Category Archives: Auditions

September 14, 2021 · 10:55 am

Auditions Announced for WINNIE-THE-POOH CHRISTMAS TAIL at Beavercreek Community Theatre

BCT_YouthTheatreAnnouncing auditions for the upcoming BCT Youth production of A WINNIE-THE-POOH CHRISTMAS TAIL.

Oct. 10 & 11 at the Lofino Center, 3868 Dayton-Xenia Road

Auditioners will be assigned a time at 5-minute intervals. Please prepare a memorized 1-minute monologue and be prepared to read from the script.

Confirmation of your assigned time will be emailed and an Audition Form and Conflict Calendar will be attached. Please list ALL family and school conflicts on the Conflict Calendar, including potential late arrivals for rehearsals. No excuses will be accepted for missed rehearsals during tech week (the last week of rehearsal prior to Opening Night), nor for any performance.

Call-Backs will be held at the Director’s discretion, usually 7-8:30pm the day after auditions are held.

Rehearsal schedule is determined by the Director, usually 3 weeknights with the occasional Saturday as needed.
There is a participation fee of $90 per child with consideration given to families with 3 or more children enrolled in the program.

There is no fee for those interested in working tech.

Production dates: Dec. 3-10, 2021

IF INTERESTED IN AUDITIONING:
Please call (937) 429-4737 or email us at kids@bctheatre.org with your preferred date from the ones mentioned.

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September 14, 2021 · 10:46 am

Auditions Announced for THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE at INNOVAtheatre

INNOV_logoProduction Team
Director: Nicholas Brown
Assistant Director: Chris Koonce
Stage Manager: Alexandra Lander
Producers: Kathy Brown, Abby James
Choreographer: Anna Brown
Vocal Director: TBD

Auditions dates: October 11th and 12th, 2021 6:00PM to 9:00PM at SORG Opera House, 63 S Main St, Middletown, OH 45044.

Callbacks on October 13th, 2021.

Tech Week: January 9th – 12th, 2022.
Show dates: January 13th – 16th, 2022.
Rehearsal times: Sunday, Monday, and Wednesday 6:00PM – 9:00PM.

Please come prepared with a Broadway style song. We may ask you to read an excerpt from the show. A resume and headshot are preferred. There will not be a dance routine at the initial audition. Please review the audition form below and bring one filled out.

Audition Form: https://docs.google.com/document/d/1ynh22f45i87s6ywwEUjXzPuThYeCExep/edit
Additionally, please use the Sign Up Genius link to assign yourself an audition time: https://www.signupgenius.com/go/60B0A48AFAA2AA6FB6-innova

For any questions about auditions, please email the director at nicholasanthonybrown1@gmail.com

Callbacks will be to assess dance ability and hear you sing songs from the show. If you cannot attend callbacks, let us know so we can work around it.

Come to auditions with a list of conflicts and the production team will do our best to work with your conflicts. Tech Week and all performances are mandatory attendance.

“An eclectic group of six mid-pubescents vie for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, the tweens spell their way through a series of (potentially made-up) words, hoping never to hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. Six spellers enter; one speller leaves! At least the losers get a juice box.” -MTIShows

Character descriptions – All roles will be cast 18+. The child roles are meant to be played by adults.

  • Olive Ostrovsky – Soprano/Mezzo – Shy, quiet girl who’s parents are estranged. She is the lead girl in the show. Primarily vocal character, sings powerfully.
  • William Barfee – Baritone/Tenor – Touchy, weird, and abrasive. Has extensive medical issues and little social skills. He is the lead boy. Actor should have a good sense of shock comedy. Would like to have a strong dancer.
  • Chip Tolentino – Tenor – Last year’s winner, over confident, and girl-crazy. Mix of strong vocals and comedic acting. Actor should be versatile with good comedic timing and improv skills. Doubles as Jesus.
  • Logainne Schwartzandgrubenierre – Soprano – Youngest competitor, political, awkward, and has a lisp. She tries to live up to both her dad’s expectations. Belty.
  • Leaf Coneybear – Baritone – Aloof, odd, and often viewed as “stupid”. He was chosen to participate after the winner of his district couldn’t attend. Actor should be goofy with comedic timing. Doubles as Logainne’s dad “Carl-dad” (intense, competitive)
  • Marcy Park – Soprano/Mezzo – Strict upbringing, multi-talented, catholic school girl. She is held to high expectations. Ability to tumble and a high level of dance preferred.
  • Rona Lisa Peretti – Soprano – The moderator. Caring and relates to the students as a previous winner. She loves the spelling bee. Very Strong singer, needs a good sense of improv. Doubles as Olive’s Mom.
  • Douglas Panch – Spoken – A principal, does not care about spelling. He does not like the kids and is more interested in vying for Rona’s love (not relayed). Actor should have a good amount of improv ability, as you will be announcing the bee.
  • Mitch Mahoney – Tenor – “Comfort counselor” for those who are eliminated. He is an ex-convict. Should be rough around the edges. Strong vocalist. Doubles as Logainne’s dad “Dan Dad” (motherly) and Olive’s Dad

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September 13, 2021 · 9:30 am

Auditions Announced for LITTLE WOMEN at Fairfield Footlighters

fflLITTLE WOMEN
Written by Thomas Hischak
Directed by Anna Rae Brown
Produced by Dan & Jeanne Schindler

Thu, Sept. 16 from 6:30-9pm
Mon-Tue, Sept. 27-28 from 6:30-9pm

Auditions will take place in the FCAC Theater .
Call-backs, if needed, will be Tuesday at 8:15 PM

Welcome to AUDITION!
Auditions for 9 Female | 4 Male | 2 Young Female
Auditions will consist of cold-readings from script. Please be prepared to list all rehearsal conflicts. A small head-shot and theatre resume is nice, but not required. If you cannot attend an audition date, email director Anna Schindler Brown at annaraebrown@gmail.com.

CASTING FOR:

  • MRS TOMLINSON – A society lady – 50s to 70s. Will also play Aunt March.
  • JOSEPHINE MARCH – Narrator. A famous author & adult “Jo” – 40s to early 50s.
  • MR. MARCH – The girls’ father – 45 to 60.
  • MRS. MARCH (MARMEE) – The girls’ mother – 40s to 50s.
  • MEG – Eldest & most practical daughter. Longs to have nice things. Around 21.
  • JO – A tomboy & strong willed. An aspiring author. Around 18.
  • BETH – Shy & frail. Plays piano. Closest relationship to Jo. Around 16.
  • AMY – Youngest daughter. Vain and immature. Longs to be an artist. Around 15 but ages to her 20’s during the show.
  • HANNAH – The housekeeper. Late 30s to 50s.
  • AUNT MARCH – Mr. March’s aunt. Wealthy matriarch of the family. Late 50s to 70s.
  • MR. LAURENCE – Wealthy grandfather to Laurie. 60s+.
  • THEODORE LAURENCE (LAURIE) – High-spirited neighbor who befriends the sisters. Falls in love with Jo and later Amy. About 18.
  • JOHN BROOKE – Tutor to Laurie. Poor, but kind-hearted. Falls in love with Meg. Mid 20s to 30s.
  • MRS MOFFET – Wealthy. Looks down on the March family. 30s to 40s. Will also play Mrs. Kirke.
  • CLARA – Mrs. Moffet’s daughter. Around 16. May also appear in background scenes.
  • MRS KIRKE – Runs the boarding house. 30s to 40s.
  • KITTY & MINNIE – Mrs. Kirke’s daughters. Around 8-11. May also appear in background scenes.
  • FRIEDRICH BHAER – German professor (must use accent). Befriends Jo and encourages her writing. Late 30s to mid 40s.

Rehearsals: Monday through Thursday, 6:30 PM to 9 PM, beginning Monday, October 4th

Productions dates: Nov. 19-21.

ABOUT THE SHOW:
In 1860’s New England, we see the lives of the four March daughters – Meg, Jo, Beth, and Amy – play out before us and follow their triumphs and tragedies as they grow up, fall in love, and face life. With their chaplain father away serving in the Civil War and their mother doing all she can to hold things together at home, the girls employ creativity and courage to help their mother while pursuing their own passions—Jo’s writing, Amy’s art, Beth’s service to the poor, and Meg’s pursuit to become a proper young lady. Next-door neighbor Theodore “Laurie” Laurence, a lonely but charming teen, can’t resist the energy and grace of these little women and helps them to endure one trial after another.

For more information, contact Fairfield Footlighters at ffootlighters@yahoo.com

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September 9, 2021 · 9:39 am

Auditions Announced for THE SOUND OF MUSIC at The Carnegie

TC_logo_newTHE CARNEGIE ANNOUNCES AUDITIONS
FOR THE SOUND OF MUSIC 

COVINGTON, KY – The Carnegie is pleased to announce auditions for the coming production of its 2021-22 theatre season, THE SOUND OF MUSIC. Featuring the music of Rogers and Hammerstein, the production of one of the most beloved musicals of all time is set to come to life at The Carnegie.

Set in Austria 1938, THE SOUND OF MUSIC tells the story of an exuberant young governess as she brings music and joy back to a broken family… Only to face danger as the Nazis gain power.

Featuring an iconic score, THE SOUND OF MUSIC features performances of several classic tunes including “My Favorite Things,” Sixteen Going on Seventeen” and “Climb Every Mountain.” This family-friendly favorite shares a meaningful story in a setting enjoyable for all ages.

  • Book by Howard Lindsay and Russel Crouse and Lyrics by Oscar Hammerstein II
  • Music by Richard Rogers
  • Directed and Choreographed by Leslie Goddard Baum
  • Music Direction by Steve Goers

Show Details
Ten performances will be offered on the following dates: Saturday, Jan. 29 at 7:30 p.m., the 30 at 3 p.m., Friday, Feb. 4 at 7:30 p.m., 5 at 2 and 7:30 p.m., the 6th at 3 p.m., the 11 at 7:30 p.m., the 12 at 2 and 7:30 p.m. and finally the 13 at 3 p.m. Should indoor performances be impossible due to COVID-19, this show will play at an outdoor venue sometime between April 22–May 15, 2022. If cast, it is most desirous you be available for the spring dates as well.

Rehearsals: Evenings and weekends Nov 29–Jan 28. We will not rehearse every day, but this is the date range for rehearsals. Ample time off will be given around Christmas and New Year holidays.

In Person Auditions by Appointment
Please prepare 32 bars of an up-tempo song or 16-bars of a ballad in the style of the show. Bring sheet music for the accompanist, as well as headshot and resume for production team. You may be asked to stay and sing from the score. Dates:

  • Sept 18: Individual singing auditions every 5 minutes, 1-4 p.m.
  • Sept 19: Individual singing auditions every 5 minutes, 1-4 p.m.
  • Sept 20: Invited callbacks 7-10 p.m. with dance call for some roles followed by reading from the script for all roles

Sign up for an in-person audition spot by visiting https://www.signupgenius.com/go/9040F48AFAF2D6-sound

Auditions by Video Submission – what to send
32 bars of an up-tempo or 16-bars of a ballad in the style of the show

  • A dramatic or romantic monologue no longer than 1 minute in length
  • A movement reel (optional). If a movement reel is not provided, we may follow up with a movement combination for self-tape if being considered for dancing roles (Liesel/Rolf)

Please send video with resume and headshot attached to Maggie Perrino, mperrino@thecarnegie.com by September 18th @ 5 p.m. to be considered for the show. 

ALSO NOTE

  • You will be asked to turn in a full list of conflicts for rehearsal dates listed. Please have that prepared if asked to provide this info.
  • No performance conflicts will be accepted.
  • Cast members do not have to be the actual ages of the characters but must be able to look age appropriate and act accordingly.
  • All adult roles are paid. Stipends offered will be between $650-$1,000 for all roles. Not AEA eligible. No housing provided.
  • Student roles are included in the production as part of our Education Department. As such, The Carnegie Theatre Series commits to making opportunities for children and teens on our mainstage once a year. These roles are not paid, nor is there any cost associated with this educational experience.

COVID-19 Policies
Please wear a mask to enter the building if auditioning in person. You will be allowed to remove it for your song but will need to wear it while not actively auditioning.

The Carnegie fervently encourages all those auditioning to seek the Covid-19 vaccination before attending auditions or rehearsals should they be cast. It is in the best interest of our cast, crew, and artform if everyone is vaccinated in our show circle. A return to theatre-making is only possible if we help protect each other.

Available Roles

The Carnegie is committed to inclusive, non-traditional casting of classic musical theatre shows to give them new relevance and accessibility to all actors. All races, ethnicities, ages, gender identities, body types, and mobilities encouraged to apply.

Adult Roles

  • Maria Rainer (musical theatre mix/soprano, 20-30) A postulant at Nonnberg Abbey – young, free spirited, warm, gentle and kind with much determination. Guitar playing a plus.
  • Captain Georg von Trapp (baritone, 35-45) A retired Austrian naval captain. Polished, yet very militant in the way he runs his life to repress his sadness over the death of his wife. Underneath, he is warm, understanding, and determined.
  • Max Detweiller/Ensemble (tenor/baritone, 30+) Charming and vital; a man of sophistication who enjoys the good life; true and loyal friend to the von Trapp family.
  • Elsa Schrader/Ensemble (mezzo soprano, 30-45) A baroness of taste and elegance, sophisticated, dignified and mature.
  • Mother Abbess/Ensemble (legit soprano, wide vocal range, 40+, very strong actress) Motherly, understanding, strong and authoritative, but kind.
  • Sister Berthe/Ensemble (alto) Mistress of Novices, prudish, strait-laced with a quick tongue, less tolerant than other nuns.
  • Sister Margaretta/Ensemble (mezzo) Mistress of Postulants, very kind, understanding and concerned.
  • Sister Sophia/Ensemble (soprano) Neither demanding nor critical, sticks with the rules.
  • Franz/Ensemble The von Trapp butler, rather formal but not without spirit, he is very German and loyal to the Fascist cause.
  • Frau Schmidt/ Ensemble The housekeeper, stoic, very little personality; she does her job efficiently but without affection. Strong and somewhat dominating.
  • Herr Zeller/ Ensemble Stern and unsmiling, a typical Nazi official whose primary concern is to see that everyone toes the line.
  • Rolf Gruber/Ensemble (low tenor, dance, 17) Suitor to Liesl, telegram delivery boy, later Nazi soldier. A very pleasant young man, somewhat aggressive but in a gentle way.

Student Roles

  • Liesl von Trapp (mezzo, dance, to play age 16) The oldest child, blossoming into a young lady with an interest in boys. She has a maternal edge to her and cares very deeply for her younger siblings.
  • Friedrich von Trapp (to play age 14) Tough exterior, very much trying to be “the man” of the family.
  • Louisa von Trapp (to play age 13) Rebellious attitude.
  • Kurt von Trapp (to play age 10, falsetto) Gentle and mischievous.
  • Brigitta von Trapp (to play age 9) Smart, reads a lot.
  • Marta von Trapp (to play age 7) Very sweet and gentle.
  • Gretl von Trapp (to play age 6) Must have the cute factor.

The Carnegie’s 2021-22 Theatre Series is presented by the Otto M. Budig Family Foundation.

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About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at http://www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Carol Ann & Ralph V. Haile, Jr. Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the City of Covington. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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September 8, 2021 · 10:59 am

Auditions Announced for ON THE TOWN at the Covedale Center

CCPACincinnati Landmark Productions to hold auditions for ON THE TOWN

Open Audition dates/times:

  • Saturday, October 30th 2:00 to 5:00pm
  • Sunday, October 31st 3:00 to 6:00pm

Callbacks:

  • Monday, November 1st 6:30 to 9:30 pm.

Audition Location:
The Warsaw Federal Incline Theater
801 Matson Place
Cincinnati, OH 45204

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at Jenniferperrino@clpshows.org.

CLP MASK POLICY – as of August 2021
In accordance with current state guidelines, masks are not required though recommended in CLP venues for those who are fully vaccinated. If you are not fully vaccinated, we ask that you wear a mask throughout the space unless you are actively auditioning. If needed, masks we be available. CLP will continue to follow state and local mandates.

Important Audition Information

  • You will be asked to read from the script.
  • Please prepare a song to sing for 32 measures in musical theatre style.
  • You will be taught a dance combination as well.
  • Must be a minimum of 16 years of age to audition.
  • MUST HAVE A RESUME listing theatrical experience in order to audition
  • A headshot/picture is appreciated. Please bring a headshot and resume
  • CLP is actively seeking a diverse cast. Performers of all races and ethnicities, gender identities, sexualities and abilities are especially encouraged to audition and will be considered for all roles

No more than 2 conflicts will be accepted during the rehearsal process.
All roles are paid positions. No Roles have been precast.
Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly.

Performances
March 17 – April 10 2022
Music by Leonard Bernstein/Book and Lyrics by Betty Comden and Adolph Green/ Based on an Idea by Jerome Robbins

Production team: Maggie Perrino, Co-Director/Choreographer; Genevieve Perrino, Co-Director/Choreographer; Greg Dastillung, Music Director and Holly McGowan, Production Stage Manager

ON THE TOWN, the energetic wartime musical about three sailors on a 24-hour leave in New York City, features thrilling music by Leonard Bernstein with playful lyrics and book by Betty Comden and Adolph Green. The show’s celebrated score includes a number of musical theatre standards, including “Come Up to My Place,” “I Can Cook, Too,” “Some Other Time” and “New York, New York.”

Cast info:

  • Gabey (Supporting): Male, 20-39
    a sailor, earnest and enthusiastic – almost to a fault (as tends to be somewhat rash). After a single glance at the picture of Ivy Smith, he falls head over heels in love. Must be a superb dancer; baritone, Bb-high A.
  • Chip (Supporting): Male, 20-39
    a sailor, energetic and determined to see every sight New York has to offer under a 24 hour time constraint – the ultimate tourist, somewhat naïve, the object of Hildy’s enthusiastic affection. Must be a superb dancer; baritone: Bb-high G.
  • Ozzie (Supporting): Male, 20-39
    a sailor, the ultimate ladies man and well-known wise guy, loves all women, but Claire in particular; must be a superb dancer, character baritone: F-high G.
  • Ivy Smith (Supporting): Female, 20-39
    small town girl trying to make her way in New York as an aspiring actress/lounge dancer. AKA ‘Miss Turnstiles of the Month’ Ivy is the object of Gabey’s affection. Spirited but with a certain class and elegance. Must be a superb dancer, ballet and jazz; mezzo-soprano, low C-high G.
  • Hildy (Supporting): Female, 20-39
    a female cab-driver, confident, brash and aggressive. Rarely takes ‘no’ for an answer especially from Chip; must have great comedic chops; mezzo-soprano, low A-high G.
  • Claire De Loone (Supporting): Female, 30-49
    gorgeous, somewhat zany anthropologist, on the outside she is elegant, poised and intellectual but under it all she tends to be man-obsessed and wild. Ozzie brings out this ‘other’ side to her, also engaged to Judge Pitkin; soprano, low F-high C.

Other Roles

  • Madame Dilly (Supporting): Female, 40-69
    Ivy’s vocal coach, somewhat world-weary, she posses an intimidating presence and a no-nonsense, slightly sloppy demeanor. Must be a brilliant comedienne who plays a drunk, punctuates her notes with swigs of whiskey; character mezzo-soprano, low C-High Eb.
  • Pitkin (Supporting): Male, 40-59
    a judge, stately but a bit gullible and dim, engaged to Claire, a very trusting cuckold; bass, A-D.
  • Diana / Dolores: – Ages 22 – 35. Soprano. Diana Dream and Dolores Dolores are nightclub singers.
  • Workman 1: – Bass. Opens the show with the soulful lament, “I Feel Like I’m Not Out of Bed Yet.”
  • Rajah Bimmy: – Ages 30 – 65. Bass. Rajah is the MC for a dancing show featuring Ivy. Will double as Miss Turnstiles announcer.
  • Male and Female Ensemble Parts both speaking and dancing roles.

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