Author Archives: robbucher

Positions Available at Cincinnati Arts Association

caa_logoAPPLICATION DEADLINE: MAY 31, 2018

POSITION OPENINGS
The Cincinnati Arts Association is seeking enthusiastic and conscientious individuals to join our team in full-time and part-time positions at our Aronoff Center for the Arts and Music Hall locations:

ACCOUNTANT – OPERATIONS
The Accountant-Operations is primarily responsible for the accounting aspects of transactions arising from operational events and assisting the finance department in creating accurate and timely financial records. This position will be stationed at our Aronoff Center for the Arts location.

Responsibilities:
The Accountant-Operations primary responsibilities will include, but are not limited to: serving as liaison between operation’s departments and finance; assisting in the budgeting process as it relates to events; reviewing records of accounts and inputting entries into proper accounts; gathering information for and preparing settlements and concessions invoices; being responsible for cash management of various departments; maintaining spreadsheets and other records summarizing event results and profitability; maintaining financial security by following internal controls; conducting other financial analysis as needed.

Qualifications:
The ideal candidate will have good interpersonal skills requiring sound judgement and tact to communicate effectively with staff and third parties. Must possess the ability to work under pressure in a fast-paced environment, meet deadlines and work independently or as a team member. Must have excellent math, problem solving, and time management skills; a high level of organization and attention to detail is essential. Strong knowledge of accounting principles, business practices associated systems and procedures required. Proficient in Microsoft Excel. Demonstrated ability to maintain confidentiality. Bachelor’s degree in Accounting and a minimum of two years’ related experience; or equivalent combination of education, training and experience.

CUSTODIAN 2ND SHIFT
This 2nd Shift full-time position (3:00p-11:00p) will be stationed at our Aronoff Center for the Arts location.

Responsibilities:
The primary responsibility of this position is to assist in maintaining a clean environment throughout the facility. General responsibilities of this position will be to perform a variety of custodial duties including, but not limited to: using cleaning supplies and equipment to keep the interior of the facility looking clean and professional; responding to custodial requests quickly and in a professional manner; cleaning, sanitizing and detailing restrooms and backstage areas; cleaning and vacuuming of auditoriums; detailed office cleaning; assisting with room/event set-ups; maintaining outside walk areas; perform routine cleaning tasks based on a schedule.

Qualifications:
The ideal candidate will possess the desire and will to work independently and as a team member, with a strong desire to accomplish the tasks at hand. Having a keen eye for detail and diligence is also imperative in the role of custodian. Must possess the physical ability to push, pull, carry, move on a regular basis, and lift up to 50lbs. Previous custodial experience a plus. Candidates must be able to work weekends, and holidays as needed. Strong customer service skills. Good verbal communication and people skills a must. High school diploma or equivalent required.

EVENT SECURITY PART-TIME
These part-time, Event Security positions will be stationed at both our Aronoff Center for the Arts and Music Hall locations.

Responsibilities:
Primary responsibilities include but are not limited to: ensuring a safe and secure environment for clients, staff and guests during events while continually monitoring the premises; reporting safety concerns, security breaches and unusual circumstances both verbally and in writing; handling security issues or emergency situations appropriately; remaining flexible to an ever-changing environment; maintaining awareness of and familiarity with event-specific instructions.

Qualifications:
The ideal candidate will possess exceptional verbal communication and people skills. Ability to work with a broad range of people is essential to this position. Prior experience in a security or customer-service oriented environment preferred. Neat and professional appearance is a must. Must be available to work a flexible schedule including various shifts, evenings, weekends, and holidays as needed. While performing the duties of this job, Event Security personnel are regularly required to stand and walk for periods of time. High school diploma or equivalent.

FLOOR SUPERVISOR PART-TIME
These part-time, Floor Supervisor positions will be stationed at both our Aronoff Center for the Arts and Music Hall locations.

Responsibilities:
General responsibilities include, but are not limited to: overseeing front-of-house functions in a designated quadrant for events and performances, while ensuring safety of patrons and providing exceptional customer service; supervising volunteer usher positions; completing reports after events; monitoring lobby activity; understanding and implementing emergency procedures.

Qualifications:
The ideal candidate must be able to exercise sound judgment and make decisions under pressure. Must possess excellent verbal and written communication skills as well as exceptional customer service skills; ability to work well with a diverse population is critical to this position. While performing the duties of this job, the Floor Supervisor is regularly required to stand and walk for periods of time. Ability to climb stairs essential. Ability to lift up to 35lbs. Prior supervisory experience is must. Familiarity with the public assembly setting, Americans with Disabilities Act (ADA); CPR/First Aid experience a plus. Must be available for a varied and flexible schedule; mostly nights and weekends.

TO APPLY:
Interested candidates may complete an application at/or send resume by May 31, 2018 to:

Cincinnati Arts Association
Attn: Human Resources
650 Walnut Street
Cincinnati, Ohio 45202

Or email: HR@cincinnatiarts.org
No phone calls please.
EOE/M/F/D/V/SO Employer

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Cast Announced for NOTHING LIKE A DAME A Cabaret of Broadway’s Leading Ladies at Cincinnati Music Theatre

CMT_Nothing Like a Dame logo

June 8-9 & 15-16
Aronoff Center – Fifth Third Bank Theater

Cincinnati Music Theatre Announces Casting
for Cabaret Event in June at the Aronoff Center 

(Cincinnati, OH) – Cincinnati Music Theatre (CMT) is pleased to announce the casting of NOTHING LIKE A DAME: A Cabaret of Broadway’s Leading Ladies at the Aronoff Center’s intimate Fifth-Third Bank Theater on June 8-9 and 15-16 (see detailed schedule below). CMT has attracted some of the area’s top local talent and theatre veterans – many of whom have performed in past CMT productions – for its second cabaret production through a new partnership with the Cincinnati Arts Association.

NOTHING LIKE A DAME – Cast List  

  • Debbi Berlon (Lola in Damn Yankees, Cincinnati Music Theatre)
  • Pamela Kay Day (Kathy Selden in Singin’ in the Rain, Cincinnati Landmark Productions; Rose in Gypsy, CMT)
  • Sarah D Flerlage (Theatre IV Children’s Touring Theatre; Mrs. Brill in Mary Poppins and Mum in Billy Elliott, CMT)
  • Heather Hale (B.M. Music Performance, Northern Kentucky University; Regina in Rock of Ages, The Carnegie)
  • Ellie O’Hara (Winner, 2018 Overture Award in Theater; studies at Musical Arts Center and Moss Dance Academy)
  • Jessica Kaiser (BFA, Northern Kentucky University; National Tour of Sesame Street Live!)
  • Mary Puetz (Mrs. Higgins in My Fair Lady,  Cincinnati Landmark Productions)
  • Katelyn Reid (Graduate, University of Cincinnati College-Conservatory of Music ; Meg Brockie in Brigadoon, Cincinnati Landmark Productions)
  • Wayne Wright (Ensemble member, LOVE IS LOVE: A Cabaret of Broadway Songs About Love; vocalist, Cincinnati Ballet’s Footage; voice of The Big Red Smokey, Cincinnati Reds)

The sparkling new cabaret will celebrate Broadway’s legendary leading ladies – from Mary Martin and Ethel Merman to Idina Menzel and Kristen Chenoweth. Sitting at tables with a drink in hand and lite bites from We Olive, audiences will hear the most memorable musical moments from the Golden Age of Broadway, right up to today’s contemporary hit shows, including Anything GoesThe Sound of MusicGypsyEvitaInto the Woodsand Wicked. A charming master of ceremonies will share interesting facts and amusing anecdotes about these beloved Broadway dames, whose personalities and talents created stage legends and transcended marquees. It’s the perfect show for a night out with friends!

Tickets are only $25 and include a lite bite from We Olive and one beverage (ticket price includes all fees). Tickets are available now at CincinnatiArts.orgCincinnatimusictheatre.org, (513) 621-ARTS [2787], and the Aronoff Center Ticket Office.

NOTHING LIKE A DAME PERFORMANCE SCHEDULE   

  • Friday, June 8, 2018 at 8:00 PM
  • Saturday, June 9, 2018 at 5:00 PM & 8:00 PM
  • Friday, June 15, 2018 at 8:00 PM
  • Saturday, June 16, 2018 at 5:00 PM & 8:00 PM

Cincinnati Music Theatre
One of Cincinnati’s oldest and most successful community theaters, CMT is proud of its long history of presenting popular, large scale, award-winning musicals to enthusiastic audiences from across the Greater Cincinnati area. For more information, visit www.cincinnatimusictheatre.org, LIKE us on Facebook at www.facebook.com/cincinnatimusictheatre, and follow us on Twitter @CinMusicTheatre.

We Olive & Wine Bar (lite-bite partner)
A retailer and tasting room featuring California extra virgin olive oil, balsamic vinegar, and artisan wines, We Olive serves a fresh and delicious menu of plates perfect for wine pairing. www.weolive.com/cincinnati/

Cincinnati Arts Association
Founded in 1992, the Cincinnati Arts Association (CAA) is a not-for-profit organization that oversees the programming and management of two of the Tri-state’s finest performing arts venues – the Aronoff Center for the Arts and Music Hall – and is dedicated to supporting performing and visual arts. www.CincinnatiArts.org.

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CFF18: THE GOSPEL OF BARABBAS

CFF18_Gospel of Barrabbas promo1THE GOSPEL OF BARABBAS
Part of the Cincinnati Fringe Festival ’18
MEMO Studio
Over-the-Rhine

Directed by Mike Sherman
Produced by Joshua Steele

Cast: Kaleb King as Jesus of Nazareth, Rory Sheridan as Barabbas, Maggie Lou Rader* as Trudy of Nazareth/Ensemble, Rodger Pille as John The Baptist/Pontius Pilate/Ensemble, Mike Dennis as Manuel/Ensemble, Lormarev Jones as Mary/Peter/Ensemble,Randy Lee Bailey as Guard/Ensemble, Lisa DeRoberts as Elisabeth/Judas/Ensemble, Kendall Young as Lydia/Ensemble & Mike Moskowitz as Voiceover

Who smokes a lot of weed, drives a Chevy Astro and was pardoned by the Jews instead of Jesus? It’s Barabbas! The Big Lebowski meets ROSENCRANTZ AND GUILDENSTERN ARE DEAD in an absurd adventure through biblical Israel, alongside Trudy of Nazareth, and their buddy Manuel, the satanically-possessed pig. Warning: offensive for all audiences.

  • Wed, May 30 at 9pm
  • Fri, June 1 at 7pm
  • Tue, June 5 at 7:45pm
  • Thu, June 7 at 9pm
  • Fri, June 8 at 8:30pm

Official page | Press release | Facebook page | Facebook event | Official website

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World Premiere Solo Piece by Award-Winning NY-Playwright Excavates the Creator’s ‘Mad’ Great Grandmother at the Cincy Fringe Festival in SHE BURIED THE PISTOL

CFF18_SHE BURIED THE PISTOL II by Molly Hagan

Lydia Blaisdell. Photo by Molly Hagan.

CINCINNATI, OH – Following sold-out runs of her immersive apocalyptic audio adventure (BEAR EATS BEAR) in Brooklyn, Toronto, Charlotte, Austin, and the Minnesota Fringe, award-winning playwright, Lydia Blaisdell, offers the world premiere of her first solo work, which weaves family secrets, medical records, and photographs together, unearthing her great-grandmother’s decades lost in a state-run asylum.

In 1931, Cora Lockett—an accomplished pianist, teacher, and mother of three–was held in a state asylum against her will until her death 32 years later. “She Buried the Pistol” examines Cora’s “madness,” and whether the patterns handed down from our ancestors can ever be laid to rest. A current member of the OBIE-Award winning playwriting group Youngblood at Ensemble Studio Theater and a graduate of the Michener Fellowship for Writers, this piece will be Blaisdell’s first performance of her own work in over a decade.

Press for SHE BURIED THE PISTOL

“Part of the privilege of seeing theater is being able to negotiate the different angles of experience in a shared space with characters who are living those orientations in real time. In the last few weeks, I’ve loved She Buried the Pistol by Lydia Blaisdell for that reason.” – Gracie Gardner, New York Theatre Review, 2018

Past Press for Blaisdell’s Plays

***** “Absolutely worth it; a little scary, [a little funny], a little heartbreaking, and very, very human.” – Audience review of Bear Eats Bear, Minnesota Fringe 2017

 “Thoughtful and tenderhearted, Bear Eats Bear is a great curiosity”- The Austin Chronicle, 2017, review of the Rude Fusion production of Bear Eats Bear

“…a feminist study of the tragic injustices suffered by ordinary women for centuries, perhaps millennia” – Lexington Herald Leader, review for The Silent Woman in 2015 

WHAT: SHE BURIED THE PISTOL in the Primary Line-up of the 2018 Cincy Fringe

WHO: Created & Performed by Lydia Blaisdell

Directed by Hannah Wolf

Design by Bruno-Pierre Houle

Poster image by Jenny Snider

WHEN:

  • 7:45 pm Saturday, June 2, 2018
  • 7:00 pm Sunday, June 3, 2018
  • 6:30 pm Tuesday, June 5, 2018
  • 8:30 pm Thursday, June 7, 2018
  • 9:00 pm Friday, June 8, 2018
  • 2:45 pm Saturday, June 9, 2018
  • 6:30 pm Saturday, June 9, 2018

WHERE: First Lutheran Church (FLC) Basement, 1208 Race Street, Cincinnati, OH 45202

TICKETS: $15 at https://knowtheatre.vbotickets.com/event/She_Buried_the_Pistol/27323

SHOW WEBSITE: https://guide.artswave.org/event/she-buried-the-pistol/

Creator Bio:

Lydia Blaisdell is a proud member playwright of the OBIE-winning collective Youngblood at Ensemble Studio Theater (since 2010). She is a graduate of the Michener Center for Writers at UT Austin. Blaisdell recently received the 2018 Visionary Playwright Award and commission from Theater Masters, which will take her to the Aspen Ideas Festival later this summer. Bear Eats Bear, her immersive audio piece, has toured to Toronto, Brooklyn, Charlotte, Minneapolis, and Austin, TX. Her dystopian piece, The Last Great American Bear Hunt, was a finalist for the O’Neill National Playwrights Conference (2016). Her historical sex-doll play, The Silent Woman, won the 2015 Kentucky Women Writers Conference Prize and made Honorable Mention on the 2016 Kilroy’s List of best new plays.  She has been awarded residencies at Yaddo (fall 2016), the Marble House Project (fall 2017), and Ucross (spring 2018) in Wyoming. Her work has been received grants from the Jerome Foundation, the City of Austin, and Scriptworks. She belongs to the Brooklyn-based writers’ collective, Kristiania, and the Austin-based political action group, Literary Women in Action.  Her short play about pubic waxing, Donna’s First Brazilian, is published and licensed by Samuel French. Lydia lives in Brooklyn with her pup.

More info at: http://www.lydiablaisdell.com

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CFF18: THE BLACKFACE PROJECT

CFF18_The Blackface Project promoTHE BLACKFACE PROJECT
Part of the Cincinnati Fringe Festival ’18
Gabriel’s Corner
Over-the-Rhine

Written by Isaiah Reaves
Directed by J. Farley Norman

Cast: Isaiah Reaves as Bert Williams, Kearston Hawkins-Johnson as Julia ‘Mudda’ Williams, Patrick Taft as Florenz Ziegfeld Jr., Lexi Rigsby as Lillian Lorraine, Matthew Nassida as Bobby North & Geoff Hill as Sambo

The year is 1910. It’s opening night. Bert Williams is the first black man on Broadway. But at what cost?

  • Thu, May 31 at 8:30pm
  • Fri, June 1 at 8:30pm
  • Sun, June 3 at 7pm
  • Fri, June 8 at 7pm
  • Sat, June 9 at 2:45pm

Official page | Press release | Facebook page | Facebook event | Official website

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