Yearly Archives: 2018

Cincinnati Playhouse in the Park Announces Significant Gift to Capital Campaign  Shelterhouse Theatre will Become Rosenthal Shelterhouse Theatre in 2019-2020 Season

PIP_logoCINCINNATI–Cincinnati Playhouse in the Park Capital Campaign Co-Chairmen Woody Taft and Rob Reifsnyder announced today that the Rosenthal Family Foundation has made a significant pledge to the Playhouse’s capital campaign, a gift that includes naming rights to Shelterhouse Theatre.

The newly christened Rosenthal Shelterhouse Theatre will be unveiled at the beginning of the 2019-2020 season, after interior seating improvements are made as the first piece to be completed in the Playhouse’s capital project.

“The Rosenthal Family’s long history of supporting new work has been key to the Playhouse’s ability to produce world premieres every season,” said Blake Robison, artistic director. “The majority of those plays are staged in the Shelterhouse, which is what makes naming it for the Rosenthals such a perfect match. Lois Rosenthal, Dick Rosenthal’s late wife, an emeritus board member of the Playhouse, was an enthusiastic advocate for original, edgy theater. And, she and Dick loved the process of helping to present new works.”

“I’ve always enjoyed seeing the performances that resulted from our sponsorships of new, compelling work found and produced by the talented artistic producing directors of the Cincinnati Playhouse in the Park,” said Mr. Rosenthal. “And, we look forward to seeing them for many more years.”

The Rosenthal Family has supported 28 world premiere plays at the Playhouse since 1988, when they founded the New Play Prize, which continued through the 2002-2003 season. They serve as Season Sponsor of New Work, which they began supporting in 2013.

In February 2017, Cincinnati Playhouse in the Park announced a major capital campaign to build a new, state-of-the art Mainstage Theatre Complex. The construction timetable and building project design are not final, but the current projected opening date will fall in late 2021. The new mainstage theatre complex will cost $39.5 million. During the summer of 2019, all the seats in the Shelterhouse will be replaced and leg room will be added for the start of the 2019-2020 season in the Rosenthal Shelterhouse Theatre.

“The Rosenthal Family Foundation’s generous gift continues the fantastic momentum we’re experiencing with the capital campaign,” said Woody Taft, campaign co-chairman. “To date, we’ve raised $18 million, which includes $14.4 million toward the cost of the new building and an additional $3.6 million for endowment.”

Cincinnati Playhouse in the Park began performances in 1960 after a park shelterhouse was converted into a theatre. The Shelterhouse has been named for Jay Thompson since 1979. Mr. Thompson made the name available to the Playhouse for its capital campaign prior to passing away last year.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also received funding from the Shubert Foundation.

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Cast Announced for SUSAN SWAYNE AND THE BEWILDERED BRIDE at Know Theatre of Cincinnati

KTC_logoMeet Susan Swayne and the Society of Lady Detectives – aside from their interest in swordplay, they’re all perfectly proper Victorian women. Or are they? When the distraught Isabelle Fontaine-Kite insists that a member of the S.o.L.D. is actually her missing husband, Eric, Susan Swayne is on the case!

The cast includes:

  • Lisa Marie DeRoberts as Susan Swayne
  • Regina Pugh* as Bomberry
  • Ernaisja Curry as Isabelle
  • Jordan Trovillion as Denn
  • Alexx Rouse as Madeline
  • Kearston Johnston as Adelaide
  • Chris Wesselman as Man #1
  • Nathan Tubbs as Man #2

Directed by Tamara Winters, performances run Nov. 24-Dec. 16.

For more information visit www.knowtheatre.com

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Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY Review

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Noah Weisberg as Willy Wonka and company. Photo by Joan Marcus.

Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY presented by Broadway in  Cincinnati through Nov. 4. Click here for a synopsis and more information on the production. I attended the opening night performance.

Broadway in Cincinnati opens its 2018-2019 season with a new musical version of the classic children’s novel. Premiering in 2013 in London’s West End, the musical closed after three and a half years before being reworked for the Broadway stage. There it ran for nine months beginning April 2017. This touring production launched last month.

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Noah Weisberg as Willy Wonka and company. Photo by Joan Marcus.

As someone who grew up with fond memories of the 1971 movie Willy Wonka and the Chocolate Factory, this new musical is a bit of a mixed bag. Three songs from the movie have been incorporated into this production: “The Candy Man,” “I’ve Got a Golden Ticket,” and “Pure Imagination.” Mrs. Bucket’s ballad, “If Your Father Were Here” was my favorite of the new songs. That probably isn’t a fair statement as opening night was again plagued by sound issues. Any time the full orchestra kicked in, it became a struggle to hear the vocalists over the music. This happened most notably during the ticket winners’ intro numbers. Add in the heavy accents of the German Gloops and the now Russian Salts and the lyrics became unintelligible.

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Henry Boshart as Charlie Bucket & Noah Weisberg as Willy Wonka. Photo by Joan Marcus.

Performance-wise, I really enjoyed Amanda Rose as Mrs. Bucket. She had a lovely singing voice and it was easy to see where Charlie got his positive outlook on life. Tuesday evening Henry Boshart played Charlie Bucket and handled the demands of the role well. James Young was fun and charming in the role of Grandpa Joe. I did feel that Noah Weisberg has yet to find his footing in the role of Willy Wonka. Bigger and stronger choices would help in that regard. The show does sport a strong ensemble who handled the supporting roles (including the Oompa Loompas) and fun choreography very well.

The colorful costumes and intricate set pieces were visually interesting. The multi-media for the show was also hit-or-miss for me. For some scenes it added a fun visual element, for others its use seem to be an afterthought.

Overall, an entertaining but uneven musical with enough spectacle to keep audiences engaged.

My rating: 4.25 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Directors Call for 2019-2020 Season at Cincinnati Music Theatre

cmt_logoCincinnati Music Theatre is in search of qualified directors for the 2019-20 season.

Established in 1963, Cincinnati Music Theatre has a long and proud history of presenting popular, large-scale, award-winning musicals to enthusiastic audiences from across the Greater Cincinnati area. An all-volunteer group, each season CMT presents two large- or medium-scale musicals in the Jarson-Kaplan Theatre at the Aronoff Center for the Arts, and now an exciting new three-show Studio Series, performing in the Aronoff Center’s Fifth Third Bank Theatre.

We are seeking directors for three Studio Series shows and for the Spring 2020 mainstage production.  (Please note that the Fall 2019 mainstage show and director have been selected.)  CMT mainstage shows are large- or medium-scale, fully-produced musicals; the Studio Series is intended for cabaret, revue, and small-scale musicals with little to no set or tech requirements.

Interested directors should submit the following information:

  1. Name and contact information
  2. Theatrical experience and/or resume
  3. For each production you are interested in directing, please give the following:
  • Application for Mainstage or Studio Series?
  • Show title and creators
  • Licensing entity
  • Cast requirements
  • Production requirements (sets/costumes/props etc.)
  • Do you have staff or tech people you’ve asked (or plan to ask) to work on this production?
  • A brief synopsis
  • Your vision for the production
  • What challenges do you see with this show? How do you plan to meet them?
  • Why is this show a good choice for CMT’s 2019-20 season?

Please send the above information by November 19, 2018 to VP Creative Kendra Struthers at creative@cmtmail.org.

Finalists will be invited to present their show(s) to the Creative Committee and CMT board at the board meeting on Sunday evening, December 9, 2018. If you are not available at that time, Kendra will present for you.

More information about CMT can be found at our website (cincinnatimusictheatre.org).

Please note that CMT is an all-volunteer group, and there is no compensation for staff, actors, tech, or musicians.

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DEAR EVAN HANSEN On Sale Tomorrow, Oct. 26th at 9am

“ONE OF THE MOST REMARKABLE SHOWS IN MUSICAL THEATER HISTORY.”
The Washington Post

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TICKETS FOR THE CINCINNATI PREMIERE OF
DEAR EVAN HANSEN

WILL GO ON SALE FRIDAY, OCTOBER 26 AT 9:00AM

ARONOFF CENTER ENGAGEMENT RUNS
APRIL 30 – MAY 12, 2019

Broadway in Cincinnati announced today that individual tickets for the Cincinnati premiere of Dear Evan Hansen will go on sale Friday, October 26 at 9am. Tickets are available at Aronoff Center box office downtown at 650 Walnut Street, online at CincinnatiArts.org or by phone at 513.621.ARTS. Dear Evan Hansen is a part of the Fifth Third Bank Broadway in Cincinnati 18/19 season presented by TriHealth.

The winner of six 2017 Tony Awards, including Best Musical, Dear Evan Hansen features a book by Tony Award-winner Steven Levenson, a score by Grammy®, Tony® and Academy Award® winners Benj Pasek and Justin Paul (La LandThe Greatest Showman), and direction by four-time Tony Award nominee Michael Greif (RentNext to Normal).

Declared “One of the most remarkable shows in musical theater history” by the Washington Post’s Peter Marks, Dear Evan Hansen opened at the Music Box Theatre to rave reviews on December 4, 2016, where it’s broken all box office records and struck a chord with critics and audiences alike.

In addition to winning six Tony awards, Dear Evan Hansen has won numerous other awards, including the 2017 Drama League Award for Outstanding Musical Production and for the off-Broadway production, two Obie Awards, a Drama Desk Award, and two Outer Critics Circle Awards and two Helen Hayes Awards. The show’s original cast recently won a Daytime Emmy Award for “Best Musical Performance on a Daytime Talk Show” for their April 2017 performance of “You Will Be Found” on NBC’s “Today Show,” only the second Broadway show in history to win that category.

The Grammy Award-winning Original Broadway Cast Recording of Dear Evan Hansen, produced by Atlantic Records, was released in February 2017, making an extraordinary debut on the Billboard 200 and entering the chart at #8 – the highest charting debut position for an original cast album since 1961 – and went on to win the 2018 Grammy Award for Best Musical Theater Album.

A special edition coffee table book authored by Levenson, Pasek and Paul, Dear Evan Hansen: through the window (Grand Central Publishing / Melcher) is now available, offering an in-depth, all-access look at the musical, including never-before-seen production photos and cast portraits, behind-the-scenes stories, and a fully annotated script by the authors.

In addition to the touring production and the record-breaking Broadway production, Dear Evan Hansen will launch its first international production in Canada, in March 2019 at Toronto’s Royal Alexandra Theatre,followed by a production in London at the Noël Coward Theatre later in 2019.

Dear Evan Hansen features scenic design by David Korins, projection design by Peter Nigrini, costume design by Emily Rebholz, lighting design by Japhy Weideman, sound design by Nevin Steinberg, and hair design by David Brian Brown.  Music supervision, orchestrations and additional arrangements are by Alex Lacamoire.  Ben Cohn is the Associate Music Supervisor.  Vocal arrangements and additional arrangements are by Justin PaulDanny Mefford is the choreographer.  U.S. Casting by Tara Rubin Casting/Lindsay LevineAdrienne Campbell-Holt, Sash Bischoff and Adam Quinn are the Associate Directors. Judith Schoenfeld is the Production Supervisor.

The touring production of Dear Evan Hansen is produced by Stacey Mindich. The co-producers are Mickey Liddell, Hunter Arnold, Caiola Productions, Double Gemini Productions, Fakston Productions, Roy Furman, Harris Karma Productions, On Your Marks Group, Darren Bagert, Roger & William Berlind, Bob Boyett, Colin Callender, Caitlin Clements, Freddy DeMann, Dante Di Loreto, Bonnie & Kenneth Feld, FickStern Productions, Eric & Marsi Gardiner, Robert Greenblatt, Jere Harris and Darren DeVerna, The John Gore Organization, Mike Kriak, David Mirvish, Eva Price, Zeilinger Productions, Adam Zotovich, Ambassador Theatre Group, Independent Presenters Network, and the Shubert Organization, in association with Arena Stage, Molly Smith and Edgar Dobie, and Second Stage Theatre, Carole Rothman, and Casey Reitz. Wendy Orshan and Jeffrey M. Wilson are Executive Producers.

Dear Evan Hansen will play the Aronoff Center from April 30 – May 12, 2019: Tuesday – Thursday at 7:30PM, Friday at 8:00PM, Saturday at 2:00PM and 8:00PM, Sunday at 1:00PM and 6:30PM. Tickets start at $35 and will be available at the Aronoff Center Box Office downtown at 650 Walnut Street, online at CincinnatiArts.org or by phone at 513.621.ARTS. For groups of 15 or more, contact the group sales department at 513.369.4363. Performance schedule, prices and cast are subject to change without notice. For more information, please visitBroadwayInCincinnati.com.

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www.dearevanhansen.com
www.instagram.com/dearevanhansen
www.twitter.com/dearevanhansen
www.facebook.com/DearEvanHansen

Fifth Third Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center.  The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year, and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. Fifth Third Bank is the sponsor of the Cincinnati 18/19 Season and the season is presented by TriHealth. LOCAL 12 is the official television station of the 18/19 Cincinnati Season.

BROADWAY ACROSS AMERICA (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include Beautiful, Cats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. Broadway.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com.

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