Category Archives: Auditions

Auditions Announced for MAN OF LA MANCHA at Dayton Playhouse

DPH_logoDirected by Dawn Roth-Smith
Musical direction by Andrew Hackworth
Choreographed by Jeffrey Payne

Where: Dayton Playhouse, 1301 Siebenthaler Ave, Dayton, OH

When: November 4 and 5, 2019 at 7:00 PM

The Dayton Playhouse will hold auditions for the musical MAN OF LA MANCHA on two nights, Monday and Tuesday, November 4 and 5, 2019 at the Playhouse beginning at 7:00 PM. No reservations are necessary, but the vocal audition will be closed…only the Director, staff and an accompanist will be with you during your vocal audition.

If you absolutely cannot make this time frame, contact the director at dawns1210@gmail.com.

Performance dates: Jan. 17-Feb. 2

Notes:

  • Vocal: Please prepare 16 bars of a musical theatre style song, bring your sheet music with cuts clearly marked. No Pop music, rock or country. Acapella auditions will not be considered.
  • Dance: Wear clothes appropriate for a light choreography audition including closed toed shoes. You will be taught and then perform a short movement routine.
  • Actors: We will also be asking some of you to stay and read from the script after vocal auditions. No monologues are necessary.

About the show:
The musical takes place in a Spanish prison, filled with characters who have all been accused of crimes against The Church. During the Spanish Inquisition people from many different walks of life, countries, religions (Jews, Muslims, Gypsies, Non Catholic Christians), and anyone who spoke ill of The Church were arrested and had to face a trial –and often times torture.

The writer Miguel de Cervantes and his manservant make their living as tax collectors, but soon find themselves imprisoned after being accused of “crimes against The Church.” Now facing the wrath of their fellow inmates, Cervantes must persuade the unruly bunch not to burn his prized manuscript — by performing it for them. With the help of their reluctant fellow captives, they begin the tale of Don Quixote and Sancho Panza.

We will cast the best performers, there are no pre-set notions regarding race, size, mobility, or gender.

Characters/Vocal Ranges noted for soloist- almost everyone sings in this show

  • Cervantes/Don Quixote Tenor/High Baritone
    Miquel de Cervantes is the director of the play within this play, and the lead actor.
  • Sancho Panza Tenor
    Sancho is very much the stage manager and supporting actor of the manuscript, it is very important to him to get everything just right for Cervantes.
  • Aldonza/Dulcinea Mezzo-Soprano
    Female prisoner, reluctant to participate, but has a change of heart.
  • Antonia Soprano Female prisoner, eager to help out
  • Fermina Female prisoner
  • Maria Female prisoner
  • Housekeeper Alto (high range) Female prisoner
  • Barber Tenor Prisoner, featured
  • Padre Tenor/High Baritone Prisoner, featured
  • Dr. Carrasco/ Duke Baritone/Tenor Male prisoner, educated, Featured
  • Innkeeper/Governor Baritone Male prisoner, Featured
  • Captain of the Inquisition Non-Singing role, Cameo

Muleteers:

  • Jose Male prisoner, Chorus
  • Tenorio Male prisoner, Chorus
  • Paco Male prisoner, Chorus
  • Juan Male prisoner, Chorus
  • Anselmo (Tenor +Falsetto) Male Prisoner, Chorus, Featured
  • Pedro Male prisoner, Head Muleteer
  • Gypsies (Moors) Prisoners, Dancers

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Auditions Announced for GYPSY at Loveland Stage Company

LSC_logoSun, Nov. 3-Tue, Nov. 5 from 6-9pm
Callbacks, if needed, are Thu, Nov. 7

Loveland Stage Company Theater – 111 S. 2nd St. (State Rt 48) Loveland, OH, 45140

Performance Dates are: March 6-8, March 13-15, & March 20-22, 2020.

Please bring a list of conflicts from December 15 to February 20. Absolutely NO conflicts from February 21 – March 22, 2020.

Casting all ages. Please look over character description sheet.

Come prepared with a song: 32 bars of music in the style of a Broadway Musical. Please, no songs from the show.

Dance audition requires proper attire. Bring tap shoes – no flip flops, please.

Please be prepared to read from the script and have a head shot taken. Please wear a solid color shirt (you may change for your audition).

Resumes and headshots are not required.

Come ready to have a great time!

For additional information or questions, please contact Director Micheal R. Kiser at: mrkiser79@gmail.com

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Auditions Announced for A CHARLIE BROWN CHRISTMAS and JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT at Sinclair Theatre

SCCT_logo2Mon, Oct. 21 beginning at 6:30pm

Black Box Theatre
Fourth Floor
Building 2
Dayton Campus

Callbacks on Tue, Oct. 22 beginning at 6pm

Actors must reserve an audition time online at: https://bit.ly/2mHE81T.

Actors should bring a headshot and resume, sheet music (marked appropriately for accompanist) and any calendar conflicts which occur during the rehearsal period.

Please prepare 32 bars/1-minute of a musical theatre selection appropriate for the Pop/Rock nature of JOSEPH.  Do NOT sing from the score. Do NOT sing pop/rock songs not from the musical theatre canon. Accompanist will be provided. No A Capella singing or backing tracks will be permitted.

AND

A memorized, 1-minute comedic monologue

Open Auditions means you do NOT have to be a Sinclair student or Theatre Major.  All actors, who are prepared as above and can commit to a rigorous rehearsal schedule, are welcome to audition. 

Children’s Chorus Auditions for JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT are Jan. 4 at 1pm for ages 8-11.

For further information please contact director at: kimberly.borst@sinclair.edu.

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Cincinnati Opera Announces Chorus Auditions for 2020 Summer Festival

co_logoCINCINNATI—Auditions for Cincinnati Opera’s 2020 Summer Festival Chorus will be held at the Corbett Opera Center at Music Hall, 1243 Elm Street, Cincinnati, Ohio, on October 25, 26, and 27, 2019.

The Cincinnati Opera Chorus is a paid, professional chorus under the jurisdiction of AGMA, the American Guild of Musical Artists. Residents from outside of the greater Cincinnati area are welcome and encouraged to audition. However, applicants should be aware that most chorus members tend to be cast locally. Rehearsals and performances for the 2020 Summer Festival will begin in mid-May 2020 and extend through early August 2020 (exact dates to be announced).

Audition Process
Audition requests are now received exclusively through an online application process. Applications must be submitted no later than October 21, 2019. Please email auditions@cincinnatiopera.org with any questions.

Individuals interested in auditioning are asked to follow these steps:

  1. Complete the online application at
    https://www.yaptracker.com/applications/cincinnati-opera-chorus-2020/. Applicants must have an account with YAP Tracker, an online auditions management tool, and may sign up for free at this link: https://www.yaptracker.com/register-applicant. Applicants are required to upload a resume (PDF only, please) detailing performance experience. A headshot or photo is appreciated, but not required.
  2. Singers will be notified by email if an audition has been granted. They will then have the option to schedule their own audition time via YAP Tracker.
  3. Auditions will be held at the Corbett Opera Center at Music Hall, 1243 Elm Street, Cincinnati, Ohio, 45202. Singers should prepare two (2) contrasting arias in the original languages. An accompanist will be provided.

Please note that there is a separate application and audition process for those interested in 2020 Young Artist positions. Visit cincinnatiopera.org/jobs for more information.

Cincinnati Opera is an equal opportunity employer and is strongly committed to creating a diverse and inclusive environment where a variety of backgrounds, cultures, orientations, ideas, and talents can flourish. 

2020 Summer Festival
Cincinnati Opera’s 2020 100th Anniversary Summer Festival takes place June 18 through August 1, 2020, and features Gioachino Rossini’s The Barber of Seville, the world premiere of William Menefield and Sheila Williams’s Fierce, Antonín Dvořák’s Rusalka, the world premiere of Gregory Spears and Tracy K. Smith’s Castor and Patience, and Giuseppe Verdi’s Aida. The 2020 season is made possible with support from ArtsWave, Ohio Arts Council, The Louise Dieterle Nippert Musical Arts Fund, and many generous individuals, corporations, and foundations.

For additional 2020 season and casting information, please visit cincinnatiopera.org. 

Founded in 1920 and the second oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative teams. 

Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. 

cincinnatiopera.org

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Auditions Announced for ANNIE JR at Encore Performing Arts

EPA_logoOpen Auditions (Ages 6-14)
October 19th, 1pm-3pm

At Encore Performing Arts
3320 Tylersville Rd., Suite R
Fairfield Twp., OH 45011332

  • Please prepare a 30 second cut of a song that best shows your vocal range, personality, and acting skills.
  • Accompaniment not available. Please bring accompinantment (With NO words/voices in the background) on a phone or CD. Singing acapella is acceptable.
  • Auditioners will be asked to learn and perform a short dance combination.
  • Auditioners may be asked to do a cold reading from the script.

PERFORMANCE:
January 24th, 2020

CREATIVE TEAM:

  • Vocal and Administrative Director- Carolyn Sigg
  • Director- Alexandra Williams
  • Choreographer- Kristin McSwain

REHEARSALS:
Rehearsals will start the week of October 20th. They are tentatively scheduled for Tuesday and Thursday evenings, and Saturday mornings from 9-12am. Rehearsals will take place at Encore Performing Arts. Not all actors will be required to attend every rehearsal. A rehearsal schedule will be available at auditions.

QUESTIONS?
Email administrative director Carolyn Sigg at carolynsigg@gmail.com.

SYNOPSIS:
Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, with a beloved book and score by Tony Award winners, Thomas Meehan, Charles Strouse and Martin Charnin, ANNIE JR. features everyone’s favorite little redhead in her very first adventure.

With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts, despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan’s evil machinations, finding a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.

CHARACTER BREAKDOWN:

  • Annie – Annie is a complex little girl. She is a tough, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound “family” who loves her. She has to be motherly in scene one, independent in scene two, overwhelmed in scenes four and five, needy in scene seven, and hopeful for the future in scenes ten and eleven. The actor who plays Annie must be strong vocally and musically. She must be capable of vocal projection without strain. She also needs a good understanding of subtext so she can act appropriately during the various scenes between Warbucks and Grace, and Miss Hannigan and Grace. Although she is at times aggressive or crafty, the audience should never doubt Annie is a friendly and caring child; she will go to any extent to gain the love of a family to which she can belong.
  • The Orphans – Molly, Tessie, July, Duffy, Kate and Pepper. These girls are gritty, neglected and vulnerable, yet basically honest and potentially lovable. The actors portraying them must be able to have mischievous fun with each other as well as “sibling-style” fights. Each student should be able to create and shape her own character. Children auditioning for these roles need to have vocal strength and be visually expressive.
  • Miss Hannigan – This woman is definitely a “has-been.” Her distaste for her job and the children that are part of it should be obvious in every line she speaks, every song she sings and every move she makes. She must have an excellent sense of comic timing.
  • Grace Farrell – Grace is mature, calm, cool and “together.” She is classy and businesslike when dealing with Miss Hannigan and Warbucks, yet maternal toward Annie. The student playing Grace can set herself apart from the other characters simply by the sophisticated way she walks. Grace is ready with an answer for just about anything. Each dramatic situation should seem to come “under control” the moment she glides into a scene.
  • Rooster – Rooster and Lily are quite the team — “team” being the operative word, as the characters play off each other constantly. You might consider casting students of contrasting heights. Rooster can even be shorter than Lily; after all, these two are not to be taken too seriously! Rooster is flashy and self-assured. His “moves” should be as smooth as a gambler’s, as should be the message he sells in “Easy Street.”
  • Lily – Rooster and Lily are quite the team — “team” being the operative word, as the characters play off each other constantly. You might consider casting students of contrasting heights. Rooster can even be shorter than Lily; after all, these two are not to be taken too seriously! Lily (airhead that she is) is always distracted, although she manages to pick up on any conversation involving money. She never acts as the leader, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time).
  • Warbucks – This may be the most challenging role for a student in this age group. He must appear middle-aged, self-assured and confident. At first awkwardly affectionate toward Annie, he soon finds himself completely charmed by her. He begins his transformation when he views “N.Y.C.” through Annie’s eyes and falls in love with the city again…and with her.
  • Sandy – In this production, Sandy is played by a human. Sandy is Annie’s canine friend and scrappy in her own right. This dog also has to sing.
  • Servants (Drake, Mrs. Greer and Mrs. Pugh) – From the moment these characters enter the acting area, their presence, posture and speech should suggest the most fastidious of domestic help. (Your actors will have fun perfecting the precision steps, nods and curtsies.) Their heads are always held high and they rarely show their emotions.
  • Additional Characters
    The most important qualities to look for in casting the remaining roles are vocal accuracy and the ability to develop a character. Each role is self-explanatory and usually identified by the character’s occupation. Help your students develop these characters in the context of the historical time period. Students that are more comfortable performing in groups (without solo singing) might be cast as servants, pedestrians, Bundles, the chauffeur, Louis Howe, the apple seller and the dogcatcher.

To reserve your audition slot, use our SignUpGenius event.

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