Category Archives: Auditions

Auditions Announced for RIDE THE CYCLONE at CenterStage Players

CenterStage Players announces auditions for RIDE THE CYCLONE by Jacob Richmond and Brooke MaxwellDirected by John and Carissa Sloan and produced by Mark Culp

Synopsis: In a dilapidated warehouse at an abandoned amusement park, an aging mechanical fortune-teller called The Amazing Karnak comes to life, and brings with him a ghostly choir of five deceased high-schoolers – all members of the Saint Cassian Chamber Choir, who were tragically killed on the park’s Cyclone roller coaster. Now, Karnak has the power to return one of these youths to life – but they must all decide among themselves who is the most worthy of a second chance to “ride the cyclone” that is life.

Auditions will be held at Lockland High School (249 W Forrer, Cincinnati, OH 45215)

Auditions will be held on Sunday, October 11 from 1:00-5:00 pm and Monday, October 12 from 7:00-9:30 pm

Call-backs (if needed) will be held on Wednesday, October 14 from 7:00 pm-9:00 pm.

Performances will be held at Lockland High School – February 19, 20, 21, 25, 26, and 27.

Please sign up for an audition time here: https://www.signupgenius.com/…/10C094DA8AF29A1F85…

Walk-ins will also be accepted – However, preference will be given to auditionees that sign up in advance.
For your audition, please prepare a song of your choice – 16-32 bars that best showcases your range and storytelling abilities. You may also be asked to read from the script. A dance call will be included so please dress appropriately in order to be able to move. Come prepared to showcase your best efforts and show us how you can bring these unique characters to life. Your current resume and headshot will also be appreciated.
 
If you cannot attend in person but would still like to audition, please don’t hesitate to submit a virtual audition to Director John Sloan (rbunthorne2180@yahoo.com), or Producer Mark Culp (markcandjanec@gmail.com). If you are submitting a virtual audition, please include a 16-32 bar section of a song that best showcases your range and storytelling abilities. Also please include a monologue no longer than one minute in length as well as your resume and headshot. Virtual auditions must be received no later than 6:00 PM on Monday, October 12.
 
Cast of Characters:
No roles have been pre-cast. We are seeking to assemble a very diverse cast of individuals. You must be at least 18 years of age at the time of your audition.
 
Ocean O’Connell Rosenberg: Female/Soprano (Vocal Range B3-E5) – Ocean is the overachieving, self-assured, and somewhat egotistical leader of the choir. She is highly competitive and hides her vulnerability beneath a confident exterior. She has big dreams and an intense need to be the best. Strong comedic and vocal skills required.
 
Noel Gruber: Male/Baritone or Tenor (Vocal Range G2-G4) – The only gay kid in his small town, Noel is theatrical, dark, and dreamy. He longs to be a tragic French chanteuse and has a taste for the macabre. Must have a strong sense of irony and dark humor.
 
Mischa Bachinski: Male/Baritone (Vocal Range A2-G4) – Ukrainian-born bad boy with a romantic side, Mischa presents himself as tough and stoic, but underneath is a passionate dreamer. He is devoted to his fiancée and often raps in his musical numbers. Strong vocal skills with the ability to rap are essential.
 
Constance Blackwood: Female/Mezzo-Soprano (Vocal Range G3-E5) – Constance is the sweetest and most optimistic of the group. Known as the “nicest girl in town”, she is overlooked but secretly longs to be noticed and to express her true self. Requires warmth and vulnerability, with a comedic touch.
 
Ricky Potts: Male/Tenor (Vocal Range A2-A4) – Ricky is shy and withdrawn, living in his own world due to a physical disability However, in his imagination, he transforms into a futuristic superhero. Must transition from quiet and introverted to confident and expressive. Strong acting and vocal skills required.
 
Jane Doe: Female/Soprano (Vocal Range C4-E5) – Mysterious and eerie, Jane is the unknown, unspeaking girl who died in the accident. She has no memory of her past and sings in a hauntingly beautiful, ethereal style. Requires strong classical vocals and the ability to convey emotion through movement and voice.

Karnak: Male/Non-Singing Role – This character is an animatronic fortune telling machine (similar to Zoltar in the film ‘Big’)

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Auditions Announced for THE DIARY OF ANNE FRANK at The Footlighters, Inc.

Footlighters is proud to announce auditions for THE DIARY OF ANNE FRANK
By Frances Goodrich and Albert Hackett
Adapted by Wendy Kesselman 
​

“In spite of everything, I still believe that people are really good at heart.”​

In this powerful new adaptation, Anne Frank emerges from history as a living, lyrical, intensely gifted young girl who confronts her rapidly changing life and the increasing horror of her time with astonishing honesty, wit, and determination. An impassioned drama about the lives of eight people hiding from the Nazis in a concealed storage attic, The Diary of Anne Frank captures the claustrophobic realities of their daily existence – their fear, their hope, their laughter, and their grief.

Directed by Jim Curtis
Produced by Michelle Burdett, Janet Wisner, and Chris Wolff
Stage Managed by Janet Wisner

Audition Dates:
Sunday, October 4 from 4:00pm – 7:00pm
Monday, October 5 from 6:30pm – 9:00pm
Callbacks, if needed – Wednesday, October 7 at 7:00pm

Expect cold readings from the script. Please provide your theatrical resume (headshot appreciated, but not mandatory) and a list of any scheduling conflicts for the rehearsal season. All auditionees must be 18 years old to audition. Accents are not required.​

Sign up here: https://www.signupgenius.com/go/10C0448AEAE2BABFC1-65363265-auditions#/

Location:
The Stained Glass Theatre, 802 York Street, Newport, KY 41017

Rehearsals:
Rehearsals will begin after the “Meet & Greet” on November 10.

Show Dates:
January 28 – February 14, 2027
Please contact the director, Jim Curtis (jjt9461@yahoo.com) with any questions or accommodation requests.

Characters:

Anne Frank (Female / Stage age – teenager)
A 13-year-old girl, aged 15, warm, witty, intelligent, charming, self-aware, sensitive, often impatient, sometimes a know-it-all, open, determined, easily hurt, spirited, hopeful, fun-loving, desperate, with all the longings, expectations and attitudes that adolescence brings. Though hiding and living in constant fear and isolation, she never gave up. She had a fraught relationship with her mother, adored her father, and lovingly envied her sister.

Margot Frank (Female / Stage age – teenager)
Anne’s 15-year-old sister, aged 17. Pretty, quiet, obedient, demure, frail, friendly, very intelligent, overwhelmed by the trials of hiding, very close to her mother and father. Like Anne, she longed for a friend in whom she could confide. She played the role of peacemaker when
Anne overstepped. She was a good girl and was admired by all.

Mrs. Edith Frank (Female / Stage age – mid 30s)
A lovely woman, wife and mother, mid-30s, from a wealthy German family, reticent, loving, moral, concerned, gracious, cultured, devoted to tradition, devastated by her relationship with Anne, barely able to cope with the demands of everyday life in hiding and isolation, tries very hard to accommodate the lower middle-class van Daan family whose uncouth and argumentative ways are an irritant to her and causes her to finally erupt into a seething rage.

Mrs. Petronella Van Dean (Female / Stage age – early 40s)
Early 40s, loud, egotistical, talky, often crude, suspicious, bossy, moody, self-important, overbearing, critical of others, flirtatious, manipulative, sometimes depressed, enjoys a good laugh or story, more accepting of her introverted son, delusional about her younger self’s popularity and looks, feels if she is the Queen Bee in the group, chafes under her husband’s control, tries to run the household. A big stirrer-upper! Yet she is amazingly acceptable.

Miep Gies (Female / Stage age – 20 – 40s)
25–40, an Austrian refugee living in the Netherlands, employed by Mr. Frank, entrusted by Otto Frank with provisioning for the occupants of the Annex and hiding them from the outside world. She collected fake ration cards, purchased all their foodstuffs, visited the library on their behalf, and generally tried to keep their spirits up. She was courageous, empathetic, compassionate, and friendly.

Mr. Otto Frank (Male / Stage age – 40s – 50s)
Father of Anne and Margot and head of the group living in his Annex, in his middle 40s to early 50s, of his upper middle class background, a wise man, fair, loyal, attentive, patient, intelligent, soft, level-headed, optimistic, genuinely liked people, decision-maker, teacher, beloved by his workers who protected him and his family as well as the other tenants of the Annex throughout the war. He was especially susceptible to Anne’s charms. He was devoted to his wife, Edith, and comforted her whenever she was depressed about their living conditions, the attitudes of the van Daans/Dussel, or her relationship with Anne.

Mr. Hermann Van Dean (Male / Stage age – 40s – 50s)
Mid-40s to 50s, dour, selfish, complaining, ungrateful, superficial, quarrelsome, dictatorial, highly critical of his son Peter, easily irritated, is rather withdrawn from the other occupants of the Annex. His transgression causes the great blow-up in the Annex.

Mr. Albert Mussel (Male / Stage age – 40s – 50s)
Mid-40s-50, a dentist, stodgy, old-fashioned, disciplined, hypercritical, selfish, horrified at Anne’s behavior, genuinely does not like people, picky, unhappy with everything, a man who has not come to terms with his situation, whiny, a perfectionist, ungrateful, and easily angered.

Peter Van Dean (Male / Stage age – teenager)
A 17-year-old boy, aged 19, withdrawn, unsure, awkward, immature, shy, sometimes amusing, attached to his cat, tries to stay out of everyone’s way, hates his mother and father’s constant quarrels, ages from the introverted teenager to the more mature 19-year-old who enjoys the company of the girls and who begins to be interested in all the other occupants of the Annex.

Mr. Kahler (Male / Stage age – 30s – 40s)
35–45, Dutch, helps Mien with the responsibilities of feeding and hiding the occupants of the Annex, is an employee of Mr. Frank’s company, a trusted colleague and friend. He is sympathetic to their plight, does what he can for them, and runs the company in Mr. Frank’s name, an honest and good man.

Nazi Officers (Male / Stage age – 20s – 50s) 
3 soldiers affiliated with the Gestapo are tasked with the capture and the arrest of Anne and her fellow fugitives. A brief yet impactful role. Accents will be required and taught.

Click here to sign up.

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Auditions Announced for MAN OF LA MANCHA at The Drama Workshop

The Drama Workshop, director Dennis Murphy and musical director Linda Abbott will hold auditions for the musical MAN OF LA MANCHA on September 27 and 28, 2026. 

Auditions will be held at the Arts Center at Dunham, 4356 Dunham Lane, Cincinnati, 45238. 

Those wishing to audition are asked to sign up for a time slot at https://www.signupgenius.com/go/70A094FA8A622A6FC1-65438045-manofla

Rehearsals for MAN OF LA MANCHA will begin in early January and performances will run March 4 -22, 2027 at the Glenmore Playhouse.

Please prepare 16 to 32 bars of a ballad from a classic Broadway musical written prior to 1970. (Bring sheet music in the correct key or your own taped or electronic accompaniment.) Those auditioning will also be asked to read selected scenes from the script and to participate in a short movement audition.

One of the Muleteers plays the guitar. If you are interested in auditioning for this role, please bring your guitar and prepare a song to play at the audition.

Callbacks will be held by invitation on Wednesday, September 30 beginning at 7 p.m.

MALE ROLES

  • Miguel de Cervantes (also plays Don Quixote and Alonso Quijana) – actor/author, imprisoned by the Inquisition – [Tenor/High Baritone]
  • Cervantes’ Manservant (also plays Sancho Panza, Don Quixote’s squire) — [Tenor]
  • Barber — a traveling barber [Tenor]
  • Padre — the local priest [Tenor/High Baritone]
  • Duke – (also plays Dr. Sansón Carrasco — Antonia’s fiancé and the Knight of the Mirrors) [Baritone/Tenor]
  • Governor – (also plays Innkeeper, Maria’s husband) [Baritone]
  • Seven Muleteers:
    • Jose – smallest of the muleteers
    • Tenorio – also plays Rocinante, Quixote’s Horse
    • Paco – also plays Dapple, Panza’s Donkey
    • Juan – uses whip
    • Anselmo – most villainous [Tenor + falsetto]
    • Pedro – leader, largest of the muleteers [Tenor]
    • Guitar Player

Non singing roles:

  • Captain of the Guards
  • 3 Guards (also play Attendants to the Knight of the Mirrors and the Inquisition)

FEMALE ROLES

  • Aldonza (Dulcinea) – kitchen wench/love interest of Quixote [Mezzo-Soprano]
  • Antonia – Alonso’s niece, fiancé to Carrasco [Soprano]
  • Don Quijana’s Housekeeper [High Alto]
  • Maria – the Innkeeper’s wife
  • Fermina – a servant at the inn
  • Moorish dancer

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Auditions Announced for IN HARMONY at Cincinnati Music Theatre

IN HARMONY
Conceived & Directed by: Rebecca Wall
Produced by: Dennison Keller & Aubrey E. Wilson
Music Direction by: Michael Spresser

SEEKING:
Cast Size 16:
4 Sopranos, 4 Altos, 4 Tenors, 4 Baritones/Basses

As the title of our show suggests, we believe community theater is at its best when it welcomes diverse voices, perspectives, and experiences. In Harmony seeks to celebrate artistic achievement while thoughtfully considering representation, inclusion, accessibility, and the ways productions connect with their communities and one another.

Each cast member will have at least 1 featured song and will be in 15+ additional numbers. We are looking for cast members who want to invest in this process, be present and supportive of their fellow cast members in their artistry and in their lives. To dig deep and make art together.

AUDITION REQUIREMENTS:

  • Sing a 32 Bar cut (:30-:45 seconds) of a musical theatre song that you love to sing. An accompanist will be provided; please provide sheet music with cuts clearly marked.
  • No A Cappella or Recorded music.
  • Auditionees must be at least 18 years of age.

AUDITIONS:

  • Sunday, September 27, 2026 from 5:00PM to 9:00PM
  • Monday, September 28, 2026 from 7:00PM to 10:00PM
    *Invited Callbacks: Wednesday, September 30, 7:00pm-10:00pm

AUDITION LOCATION:
Immanuel United Church of Christ – 210 Jefferson Avenue, Saint Bernard, OH 45217

PERFORMANCE DATES: January 29 – February 7, 2027

PERFORMANCE LOCATION:
Aronoff Center for the Arts, Fifth-Third Theater, Cincinnati, OH

If you are unavailable due to vacation, work travel, or life in general, video auditions will be accepted. Please click here upload your video audition by September 26th.

Fill out the IN HARMONY Audition Form
Sign-up to audition for IN HARMONY

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Auditions Announced for AWAY IN THE BASEMENT: A Church Basement Ladies Christmas at Troy Civic Theatre

Directors Steve Dietrich and Jenny Weber will be holding auditions for the TCT holiday musical, AWAY IN THE BASEMENT, on Monday and Tuesday, August 31st and September 1st, from 7-9 pm at The Barn in the Park.

1959: It’s the day of the annual Sunday School Christmas program and the lovable Church Basement Ladies in Minnesota have arrived early to finish up treat bags and make sure costumes and props are ready to go. When things start to go haywire, the charming ladies from the kitchen step in to save the day. This musical comedy is full of good tidings, great humor, and joy.

Roles:

  • The Pastor: Middle aged male, a widower of 2 years that has begun to show interest in the new parish worker. He is a nice man, living a life of service and humility. Baritone B3 – E4
  • Karin: In her late 30’s – early 40’s. She is Beverly’s mother, the most fashionable of the ladies and the best cook. Alto A4 – C5
  • Beverly: Blonde and 15, who can hardly wait to be an adult. She has a great deal of affection for the women in the basement, but is embarrassed by everything her mother says and does. Mezzo Soprano – A4 – D5
  • Mavis: An able-bodied farm wife of middle age. Very good natured and quick with a joke. She believes hard work is good for the soul. Alto A4 – C5
  • Vivian: She is the oldest CBL and a widow of many years. She is the matriarch of the kitchen and holds tightly to tradition. Soprano A4 – G5

Auditions will consist of :

  1. Individual vocal time – range determination and singing of the prepared excerpt for preferred role (link below)
  2. Group cold reading from script
  3. Group vocals of group excerpt- prepare preferred part (link below)

We are looking for strong voices with the ability to confidently carry their own part.

Production dates are Dec. 4-6 and Dec. 11-13. Please bring a list of all known conflicts between Sept 8th and Dec 13th. The show will rehearse 3 days a week with the concentration on music in the early days.

Link to Dropbox – you’ll find scores, played parts, and cast recordings of excerpts

https://www.dropbox.com/…/ABBSj6JxqZXmSUJh6L2LkZs…

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