Category Archives: Auditions

Auditions Announced for ENGLISH LIT at Cincinnati Music Theatre

Cincinnati Music Theatre is excited to announce auditions for our Studio Series Production of ENGLISH LIT: FROM PAGE TO STAGE, CLASSIC LIT TO MUSICAL WIT.

Do you know how many Broadway Musicals are based on great literary works? Join us as we take audiences through a series of vignettes from Broadway musicals based on literature. Together, we’ll enjoy beloved classics such as “Maybe this Time,” “Over the Rainbow” and “One Day More” along with hits from newer shows like “Little Women,” “The Great Gatsby” and “The Outsiders”.

English Lit is an original musical comedy that takes audiences on a “CliffsNotes journey” through a vast selection of classic literary works by means of the Broadway musicals they inspired. Humor, drama, soaring ballads, and musical theatre gems will move you… from the page to the stage. Hold on tight; there will be a test at the end! (Literally!)

ENGLISH LIT
Director: GREG DORR
Vocal & Music Director: TED BALDWIN
Choreographer & Producer: MP CARLETTI

SEEKING:

Seeking (5) Male Presenting & (6) Female Presenting actors. This production staff is committed to bringing together a diverse group of people. We encourage performers of all races, ethnicities, gender identities, sexualities, abilities, body types, and ages to audition.

AUDITIONS:

  • Sunday, May 31, 2026 from 3:30PM to 5:00PM
  • Monday, June 1, 2026 from 6:00PM to 7:30PM

AUDITION LOCATION:

Immanuel United Church of Christ – 210 Jefferson Avenue, Saint Bernard, OH 45217

PERFORMANCE DATES: September 4-12, 2026

PERFORMANCE LOCATION:
Aronoff Center for the Arts, Fifth-Third Theater, Cincinnati, OH

Click here for the ENGLISH LIT Audition Forms
Click here for to sign up for ENGLISH LIT Auditions

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Auditions Announced for XANADU at Wilmington College Community Summer Theatre

Wilmington College-Community Summer Theatre will present XANADU this summer!

Auditions will be held on

  • May 17  at 7:00 p.m. in Heiland Theatre at Wilmington College
  • May 18 at 7:00 p.m. in Music Room at Wilmington High School (300 Richardson Pl.)
  • Callbacks will be held on May 19 at 7:00 p.m. (potentially at Roller Haven)

Performances are July 16, 17, 18 at 7:30 p.m. and July 19 at 2:30 p.m. in Heiland Theatre

The show will be directed by Bryan Wallingford with music direction by Timothy Larrick ​& choreography by Tricia Heys.
Scenery & props will be designed by Jessica Yankel with lighting by Becky Haines and costumes by Tara Lydy. Linda Mead will manage the Scene Shop.

To download the Audition Packet and Disclosure Form visit the official page.

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Auditions Announced for 1776 at Footlighters Inc.

1776
Music and Lyrics by Sherman Edwards
Book by Peter Stone
Based on a concept by Sherman Edwards 

  • Director: Libby Beiting-Lipps
  • Vocal Director: Elizabeth Venia
  • Choreographer: Abigail Dirr
  • Producer: Mary Stone
  • Assistant Producer: Chris Wolff

Audition Dates:

  • Sunday, May 10, 4:00 p.m. – 7:00 p.m.
  • Monday, May 11, 7:00 p.m. – 10:00 p.m.
    Invited Callbacks, if needed: Wednesday, May 13

Performance Dates: September 10 – 27, 2026 

Location: Footlighters’ Stained Glass Theatre – 802 York Street, Newport, KY 41071

We are asking and encouraging females and female identifying/presenting persons to audition. 

What to prepare and bring:

  • Please sign up for an audition time through the SignUpGenius link below. Walk-ins are welcomed but will be assigned to the first available audition slot. https://www.signupgenius.com/go/10C0448AEAE2BABFC1-63429236-1776#/
  • Please prepare 16 to 32 bars of a song in the style of the show (classic musical theater or contemporary excerpt in traditional style) that demonstrates your best vocal ability. Make sure your sheet music is printed out, is in the proper key, and has cuts clearly marked for the accompanist. Vocalizing will also take place to determine vocal range.
  • Monologues are not necessary—acting ability will be judged by the performance of your song. Those auditioning or in consideration for Rodney, McNair, Hopkins, McKean, and Thomson may be asked to read a short scene from the show. Sides will be provided.
  • Bring shoes and clothing that you are comfortable moving in for the dance audition, as you will be asked to participate in a stylized movement combination. The combination will be taught during the audition, and a video of the combination will be posted prior to auditions. Style of shoe does not matter, as long as you are comfortable in them. Please arrive as warmed up as possible. 
  • Please provide a copy of your theatrical resume and headshot, if you have them.
  • Please bring a list of conflicts between June and September 2026.
  • Invited callbacks will include singing music from the show and performing cold readings from the script.

Show Synopsis:

It’s the summer of 1776, and the nation is ready to declare independence… if only our founding fathers can agree to do it! 1776 follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania, and Thomas Jefferson of Virginia as they attempt to convince the members of the Second Continental Congress to vote for independence. 

1776 puts a human face on the pages of history as we see the men behind the national icons: proud, frightened, uncertain, irritable, charming, often petty, and ultimately noble figures determined to do the right thing for a fledgling nation. Join us in celebrating the 250th anniversary of our country’s founding and reflecting on its evolution since then! 

This production staff is committed to bringing together a diverse group of people who are dedicated to bringing this story to life. We encourage performers of all races, ethnicities, sexualities, and body types to audition. No roles have been precast. Performers must be 18+ to audition for this show.

Roles:

  • John Adams (early 40s) – Delegate from Massachusetts. John is a dutiful husband. Opinionated, passionate, and a bit boisterous. Strong oratory skills, brilliant mind, bold and brash personality, slight Boston dialect. The running joke throughout the show is that he is “obnoxious and disliked,” but he must have a magnetic quality that commands respect from his fellow members of congress
    Vocal range: C4-F#5
  • Benjamin Franklin (60s-70s) – Delegate from Pennsylvania. He is an energetic, older man, but often acts much younger. Franklin is pleasant, philosophical, boyish, often funny, but he does show his anger and seriousness in a couple scenes. Must have excellent acting skills—this man is a highly experienced statesman, diplomat, inventor, writer, humorist, and philosopher.
    Vocal range: Ab3-Eb5
  • Thomas Jefferson (early to mid30s) – Delegate from Virginia. Jefferson is a man of few words, but when he speaks, he commands attention. Pensive, quiet, strong silent type, with a sense of humor and very much in love with his wife. Architect, writer, farmer, scientist, statesman, lawyer, violin player. This role will have an onstage kiss with Martha Jefferson.
    Vocal range: C4-G5
  • Edward Rutledge (mid 20s) – Delegate from South Carolina. Must be a commanding actor with excellent oratory skills. He is the secondary antagonist role, next to Mr. Dickinson. Youngest member of congress. Speaks with an elegant, educated South Carolina accent. Sings the dramatic, sarcastic, and riveting “Molasses to Rum to Slaves” which showcases the hypocrisy of the North regarding slavery and the triangle trade. Statesman, lawyer. Large amounts of dialogue.
    Vocal range: C4-A5
  • John Dickinson (mid 40s) – Delegate from Pennsylvania. Dickinson is the primary adversary of the show, portrayed as opposing Independence. He has lots of dialogue. He represents the conservative side of Congress, the wealthy landowners who do not want to break from Great Britain.
    Vocal range: A3-E5
  • Abigail Adams (mid 30s) – Loving wife to John Adams. Intelligent, quick-witted, and talented with a pen, Abigail is a radiant and shapely beauty. Abigail’s tone is one of maturity, intellectual support, and strong encouragement to her husband John Adams.
    Vocal range: Db4-F5
  • Martha Jefferson (late 20s) – Thomas Jefferson’s very-much-in-love wife. Her looks are striking, her dancing delightful, and her humor appealing. She doesn’t shy away from a good time. Joy radiates from her. This role will have an onstage kiss with Thomas Jefferson.
    Vocal range: Bb3-D5
  • Richard Henry Lee (mid 40s) – Delegate from Virginia, Lee is a very proud and willowy aristocrat. His flamboyancy is intoxicating and borderline infuriating. Speaks and sings with a noticeable country/southern twang.
    Vocal range: C4-G5
  • Stephen Hopkins (early 70s) – Delegate from Rhode Island. Hopkins’ drinking has led to an appearance befitting of the 2nd oldest in the Continental Congress. He is a crusty old man who loves his rum and has a playfulness about him.
    Vocal range: C4-Eb5
  • Roger Sherman (mid 50s) – Delegate from Connecticut. A coffee drinker with a penchant for hyperactivity, Sherman is a simple and balding cobbler.
    Vocal range: C4-Bb5
  • Robert Livingston (early 30s) – Delegate from New York. Recently a father, Livingston’s disposition has become one of humility and graciousness.
    Vocal range: Bb3-F5
  • Colonel Thomas McKean (mid 40s) – Delegate from Delaware. McKean is florid and likable with a charming, yet commanding, Scottish Brogue accent.
    Vocal range: C4-Eb5
  • Charles Thomson (30s to 60s) – Congressional Secretary. Should sound efficient in reading letters and in rattling off long lists of congressional information.
    Vocal range: Eb4-E5
  • Andrew McNair (30s to 60s) – Congressional Steward / Custodian. Quirky, exasperated middle-aged man who tends to the congressional meeting room and its delegates. He is supervisor to the young boy known as the Leather Apron apprentice, who is learning McNair’s job.
    Vocal Range: Eb4-Bb4
  • Courier (early 20s) – The message runner between General Washington’s army and the Continental Congress. He has witnessed the hardships of war firsthand, although his innocent disposition and appearance may imply otherwise.
    Vocal range: C4-Db5
  • Leather Apron (early 20s) – Young apprentice in training to learn MacNair’s custodial trade. Doubles as Artist.
    Vocal Range: Bb3-G4
  • John Hancock (late 30s – early 40s) – Congressional President, from Massachusetts.
  • Caesar Rodney (late 40s) – Delegate from Delaware.
  • Jospeh Hewes (mid 40s)– Delegate from North Carolina.
  • Dr. Josiah Bartlett (mid 40s) – Delegate from New Hampshire.
  • Lewis Morris (early 50s) – Delegate from New York.
  • Judge James Wilson (early 30s) – Delegate from Pennsylvania.
  • George Reed (early 40s) – Delegate from Delaware.
  • Samuel Chase (mid 30s) – Delegate from Maryland.
  • Dr. Lyman Hall (early 50s) – Delegate from Georgia.
  • Reverend John Witherspoon (early 50s) – Delegate from New Jersey.

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Auditions Announced for ONCE UPON A ONE MORE TIME at Queen City Productions

Queen City Productions will hold auditions for its summer musical! Powered by the chart-topping hits of the undisputed Princess of Pop, ONCE UPON A ONE MORE TIME turns our favorite fairytales upside down with a clever twist! When a fairy godmother goes rogue and plops copies of The Feminine Mystique in the laps of classic heroines, the damsels embark on a quest to rewrite their stories and redefine “happily ever after.”

ONCE UPON A ONE MORE TIME weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core.” (ABC News)

Auditions will take place:

  • Friday, May 1st from 7:00-10:00pm
  • Sunday, May 3rd from 6:00-9:00pm

Invited callbacks will be held Tuesday, May 5th at 7:00pm.

  • All auditionees should prepare a 1 minute cut of a song in the 90s/2000s pop style or a modern pop musical style (Six, Altar Boyz, etc…). please bring your accompaniment track with you. a Bluetooth speaker will be provided. There will also be cold-reading from the script and a dance call so please wear/bring appropriate attire.
  • You can sign up for an audition at the following link. Walk-ins will be seen in the next available audition slot. We will also accept video audition submissions at queencityproductions@yahoo.com.
    www.signupgenius.com/go/8050C44ACAA2AAAFD0-63716809-once#/

Rehearsals will begin on/around May 17th and will typically be on Sundays, Mondays, Wednesdays and Fridays.

Show dates are July 31st-August 9th.

Auditions, rehearsals and performances are at the Arts Center at Dunham.

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Auditions Announced for A FUNNY THING HAPPENED ON THE WAY TO THE FORUM at Lebanon Theatre Company

AUDITION NOTICE! A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

Directed by: Kurt Percy

When: May 18 and 19 at 7:00pm

Performances are Aug 7-9 & 14-16

Where: Lebanon Theatre Company – 10 Mechanic St. Lebanon, Ohio

  • Please come prepared with a 36 bar cut of a song of your choosing. Pianist will be provided for those who bring sheet music and a Bluetooth speaker will be provided for those who wish to sing with a track.
  • Please note that there will be a dance audition so come prepared to move. Bring comfortable clothes and shoes.
For more information please check out our website at ltcplays.com
Characters
Male Presenting Roles
-Pseudolus – Baritone
A Roman slave, owned by Hero, who seeks to win his freedom by helping his young master win the heart of Philia. Quick-witted, scheming, childlike spirit. His name means “Faker”
  • By far the largest and most comic role.
  • Comic timing is everything.
  • Sings partial solos in 8 songs, delivery and enthusiasm and the ability to “sell” the songs are far more important than a beautiful voice.
  • Some choreography — likely to be more comic than technical and adapted to the actor. Age: 30 to 50
-Hero – Tenor
The young son of Senex and Domina. He falls in love with Philia and agrees to give Pseudolus his freedom if he can help Hero woo her. Practical, privileged, romantic.
  • Singing role. Some dance.
  • Of all the characters he is the most traditional leading man type.
  • However, as he is also a virgin, it is imperative that he impart a naivety. Age: 20 to 30
-Senex: (Latin for ”old man”) A henpecked, sardonic Roman senator living in a less fashionable suburb of Rome.
  • Plausibly Hero’s father.
  • Singing role.
  • When his domineering wife is away, he enjoys believing the mistaken idea that he can be the object of the young virgin’s affection. Age: 45 to 70 (Age related to age of actors cast as Hero and Domina).
-Hysterium – Baritone
The chief slave in the House of Senex. Believes he is in control, but is actually Pseudolus’ puppet to carry out his schemes. Anxious, conservative, loyal. He desperately wants everything to be in order. (Latin for ”Hysterical” the suffix “-um” makes the name neuter, and the character’s gender is often mistaken throughout the piece)
  • Although he is chief slave in the same house where Pseudolus is also a slave, Pseudolus bullies him and treats him as an underling
  • Much of his humor comes from the fact that he impersonates the young, female virgin, Philia
  • Must be able to sing, speak in a falsetto voice. Age: 30 to 55
-Miles Gloriosus – Bass
(Latin for ”boastful soldier” the archetype of the braggart soldier in Roman comedies) A captain in the Roman army to whom Marcus Lycus has promised Philia. Commanding, boastful, manly and strong.
  • Must sing, speak and act in a booming, arrogant voice
  • Although a costume may provide the muscles, the actor must be able to pull off “gladiator-ness.” Age: 25 to 40
-Marcus Lycus: – Baritone
A purveyor of courtesans, who operates from the house to the right of Senex. (Name based on Lycus, the
pimp) Always out to make a profit, but also wants to provide good on what his business offers.
  • Singing role (not major)
  • Think of him as the “used car salesman” of the courtesans. Age: 30 to 50 (but not critical)
-Erronius: – Baritone
(Latin for wandering) Senex’s elderly neighbor in the house to the left. He has spent the past twenty years searching for his two children, kidnapped in infancy by pirates.
  • The smallest of the principal roles
  • Sings only as part of the chorus in 2 songs
  • Must be able to sound and move like an old man
Female Presenting Roles
-Philia – Soprano
(Greek for Love): A virgin in the House of Lycus whom we also find out is Erronius’ daughter. She is promised to Miles and vows to give him bodily what he has paid for, but loves Hero and promises he will always have her heart. Young, pretty, devoted. An archetypal ingénue. Age: 18 to 25+
-Domina: – Mezzo-Soprano
(Latin for mistress) The wife of Senex and mother to Hero. She is a shrewish woman who is loathed and feared by even her husband. Senex’s wife. She dominates to the point of answering herself the questions she asks of others. Loves her husband deep down, but is outwardly controlling, demanding, and manipulative.
  • Singing role
  • Must play the stereotypical overbearing wife and mother Age 40 – 60 (Age related to age of actors cast as Hero and Domina).
*Cortesans in the house of Lycus (provide part of the female chorus. Notice there are 6 courtesans as the
Geminae are twins)
Please note that the courtesans can be played by actors across a range of ages and looks. Lycus caters to all
tastes. At least some of the courtesans will however need to be prepared to wear revealing costumes and move
and dance in a sexy or sensuous way. If this is likely to be of concern to you please mention your concerns at the audition.
Anyone age 16 or 17 (by the date of the first performance) intending to audition as a courtesan – Please note we will need to get parental consent. The courtesans will be expected to display their own personalities and characters largely through
movement and attitude
  • Gymnasia: (Greek for Athletic with the connotation of nakedness) A courtesan from the house of Lycus with whom Pseudolus falls in love. Often played be a very statuesque or voluptuous woman; however, a female of any size and shape may be cast as long as she portrays the voluptuous attitude.
  • Tintinabula: (Latin for Bells) A jingling, bell-wearing courtesan in the house of Lycus. Think of a belly dancer whose every motion makes the bells ring
  • Vibrata: (Latin for Vibrant) A wild, vibrant courtesan in the house of Lycus. In all likelihood her costume would be made of leopard skin – Needs to be able to growl sensuously and move like a tigress
  • Geminae: (Latin for Twins) Twin courtesans in the house of Lycus. The aim will be to get 2 actors of similar stature and colouring, however it is more important that the two actors can work together and act (in fact move) in tune with each other.
  • Panacea: (Greek for Cure All) A courtesan in the house of Lycus. A face that can say a thousand words and a body that can hold a thousand promises.

Ensemble

  • Proteans, Soldiers

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