Category Archives: Season Announcements

The Human Race Theatre Company Announces Its 2016-2017 Eichelberger Loft Season

Company launches 30th Anniversary Season with updated logo
and mix of new work and well-known revivals

HRTC_30th Anniversay logo(Dayton, OH) — The Human Race Theatre Company is preparing to celebrate its 30th anniversary as Dayton’s premier professional regional theatre company by unveiling an updated company logo and announcing its 2016-2017 season of shows at its home, the Loft Theatre in downtown Dayton. The season, with two musicals and four plays, begins September 8, 2016.

The 2016–2017 Eichelberger Loft season opens with Stephen Sondheim and Hugh Wheeler’s Tony Award-winning musical thriller, Sweeney Todd: The Demon Barber of Fleet Street (September 8 – October 2, 2016); followed by Tom Dudzick’s comedy of faith, Hail Mary! (November 3 – 20, 2016); a world premiere drama about the Sandy Hook Elementary School shooting, 26 Pebbles (February 2 – 19, 2017), by Eric Ulloa; Ernest Thompson’s warm and welcoming On Golden Pond (April 6 – 23, 2017); and closes with Cincinnati writers Janet Yates Vogt and Mark Friedman’s musical adaptation of Anne of Green Gables, based on the novel by Lucy Maud Montgomery (June 1 – 25, 2017).

“Thirty seasons—it’s hard to believe,” reflects Human Race President and Artistic Director Kevin Moore. “It’s a great milestone and a testament to the support of our audiences—many of whom, like me, have been with The Human Race since our start in 1986.” Moore sees the thirtieth year as an opportunity to honor the company’s past successes while taking a leap into its future, primarily by introducing a updated logo. “We’ve streamlined our logo—updated it for a new generation—while retaining many of its former elements,” says Moore. “We’re still The Human Race Theatre, but as a company, we continue to grow and mature.”

To pay tribute to the theatre’s past during the 2016-2017 season, Moore has chosen to remount three well-received past productions – Sweeney Todd, On Golden Pond and Anne of Green Gables – for their first stagings in the Loft Theatre. “Every one of these shows was a great success when we did them at the Victoria Theatre for the Victoria Theatre Association’s Broadway Series,” says Moore, “and each time, we said to ourselves, ‘This would be great to do in the Loft.’” First produced in 1996, Sweeney Todd: The Demon Barber of Fleet Street starred Resident Artist Scott Stoney in the title role. Now, twenty years later, Stoney takes on the directing duties. The Human Race introduced Norman and Ethel Thayer, and their lakeside house, in On Golden Pond to Dayton theatregoers in 1999. The company’s history with Janet Yates Vogt and Mark Friedman’s adaptation of Anne of Green Gables began during the 2002-2003 season with a reading in its Musical Theatre Workshops program. Known then simply as Green Gables, the musical received a full production on the Victoria Theatre stage in 2005.

November’s production of Hail Mary! marks playwright Tom Dudzick’s third in the Loft. “Our audiences have absolutely loved his other plays,” exclaims Moore. “Over the Tavern in 2008 and Miracle on South Division Street in 2014 had people crying, they were laughing so hard. When I read this script, I knew right away we had to do it.”

In February, The Human Race will address the all-too-often occurrence of gun violence when it presents the world premiere of Eric Ulloa’s drama, 26 Pebbles. Following the 2012 mass shooting at Sandy Hook Elementary School, Ulloa visited Newtown, Connecticut, and interviewed a number of its townspeople about that tragic day and its aftermath. With their blessing, he collected those interviews and developed them into a six-person play where the actors take on multiple roles. “The hope and determination of the people of Newtown floored me in the weeks I spent up there,” says Ulloa. “I know that their fierce spirit will touch every person that leaves the theatre.” Bringing the play to the Dayton theatre felt like a natural move to the actor/playwright. “When many people think of Ohio, they think of Main Street, USA and all the nostalgic qualities that make it the heart of America,” he explains. “By having 26 Pebbles’ world premiere at The Human Race, my creative home since 2008, we have the unique opportunity of starting dialogue about this American epidemic right here in the heart of our great country.”

The five plays perform in the Loft Theatre, The Human Race’s intimate 212-seat downtown performance space, located in the Metropolitan Arts Center at 126 North Main Street. Throughout the productions’ scheduled three- and four-week runs are a number of associated special events: a Thursday night preview performance, preceded by the “Inside Track” discussion with the director; Friday Opening Night with a free post-show party with the cast at downtown Dayton’s Uno Pizzeria & Grill; Lite Fare at The Loft, a Tuesday night pre-show dining in The Loft Lobby, with food items provided by Citilites Restaurant; a “While We’re on the Subject” talkback following a Sunday matinee; and a Saturday night signed and audio-described performance opportunity.

In addition to the five shows on the theatre’s subscription series, The Human Race presents a holiday add-on production, the return of last year’s sold out comedy, The Santaland Diaries by David Sedaris. Resident Artist Tim Lile once again stars as “Crumpet” for a limited-engagement run in The Loft Theatre (December 8 – 17, 2016).

THE 2016-2017 EICHELBERGER LOFT SEASON LINEUP

Sweeney Todd: The Demon Barber of Fleet Street
A Musical Thriller
music and lyrics by Stephen Sondheim
book by Hugh Wheeler
from an adaptation by Christopher Bond
September 8 – October 2, 2016

Attend the tale of Sweeney Todd, a barber unjustly imprisoned by corrupt Judge Turpin, who returns to 19th century London fifteen years later to take his revenge on the man who took him from his wife and young daughter. Todd’s need for vengeance becomes indiscriminately murderous—and profitable—when he partners with the unscrupulous Mrs. Lovett and opens his new barber practice above her failing meat pie shop. With his busy straight razors and her new secret ingredient, their fame grows until Todd comes face to face with the judge. Can he avenge his family before their dastardly deeds are uncovered?

Hail Mary!
by Tom Dudzick
November 3 – 20, 2016

Plucky novice Mary is causing trouble again, teaching her own unorthodox views on God to the third graders at Saint Aloysius Catholic Elementary School, where she’s hardly a favorite with her conservative Mother Superior. Mary’s aspirations of becoming a nun are in further jeopardy when her childhood sweetheart reappears and declares his love. Will she give up a life of Sisterhood for the man of her dreams? Or will she choose another path and listen to an eccentric priest who proclaims her to be the world’s next savior in this delightful comedy that puts the “fun” in fundamentalism.

A World Premiere
26 Pebbles
by Eric Ulloa
February 2 – 19, 2017

On December 14, 2012, an act of unbelievable madness took the lives of 20 innocent children and 6 adults at Sandy Hook Elementary School in Newtown, Connecticut. These 26 deaths—described by one local resident as “pebbles thrown into a pond”—created ripples that captured the attention of the entire nation. Now, through a series of interviews with the people of this small New England town, the true stories of that tragic day and its aftermath come to light in this powerful drama that asks, “How does a community endure the ultimate test, and what comes after the cameras and noise leave?”

On Golden Pond
by Ernest Thompson
April 6 – 23, 2017

For forty-eight years, Norman Thayer and his energetic wife, Ethel, have been spending the summers at their lakeside home on Golden Pond, fishing and watching for loons. This year, their divorced daughter, Chelsea, her new fiancé and his thirteen year old son make an unexpected visit. When Norman develops an unlikely friendship with the boy, it reinvigorates the grumpy retired professor and highlights the rocky relationship between this father and his now middle-aged daughter. As the summer days grow short, there is still time for their family to heal, and to rediscover the joys in everyday life.

Anne of Green Gables
book, music and lyrics by Janet Yates Vogt and Mark Friedman
based on Anne of Green Gables by Lucy Maud Montgomery
June 1 – 25, 2017

The timeless tale of Anne Shirley comes to life onstage. When Marilla and Matthew Cuthbert decide to adopt a boy to help run their farm on Prince Edward Island, the orphanage mistakenly sends them a young red-haired girl. Bright, talkative and extremely imaginative, Anne quickly wins them over and life in their close-knit farming village will never be the same. Her adventures are endless as she makes new friends and rivals, tries to dye her hair black and mistakes wine for raspberry cordial. It’s a musical story of family, home and irrepressible spirit fit for the whole family.

ADD-ON PRODUCTION

The Santaland Diaries
by David Sedaris
adapted by Joe Mantello
starring Tim Lile as “Crumpet”
December 8 – 17, 2016

The quintessential elf-gone-bad is back to share a series of less-than-merry misadventures in David Sedaris’ hysterical antidote for holiday havoc. Spend some time with the irreverent Crumpet—one of Santa’s little helpers during the Macy’s Christmas shopping rush—as he handles the hordes of insufferable shoppers and their kiddies with whacked out, wicked wit in the return of 2015’s sold out hit comedy.

2016-2017 Loft Series subscribers can purchase tickets to this additional holiday offering at a discounted price before they go on sale to the general public.

SUBSCRIPTIONS AND TICKETS

Subscriptions are available in 3-, 4- and 5-show packages, as well as in Flex Pass plans. Package prices range from $102 – $190, and discounted subscriptions are available for students. Current 2015-2016 season subscribers can guarantee their seats by renewing before May 1, and reservations for new subscriptions can be made now to be seated starting May 23. Both renewing and new subscribers may place their orders with Ticket Center Stage by calling (937) 228-3630 or by visiting the Schuster Center Box Office. Subscribers can purchase tickets to The Santaland Diaries in advance when renewing or ordering a new subscription. Productions, performance dates and ticket prices are subject to change. Single tickets to Sweeney Todd and Hail Mary! go on sale August 1, with tickets to future productions on sale later in the season.

More ticketing and performance information on The Human Race Theatre Company’s 2016-2017 and 2015-2016 Loft seasons are available online at www.humanracetheatre.org or by calling Ticket Center Stage at (937) 228-3630, and at the Schuster Center box office.

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The Human Race Theatre Company was founded in 1986 and moved into the Metropolitan Arts Center in 1991, taking up residence at the 212-seat Loft Theatre. In addition to the Eichelberger Loft Season, The Human Race produces a summer Festival of New Works and special event programming. Under the direction of President and Artistic Director Kevin Moore, the company also maintains education and outreach programs for children, teens and adults, as well as artist residencies in area schools, the Muse Machine In-School Tour, and a summer youth program. Human Race organizational support is provided by Culture Works, the Montgomery County Arts and Cultural District, the Shubert Foundation, the Erma R. Catterton Trust Fund, the Jesse & Caryl Philips Foundation, the Virginia W. Kettering Foundation and the Ohio Arts Council, which helped fund this organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The 2015-2016 Sustainability Sponsors are the ELM Foundation, Anne F. Johnson and Steve and Lou Mason. The 2015-2016 Loft season sponsor is the Jack W. and Sally D. Eichelberger Foundation of the Dayton Foundation, with additional support from Premier Health and Morris Home Furnishings.

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Ensemble Theatre Cincinnati Announces the 2016-2017 Otto M. Budig Family Foundation Season

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(Cincinnati, OH) Ensemble Theatre Cincinnati (ETC) is thrilled to announce its 2016-2017 Season, which features a compelling selection of stories centered upon the power of change and moving forward. The lineup showcases a exhilarating range of topics including: a music-filled comedy about finding your voice; a powerful tale of resilience in the face of tragedy with a timely, unique perspective on urban violence; a hysterical and hopeful new Broadway musical about the chances we all take to find love; and a deeply moving and engaging drama set during a pivotal turning point for women’s issues in our nation’s history. Additionally, 2016-2017 welcomes the next chapter of ETC’s best-selling show in a new world premiere holiday musical that continues the story of a cast of beloved characters.

Although the 2016-2017 Season contains a six-show selection, please note that performance dates for the latter half of the season are earlier in the calendar year than is typical. This is to accommodate the construction schedule for major renovations of ETC’s facilities, which will go through fall 2017.

About the Plays
Ensemble Theatre Cincinnati’s kicks off its 31st season with the heartwarming, music-filled comedy of Matthew Lopez’s The Legend of Georgia McBride, September 6-25, 2016. He’s young, he’s broke, his landlord’s knocking at the door, and he’s just found out his wife is going to have a baby. To make matters even more desperate, Casey is fired from his gig as an Elvis impersonator in a run-down, small town Florida bar. When the bar owner brings in a B-level drag show to replace his act, Casey learns that necessity is the mother of reinvention and that he has a whole lot to learn about show business—and himself. Playwright Matthew Lopez, known for his powerful off-Broadway post-Civil War slave drama The Whipping Man and HBO’s The Newsroom, has made a 180-degree turn with this wonderfully appealing and compulsively funny new work that The New York Times calls “full of sass and good spirits.”

Next, taking the stage is Kimber Lee’s bold new play brownsville song (b-side for tray), playing October 11-30, 2016. Set in the Brownsville neighborhood of Brooklyn and moving fluidly between past and present, this drama is a powerful tale of resilience in the face of tragedy. Eighteen-year-old Tray is committed to making something of himself. He’s working on his college essay, boxing at the gym, and holding down a part-time job. When he happens to be at the wrong place at the wrong time, a senseless act ends his life, leaving his family to ponder what might have been. This poetic and powerful story jumps between a hopeful future and an uncertain present to show a unique perspective on urban violence. Far from being a play “ripped from the headlines,” this lyrical social drama about the shocking death of a young African-American teenager is a poignant story for our time, and demands the attention of audiences far and wide.

For the holidays, ETC is thrilled to present the world premiere of Cinderella: After Ever After, November 30-December 30, 2016 with book by Joseph McDonough, lyrics by David Kisor, and music by Fitz Patton. Following ETC’s sold-out success of Cinderella this past year, Cinderella: After Ever After continues the story about what happens following a fairy tale’s “happily ever after.” What happens when Cinderella and Prince Freddy move into the palace with her diva stepmother and two fabulously self-absorbed stepsisters in tow? What becomes of Cinderella’s beloved animal friends and Gastón, Freddy’s trusted companion? Change can be hard, and when Gwendolyn The Well Wisher gets involved in an attempt to bring peace to the royal kingdom, she sets off a series of chaotic events. This brand new family-friendly musical will delight audiences of all ages this holiday season.

Mid-season, following its sensational Broadway run, First Date takes ETC’s stage, exploring the most dangerous human endeavor in existence: the dreaded blind date. Making its regional debut at ETC January 17-February 5, 2017, this musical comedy has a book by Austin Winsberg, music and lyrics by Alan Zachary and Michael Weiner. When blind date newbie Aaron is set up with serial-dater Casey, a casual drink at a busy New York restaurant turns into a uproarious high-stakes dinner when other restaurant patrons transform into supportive best friends, manipulative exes, and protective parents, who sing and dance them through ice-breakers, appetizers and potential conversational land mines. Can this couple turn what could be a dating disaster into something special before the check arrives?

Then in spring, ETC presents the regional premiere of When We Were Young and Unafraid (February 21-March 12, 2017), Sarah Treem‘s (Netflix’s House of Cards, HBO’s In Treatment) powerful new play that takes us inside an underground women’s shelter in the early 1970s. Before Roe v. Wade, before the Violence Against Women Act, Agnes has turned her quiet bed and breakfast into one of the few spots where victims of domestic violence can seek refuge. But to Agnes’s dismay, her latest runaway, Mary Anne, is beginning to influence Agnes’s college-bound daughter Penny. As the drums of a feminist revolution grow louder outside of Agnes’s tiny world, Agnes is forced to confront her own presumptions about the women she’s spent her life trying to help.

Finally, to close out the 2016-2017 Season, ETC presents the regional premiere of Steven Dietz’s BloomsdayApril 4-23, 2017. Set against the backdrop of James Joyce’s groundbreaking modernist novel Ulysses, an American man searches for the Irish woman who first captured his heart 30 years earlier while leading a “Bloomsday” walking tour in Dublin. Told with humor, wit and heartache, this buoyant and moving new play bends time and space to explore a love affair that might have been. Bloomsday references June 16, 1904, the day in Joyce’s novel Ulysses when the central characters in the novel, Leopold Bloom and Stephen Dedalus, peregrinate through Dublin and briefly encounter one another. Named a 2016 Finalist for the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award.

Subscriptions On Sale Now
Subscriptions to the 2016-2017 Ensemble Theatre Cincinnati season are on sale now. ETC will continue to offer a 5-show Tuesday evening Preview Subscription for just $125 (excludes holiday production). Additionally, ETC has added a reduced-price Sunday Evening Saver package at just $156. Regular subscription prices range from $156 to $210. The popular FlexPass is $202, which includes six flexible tickets to use for any show and in any combination.

Student Subscription Options
The 2016-2017 season will continue to offer a robust suite of affordable ticket and program options designed specifically for local area teens and students to experience professional theatre. This includes a $120 Student Subscription available for any performance and which provides a seat for each of the six productions during the season. Additionally, ETC continues its $90 Teen Scene Subscription, a deeply discounted subscription option exclusively for students ages 13-19 (available select dates only). 

Single Tickets On Sale August 1, 2016
All single tickets for the 2016-2017 Season go on sale to the general public on Monday, August 1, 2016 at 10:00 am. Subscribers, however, may start making exchanges, purchasing additional tickets, or reserving their FlexPass dates during Subscriber-Only Days, July 25-29 2016. 

About ETC’s History
In 1986, Ensemble Theatre Cincinnati drew back its curtains with the intended purpose of supporting local professional artists and a steadfast belief in the transformative power of the arts to create sustainable and attractive communities. After performing for two subscription seasons at Memorial Hall and following an extended search throughout the downtown area, the fledgling theatre moved to its present location at 1127 Vine Street in historic Over-the-Rhine with financial support from co-founders John and Ruth Sawyer and Ken and Mary “Murph” Taft Mahler. The theatre then secured a contract with Actors’ Equity Association and opened its doors in 1988 as a fully professional theatre, presenting a wide range of productions, including classics and contemporary theatre. Then, in 1996 ETC sharpened its mission as a theatre solely dedicated to producing new works and introduced several educational outreach programs focusing on economically disadvantaged children. Today, Ensemble Theatre remains the Greater Cincinnati area’s second largest professional theatre, with a subscription base of  2,300 patrons and drawing nearly 30,000 attendees annually.

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Ensemble Theatre Cincinnati is supported, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Ensemble Theatre of Cincinnati with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

Ensemble Theatre Cincinnati also receives funding from the Shubert Foundation and the National Endowment for the Arts.

Ensemble Theatre Cincinnati is a professional theatre dedicated to producing world and regional premieres of works that often explore compelling social issues. We fulfill our mission through our stage productions and educational outreach programs that enlighten, enliven, enrich and inspire our audiences.

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Cincinnati Ballet Announces Celebratory 2016-2017 Season

Innovative works, family favorites and special events highlight Victoria Morgan’s 20th Season

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Janessa Touchet & Patric Palkens in KING ARTHUR’S CAMELOT.

CINCINNATI, OH. Cincinnati Ballet’s 2016-2017 Season marks Artistic Director & CEO Victoria Morgan’s 20th. To celebrate, the new season features unique collaborations, world premieres and the return of treasured family classics performed at the Aronoff Center for the Arts, including Director’s Cut, Coppélia, Frisch’s Presents The Nutcracker with a Washington, D.C. debut, King Arthur’s Camelot, Bold Moves and The Kaplan New Works Series. The commemorative season of dance is complemented with a series of special events celebrating Victoria Morgan’s tenure.

Cincinnati Ballet’s Otto M. Budig Academy hosts a kick-off event August 27 at the Cincinnati Ballet Center chaired by Michelle Frodge and Erin Starkey. An exciting season of dance kicks off with an invitation-only black tie gala in honor of Victoria Morgan, September 15. An Intimate Evening with Victoria Morgan is chaired by Rhonda Sheakley, Dianne Dunkelman and Larry Kellar.

The gala is followed by a special presentation of the Director’s Cut series September 16 and 17, for which Victoria Morgan has curated a diverse, mixed-repertoire performance of her favorites including world famous dancer/choreographer Justin Peck’s Capricious Maneuvers, a farewell performance of Raymonda from retiring dancers Sarah Hairston and Zack Grubbs with students from the Otto M. Budig Academy, Victoria Morgan and Ma Cong world premieres and more. A star in the making, Justin Peck was recently the subject of the documentary Ballet 422, chronicling the creation of a brand new work. Ma Cong’s stunning piece, Mind on the [Re]Wind, was met with admiration by Cincinnati audiences last season as part of The Kaplan New Works Series. Hairston and Grubbs take their final bow on stage as Principal and Senior Soloist, respectively, before going on to serve as the new Academy leadership. Director’s Cut performances close out with a celebratory Homecoming Brunch on September 18 at the Transept, chaired by long-time Cincinnati Ballet supporter Ronna Willis.

Coppélia will captivate audiences of all ages when it takes the Cincinnati stage for the first time in 15 years, October 21 through 23. Dr. Coppélius’ dream comes true when his latest creation, a doll named Coppélia, comes to life – or so he thinks! Unbeknownst to him, the doll has caused quite a stir in the village. This comedic story of love and mistaken identities features the challenging, yet charming choreography of Kirk Peterson. The treasured ballet classic is set to the melodic music of Léo Delibes, played by the Cincinnati Symphony Orchestra.

Frisch’s Presents The Nutcracker, Cincinnati’s favorite holiday tradition, makes its Washington, D.C. debut at the famed Kennedy Center, November 21-28 with music performed by The Kennedy Center Opera House Orchestra. The Nutcracker returns to Cincinnati’s Aronoff Center December 9 through 18. A Cincinnati tradition spanning more than four decades, The Nutcracker is a joyful holiday celebration for the entire family. Re-envisioned by Victoria Morgan in 2011, Cincinnati CityBeat says this version “strikes a delightful balance between light family fare and serious technical ballet.” The Cincinnati Symphony Orchestra will perform Tchaikovsky’s magical score live at each Cincinnati performance.

King Arthur’s Camelot is one of the first ballet incarnations of the legendary tale and saw a world premiere of epic proportions in 2014. A highlight of a momentous season, the legendary tale of love and honor returns to delight audiences of all ages, February 12 through 14, featuring choreography by Victoria Morgan and an original musical composition by John Estacio, performed by the Cincinnati Symphony Orchestra. A visually stunning display of dance and drama, the production features larger than life puppets, projections, special effects and exquisite costumes by one of the most sought after designers, Sandra Woodall.

Bold Moves joins a weeklong series of cultural events by showcasing Israeli artistic innovators, March 17 and 18. A mixed-repertoire series focused on innovation that defies traditional expectations of classical ballet, Bold Moves includes the world famous Ohad Nahrin’s Minus 16, a collection of vignettes incorporating improvisation and his acclaimed “Gaga” method. “Gaga” is a language of movement created by Naharin that challenges dancers to liberate themselves from old habits and explore new and inventive ways to use their bodies. The San Francisco Chronicle describes Minus 16 as, “delighting in its own wackiness, while celebrating the joy of dancing.” Resident Choreographer Adam Hougland presents his seventh world premiere for Cincinnati Ballet with the music of the award-winning Ariel Quartet. The quartet, which originally formed in Israel during the members’ early years, is now internationally recognized and serves as the Quartet-in-Residence at University of Cincinnati’s College-Conservatory of Music. Hougland is known for his creation of the spectacular productions of The Firebird and Mozart’s Requiem specifically for Cincinnati Ballet, and in 2011 he was named one of Dance Magazine’s “25 to Watch.” He contributed his talent to a piece in the collaborative performance of Frampton & Cincinnati Ballet Live, which was performed at the Joyce Theater in New York City in 2014, and audiences may remember his piece All My Favorite People, set to the music of Over the Rhine, performed in last season’s New Works.

Ballet Toybox returns offering the perfect opportunity to introduce young children to the joy of dance, Sunday, March 19 at 2 pm at the Aronoff Center. The program features the Cincinnati Ballet Second Company in a mix of ballet and storybook classics. At under an hour and only $20 a ticket, Ballet Toybox is an interactive adventure where the audience learns about the essential elements that make up the beauty, humor and inspiring discipline of dance.

Known as Cincinnati’s hottest dance party of the year, Club B returns in April 2017, chaired by long time Cincinnati Ballet supporters Keke Sansalone, Cynthia Henderson, Halle Quinn and Chris Lippert. The date and location are still to be announced.

A special spring presentation of The Kaplan New Works Series runs April 20 through 29 in the Aronoff’s intimate Jarson–Kaplan theater, rounding out the season with a tradition of innovation in dance. New Works brings acclaimed choreographers from all over the world to Cincinnati Ballet. This season features an impressive roster of female choreographers in a continued effort to shine a spotlight on the talented women who are underrepresented in the dance world. The lineup includes Cincinnati Ballet’s own Artistic Director and CEO, Victoria Morgan along with Jennifer Archibald, Annabelle Lopez Ochoa and Heather Britt. Jennifer Archibald, the founder and artistic director of New York City’s acclaimed Arch Dance Company, presented her piece Sit in the 2014 Kaplan New Works Series, described by the Cincinnati Enquirer as, “…voluptuous…fiery…sensual…” This time she teams up with fellow female innovator, the artist known as Swoon, to present an unparalleled collaboration of performance and visual art. The experience is augmented by a presentation of Swoon’s work at the Contemporary Arts Center in the fall of 2017. Cincinnati audience favorite and the creator of DANCEFIX, Heather Britt returns with her anticipated choreography that exudes an energy of fearless confidence and innovation. New Works will also feature the U.S. premiere of Eros Redux, a mythical piece by international choreographer extraordinaire Annabelle Lopez Ochoa. Temecula Performing Arts Examiner describes Ochoa as, “a truly masterful choreographer with an edge for what dance can and should be in this constantly changing industry.”

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Cincinnati Ballet 2016-2017 Season Sponsors: The Otto M. Budig Family Foundation, ArtsWave, PNC Bank, Rhonda & Larry A. Sheakley Family Foundation, Rosemary & Mark Schlachter, The Louise Dieterle Nippert Musical Arts Fund, Ohio Arts Council, National Endowment for the Arts, Frisch’s

About Cincinnati Ballet
Since 1963, Cincinnati Ballet has been the cornerstone professional ballet company of the region, presenting a bold and adventurous array of classical, full-length ballets and contemporary works, regularly with live orchestral accompaniment. Under the artistic direction of Victoria Morgan, Cincinnati Ballet has become a creative force within the larger dance community, commissioning world premiere works and exploring unique collaborations with artists as diverse as Grammy-winning guitarist Peter Frampton and popular, Ohio-based band Over the Rhine. With a mission to inspire hope and joy in our community and beyond through the power and passion of dance, Cincinnati Ballet reaches beyond the stage in programs that allow every person in the region to be part of the continued evolution of dance. To that end, Cincinnati Ballet presents exhilarating performances, extensive education outreach programs and offers top level professional ballet training at Cincinnati Ballet Otto M. Budig Academy.

CONNECT: READ / WATCH / LISTEN / LEARN / ENJOY at cballet.org

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2016-2017 Season Announced at Ensemble Theatre Cincinnati

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THE LEGEND OF GEORGIA MCBRIDE
Sept. 6-25
How can an Elvis impersonator become a winning drag queen in the Florida Panhandle? With an empty bank account and pregnant wife, Casey’s going to have to answer that question fast in this music-filled comedy about finding your true voice.

BROWNSVILLE SONG (B-SIDE FOR TRAY)
Oct. 11-30
“My name is Tramaine Berry Thompson and I am more than meets the eye…” A senseless act of gang violence alters a high school senior’s dreams, leaving his family to pick up the pieces and find hope and resilience within their tight-knit Brooklyn borough.

CINDERELLA: AFTER EVER AFTER
Nov. 30-Dec. 30
An original new work and sequel to ETC’s “fractured fairy tale.” With book by Joseph McDonough, lyrics by David Kisor, and music by Fitz Patton, the story of Cinderella and Prince Freddy continues.

FIRST DATE
Jan. 17-Feb. 5, 2017
Aaron is a “blind date virgin,” while Casey has been on more than her fair share. When the two are set up by a mutual friend, sparks fly—or do they? The night unfolds over the course of this couple’s hilarious first date, and it’s not without its share of surprises in the form of imaginary visits from Aaron’s ex-girlfriend, Casey’s uptight sister, the pair’s protective parents and even their future son! Google background checks, awkward pauses and bailouts are all there during this unforgettable first encounter between two romantics, who just might be perfect for each other. Or not.

WHEN WE WERE YOUNG AND UNAFRAID
Feb 21-March 12, 2017
Agnes has turned her quiet bed and breakfast into one of the few spots where a woman on the run can seek refuge.  But to Agnes’ dismay, her latest young runaway Mary Anne is having a profound influence on her teenage daughter Penny, forcing each girl to question her destiny.  And as the drums of the feminist revolution grow louder, Agnes is forced to confront her own presumptions about the people she’s been trying to help.

BLOOMSDAY
April 4-23
Set in Dublin against the backdrop of James Joyce’s Ulysses, BLOOMSDAY follows a man in search of the woman who captured his heart 30 years earlier. Weaving in and out of time, we witness the very separate paths their lives have taken. A moving and sometimes heartbreaking comedy; this new play brings the power and importance of living in the present into the light.

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Weddings, The Bard, Savannah, Avenging and Winnie the Pooh Hit Sunset Players Stage Next Season

SSP_logoCINCINNATI, OH – March 11, 2016 —Sunset Players unveiled its 37th season of performances at the Arts Center at Dunham.

“The upcoming Sunset Players’ season brings a host of characters, premieres and laughs to the Arts Center at Dunham stage,” said Mike Burke, president of Sunset Players. “This schedule is sure to entertain audiences of all ages.”

The 2016-2017 Sunset Players season line-up is: 

THE WEDDING SINGER, Book by Chad Beguelin and Tim Herlihy, Music by Matthew Sklar. Lyrics by Chad Beguelin, Performances in October 2016.

Go back in time to 1985 when hair was big, greed was good, collars were up, and a wedding singer was the coolest guy in the room. New Jersey’s favorite wedding singer Robbie Hart is the life of the party, until his fiancée leaves him at the altar. Enter a winsome waitress, Julia, who is engaged to a Wall Street shark and captures Robbie’s heart. Now he must pull off the performance of a decade before the girl of his dreams is gone forever.

THE HOUSE AT POOH CORNER, by A.A. Milne. Performances in December 2016.

Christopher Robin has decided to run away with his friends Pooh, Piglet, Eeyore, Tigger and the gang after hearing a dark, mysterious threat that he’s to be sent away to Education. Nobody knows exactly what that is or what they can possibly do without him? As the situation becomes clearer, Christopher Robin isn’t so sure that running away is the answer.

THE COMPLETE WORK OF WILLIAM SHAKESPEARE (ABRIDGED) (REVISED), by Jess Borgeson, Adam Long and Daniel Singer. Performances in February 2017.

No time to read all of William Shakespeare’s works? Never fear. This much-produced, fast-paced, gag-a-second delight deconstructs all 37 of the Bard’s plays—plus the sonnets—into a single two-hour whirlwind.

THE SAVANNAH SIPPING SOCIETY, by Jessie Jones, Nicholas Hope and Jamie Wooten. Performances in May 2017.

A Regional Premiere, meet four Southern women, all needing to escape the sameness of their day-to-day routines, are drawn together by Fate—and an impromptu happy hour—and decide it is high time to reclaim the enthusiasm for life they’ve lost through the years. Over the course of six months filled with laughter, hilarious misadventures, and the occasional liquid refreshment, these middle-aged women successfully bond and find the confidence to jumpstart their new lives.

THE TOXIC AVENGER, Book and lyrics by Joe DiPietro, Music and lyrics by David Bryan. Performances in July 2017.

A Regional Community Theater Premiere and winner of the Outer Critics Circle Award for Best Off-Broadway Musical, The Toxic Avenger is a charming love story and laugh-out-loud musical that has it all — an unlikely hero, his beautiful girlfriend, a corrupt New Jersey mayor and two guys who play everyone else, from bullies, mobsters, old ladies, and stiletto-wearing back-up singers. Featuring a wailing rock score, this comical musical has something for everyone to enjoy and will leave audiences laughing in the aisles as it rocks the house.

Sign language interpreters from Cincinnati State will continue to sign for select shows throughout the season.

Tickets remain on sale for the remaining 2015-2016 Season. Performances include:

  • Duck Hunter Shoots Angel, by Mitch Albom. Performances in May 6-21, 2016.
    This uproarious story centers on two bumbling Alabama brothers who think they shot an angel while duck hunting. As they lament their fates, they are chased by a cynical tabloid journalist and a reluctant photographer who don’t believe any of it—until feathers, wings and a tiara are discovered. The play interweaves a love story, sibling rivalry, tawdry media, race relations and cultural stereotypes as the chase ensues to find the angel in the swamp.
  • American Idiot, Book and Lyrics by Billie Joe Armstrong, Book by Michael Mayer, Music and Lyrics by Green Day. Performances in July 8-23, 2016.
    A regional community theater premiere, a trio of friends: Johnny, Tunny and Will, struggle to find meaning in a post-9/11 world. When the disgruntled men flee the constraints of their hometown for big city thrills, their paths quickly diverge. Tunny enters the armed forces, Michael goes home to manage family responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. The energy-fueled rock opera relies on the lyrics from Green Day’s groundbreaking album to propel the story. 

Friday and Saturday performances begin at 8 pm. Sunday matinee starts at 3 pm, and Thursday performance is at 7:30 pm

To learn more or reserve tickets, call 513-588-4988 or visit www.sunsetplayers.org.

Sunset Players, Inc. is a community theater group located on the west side of Cincinnati. Founded in 1979, the group performs at the Arts Center at Dunham and has produced more than 120 plays. Its mission is to bring a smile, and its plays include comedies, farces, dramatic comedies and musical comedies—as long as there is some “comedy” in the performance somewhere. For more information, visit our website at www.sunsetplayers.org or like us on Facebook.

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