Monthly Archives: March 2019

Storytellers Sought for trueSTORM at trueTHEATRE

TRUE_logoWho doesn’t love a good story? Who doesn’t have one of their own? You’ve got a lot of them and you know others who do, too!

Well, True Theatre is looking for people, right now, to share their stories at our upcoming show (trueSTORM) on April 25, at Memorial Hall!

We’re mostly looking for stories that approach the theme literally (stories with a weather-related storm at their center). We will entertain a metaphorical approach to the theme as well, but are leaning toward the literal, when it comes to this show.

Snow storms, lightning storms, rain, hail, hurricanes, tornadoes, etc. For some, the story is in the anticipation of the storm’s arrival. For others, it’s the actual weathering of the storm that will be what they pitch. For still others, the storm is only the beginning of their story.

What’s your story?

If you have a story that you’d like us to consider, find your way over (or send someone that you recommend) to our submission page on our website (https://www.truetheatre.com/true-pitch) or write us at stories@truetheatre.com and let us hear from you as soon as possible!

Thanks for your consideration and for helping us spread the word! We look forward to hearing from you.

Truly!

Your friends at True Theatre
stories@truetheatre.com
www.truetheatre.com
“Our stage. Your story.”

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The Carnegie Theatre Season Closes with SWING!

TC_Swing Press Proofs-20 purple

Photo by Mikki Schaffner.

Playing Weekends March 30 – April 14

(COVINGTON, KY) – When the beats of a big band start playing it’s hard to keep still. Toes will be tapping along to the music in the Otto M. Budig Theatre during The Carnegie’s production of SWING!, featuring the RL Little Big Band, weekends March 30 – April 14.

High energy beats and fast-paced dance moves are hallmarks of swing music, which exploded out of pre-war Harlem’s hotbed of youth culture and became a worldwide phenomenon. The genre crossed racial and cultural barriers to bring us popular dances like the Lindy Hop, the Jive and more. SWING! celebrates this remarkable diversity to the beat of the most exhilarating songs of the period. But as this enthralling song-and-dance show makes abundantly clear, swing was never a time or place – it has always been a state of mind.

“SWING! is just a really fun way to close out our season,” said Carnegie Theatre Director Maggie Perrino. “It’s a celebration of movement and music that can be enjoyed by audiences of all ages.”

Winner of five Tony Awards, including Best Musical, SWING! features popular songs like “It Don’t Mean a Thing (If it Ain’t got that Swing),” “Boogie Woogie Bugle Boy,” “I’ll be Seeing You,” and “Don’t Sit Under the Apple Tree.”

Providing the instrumentals for those iconic songs are members of the RL Little Big Band led by Randy Linville.

TC_Swing Press Proofs-16 purple

Photo by Mikki Schaffner.

To get audience members “In the Mood,” The Carnegie will host special Saturday Night Swing Big Band Happy Hours before each Saturday performance (March 30, April 6 and April 13). Cast members will join patrons in The Carnegie Galleries for a happy hour filled with good music and swing dancing starting at 6:30 p.m.

Performances of SWING run weekends March 30 – April 14, Fridays at 7:30 p.m., Saturdays at 7:30 p.m., and Sundays at 3:00 p.m. Tickets are $30, $27 for Carnegie Members and ArtsPass Members, $23 for students. Tickets can be purchased through The Carnegie Box Office, open Tuesday-Friday 12 p.m. – 5 p.m., in person or by phone at (859) 957-1940, or online at www.thecarnegie.com. Patrons seeking group or student tickets should call to make arrangements. 

SWING! Presented through special arrangement with RH Theatricals. 

The 2018-19 Carnegie Theatre Series is presented by the Otto M. Budig Family Foundation. Additional support comes from the Kentucky Department of Tourism. 

Presenting Sponsor: Mark and Rosemary Schlacther

Performer Sponsor: 1919 Investment Counsel

Music Sponsor: Graydon   

CONTENT ADVISORY:  This production is appropriate for all ages. 

ABOUT THE CARNEGIE:
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from ArtsWave, Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

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CAST LIST:

  • Sarah Viola
  • Bethany Xan Jeffery
  • DeAndre Smith
  • Dave Wilson
  • John Woll
  • Renee Stoltzfus
  • Trase Milburn*
  • Franchesca Montazemi
  • Collin Newton
  • Grace Vetter

*dance captain

Featuring the RL Little Big Band live onstage with Band Leader, Randy Linville

PRODUCTION TEAM:

  • Director/Choreographer- Tracey Bonner
  • Music Director- Xan Jeffery
  • Set Designer- Tyler Gabbard
  • Lighting Designer- Elanor Eberhardt
  • Costume Designer- Catherine Schmeal
  • Stage Manager- Emily Coffey
  • Asst. Stage Manager- Amellia Adkins

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Cincinnati Shakespeare Company Announces the 2019-2020 Season at The Otto M. Budig Theater, The Season of the Woman

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Women take center stage in Cincinnati Shakespeare’s new season

 CINCINNATI (March 6, 2019)– Cincinnati Shakespeare Company (CSC) announced the titles for its 2019-2020 Season at The Otto M. Budig Theater in an event on March 6.  This season will feature Women, on stage and off, in The Season of the Woman.  CSC’s 2018-2019 Season is generously sponsored by The Otto M. Budig Family Foundation, The Carol Ann and Ralph V. Haile Jr. Foundation, The Shubert Foundation, Ohio Arts Council, and ArtsWave and all productions will feature Cincinnati Shakespeare Company’s Resident Company of Actors.

From June of 1919 to August of 1920, these United States passed and ratified the 19th Amendment to the Constitution, granting women the right to vote. In commemoration of this centennial, Cincinnati Shakespeare Company will shine the spotlight on the Women of Cincinnati Shakespeare Company, both onstage and off, as they join organizations across the city to celebrate the 100th anniversary of Women’s Suffrage with “The Season of the Woman.”

Beginning in July, they will present the Regional Premiere production of Miss Holmes, which adapts the classic mystery series and reimagines the iconic Sherlock Holmes and Dr. Watson as two women solving crimes in Victorian England. They will examine the relationships of women in politics in Shakespeare’s Hamlet, with the title character re-gendered as a woman. Audiences will watch two women win the day over infamous trickster Falstaff through their own uniquely feminine wits and wiles in Shakespeare’s hilarious comedy, The Merry Wives of Windsor set directly in the era of suffrage. And audiences will bear witness to Shakespeare’s searing depiction of both female power and violence against women in his bloodiest tragedy, Titus Andronicus.

Cincinnati Shakespeare is thrilled to welcome female playwrights and female authors to their stage as they present a fresh adaption of Jane Austen’s Pride and Prejudice by Kate Hamill. They will tell the story of a family in turmoil centered on a powerhouse matriarch in the modern classic August: Osage County by Tracy Letts. And they will close the season with the Regional Premiere of the heartwarming story behind the friends who saved William Shakespeare’s plays from disappearance in Book of Will by Lauren Gunderson, the most produced female playwright in America.

CSC will showcase its first commission from a living playwright in over a decade. In 2017, the top two most produced playwrights in America were William Shakespeare and Lauren Gunderson. Producing Artistic Director, Brian Isaac Phillips says, “We can’t ask Will. So we asked Lauren. And she said yes! In 2020, CSC will feature a developmental reading of a brand new play by Lauren Gunderson: a contemporary, female-focused sequel to Shakespeare’s Hamlet.”

And finally during the season, because the passage of the 19th Amendment, while worthy of celebration, did not in fact guarantee voting rights for all, Cincinnati Shakespeare will be presenting All The Way by Robert Schenkkan. Set in the tumultuous 1960s, this modern classic tells story of LBJ’s fight to enact the Civil Rights Act of 1964.

Cincinnati Shakespeare Company continues to offer audiences great value with affordable, flexible subscriptions that include flexible tickets that can be used in any combination for any performance. Subscription packages start at $284.  All subscriptions are currently on sale now and may be purchased through the Cincinnati Shakespeare Company website http://www.cincyshakes.com or box office by calling 513-381-BARD (2273) ext. 1.  Single tickets for all shows will go on sale Monday April 1, 2019 but the recommended way to get the best price and first access to seats is by becoming a subscriber!  There are also discounts available for students, seniors, local residents, and community partners.

The 2019-2020 “Season of the Woman” at The Otto M. Budig Theater is as follows:

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Kelly Mengelkoch as MISS HOLMES. Photo by Mikki Schaffner Photography.

Miss Holmes*
By Christopher M. Walsh
Based on characters by Sir Arthur Conan Doyle
July 19 – August 4, 2019

When a young newlywed suspects her husband, a high-ranking investigator at Scotland Yard, has murdered his previous two wives, she fears she has nowhere to turn. But the game is afoot when her case is taken by two fiercely intelligent and independent women who refuse to be contained by the conventions of their time: Miss Sherlock Holmes and her stalwart companion Doctor Dorothy Watson. This clever reimagining of Sir Arthur Conan Doyle’s iconic characters pits its heroes not only against cunning criminal masterminds, but also against the rigid and restrictive rules of Victorian society and the roles in which it is bent on casting them.  

August: Osage County
By Tracy Letts
Pride

This Pulitzer Prize and Tony Award winning family drama centers around Violet, the pill-addicted and scathingly manipulative matriarch of the Westin family. When her husband disappears, the rest of the clan is brought together for an unexpected reunion where old wounds are reopened and buried secrets brought to light. By turns vicious, funny, harrowing, and heartbreaking, August: Osage County is an American classic in the making.  

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Miranda McGee as Tamora & Darnell Pierre Benjamin as Aaron in TITUS ANDRONICUS. Photo by Mikki Schaffner Photography.

William Shakespeare’s
Titus Andronicus
October 11 – November 2, 2019

This Halloween season, murder, mayhem, and mutilation abound, as Shakespeare’s bloodiest play descends on the CSC stage. Roman general Titus Andronicus returns victorious from 10 years of war, his archnemesis Tamora Queen of the Goths in tow and in chains. But when Rome’s rash and impetuous new Emperor decides not only to free her, but to marry her and make her his queen, she embarks upon a remorseless course of revenge. As she and Titus engage in an escalating cycle of violence and vengeance, the body count rises and Rome threatens to fall.      

William Shakespeare’s
The Merry Wives of Windsor
November 15 – December 7, 2019

The bawdy, bombastic, and chronically cash-poor Sir John Falstaff has been raising hell in the quiet town of Windsor. When his massive bar tab outstrips his meager means, he needs to raise some cash—and quick. He hatches a plan to seduce two of Windsor’s most wealthily married women, but when they catch wind of his salacious scheme, they turn the tables on their would-be wooer, joining forces to teach him a lesson he won’t soon forget. 

Every Christmas Story Ever Told (And Then Some!)*
By Michael Carleton, James FitzGerald, and John K. Alvarez
December 13 – 29, 2019

CSC’s holiday smash hit Every Christmas Story Ever Told (And Then Some!) is back! What begins as another annual production of A Christmas Carol soon devolves into a slightly irreverent look at all of our favorite “beloved holiday classics,” including It’s a Wonderful Life, Frosty, Rudolph, Charlie Brown, and more! Three actors (with the help of Santa) send up everything from Dickens to Dr. Seuss in 90+ minutes of high-octane jollity and frivolity. 

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Sylvester Little, Jr. as Martin Luther King Jr. in ALL THE WAY. Photo by Mikki Schaffner Photography.

All the Way
By Robert Schenkkan
January 24 – February 15, 2020

1964. In the wake of an assassination that shook a nation to its core, a larger-than-life figure is propelled into the national spotlight. Faced with civil unrest at home and an unpopular war abroad, accidental president Lyndon B. Johnson struggles at the eleventh hour to get the hotly contested Civil Rights Act across the finish line, and to keep an already divided country from tearing itself apart. Don’t miss the professional regional premiere of this epic political thriller. 

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Caitlin McWethy as Elizabeth & Courtney Lucien as Jane in PRIDE AND PREJUDICE. Photo by Mikki Schaffner Photography.

Pride and Prejudice
By Kate Hamill
adapted from the novel by Jane Austen
February 28 – March 28, 2020

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” One of the single most beloved stories of all time returns to the CSC stage in a fresh new adaptation which critics are calling “delightfully different,” “fizzy and festive,” and “unlike any adaptation of Jane Austen one has seen before.” Sweepingly romantic, with a good dose of the tongue-in-cheek, Pride and Prejudice follows the affaires de cœur of the witty and willful Elizabeth Bennet, as she finds that the path to true love can lead to the most unexpected of places. 

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Sara Clark as HAMLET. Photo by Mikki Schaffner Photography.

William Shakespeare’s
Hamlet
April 10 – May 9, 2020

The mysterious death of a king is followed by his brother’s unconventional ascension to the throne. The Queen’s bed casts young Hamlet, usurped heir to the crown, in the role of reluctant avenger. Incest and intrigue, murder and madness, triumph and treachery all combine to paint one of the most complex and compelling portraits in all of English literature. 

The Book of Will
By Lauren Gunderson
May 22 – June 14, 2020

This funny, irreverent, and irresistibly charming tale shows us just how close we came to losing the legacy of the most influential writer in Western civilization. Three years after the death of William Shakespeare, John Heminges and Henry Condell, former colleagues and friends of the Bard, contend with egotistical actors, bootleg knockoffs, and a ticking clock to ensure that the First Folio gets published, and that the works of William Shakespeare don’t end up on the trash heap of history. 

*Season Specials

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2019-2020 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

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Scene Shop Administrative Assistant Sought by Playhouse in the Park

PIP_logoCincinnati Playhouse in the Park is an equal opportunity employer and encourages inquiries about this position from a broad spectrum of candidates reflecting the diversity of the community we serve.

Job Title: Scene Shop Administrative Assistant

Reports to: Technical Director
Position Overview: Responsible for the coordination and execution of logistical and clerical duties necessary to the function of the Scene Shop, Props Shop, and Paint Department.

Position Responsibilities include:

  • Research, order and track materials, tools, and hardware for all shops
  • Maintain inventories of physical and digital materials for all shops
  • Maintain orderly financial filing system
  • Maintain and track petty cash
  • Maintain a list of vendors for supplies, equipment, repairs, rentals, etc.
  • Maintain balanced budgets and prepare weekly budget reports for Scenic Department Heads, Production Management, and Finance
  • Provide logistical support for all shop personnel
  • Track and process labor needs including time card management, scheduling extras/overhires, and planning for non-typical work schedules
  • Contract rentals, including forklifts, dumpsters, & trucks
  • Update safety logs
  • Coordinate building maintenance needs including safety inspections, repairs, stocking vending machines, dumpster removal, etc.
  • Schedule and track maintenance and repairs of tools, hardware, and office equipment
  • Generate workflow schedules for each production including key dates, duration of each production process, and detailed build and load-in schedules.
  • Track and report labor hours
  • Prepare memos, emails, and reports
  • Other duties as assigned

Competencies include:

  • Bachelor’s degree or commensurate experience (BA in Theatre/Production Management preferred)
  • Self-motivated and detail oriented
  • Proficient with Microsoft Office, including Word, Excel & Outlook (proficiency with accounting software, such as QuickBooks, preferred)
  • Ability to adapt to and quickly learn new procedures
  • Excellent interpersonal and communication skills
  • Ability to multi-task in a fast-paced environment
  • A valid driver’s license and good driving record
  • Working knowledge of scenic construction processes is preferred.

Physical Demands: While performing the duties of this job, the employee is regularly required to talk and hear. The position also requires the ability to frequently stand, walk, sit, climb a ladder and bend as necessary. The employee must frequently lift and/or move up to 10 pounds and occasionally lift and/or move up to 25 pounds. Specific vision abilities required by this job include close vision, distance vision, color vision, peripheral vision, depth perception and ability to adjust focus.

This is a full-time, seasonal, non-exempt position with an expected start date of July 2019. Benefits include medical, dental, life and long-term disability insurance, paid time off, and 401k/403b pension plans.

Employment is contingent upon successful completion of a background check.

To Apply:
Submit your cover letter and resume with three references to:
Sharon Weber
Human Resources Manager
Email to: sharon.weber@cincyplay.com
No phone calls, please.
Deadline to apply: March 22, 2019

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2019-2020 Season Announced by CenterStage Players

CSPOH_logoCenterStage Players is delighted to announce their 2019-2020 season!

Our season opens with THE ELEPHANT MAN by Bernard Pomerance and directed by Tom Peters. The story of John Merrick during his stay at London’d Whitechapel Hospital under the care of Sir Frederick Treves, a surgeon, in 1880. Premiering in London in November of 1977, the production moved to Broadway in 1979 and ran until 1981, winning the Tony Award for Best Play (among others).  The play was adapted for a 1982 broadcast on ABC and a radio play by the BBC in 1988.
September 27-29 and October 4-6, 2019

Next up, we present MARVIN’S ROOM by Scott MacPherson and directed by Julie Jordan. Premiering at the Goodman Theatre in Chicago in 1990, it won the Drama Desk Award for Outstanding play in 1992. Bessie, a strong-willed woman, takes care of her bedridden father and eccentric Aunt Ruth. After Bessie is diagnosed with leukemia, her estranged sister, Lee, comes to visit and to be tested as a possible bone marrow donor for her sister. The reunion between the sisters is initially uncomfortable, aggravated by the difficult behavior of Lee’s two sons. The two women eventually confront their shortcomings as sisters, reach out to each other, and arrive at an understanding about the importance of family.
November 15-17 and 22-24, 2019

In the new year, we are presenting a new play written by local playwright Fred Rothzeid and directed by R. Chris Lee. In MOMUS AND APHRODITE, Momus, God of Satire, Blame and Criticism, travels with Aphrodite, Goddess of Love, Passion and Beauty, to Athens, Ohio in search of a man willing to die out of love for her.  Hilarity ensues.  Does love conquer all?  More importantly, can two Greek gods actually find happiness in Athens, Ohio?
March 13-5 and 20-22, 2020

Put on your shoulder pads, grab your Walkman and peg your jeans. We will wrap up the season with HEATHERS: The Musical . With book, lyrics and music by Laurence O’Keefe and Kevin Murphy,  Amanda Borchers will be directing this bitingly satirical romp through high school during the golden age of MTV. You know. When they played music!  Hey, what’s your damage? This dark comedy is based on the 1988 cult classic movie, Heathers and was adapted to the stage in 2013.  After playing to sold out crowds in Los Angeles during previews, it moved to Off-Broadway in spring of 2014.
May 1-3 and 8-10, 2020

For more information, check out our website at centerstageplayersinc.com or follow us on Facebook!

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