Category Archives: Auditions

Auditions Announced for ONCE UPON A MATTRESS at Covedale Center for the Performing Arts

Cincinnati Landmark Productions to hold auditions for ONCE UPON A MATTRESS

*** ALL INDIVIDUALS MUST ARRIVE AT 6:00PM TO LEARN THE DANCE CALL ***

  • Sunday, May 31,2026 from 6:00-9:00pm
  • Monday, June 1, 2026 from 6:00-9:00pm

Invited Callbacks:
Tuesday, June 2, 2026 from 6:30pm to 9:00pm

Audition & Callback Location:
The Warsaw Federal Incline Theater – 801 Matson Place, Cincinnati, OH 45204


ONCE UPON A MATTRESS
October 8 – November 1, 2026

Music by Mary Rodgers Lyrics by Marshall Barer
Book by Jay Thompson, Dean Fuller and Marshall Barer

Many moons about in a far-office place, Queen Aggravain decreed no couples could marry until her son Price Dauntless, found a bride Princesses came from far and wide to win the hand of the prince, but none could pass the impossible tests given to them by the Queen That is until the “shy” swamp princess, Winnifred the Woebegone, showed up. Would she be able to pass the Sensitivity test, marry her prince and help Lady Larken and Sir Harry to the altar? Carried on a wave of wonderful songs, by turns hilarious and raucous; romantic and melodic, this rollicking spin on the classic tale The Princess and the Pea, provides some side-splitting shenanigans. For after all, a princess is a delicate thing.

Production Team: Colin Waters, Director; Joseph Rivers, Music Director; Rachael Petranek, Choreographer; Jenny Lutes, Production Stage Manager

PRODUCTION TIMELINE:
Rehearsals will take place at our rehearsal space located at The Covedale Center for the Performing Arts. Rehearsal dates are subject to finalization based upon cast selections/availability. Not all cast is required at all rehearsals.

Rehearsals:
– Rehearsals begin Monday, August 31st
– Rehearsals run every Sunday-Thursday through Thursday, October 1st
– Sunday rehearsals run 6:00-10:00; Weeknight rehearsals run 6:30-10:30
– A detailed rehearsal schedule will be published for the cast closer to the start of rehearsal

Tech Rehearsals:
– May Not Be Missed
– Sunday, October 4-Wednesday, October 7 from 6:00-11:00pm

Performances:
– October 8-November 1, 2026
– Thursday-Saturday Performances at 7:30pm
– Sunday Performances at 2:00pm

IMPORTANT AUDITION INFORMATION:

Production Notices
– The production team is planning to follow the contemporary revival of the production rather than the traditional golden age style
– Must be a minimum of 16 years of age
– No roles have been precast
– All roles are paid positions
– Housing and transportation are not provided and are the responsibility of the actor

Audition Information
– All Individuals must arrive at 6:00pm to learn the dance call
– Please prepare a 16-32 bar cut of a musical theatre song in the style of the show
– Please bring sheet music that is clearly marked for our accompanist
– Must have a resume listing theatrical experience
– Complete the following audition form Once Upon A Mattress Audition Form
– All auditionees will receive notice within 1 month of auditions about final casting decisions
– If you are unable to attend auditions, but would still like to be considered for this production, please contact Shannon Eaton at shannoneaton@clpshows.org no later than Friday, May 29th at 5:00pm.

Please contact Shannon Eaton at shannoneaton@clpshows.org for any questions.

ROLES: Cast members do not have to be the actual ages of the characters in any of the productions, but must be able to look age-appropriate and act accordingly

Princess Winnifred the Woebegone Female, Age 20-30, Mezzo-Soprano (A3-C#5/Db5)
A feisty, outspoken, independent, strong, optimistic, and free-thinking princess from the swamp lands. She isn’t too good with manners. She wants to get married, but must go through the queen’s unfair test as well. The Prince, naturally, falls madly in love with her.

Prince Dauntless Male, Age 22-35, Tenor (C3-C5)
A nice, not too smart, everyday type of young Prince who desperately wants to get married, but is prevented by his mother’s strict tests that she gives to all potential candidates.

Queen Aggravain Female, Age 50-65, Alto (A3-B4)
The loud, talkative woman who really rules the country. She is an overprotective, stubborn, sly Mom who is trying to keep her son, Prince Dauntless, from getting married.

King Sextimus the Silent Male, Age 50-65, Silent
A kind, expressive, playful, and comedic character who is silent due to a curse placed upon him by a witch before the birth of Dauntless. He likes to chase girls through the corridors of the castle. Needs good improv skills.

Minstrel Male, Age 20-35, Tenor (D3-G#4/Ab4)
The handsome narrator of the story, as well as in the musical story line. He becomes smitten with Lady Larken and tries to persuade her to flee to Normandy with him. He and the Jester join forces to stop the Queen’s plans.

Jester Male, Age 25-40, Tenor (C#3/Db3-G#4/Ab4)
An energetic and peppy man who is the King’s right-hand man and assists him with every endeavor. The Jester also plots with the Minstrel to spoil the Queen’s plans.

Wizard Male, Age 60-85, Baritone (A2-G3)
The egotistical, ex-performer who directly serves the Queen. He is the Queen’s Henchman and thinks of all the Princess’ tests. He prides himself in his position and basically obeys all of the Queen’s orders.

Lady Larken Female, Age 18-27 Soprano (C#4/Db4-G#5/Ab5)
The Queen’s Lady-in-Waiting but is put in charge of Princess Winnifred. She is madly in love with Sir Harry and desperately wants to marry him because she is pregnant with his baby. She tries to flee the Kingdom after having an argument with Sir Harry, but is convinced by Winnifred to reunite with him.

Sir Harry Male, Age 25-35, Tenor (C3-G4)
The Queen’s Champion-in-Arms – the Lancelot of Knights – the macho, slightly egotistical, brave, romantic knight who decides to leave the kingdom to search for a princess, and finds Princess Winnifred in the swamp. Easily jealous, but loves Lady Larken with all his heart. Harry cannot marry Lady Larken until Prince Dauntless has found a suitable bride.

Female Ensemble
Assorted Ladies including featured roles such as Lady Mabelle, Lady Rowena, Princess No. 12, and the Nightingale of Samarkan

Male Ensemble
Assorted Lords and Knights including features roles such as Sir Studley and Sir Luce.

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Auditions Announced for ENGLISH LIT at Cincinnati Music Theatre

Cincinnati Music Theatre is excited to announce auditions for our Studio Series Production of ENGLISH LIT: FROM PAGE TO STAGE, CLASSIC LIT TO MUSICAL WIT.

Do you know how many Broadway Musicals are based on great literary works? Join us as we take audiences through a series of vignettes from Broadway musicals based on literature. Together, we’ll enjoy beloved classics such as “Maybe this Time,” “Over the Rainbow” and “One Day More” along with hits from newer shows like “Little Women,” “The Great Gatsby” and “The Outsiders”.

English Lit is an original musical comedy that takes audiences on a “CliffsNotes journey” through a vast selection of classic literary works by means of the Broadway musicals they inspired. Humor, drama, soaring ballads, and musical theatre gems will move you… from the page to the stage. Hold on tight; there will be a test at the end! (Literally!)

ENGLISH LIT
Director: GREG DORR
Vocal & Music Director: TED BALDWIN
Choreographer & Producer: MP CARLETTI

SEEKING:

Seeking (5) Male Presenting & (6) Female Presenting actors. This production staff is committed to bringing together a diverse group of people. We encourage performers of all races, ethnicities, gender identities, sexualities, abilities, body types, and ages to audition.

AUDITIONS:

  • Sunday, May 31, 2026 from 3:30PM to 5:00PM
  • Monday, June 1, 2026 from 6:00PM to 7:30PM

AUDITION LOCATION:

Immanuel United Church of Christ – 210 Jefferson Avenue, Saint Bernard, OH 45217

PERFORMANCE DATES: September 4-12, 2026

PERFORMANCE LOCATION:
Aronoff Center for the Arts, Fifth-Third Theater, Cincinnati, OH

Click here for the ENGLISH LIT Audition Forms
Click here for to sign up for ENGLISH LIT Auditions

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Auditions Announced for XANADU at Wilmington College Community Summer Theatre

Wilmington College-Community Summer Theatre will present XANADU this summer!

Auditions will be held on

  • May 17  at 7:00 p.m. in Heiland Theatre at Wilmington College
  • May 18 at 7:00 p.m. in Music Room at Wilmington High School (300 Richardson Pl.)
  • Callbacks will be held on May 19 at 7:00 p.m. (potentially at Roller Haven)

Performances are July 16, 17, 18 at 7:30 p.m. and July 19 at 2:30 p.m. in Heiland Theatre

The show will be directed by Bryan Wallingford with music direction by Timothy Larrick ​& choreography by Tricia Heys.
Scenery & props will be designed by Jessica Yankel with lighting by Becky Haines and costumes by Tara Lydy. Linda Mead will manage the Scene Shop.

To download the Audition Packet and Disclosure Form visit the official page.

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Auditions Announced for 1776 at Footlighters Inc.

1776
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a concept by Sherman Edwards 

  • Director: Libby Beiting-Lipps
  • Vocal Director: Elizabeth Venia
  • Choreographer: Abigail Dirr
  • Producer: Mary Stone
  • Assistant Producer: Chris Wolff

Audition Dates:

  • Sunday, May 10, 4:00 p.m. – 7:00 p.m.
  • Monday, May 11, 7:00 p.m. – 10:00 p.m.
    Invited Callbacks, if needed: Wednesday, May 13

Performance Dates: September 10 – 27, 2026 

Location: Footlighters’ Stained Glass Theatre – 802 York Street, Newport, KY 41071

We are asking and encouraging females and female identifying/presenting persons to audition. 

What to prepare and bring:

  • Please sign up for an audition time through the SignUpGenius link below. Walk-ins are welcomed but will be assigned to the first available audition slot. https://www.signupgenius.com/go/10C0448AEAE2BABFC1-63429236-1776#/
  • Please prepare 16 to 32 bars of a song in the style of the show (classic musical theater or contemporary excerpt in traditional style) that demonstrates your best vocal ability. Make sure your sheet music is printed out, is in the proper key, and has cuts clearly marked for the accompanist. Vocalizing will also take place to determine vocal range.
  • Monologues are not necessary—acting ability will be judged by the performance of your song. Those auditioning or in consideration for Rodney, McNair, Hopkins, McKean, and Thomson may be asked to read a short scene from the show. Sides will be provided.
  • Bring shoes and clothing that you are comfortable moving in for the dance audition, as you will be asked to participate in a stylized movement combination. The combination will be taught during the audition, and a video of the combination will be posted prior to auditions. Style of shoe does not matter, as long as you are comfortable in them. Please arrive as warmed up as possible. 
  • Please provide a copy of your theatrical resume and headshot, if you have them.
  • Please bring a list of conflicts between June and September 2026.
  • Invited callbacks will include singing music from the show and performing cold readings from the script.

Show Synopsis:

It’s the summer of 1776, and the nation is ready to declare independence… if only our founding fathers can agree to do it! 1776 follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania, and Thomas Jefferson of Virginia as they attempt to convince the members of the Second Continental Congress to vote for independence. 

1776 puts a human face on the pages of history as we see the men behind the national icons: proud, frightened, uncertain, irritable, charming, often petty, and ultimately noble figures determined to do the right thing for a fledgling nation. Join us in celebrating the 250th anniversary of our country’s founding and reflecting on its evolution since then! 

This production staff is committed to bringing together a diverse group of people who are dedicated to bringing this story to life. We encourage performers of all races, ethnicities, sexualities, and body types to audition. No roles have been precast. Performers must be 18+ to audition for this show.

Roles:

  • John Adams (early 40s) – Delegate from Massachusetts. John is a dutiful husband. Opinionated, passionate, and a bit boisterous. Strong oratory skills, brilliant mind, bold and brash personality, slight Boston dialect. The running joke throughout the show is that he is “obnoxious and disliked,” but he must have a magnetic quality that commands respect from his fellow members of congress
    Vocal range: C4-F#5
  • Benjamin Franklin (60s-70s) – Delegate from Pennsylvania. He is an energetic, older man, but often acts much younger. Franklin is pleasant, philosophical, boyish, often funny, but he does show his anger and seriousness in a couple scenes. Must have excellent acting skills—this man is a highly experienced statesman, diplomat, inventor, writer, humorist, and philosopher.
    Vocal range: Ab3-Eb5
  • Thomas Jefferson (early to mid30s) – Delegate from Virginia. Jefferson is a man of few words, but when he speaks, he commands attention. Pensive, quiet, strong silent type, with a sense of humor and very much in love with his wife. Architect, writer, farmer, scientist, statesman, lawyer, violin player. This role will have an onstage kiss with Martha Jefferson.
    Vocal range: C4-G5
  • Edward Rutledge (mid 20s) – Delegate from South Carolina. Must be a commanding actor with excellent oratory skills. He is the secondary antagonist role, next to Mr. Dickinson. Youngest member of congress. Speaks with an elegant, educated South Carolina accent. Sings the dramatic, sarcastic, and riveting “Molasses to Rum to Slaves” which showcases the hypocrisy of the North regarding slavery and the triangle trade. Statesman, lawyer. Large amounts of dialogue.
    Vocal range: C4-A5
  • John Dickinson (mid 40s) – Delegate from Pennsylvania. Dickinson is the primary adversary of the show, portrayed as opposing Independence. He has lots of dialogue. He represents the conservative side of Congress, the wealthy landowners who do not want to break from Great Britain.
    Vocal range: A3-E5
  • Abigail Adams (mid 30s) – Loving wife to John Adams. Intelligent, quick-witted, and talented with a pen, Abigail is a radiant and shapely beauty. Abigail’s tone is one of maturity, intellectual support, and strong encouragement to her husband John Adams.
    Vocal range: Db4-F5
  • Martha Jefferson (late 20s) – Thomas Jefferson’s very-much-in-love wife. Her looks are striking, her dancing delightful, and her humor appealing. She doesn’t shy away from a good time. Joy radiates from her. This role will have an onstage kiss with Thomas Jefferson.
    Vocal range: Bb3-D5
  • Richard Henry Lee (mid 40s) – Delegate from Virginia, Lee is a very proud and willowy aristocrat. His flamboyancy is intoxicating and borderline infuriating. Speaks and sings with a noticeable country/southern twang.
    Vocal range: C4-G5
  • Stephen Hopkins (early 70s) – Delegate from Rhode Island. Hopkins’ drinking has led to an appearance befitting of the 2nd oldest in the Continental Congress. He is a crusty old man who loves his rum and has a playfulness about him.
    Vocal range: C4-Eb5
  • Roger Sherman (mid 50s) – Delegate from Connecticut. A coffee drinker with a penchant for hyperactivity, Sherman is a simple and balding cobbler.
    Vocal range: C4-Bb5
  • Robert Livingston (early 30s) – Delegate from New York. Recently a father, Livingston’s disposition has become one of humility and graciousness.
    Vocal range: Bb3-F5
  • Colonel Thomas McKean (mid 40s) – Delegate from Delaware. McKean is florid and likable with a charming, yet commanding, Scottish Brogue accent.
    Vocal range: C4-Eb5
  • Charles Thomson (30s to 60s) – Congressional Secretary. Should sound efficient in reading letters and in rattling off long lists of congressional information.
    Vocal range: Eb4-E5
  • Andrew McNair (30s to 60s) – Congressional Steward / Custodian. Quirky, exasperated middle-aged man who tends to the congressional meeting room and its delegates. He is supervisor to the young boy known as the Leather Apron apprentice, who is learning McNair’s job.
    Vocal Range: Eb4-Bb4
  • Courier (early 20s) – The message runner between General Washington’s army and the Continental Congress. He has witnessed the hardships of war firsthand, although his innocent disposition and appearance may imply otherwise.
    Vocal range: C4-Db5
  • Leather Apron (early 20s) – Young apprentice in training to learn MacNair’s custodial trade. Doubles as Artist.
    Vocal Range: Bb3-G4
  • John Hancock (late 30s – early 40s) – Congressional President, from Massachusetts.
  • Caesar Rodney (late 40s) – Delegate from Delaware.
  • Jospeh Hewes (mid 40s)– Delegate from North Carolina.
  • Dr. Josiah Bartlett (mid 40s) – Delegate from New Hampshire.
  • Lewis Morris (early 50s) – Delegate from New York.
  • Judge James Wilson (early 30s) – Delegate from Pennsylvania.
  • George Reed (early 40s) – Delegate from Delaware.
  • Samuel Chase (mid 30s) – Delegate from Maryland.
  • Dr. Lyman Hall (early 50s) – Delegate from Georgia.
  • Reverend John Witherspoon (early 50s) – Delegate from New Jersey.

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Auditions Announced for ONCE UPON A ONE MORE TIME at Queen City Productions

Queen City Productions will hold auditions for its summer musical! Powered by the chart-topping hits of the undisputed Princess of Pop, ONCE UPON A ONE MORE TIME turns our favorite fairytales upside down with a clever twist! When a fairy godmother goes rogue and plops copies of The Feminine Mystique in the laps of classic heroines, the damsels embark on a quest to rewrite their stories and redefine “happily ever after.”

ONCE UPON A ONE MORE TIME weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core.” (ABC News)

Auditions will take place:

  • Friday, May 1st from 7:00-10:00pm
  • Sunday, May 3rd from 6:00-9:00pm

Invited callbacks will be held Tuesday, May 5th at 7:00pm.

  • All auditionees should prepare a 1 minute cut of a song in the 90s/2000s pop style or a modern pop musical style (Six, Altar Boyz, etc…). please bring your accompaniment track with you. a Bluetooth speaker will be provided. There will also be cold-reading from the script and a dance call so please wear/bring appropriate attire.
  • You can sign up for an audition at the following link. Walk-ins will be seen in the next available audition slot. We will also accept video audition submissions at queencityproductions@yahoo.com.
    www.signupgenius.com/go/8050C44ACAA2AAAFD0-63716809-once#/

Rehearsals will begin on/around May 17th and will typically be on Sundays, Mondays, Wednesdays and Fridays.

Show dates are July 31st-August 9th.

Auditions, rehearsals and performances are at the Arts Center at Dunham.

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