Yearly Archives: 2018

THE MAN-BEAST Review

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Jennifer Joplin as Virginie & Jim Hopkins as Jean. Photo by Dan R. Winters Photography.

THE MAN-BEAST presented by Know Theatre of Cincinnati through Nov. 10. Click here for a synopsis and more information on the production. I attended the opening weekend Sunday matinee performance.

Know Theatre of Cincinnati continues its 21st Season, FEAR ITSELF, with a new drama based on the 18th Century legend of the Beast of Gévaudan. Previously produced works  at Know by the playwright Joseph Zettelmaier include All Childish Things (2015) and Pulp (2016).

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Jim Hopkins as Jean & Jennifer Joplin as Virginie. Photo by Dan R. Winters Photography.

Many thanks to director Brant Russell for bringing together what may now be my new favorite on stage couple: Jim Hopkins and Jennifer Joplin. Together the pair are electric to watch as Jean and Virginie, a mismatched pair of social outsiders that find companionship and more in each other’s company. Despite their physical differences, Joplin’s character is every bit the equal to Hopkins’ Jean. Their performance styles are very compatible and their chemistry so natural that I almost forgot it was a monster tale. One small complaint would be that I did lose the dialogue a couple of times when Hopkins’ character bellowed quickly.

This intimate and engaging show works well in the Underground space. Russell makes great use of the play area and elicits great character work from the two actors. Every moment rings authentic and I found myself rooting for the unlikely couple. The choreography by fight director Jonn Baca gives the show a great physicality and is very convincing; no small feat considering how close the audience is to the action.

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Jim Hopkins as Jean & Jennifer Joplin as Virginie. Photo by Dan R. Winters Photography.

The set design by Andrew J. Hungerford is perhaps the most ambitious to date downstairs. I loved the weight of it with all the dark wood and stone. It was fun to see Jean constantly bump into items hung for the convenience of the much shorter Viriginie. The lighting design (also by Hungerford) and sound design by Doug Borntrager only enhances the atmosphere of the piece. I was also very pleased with the taxidermy designed by Mara Tunnicliff. Great to see items so essential to the plot executed so well.

Picky picky: When so much work is done to set the mood and period it was disappointing to see (and hear) the caster wheels used on one of the pieces. It was also mentioned to me that from some seats the lighting instruments were visible within the fireplace. It was such a great effect from my seat that I would hope every audience member would have the same experience.

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Jennifer Joplin as Virginie & Jim Hopkins as Jean. Photo by Dan R. Winters Photography.

Overall, an engrossing tale, smartly written and directed only enhanced by the wonderful performances of the two leads. A perfect tale for the season without the gore or body count.

My rating: 4.75 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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MISS BENNET: CHRISTMAS AT PEMBERLEY Review

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Andrew Fallaize as Arthur de Bourgh & Ayana Workman as Mary Bennet. Photo by Mikki Schaffner Photography.

MISS BENNET: CHRISTMAS AT PEMBERLEY presented by Cincinnati Playhouse in the Park through Nov. 10. Click here for a synopsis and more information on the production. I attended the opening night performance.

Cincinnati Playhouse in the Park continues its 2018-19 Marx season with an imagined sequel to Jane Austen’s Pride and Prejudice. In this production, the focus shifts to the bookish middle Bennet sister, Mary.

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John Ford-Dunker as Charles Bingley, Andrew Fallaize as Arthur de Bourgh & John Keabler as Fitzwilliam Darcy. Photo by Mikki Schaffner Photography.

Ayana Workman is endearing as Mary Bennet who is struggling to be recognized as the woman she is becoming and not as the young sister who was left behind. Bookish and factually blunt, she finds an intellectual soul mate in Arthur de Bourgh, well-played by Andrew Fallaize. The pair are supported by a strong ensemble. The closeness of the sisters and the connections between the extended family members work well and rang emotionally true.

Director Eleanor Holdridge does a great job of bringing these emotional connections and the humor of the script to the forefront. The production is nicely paced and well-staged. That being said, I did feel that Lydia Wickham was a bit too broad in the first act, coming off a bit more caricature than character. Arthur’s checked exit near the end of the show had him upstage of the set’s columns, blocking him from view for a portion of the audience.

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Ayana Workman as Mary Bennet, Maribel Martinez as Jane Bingley, Marina Shay as Elizabeth Darcy & Mia Hutchinson-Shaw as Lydia Wickham. Photo by Mikki Schaffner Photography.

Visually the show is stunning thanks to the set design by John Coyne and the costumes design work of Helen Q. Huang. The wigs worked well for the most part although Arthur’s looked, well…like a wig from the audience and held the crease from his hat for most of the show.

Overall, a charming and funny romantic comedy that should appease Austen fans, but is easily appealing to all.

My rating: 4.5 out of 5.

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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Auditions Announced for Staged Reading of HAVABERGER’S DISEASE at Troy Civic Theatre

TROY_logoPlaywright and director Todd Bryant is seeking 13 actors (6 male, 6 female, 1 either gender) interested in participating in a staged reading of his original comedy, HAVABERGER’S DISEASE. There will be 2 rehearsals (to be determined), with the reading taking place on January 19, 2019.

Auditions will be Monday and Wednesday, November 12th and 14th at 7 pm at the Barn in the Park, and will consist of cold readings from the script. Please note: There will not be auditions on Tuesday, November 13th.

Dr. Lindsey Zigler is a brand new doctor who comes across a patient with all of his life’s priorities out of whack – he cares more about his job than his family. She hatches a plan to tell the patient he has a rare disease, giving him only months to live. The original idea is to wait a week or so, then simply tell the patient that there was a glitch in the lab testing. Her hope is that, in the meantime, he will re-think his priorities, fix his relationships, and then be overjoyed when he finds out he is actually healthy after all. What could go wrong? An off-the-rails comedy about focusing on what is important in life.

CAST OF CHARACTERS:

  • Dr. Lindsey Zigler: Female, late 20s, new doctor (major)
  • Daniel Zigler: Male, mid 20s, Lindsey’s brother (major)
  • Julie Frampton: Female, mid 20s, Daniel’s girlfriend (major)
  • JP Peterson: Male, 20s-30s (major)
  • Pierre St. Martin: Male, late 40s – early 60s (supporting)
  • Evelyn St. Martin: Female, late 40s – early 60s (supporting)
  • Michelle St. Martin: Female, 15-17 (supporting)
  • Mary Miller: Female, 50s-60s (bit)
  • Restaurant Host: Any (bit)
  • Viktor: Male, 50s-60s (supporting)
  • Kaz: Male, 20s-30s (supporting)
  • Mrs. Berry: Female, 40s-80s (bit)
  • Lester Finkelstein: Male, 30s-50s (bit)

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SUSAN SWAYNE AND THE BEWILDERED BRIDE Runs Nov. 24-Dec. 16

KTC_logoSUSAN SWAYNE AND THE BEWILDERED BRIDE
Know Theatre of Cincinnati
Nov. 24-Dec. 16
[Over-the-Rhine]

Directed by Tamara Winters

Meet Susan Swayne and the Society of Lady Detectives – aside from their interest in swordplay, they’re all perfectly proper Victorian women. Or are they? When the distraught Isabelle Fontaine-Kite insists that a member of the S.o.L.D. is actually her missing husband, Eric, Susan Swayne is on the case!

  • Sat, Nov. 24 at 8pm
  • Sun , Nov. 25 at 3pm
  • Wed-Sat, Nov. 28-Dec. 1 at 8pm
  • Sun, Dec. 2 at 3pm
  • Wed-Sat, Dec. 5-8 at 8pm
  • Sun, Dec. 9 at 3pm
  • Wed-Sat, Dec. 12-15 at 8pm
  • Sun, Dec. 16 at 3pm

Official page |

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THE PLAY THAT GOES WRONG Runs Nov. 27-Dec. 2

BIC_The Play That Goes Wrong promo1THE PLAY THAT GOES WRONG
Broadway in Cincinnati
Nov. 27-Dec. 2
Aronoff Center [Downtown]

What would happen if Sherlock Holmes and Monty Python had an illegitimate Broadway baby? You’d get The Play That Goes Wrong, Broadway and London’s award-winning smash comedy! Called “a gut-busting hit” (The New York Times) and “the funniest play Broadway has ever seen” (HuffPost), this classic murder mystery is chock-full of mishaps and madcap mania delivering “a riotous explosion of comedy” (Daily Beast) that is “tons of fun for all ages” (HuffPost)!

  • Tue-Thu, Nov. 27-29 at 7:30pm
  • Fri, Nov. 30 at 8pm
  • Sat, Dec. 1 at 2pm & 8pm
  • Sun, Dec. 2 at 1pm & 6:30pm

Official page |

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