.

Ginny is played by Bailie Breaux, whose recent credits include The Tall Girls (Washington Ensemble Theatre) and Dangerous Liaisons (Cincinnati Shakespeare Company), where she became EMC. Bailie has acted around the world in Scotland (Edinburgh Fringe), England (Royal Academy of Dramatic Art), and Greece (One Year Lease Theatre Company). Her TV credits include “Outsiders.” Bailie is a proud member of SAG-AFTRA, and holds a BFA in Acting from CCM.

Abby Rowold plays Sheila, Phillip’s wife. Originally from Iowa, Abby gradually made her way east, stopping in Chicago for ten years where she acted in store-front theatres, studied at the Second City Conservatory, and performed with her band. She attended Indiana University and received her MFA in Acting in 2011. Regionally she has performed at Indiana Festival Theatre, The Brown County Playhouse, The Phoenix Theatre in Indianapolis, and The Utah Shakespeare Festival. Locally she has performed at The Carnegie, Children’s Theatre Cincinnati, The Cincinnati Fringe Festival, and Cincinnati Shakespeare Company. She is currently a co-artistic director of SHEatre Cincinnati Women’s Theatre.

Greg, Ginny’s current romantic partner, is played by Patrick E. Phillips. Patrick is a proud graduate of Xavier University where he received his degrees in Theatre and English. Most recently, Patrick performed in Ensemble Theatre Cincinnati’s production of “Luna Gale” (Peter) after having completed a year-long acting internship with Ensemble. Some of Patrick’s favorite collegiate credits include “The Crucible” (Rev. Hale; co-production with Cincinnati Shakespeare Co.), “From White Plains” (Gregory), “Avenue Q” (Princeton) and “The Taming of the Shrew” (Lucentio).

The top notch design team includes scenic designer Sarah Beth Hall, sound designer Doug Borntrager, lighting designer Alan Kleesattel and costume designer Amanda McGee. Jared Joplin is the stage manager.

“We are thrilled to have such a great team for such a great play,” said Jeff Landen, on behalf of the producers. “Brian Isaac Phillips is obviously a brilliant director, and the actors each bring an excellent sense of comedic timing to a show that is simply chock full of laughs.”

Performances of RELATIVELY SPEAKING are scheduled from November 11- November 22, 2015 on Wednesday, Thursday, Friday and Saturday evenings at 7:30 pm, with a final matinee performance on Sunday, November 22, at 2 pm.

The Fifth Third Black Box Theater is part of the Aronoff Center. The entrance to the intimate performance space is at the corner of Seventh and Main. Single ticket prices are $29, with students welcome for the reduced price of $14.

Tickets can be purchased in person at the Aronoff Center box office at 650 Walnut Street, online at CincinnatiArts.org, or by phone at (513) 621-2787 [ARTS].

“Relatively Speaking” is presented by special arrangement with SAMUEL FRENCH, INC.

###

About Diogenes: Diogenes Theatre Company is an Ohio nonprofit corporation. Diogenes produces theatrical works showcasing the talents of some of the best theatre professionals in the Greater Cincinnati area. Diogenes is proud to be an Actors’ Equity Association Small Professional Theatre.

1 Comment

Filed under Press Releases

RELATIVELY SPEAKING Runs Nov. 11-22

Clockwise from top right: Bailie Breaux, Abby Rowold,Patrick Phillips & Robert Pavlovich.

Clockwise from top right: Bailie Breaux, Abby Rowold, Patrick Phillips & Robert Pavlovich.

RELATIVELY SPEAKING
Diogenes Theatre
Nov. 11-22
Fifth Third Bank Theatre [Downtown]

Directed by Brian Isaac Phillips

Cast: Robert Pavlovich, Abby Rowold, Bailie Breaux & Patrick Phillips

Alan Ayckbourn’s comedy, set during the 1960s, involves a series of mistaken identities and misunderstandings. Ginny goes to the house of her older lover in order to end a relationship and to retrieve some compromising letters. Matters are complicated when her current partner also turns up and meets the wife of the lover, believing her to be Ginny’s mother. Confusion ensues. The result is a milestone of British theatre that provides continuous laughter.

  • Wed-Sat, Nov. 11-14 at 7:30pm
  • Wed-Sat, Nov. 18-21 at 7:30pm
  • Sun, Nov. 22 at 2pm

Official page |

Leave a comment

Filed under On Stage

2015 League of Cincinnati Theatres Awards

On Monday evening, the League of Cincinnati Theatres recognized the outstanding achievements of their member companies. Honored shows received the most accolades from the League panelists during the 2014-2015 season. 

Below is the transcript of the awards, provided by Joshua Steele and the League.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

The Carnegie’s excellent DRIVING MISS DAISY seemed hard to beat, but WEST SIDE STORY with its passionate and vibrant magic, just topped it. The ensemble understood the beauty and power of this timeless classic, highlighted by the captivating and charismatic Layan Elwazani as Anita, and Jay Goodlett’s exciting reinvention of the original choreography despite the limited space of the Carnegie. LCT is proud to honor The Carnegie’s production of WEST SIDE STORY.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

CCM Drama’s production of Stephen Karam’s deep play SPEECH AND DEBATE, three misfit high school students form a debate club and band together to disclose the truth about a drama teacher who preys on his male students. Richard Hess’ outstanding direction brought together the perfect balance of angst and whimsy, artfully enabling a marvelous trio of actors, led by sophomore Katie Langham’s brilliantly comic performance. LCT is proud to honor CCM Drama’s SPEECH AND DEBATE.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve,  Carol Brammer as Barbara & Kevin Crowley as Bill.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve, Carol Brammer as Barbara & Kevin Crowley as Bill.

In Untethered’s and Clifton Players’ first collaborative effort, the heart-wrenching drama about the dysfunctional Weston family and their secrets hit every emotional button and kept the audience riveted to their seats. Dale Hodges was particularly electrifying but every ensemble member shone in their performances. Buz Davis provided tight and impressive direction as well as a spectacular scenic design in the intimate space of the Clifton Performance Theater. LCT is proud to honor Clifton Players and Untethered Theatre Company’s production of AUGUST: OSAGE COUNTY.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

A must-see murder mystery and racial drama playing out against the backdrop of the racially charged Civil Rights Era in the deep south, Falcon Theatre’s IN THE HEAT OF THE NIGHT was noteworthy for taut pacing and clever staging by director Ed Cohen, an outstanding ensemble cast and superb performances by lead actors Derek Snow and Michael Hall. LCT is proud to honor Falcon Theatre’s production of IN THE HEAT OF THE NIGHT.

ANY GIVEN MONDAY was a dark comedy that investigated the consequences of infidelity, the newly separated Lenny broods over pizza and Monday Night football with his cynical friend, Mickey. Chris Kramer and Daniel Britt slip into their respective roles with ease, providing plenty of moral questions and surprising twists to keep the audience involved to the bitter end. LCT is proud to honor Mad Anthony Theatre Company’s production of ANY GIVEN MONDAY.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

In an emotional roller coaster of a ride, New Edgecliff took on David Mamet’s controversial story of a billionaire accused of raping a black woman. The strong ensemble included Renika Williams and Bob Allen, with particularly memorable and compelling performances by Michael Shooner and Reggie Willis as the racially diverse lawyers who agree to take on the case. LCT is proud to honor New Edgecliff Theatre’s production of RACE.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by  Mikki Schaffner Photography.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by Mikki Schaffner Photography.

NKU’s THE WEDDING SINGER was a bold, brassy, high-energy musical that highlighted the talents of the NKU students who sang their hearts out. The production was slick, professional, and fast-paced, and show-cased Ronnie Chamberlain’s luxurious costume design bringing out the 80s vibe. LCT is proud to honor NKU’s production of THE WEDDING SINGER.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

The Covedale provided a solid, enjoyable, and touching production of the Rodgers and Hammerstein classic, thoughtfully directed by Ed Cohen and Dee Anne Bryll, and featuring a well-rounded and vocally strong Helen Raymond Goers as Maria and a graceful, mature Margot Grom as Liesl. LCT is proud to honor Cincinnati Landmark Productions’ THE SOUND OF MUSIC. 

Bruce Cromer* as The Poet. Photo by Ryan Kurtz.

Bruce Cromer as The Poet. Photo by Ryan Kurtz.

A magnificent one man production based on Homer’s Iliad, Ensemble Theatre Cincinnati’s AN ILIAD featured a powerful and emotional tour-de-force by Bruce Cromer as The Poet as well as versatile and gripping direction by Michael Evan Haney. It also was underscored by engaging lighting and sound design by Brian Mehring and Matt Callahan, respectively. LCT is proud to honor Ensemble Theatre Cincinnati’s production of AN ILIAD.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

CCM Musical Theatre had four very strong productions this year, all worthy of note: BLOOD BROTHERS, PETER PAN and 110 IN THE SHADE, with LEGALLY BLONDE singled out as a powerhouse of song and dance, spectacularly directed and choreographed by Diane Lala. The talented cast did not miss a beat headlined by Lawson Young, Chris Collins Pisano, and Madeline Lynch. Scenic director Joe Leonard also deserves kudos for a masterfully designed set that was almost cinematic in its transformations. LCT is proud to honor CCM Musical Theatre’s production of LEGALLY BLONDE.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

In Diogenes Theatre Company’s timely and well executed one woman production of the 1992 Rodney King trial and subsequent riots, Tori Wiggins gave an astonishing performance bringing to life over 30 characters of various ages, race, and genders, based on transcripts from the actual witnesses. LCT is proud to honor Diogenes Theatre Company’s production of TWILIGHT: LOS ANGELES 1992.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Cincinnati Shakespeare Company put on a “really big shrew” with a boisterous, funny production of Shakespeare’s battle of the sexes, featuring multi-dimensional, passionate, and charming performances by Kelly Mengelkoch and Nicholas Rose as well as a host of impressive ensemble characters, entertainingly directed by Kevin Hammond. LCT is proud to honor Cincinnati Shakespeare Company’s TAMING OF THE SHREW. 

Maranda Rossi as Belle and Sam Rueff as The Beast.

Maranda Rossi as Belle and Sam Rueff as The Beast.

A true feast for the eyes and ears, The Children’s Theatre of Cincinnati’s BEAUTY AND THE BEAST, JR just edged out CTC’s other contender, ALADDIN, providing an enchanting experience transformed by Noelle Wedig’s lavish costumes and David Center’s scenic design prowess. Angela Powell Walker directed her numerous ensemble members perfectly in a well-calculated and well-rehearsed musical treat. LCT is proud to honor The Children’s Theatre of Cincinnati’s production of BEAUTY AND THE BEAST, JR.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

In Know Theatre Cincinnati’s A HANDMAID’S TALE, Corinne Mohlenhoff, effectively directed by Brian Isaac Phillips, gave a compelling and committed performance in this one-woman adaptation of Margaret Atwood’s dystopian novel. Her performance was notably enhanced by a stellar design team including Andrew Hungerford’s eerie and suggestive set and lighting, and Doug Borntrager’s subtle but effective sound design. LCT is proud to honor Know Theatre Cincinnati’s production of A HANDMAID’S TALE.

In their presentation of the Sesame Street-inspired Tony Award winner, Miami University students virtually inhabited their puppets and brought out the heart of their characters in AVENUE Q. The entire ensemble was impressive, especially Kelcey Steele’s Princeton and Sean Davis’ Nicky. Special nods to Grant Lemasters and Aretta Baumgartner for puppet design and coaching, respectively, and Gion DeFrancesco’s evocative and dimensional scenic design. LCT is proud to honor Miami University’s production of AVENUE Q.

Leave a comment

Filed under League of Cincinnati Theatres