Tag Archives: Cincinnati Shakespeare Company

2015 League of Cincinnati Theatres Awards

On Monday evening, the League of Cincinnati Theatres recognized the outstanding achievements of their member companies. Honored shows received the most accolades from the League panelists during the 2014-2015 season. 

Below is the transcript of the awards, provided by Joshua Steele and the League.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

Dale Hodges as Daisy Wertham & Reggie Willis as Hoke. Photo by Mikki Schaffner Photography.

The Carnegie’s excellent DRIVING MISS DAISY seemed hard to beat, but WEST SIDE STORY with its passionate and vibrant magic, just topped it. The ensemble understood the beauty and power of this timeless classic, highlighted by the captivating and charismatic Layan Elwazani as Anita, and Jay Goodlett’s exciting reinvention of the original choreography despite the limited space of the Carnegie. LCT is proud to honor The Carnegie’s production of WEST SIDE STORY.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

Ryan Garrett, Katie Langham & Owen Alderson. Photo by Richard E. Hess.

CCM Drama’s production of Stephen Karam’s deep play SPEECH AND DEBATE, three misfit high school students form a debate club and band together to disclose the truth about a drama teacher who preys on his male students. Richard Hess’ outstanding direction brought together the perfect balance of angst and whimsy, artfully enabling a marvelous trio of actors, led by sophomore Katie Langham’s brilliantly comic performance. LCT is proud to honor CCM Drama’s SPEECH AND DEBATE.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve,  Carol Brammer as Barbara & Kevin Crowley as Bill.

Sara White as Jean, Mindy Heithaus as Karen, Leah Strasser as Johnna, Nathan Neorr as Steve, Carol Brammer as Barbara & Kevin Crowley as Bill.

In Untethered’s and Clifton Players’ first collaborative effort, the heart-wrenching drama about the dysfunctional Weston family and their secrets hit every emotional button and kept the audience riveted to their seats. Dale Hodges was particularly electrifying but every ensemble member shone in their performances. Buz Davis provided tight and impressive direction as well as a spectacular scenic design in the intimate space of the Clifton Performance Theater. LCT is proud to honor Clifton Players and Untethered Theatre Company’s production of AUGUST: OSAGE COUNTY.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

Derek Snow as Tibbs & Mike Hall as Gillespie. Photo by Mikki Schaffner Photography.

A must-see murder mystery and racial drama playing out against the backdrop of the racially charged Civil Rights Era in the deep south, Falcon Theatre’s IN THE HEAT OF THE NIGHT was noteworthy for taut pacing and clever staging by director Ed Cohen, an outstanding ensemble cast and superb performances by lead actors Derek Snow and Michael Hall. LCT is proud to honor Falcon Theatre’s production of IN THE HEAT OF THE NIGHT.

ANY GIVEN MONDAY was a dark comedy that investigated the consequences of infidelity, the newly separated Lenny broods over pizza and Monday Night football with his cynical friend, Mickey. Chris Kramer and Daniel Britt slip into their respective roles with ease, providing plenty of moral questions and surprising twists to keep the audience involved to the bitter end. LCT is proud to honor Mad Anthony Theatre Company’s production of ANY GIVEN MONDAY.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

Michael Shooner, Reggie Willis & Renika Williams. Photo by Mikki Schaffner.

In an emotional roller coaster of a ride, New Edgecliff took on David Mamet’s controversial story of a billionaire accused of raping a black woman. The strong ensemble included Renika Williams and Bob Allen, with particularly memorable and compelling performances by Michael Shooner and Reggie Willis as the racially diverse lawyers who agree to take on the case. LCT is proud to honor New Edgecliff Theatre’s production of RACE.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by  Mikki Schaffner Photography.

Kathyrn Miller as Julia & Noah Berry as Robbie. Photo by Mikki Schaffner Photography.

NKU’s THE WEDDING SINGER was a bold, brassy, high-energy musical that highlighted the talents of the NKU students who sang their hearts out. The production was slick, professional, and fast-paced, and show-cased Ronnie Chamberlain’s luxurious costume design bringing out the 80s vibe. LCT is proud to honor NKU’s production of THE WEDDING SINGER.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

Justin Glaser as Captain Georg Von Trapp & Helen A. Raymond-Goers as Maria Rainer. Photo by Mikki Schaffner Photography.

The Covedale provided a solid, enjoyable, and touching production of the Rodgers and Hammerstein classic, thoughtfully directed by Ed Cohen and Dee Anne Bryll, and featuring a well-rounded and vocally strong Helen Raymond Goers as Maria and a graceful, mature Margot Grom as Liesl. LCT is proud to honor Cincinnati Landmark Productions’ THE SOUND OF MUSIC. 

Bruce Cromer* as The Poet. Photo by Ryan Kurtz.

Bruce Cromer as The Poet. Photo by Ryan Kurtz.

A magnificent one man production based on Homer’s Iliad, Ensemble Theatre Cincinnati’s AN ILIAD featured a powerful and emotional tour-de-force by Bruce Cromer as The Poet as well as versatile and gripping direction by Michael Evan Haney. It also was underscored by engaging lighting and sound design by Brian Mehring and Matt Callahan, respectively. LCT is proud to honor Ensemble Theatre Cincinnati’s production of AN ILIAD.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

Lawson Young as Elle & Chris Collins-Pisano as Emmett. Photography by Mark Lyons.

CCM Musical Theatre had four very strong productions this year, all worthy of note: BLOOD BROTHERS, PETER PAN and 110 IN THE SHADE, with LEGALLY BLONDE singled out as a powerhouse of song and dance, spectacularly directed and choreographed by Diane Lala. The talented cast did not miss a beat headlined by Lawson Young, Chris Collins Pisano, and Madeline Lynch. Scenic director Joe Leonard also deserves kudos for a masterfully designed set that was almost cinematic in its transformations. LCT is proud to honor CCM Musical Theatre’s production of LEGALLY BLONDE.

Torie Wiggins. Photo by Daniel R Winters Photography.

Torie Wiggins. Photo by Daniel R Winters Photography.

In Diogenes Theatre Company’s timely and well executed one woman production of the 1992 Rodney King trial and subsequent riots, Tori Wiggins gave an astonishing performance bringing to life over 30 characters of various ages, race, and genders, based on transcripts from the actual witnesses. LCT is proud to honor Diogenes Theatre Company’s production of TWILIGHT: LOS ANGELES 1992.

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Nicholas Rose as Petruchio and Kelly Mengelkoch as Kate. By Mikki Schaffner Photography

Cincinnati Shakespeare Company put on a “really big shrew” with a boisterous, funny production of Shakespeare’s battle of the sexes, featuring multi-dimensional, passionate, and charming performances by Kelly Mengelkoch and Nicholas Rose as well as a host of impressive ensemble characters, entertainingly directed by Kevin Hammond. LCT is proud to honor Cincinnati Shakespeare Company’s TAMING OF THE SHREW. 

Maranda Rossi as Belle and Sam Rueff as The Beast.

Maranda Rossi as Belle and Sam Rueff as The Beast.

A true feast for the eyes and ears, The Children’s Theatre of Cincinnati’s BEAUTY AND THE BEAST, JR just edged out CTC’s other contender, ALADDIN, providing an enchanting experience transformed by Noelle Wedig’s lavish costumes and David Center’s scenic design prowess. Angela Powell Walker directed her numerous ensemble members perfectly in a well-calculated and well-rehearsed musical treat. LCT is proud to honor The Children’s Theatre of Cincinnati’s production of BEAUTY AND THE BEAST, JR.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

Corinne Mohlenhoff as Offred. Photo by Daniel R. Winters Photography.

In Know Theatre Cincinnati’s A HANDMAID’S TALE, Corinne Mohlenhoff, effectively directed by Brian Isaac Phillips, gave a compelling and committed performance in this one-woman adaptation of Margaret Atwood’s dystopian novel. Her performance was notably enhanced by a stellar design team including Andrew Hungerford’s eerie and suggestive set and lighting, and Doug Borntrager’s subtle but effective sound design. LCT is proud to honor Know Theatre Cincinnati’s production of A HANDMAID’S TALE.

In their presentation of the Sesame Street-inspired Tony Award winner, Miami University students virtually inhabited their puppets and brought out the heart of their characters in AVENUE Q. The entire ensemble was impressive, especially Kelcey Steele’s Princeton and Sean Davis’ Nicky. Special nods to Grant Lemasters and Aretta Baumgartner for puppet design and coaching, respectively, and Gion DeFrancesco’s evocative and dimensional scenic design. LCT is proud to honor Miami University’s production of AVENUE Q.

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THE COMPLETE HISTORY OF AMERICA (ABRIDGED) Review

Links to all reviews can be found using the REVIEWS link at the top of the any page. Blog postings, links and  more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Geoffrey Barnes, Justin McCombs & Miranda McGee. Photo by Mikki Schaffner Photography.

Geoffrey Barnes, Justin McCombs & Miranda McGee. Photo by Mikki Schaffner Photography.

THE COMPLETE HISTORY OF AMERICA (ABRIDGED) presented Cincinnati Shakespeare Company through Aug. 15. Click here for more information on the production. I attended the opening night performance.

Are you a fan of lightning-fast costume changes, sight gags, questionable accents, broad physical comedy, snide asides, cross-dressing and bad puns? If so, have I got a show recommendation for you.

Justin McCombs & Miranda McGee. Photo by Mikki Schaffner Photography.

Justin McCombs & Miranda McGee. Photo by Mikki Schaffner Photography.

After tackling all the works of Shakepeare in last season’s opener, Cincy Shakes revisits the Reduced Shakespeare Company’s play catalog this year with THE COMPLETE HISTORY OF AMERICA (ABRIDGED).

A veteran performer in this type of show, Jeremy Dubin successfully steps into the role of director for AMERICA. His diverse cast of three features the talented Geoffrey Barnes, Miranda McGee and Justin McCombs.

As a conceit in this production, Austrailian Miranda is performing to earn extra credit toward her green card. She keeps the guys in check and the show on track. Justin is the dim bulb of the trio, with a penchant for cross-dressing and the previously-mentioned questionable accents. Geoffrey is the “little brother” of the three, always ready to hug out any problems that may arise during the show. His punchline to the line, “I want to make love to you in the worst way possible” sent the opening night audience into a giggling fit as that mental image hit home. Together they easily keep the audience laughing and shaking their heads at the zaniness on stage.

Geoffrey Barnes & Justin McCombs. Photo by Mikki Schaffner Photography.

Geoffrey Barnes & Justin McCombs. Photo by Mikki Schaffner Photography.

For the set, it appears that designer Will O’Donnell smartly re-uses some of the walls from the previous production. Repainted to feature a time-line, and with the addition of patriotic-themed embellishment, it serves the production well. Nice touch that the upstage flag also serves as an entrance.

Geoffrey Barnes & Miranda McGee. Photo by Mikki Schaffner Photography.

Geoffrey Barnes & Miranda McGee. Photo by Mikki Schaffner Photography.

The success of this type of show also relies heavily on the stage management and backstage crew. Also challenged were the costume team (designs by Denise Watkins) and prop master, Stacey Szczepanik. All were up to the task.

If you need a good laugh, and all things considered, who doesn’t, then AMERICA (ABRIDGED) is a great way to unplug and boost those endorphins.

My rating: 4.25 out of 5

Due to extremely strong ticket sales, two performances have been added: Sat, Aug. 8 and Sun, Aug. 16, both at 2pm.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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LCT Review of THE COMPLETE HISTORY OF AMERICA (ABRIDGED)

LCT_VThis review has been reposted courtesy of the League of Cincinnati Theatres. For more LCT reviews click here to visit their reviews page.

Q: “What do you get when you cross three crazy actors and 5,000 years of American history?”
A: “The Complete History of America (Abridged)!”
Ba-dum-bum-CHING!

This production, having its regional premiere at the Cincinnati Shakespeare Company, is created by the same trio who created the wildly popular The Complete History of Shakespeare (Abridged). The basic premise is that there is much to be made fun of with respect to American history—and they deliver many very funny moments.

Miranda McGee, Geoffrey Barnes & Justin McCombs. Photo by Mikki Schaffner Photography.

Miranda McGee, Geoffrey Barnes & Justin McCombs. Photo by Mikki Schaffner Photography.

Having to cover 5,000 years of American history, playwrights Adam Long, Reed Martin, and Austin Tichenor cover a lot of ground, but leave out some important elements of American history. I was surprised that they did not discuss the Westward expansion and taming of the frontier.

This show delivers major laughs and the three CSC actors (veterans Justin McCombs and Miranda McGee and newcomer Goeffrey Barnes) are up to the challenge in poking fun at everything in American history, from Amerigo Vespucci’s role in naming the continents of North and South America to a slide show of the Civil War.

Special praise goes to Justin McCombs, who was outstanding playing a large number of female roles in drag. There is one scene at the end of Act II where he comes on stage playing a seductive Madame Chiang-Kai-Shek that is a showstopper. Coming on stage, McCombs has this exaggerated cross-legged shashay that is completely hysterical.

Fellow cast members Miranda McGee and Geoffrey Barnes also had their fair share of funny moments. I loved the premise given at the top of the show that McGee needed to do this play as extra credit for her to get her green card. It added more weight to the exploration of American history. Barnes does a very funny imitation of President Obama and shines with being the lead in the film noir review of the last thirty years of history.

Despite the load of laughs, there were several jokes that fell flat which did not showcase these actors not nearly as well as they should have. I suspect that these problems with be corrected as the actors fine-tune the production over its run.

The Complete History of America (Abridged) is a great summer offering from Cincinnati Shakespeare. I hope that they reprise this play again next year, so that the production can grow to become even funnier the next time out.

For more information on the production, click here.

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Performances Just Added of THE COMPLETE HISTORY OF AMERICA (ABRIDGED) at Cincinnati Shakes

Geoffrey Barnes, Justin McCombs & Miranda McGee. Photo by Mikki Schaffner Photography.

Geoffrey Barnes, Justin McCombs & Miranda McGee. Photo by Mikki Schaffner Photography.

CINCINNATI, July 28, 2015— Cincinnati Shakespeare Company has just announced the addition of two performances to THE COMPLETE HISTORY OF AMERICA (ABRIDGED) schedule.  The critically acclaimed new production’s demand was too great to be met with the original schedule so matinee performances have been added on Saturday August 8 and Sunday August 16 at 2pm.  Audience members are encourage to purchase tickets soon in order to secure the best seats on their preferred date!

CityBeat said of the show: “if you need an evening of laughter, you want to be in a seat at Cincinnati Shakespeare Company for ‘The Complete History of America (abridged)’. In fact, if you want to go, you apparently need to get your tickets right away. On opening night, CSC’s Producing Artistic Director Brian Phillips announced that in the company’s 21-year history only three shows have achieved their individual ticket sales goal before opening: ‘Pride and Prejudice’ (2011), ‘To Kill a Mockingbird’ (2012) and (drumroll, please) … ‘The Complete History of American (abridged).’”

The Cincinnati Enquirer describes “Complete History” as “a wild ride of a show, touching on everything from the arrival of the first people across a land bridge to the frailties of the Founding Fathers, from Lincoln’s assassination to Bill Clinton’s dalliance with an intern. There’s even enough time for a noir detective story featuring (Justin) McCombs as a curiously addled Lucille Ball.”

Single ticket prices range from $22-$35 on Thursdays and Sundays and from $26-$39 on Fridays and Saturdays.  To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at www.cincyshakes.com.

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Cincinnati Shakespeare Lovingly Lampoons the Land of Liberty in THE COMPLETE HISTORY OF AMERICA (ABRIDGED)

Cincinnati Shakespeare’s 2015-2016 begins with this hilarious production!

Miranda McGee, Geoffrey Barnes & Justin McCombs. Photo by Mikki Schaffner Photography.

Miranda McGee, Geoffrey Barnes & Justin McCombs. Photo by Mikki Schaffner Photography.

CINCINNATI, June 26, 2015— Cincinnati Shakespeare Company begins its 2015-2016 season with the hilarious “The Complete History of America (abridged)” playing July 24- August 15, 2015. This production is directed by CSC Producing Artistic Associate, Jeremy Dubin and features Cincinnati Shakespeare Resident Ensemble members Miranda McGee, Justin McCombs and Geoffrey Barnes! The costume design is generously sponsored by Johnson Investment Council.

The brilliant (and deranged) minds that reduced all of 38 of Shakespeare’s plays into one madcap evening of theater do it again, this time reducing centuries of American history! In “The Complete History of America (abridged)” watch as three actors, who may or may not have passed their high school History class, take you on a whirlwind historical tour sending up many of our nation’s greatest hits and misses. Audiences raved about the hilarious “The Complete Works of William Shakespeare (abridged)” and are sure to rave again as we lovingly lampoon the land of liberty.

Performances of “The Complete History of America (abridged)” are scheduled from July 24-August 15, 2015 on Thursday, Friday & Saturday evenings at 7:30pm and Sundays at 2pm. There is no performances on Sunday July 26. Preview performances are on Wednesday July 22 and Thursday July 23 at 7:30pm and tickets are $25.

The theater is located at 719 Race Street, downtown Cincinnati, two blocks west of the Aronoff Center. Single ticket prices range from $22-$35 on Thursdays and Sundays and from $26-$39 on Fridays and Saturdays. Previews on July 22 and 23 for $25. If available, $14 student rush tickets may be purchased 30 minutes before a show with a valid student ID. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees may apply. Discounts are available for students, seniors and groups as well as AAA members. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at www.cincyshakes.com.

About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages. Located in the heart of downtown Cincinnati, CSC produces a dozen mainstage productions each season. The repertoire is made up of the works of William Shakespeare, literary adaptations and contemporary classics. CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association. Cincinnati Shakespeare Company’s Education and Outreach Programs reached nearly 30,000 young people and underserved community members last season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions at its home on Race Street. Last season, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible. Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About the 2015-2016 Season:
This season is generously sponsored by The Otto M. Budig Family Foundation. Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported, in part, by the generosity of thousands of individuals and businesses that give annually to ArtsWave. Cincinnati Shakespeare Company’s productions of “Julius Caesar” and “Antony and Cleopatra” are part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest. The season design sponsor is Mark & Sue Ann Painter. The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

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