Monthly Archives: September 2016

September 20, 2016 · 6:59 am

Auditions Announced for YO HO HO, A PIRATE’S CHRISTMAS at Kincaid Regional Theatre

KRT_LogoFalmouth Christian Church
October 1, 2016
10am – TBD

Audition Requirements:

  • Please prepare one monologue, which should not exceed one minute, and one song.
  • Additionally, please have a second song, of contrasting style to the first, prepared should the director wish to give you the opportunity to perform both.
  • Please come prepared to dance. Dance shoes and attire are encouraged.
  • Please be prepared for call backs late Saturday afternoon/evening.

Our director seeks casting for roles of all ages. Due to an accelerated rehearsal process, only students in fourth grade and up are encouraged for this production.

Materials to Submit
Please come prepared to submit a current Headshot/Performance Resume.

Schedule an Audition
We encourage all auditionees to call the KRT Office at 859-654-2636 and schedule an audition with our office staff. If no one answers, please leave a message stating your name and preferred audition time.

FAQs

  • I can’t make it to the October 1st audition date. Can I still audition?
    If you absolutely can’t attend the October 1st audition date, please call the KRT Office, 859-654-2636, as early as possible. We are happy to try to make special arrangements so you can audition for our production. We want to have you here with us!Please let Kincaid know of any audition schedule conflicts before October 1 to best accomodate all auditionees and our casting directors.
  • Is this a paid position?
    Yes. All Kincaid mainstage performance roles are paid

Performance dates: Dec. 2-18

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September 20, 2016 · 6:58 am

Marketing Associate Sought at Children’s Theatre of Cincinnati

TCTC_new logoOrganizational Overview: 

TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through three primary programs:

  • MainStage at the Taft Theatre – We welcome 97,000 children, teachers, and family members from across the Tri-State, to one of our four family-friendly and professional musical theater productions at the historic Taft.
  • TCT On Tour – We see over 60,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 300 children will be provided fine arts instruction, including the group that participates in the four-week intensive summer NKU STAR Intensive where we offer professional musical theatre training to some of the region’s most talented youth.

Vision:

  • Create smiles, open minds, and touch hearts.
  • Harness theater experiences and the arts as forces for education and understanding.
  • Create meaningful shared arts experiences.
  • Present award winning and nationally recognized productions and arts education programming.
  • Foster a work environment of excellence, creativity, and innovation.

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The Marketing Coordinator will assist the Creative and Marketing Director to help the organization in fulfilling its mission of educating, entertaining and engaging audiences of all ages through professional theatrical productions and arts education programming.  The Marketing Coordinator will support all marketing and PR initiatives, in collaboration with the Managing and Artistic Directors of The Children’s Theatre of Cincinnati (TCT) and the Development department.

The Marketing Coordinator of TCT reports directly to the Creative and Marketing Director.

Responsibilities:

The Marketing Coordinator contributes to and implements a variety of strategies and tactics that support all areas of the organization.

Duties of the Marketing Coordinator’s include, but are not limited to:

  • Media Relations
    • Write and distribute all publicity materials, including press releases, listings materials, fact sheets and photos.
    • Track media sources and measure effectiveness.  Use this data in creation of the media buy strategy for the subsequent year.
    • Update media lists.
    • Media relations liaison for TCT.  Coordinate all media appearances and interviews.
    • Develop editorial story content with Creative and Marketing Director to pitch to media.
  • Public Relations
    • Coordinate all grass-roots promotions, marketing events, giveaways and community appearances.
    • Coordinate and communicate sponsor discounts and perks.
    • Oversee company Scouting Badge program and Girl Scout partnership.
    • Keep a seasonal publicity archive.
  • MainStage Program
    • Each season, work with Cincinnati Magazine to create and coordinate the MainStage program design, sponsor advertising and internal content.
  • Constant Contact Emails
    • Write, design and run all constituent messaging through the internal approval and revision process.
    • Send emails to select targeted lists and follow-up with measurable results.
  • Website and Social Media
    • Manage all web content and projects related to TCT’s website and social media.
    • Oversee the organization’s content management system – currently Expression Engine — including all updates, copy writing and content-inclusion.
    • Administration, content creation and management of TCT’s Facebook, Twitter, Instagram, YouTube and Pinterest accounts.
    • Continue to develop the voice for all aspects of TCT’s online presence.  In addition to writing, editing and proofreading new site content, this person will also work closely with the Creative and Marketing Director to maintain site standards with regard to new digital development.
    • Develop seasonal and show-based content plans by identifying new content opportunities and ways to repurpose existing content throughout the site.
    • Craft strategies for growing and leveraging our social presence including using site promotions, photographs, video posts, contests, and online outreach campaigns.
    • Create, maintain and execute a social media content calendar and posting schedule.
    • Demonstrate and practice digital and social expertise by maintaining up to date knowledge of capabilities and opportunities across key and emerging platforms.
    • Generate insights from digital, social and mobile app analytics reports and integrate recommendations into future plans.
  • Kids Club
    • Oversight of all elements of Kids Club including: membership acquisition and renewal, merchandise, planning and execution of events and member communication.
  • Other Duties As Assigned

In fulfilling his/her duties, the Marketing  Associate will:

  • Work closely with the Creative and Marketing Director to fulfill the mission of TCT.
  • Keep the Creative and Marketing Director fully informed as to the Marketing and PR needs of TCT, while seeking their experience and advice as needed.
  • Work with all staff to enhance the institutional image of the theatre and create interest in its productions.
  • Be an advocate for TCT in the community.
  • Consistently and accurately articulate the philosophy and policies of TCT to the staff, patrons, and general public.
  • Possess traditional writing skills and expertise in new media, in addition to the creativity required to develop responsive, interesting original content.
  • Please note:  some evenings and weekends may be required throughout the year.

Knowledge/Skills:

  • Education Level – Bachelor Degree in Electronic Media, Journalism, English, Marketing and Communications, or related field.
  • Fluent in MS Office Suite (MS Word, MS Excel, MS Outlook, etc.)
  • Basic Adobe Photoshop skills.
  • Knowledge of Expression Engine, Adobe Acrobat, Constant Contact, TRG Data Center and video editing a plus.
  • Exceptional copywriting, editing and proofreading skills.
  • Experience in developing content and managing production across multi-media channels, including print, web, video, etc.
  • Experience with web reporting tools such as Google Analytics.
  • Effective listening, problem-solving skills.
  • The ability to thrive and adapt in a fast-paced, deadline-oriented environment.
  • Detail-oriented while able to juggle multiple projects simultaneously.
  • High level of initiative.
  • Self-sufficient while also a collaborative team player.
  • Creative thinking.
  • Enthusiasm, integrity and energy.
  • A sense of humor and a love of theater – a plus!

Compensation & Benefits:

  • Salary range:  $30,000 to $40,00
  • Health, vision and dental benefits available, partially subsidized by employer contributions, after a waiting period.
  • 403(b) retirement plan participation available, after a waiting period, with eligibility for an employer match after one year of credited service.
  • Generous PTO based on years of service.
  • Generous paid holiday schedule.

To apply, email your resume, three samples of your writing and cover letter to: krista.katonapille@tctcincinnati.com with the subject line: MARKETING ASSOCIATE

Deadline to apply:  September 30, 2016

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September 20, 2016 · 6:55 am

Cincinnati Playhouse Brings August Wilson’s JITNEY to Vibrant Life on the Robert S. Marx Theatre Stage

PIP_Jitney promo(CINCINNATI) — JITNEY, the first script that August Wilson wrote for what would become his trailblazing American Century Cycle of 10 plays, will run in the Cincinnati Playhouse in the Park’s Robert S. Marx Theatre Oct. 15 through Nov. 12. JITNEY beautifully explores Wilson’s recurring themes of love, honor, duty and betrayal as it follows a group of men who operate an unlicensed car service in 1970s Pittsburgh.

As they hustle to survive, the men are forced to confront the destruction of their community when the city threatens to close their station and board up the block in the name of urban renewal. Winner of the Drama Critics’ Circle Award and Olivier Award for best play, JITNEY showcases Wilson’s unequaled talent for celebrating the voices of people who might otherwise be left unheard and of capturing the nobility in everyday struggles of life.

“With all of August Wilson’s plays I’m finding that, as with Shakespeare, whatever is happening in the world in terms of politics and social shifts, the plays are so comprehensive that they’re able to reveal modern-day relevancy,” says Playhouse Associate Artist Timothy Douglas, who has vast experience with the work of Wilson, including directing JITNEY three previous times and helming the world premiere of Wilson’s Radio Golf. “At once, August Wilson’s plays are very specific to the black American experience in the 20th century. But equally they are often described as being universal because they are so human at the core.”

In JITNEY, Wilson creates a cast of unforgettable characters — from Becker, the well-respected boss of the gypsy cab station, to drivers Turnbo, Youngblood, Fielding and Doub, who represent several generations of this tight-knit neighborhood. The story also pivots around a momentous day: the homecoming of Becker’s son Booster, who has recently been released from prison. His arrival is not welcomed by his father, who has never forgiven his son for the actions that resulted in his incarceration or the ripple effect on their family.

In some ways JITNEY continues a conversation about the intertwined subjects of gentrification and disenfranchisement that was started with Clybourne Park and Buzzer, previous Playhouse productions directed by Douglas. “What August Wilson and JITNEY do is present a much wider perspective and horizon about the lives of black men in America,” Douglas says. “Because of its brilliance and relevance, the play relates directly to what’s happening across the country and specifically in Cincinnati in terms of the shifting black culture and white culture’s perceptions about black culture. It spreads a much wider canvas and paints a lot more intricacies that at once are specific to the culture but also universal.”

A two-time Pulitzer Prize winner (for Fences and The Piano Lesson), August Wilson is frequently mentioned in the same breath as William Shakespeare, Arthur Miller, Tennessee Williams and Eugene O’Neill as among the most significant and accomplished dramatists of all time. JITNEY premiered in 1982 at Pittsburgh’s Allegheny Repertory Theatre before being expanded and remounted at Pittsburgh Public Theatre in 1996. It’s the only Century Cycle play never to reach Broadway, an oversight that will be corrected this winter with a production at Manhattan Theatre Club.

Douglas has assembled what he calls an “outrageously gifted” cast of other Wilson veterans. All of them have worked with Douglas before, and many have appeared in his previous productions of JITNEY, though in different roles.

The cast of JITNEY includes Stori Ayers (Rena), Doug Brown (Fielding), Michael Kevin Darnall (Youngblood), Kenneth Early (Philmore), Dion Graham (Turnbo), Jefferson A. Russell (Shealy), Shane Taylor (Booster), Raymond Anthony Thomas (Becker) and Michael Anthony Williams (Doub).

In addition to Douglas, the creative team features Tony Cisek (set designer), Tracy Dorman (costume designer), Andrew Cissna (lighting designer) and Vincent Olivieri (sound designer). Brooke Redler is the stage manager, and Jenifer Morrow and Andrea L. Shell are the second stage managers.

JITNEY is sponsored by Sallie and Randolph Wadsworth and Moe and Jack Rouse. The artist sponsors for the role of Becker are Betsy and Paul Sittenfeld; artist sponsors for the role of Youngblood are Rosemary and Mark Schlachter. This production honors the support of David C. Herriman.

Tickets for JITNEY start at $35. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. The show is appropriate for adult and older teenage audiences.

Tickets to 7 p.m. Sunday College Night performances are priced at just $10 for college students with a valid school ID. Student tickets are just $15 on the day of the show for all other performances.

Discounted ticket prices for teens and students are always available for $30.

Previews for JITNEY are at 8 p.m. Saturday, Oct. 15; 2 p.m. Sunday, Oct. 16; 7:30 p.m. Tuesday, Oct. 18; and 7:30 p.m. Wednesday, Oct. 19. The official opening night is Thursday, Oct. 20, at 7:30 p.m.

Performances take place at 7:30 p.m. Tuesdays, Wednesdays and Thursdays; 8 p.m. Fridays; 4 and 8 p.m. Saturdays; and 2 and 7 p.m. Sundays.

The Playhouse will celebrate August Wilson with a special night dedicated to his work at 7 p.m. Monday, Oct. 17. Douglas will discuss Wilson’s legacy and his own extensive experience with Wilson’s American Century Cycle while local actors perform monologues from several of Wilson’s plays. The event will be held at Walnut Hills High School’s Black Box Theatre. It’s free and open to the public, but reservations are required and may be made by calling the Playhouse Box Office at 513-421-3888.

Free Meet the Artists programs that allow audiences to interact with the cast and others associated with JITNEY will be held after the following performances: 2 p.m. Sunday, Oct. 23; 7:30 p.m. Wednesday, Oct. 26; 2 p.m. Sunday, Nov. 6; and 7:30 p.m. Thursday, Nov. 10.

JITNEY will be audio described for those with visual impairments at 4 p.m. Saturday, Nov. 5, and signed for persons with hearing impairments at 2 p.m. Sunday, Nov. 6. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to JITNEY are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

The 2016-17 Robert S. Marx Theatre season is presented by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is the Lois and Richard Rosenthal Foundation.

The Playhouse is supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation.

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September 20, 2016 · 6:49 am

Know Theatre’s 19th Season Continues with a Special Co-Production

KTC_Runaways logoRUNAWAYS
Music, book, & Lyrics by Elizabeth Swados

Directed by Vince deGeorge
Music direction by Luke Flood

A co-production with the University of Cincinnati College-Conservatory of Music

Know Theatre is proud to welcome University of Cincinnati College-Conservatory of Music students to come and play at Your Theatrical Playground with a special co-production of Elizabeth Swados’ Runaways.

This groundbreaking musical, originally conceived in the 1970’s, is based on hundreds of interviews with teenagers who had run away: from home, from predators, and from themselves. Swados’ memorable score draws from an eclectic array of musical styles–from pop to hip-hop, jazz to reggae–while asking why children can’t remain children.

Opening Wednesday, September 21 at 8 PM, this co-production with the University of CIncinnati College-Conservatory of Music features 22 student performers from CCM’s Musical Theatre Program: Bryce Baxter, Dylan Dougal, Zach Erhardt, Louis Griffin, Delaney Guyer, Ciara Harris, Marissa Hecker, Tyler Jent, Kendall McCarthy, Emily Ashton Meredith, Jordan Miller, Jenny Mollet, Dylan Mulvaney, Kyle Pollak, Gabriela Rodrigues, Emily Royer, Tyler Sodoma, Alex Stone, Donelvan Thigpen, Shauna Topian, Zack Triska, and Amanda Valenzuela.

Directed by Vince DeGeorge, with Musical Direction by Luke Flood, this collaboration underscores Know Theatre’s commitment to providing opportunities for local artists that cannot be found anywhere else. “We’re thrilled to invite CCM Musical Theatre students into our theatrical playground, giving them a chance to perform on a professional stage.  And we’re especially excited that they have the chance to explore this pioneering musical in our raw, intimate space,” says Know Producing Artistic Director Andrew Hungerford.

The New York Times praised how Swados’ script “captured the rampaging moodiness of what it means to be young and unmoored in a drifting culture.” Now, see for yourself how CCM Musical Theatre’s rising stars will bring this innovative American musical to life, starting this Wednesday at the Know.

For tickets to this limited run and more information, visit knowtheatre.com.

Calendar Listing

Production:

  • RUNAWAYS Book, Music, & Lyrics by Elizabeth Swados.

When:

  • 8:00pm September 21, 22, 23, 24
  • 3:00pm September 24 & 25
  • 7:30pm September 25

Where:

  • Know Theatre of Cincinnati. 1120 Jackson Street, Cincinnati, OH 45202, in historic Over-the-Rhine.

 Tickets:        

  • $25 regular Price
  • $15 Rush tickets at the door 10 minutes prior to curtain (when available)
  • FREE performances on Wednesday, as part of Know’s Welcome Experiment initiative. Advance reservations to Welcome Experiment performances are $5.00.
  • Walkup tickets are available for free the day of the show.
  • Tickets can be purchased by visiting knowtheatre.com or calling 513.300.5669 (KNOW)

Bios  

Director Vince DeGeorge joined the CCM Musical Theater and Opera Departments as Visiting Professor, Joseph Weinberger Chair of Acting for the Lyric Stage Fall 2013.  Vince recently completed his MFA in Directing and Public Dialogue at Virginia Tech and obtained his BFA at CCM in Musical Theater Performance.

Following his graduation from CCM, Vince performed as an actor and dancer in regional theaters across the country and was a member of the New York based contemporary dance company dre.dance under Artistic Directors & Choreographers Taye Diggs & Andrew Palermo.  In addition to numerous other works, in New York Vince directed New York City’s first fully staged production of The Exonerated (2011) to critical acclaim, and co-wrote and directed the award winning musical revue Nashville (2009 Nightlife, Bistro and MAC Awards).

At Virginia Tech, Vince directed and designed A Dream Play by August Strindberg, and productions of Chekhov’s The Vagabond and Three Sisters. He also developed, directed and designed The Jo Carson Project, a new musical based on the writings and theories of the Appalachian storyteller and playwright, Jo Carson. During his studies at Virginia Tech, Vince was also a company member of Building Home, a participatory theatre and music engagement project that uses theater to foster healthy civic dialogue among the citizens of the New River Valley concerning pressing regional issues and planning for sustainable communities.

As a part of the Blacksburg Summer Arts Festival 2014, Vince was engaged to design and build Life In The Trees – an art installation, purposed as both a gallery exhibition and the theatrical setting for two performance pieces, adapted and directed by Vince as well.  While working on Life In The Trees, Vince collaborated with Alaskan artist Kesler Woodard, as well as novelist Tom Gardner.

Music Director Luke Flood holds a BM in Piano Performance from UMass Amherst and is currently pursuing an MM in Orchestral Conducting from the University of Cincinnati – CCM. Previous credits include: North Shore Music Theatre (Sister Act, Billy Elliot, Disney’s The Little Mermaid, and The Wizard of Oz). Other recent regional credits include Sister Act, Billy Elliot (Gateway Playhouse), Wonderful Town, and Singin’ in the Rain (Reagle Music Theatre). Mr. Flood has also subbed on the National Tours of Kinky Boots and Sister Act.

Playwright Elizabeth Swados (February 5, 1951 – January 5, 2016) composed, wrote and directed for over thirty years. Some of her works include the Obie Award-winning Trilogy at La MaMa, Alice at the Palace with Meryl Streep at the New York Shakespeare Theater Festival and Groundhog, which was optioned by Milos Forman for a film. Her work has been performed on Broadway, off-Broadway, at La MaMa, Brooklyn Academy of Music, Carnegie Hall, and locations all over the world. She has composed highly acclaimed dance scores for well-known choreographers in the US, Europe and South America. Ms. Swados has also attributed scores to many films, including the upcoming documentary, Auf Wiedersehen, about a family searching for the truth about the Nazi participation in Vienna and the Jews who may have aided them.

Ms. Swados created issue-oriented theater with young people for her entire career. This work has culminated in a theatrical extravaganza for New York University, The Reality Show, about the trials, tribulations and joys of college in New York City. The piece uses rock and roll, dance and edgy humor and is performed each year by NYU students at venues such as Madison Square Garden and Radio City Music Hall. Recently, The Reality Show became international and will be performed for the brand new NYU campus in Abu Dhabi.

Her recent musical, Kaspar Hauser: a foundling’s opera premiered at the Flea Theater in Manhattan in the Spring of 2009, and was featured in PAPERMAG’s list of Downtown Theater Favorites of 2009. Other recent productions include Books Cook! at the Atlantic Theater Company, Atonement, a theatrical oratorio presented by the Cathedral of St. John the Divine, an adaptation of S. Ansky’s The Dybbuk at NYU/Tisch, Spider Operas at PS122 (with Mabou Mines), and Political Subversities, a political revue that has been presented in two Culture Project festivals as well as at Joe’s Pub.

In conjunction with Forward Face, Ms. Swados released a children’s CD called Everyone is Different that has been distributed to three thousand schools around the country. She has published novels, non-fiction books, and children’s books to great acclaim and received the Ken Award as well as a New York Public Library Award for her book My Depression: A Picture Book. Ms. Swados published a theatrical text book, At Play: Teaching Teenagers Theater, and released her first collection of poems through Hanging Loose Press. The One and Only Human Galaxy explores the life of Harry Houdini and experiments with the idea of escapism.

Other awards include five Tony nominations, three Obie Awards, Guggenheim Fellowship, Ford Grant, Helen Hayes Award, Lila Acheson Wallace Grant, PEN Citation and others.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible. 

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign. The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans. Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

 Know Theatre is a member of Theatre Communications Group and an Associate member of the National New Play Network.

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September 20, 2016 · 6:42 am

The Children’s Theatre of Cincinnati Takes You Down the Rabbit Hole with the World-Premiere Musical ALICE IN WONDERLAND this October at the Taft Theatre

tctc_alice_queen_flamingo-smaller

Brooke Chamberlin as Alice and Danielle Muething as The Queen of Hearts. Photo by Mikki Schaffner.

Who can give up an opportunity to have a mad tea party or flamingo croquet on the lawn? Come be a part of this fantasy world with the ever-curious Alice, where nothing is as it seems. Follow her adventure with all your favorite characters like the White Rabbit, Tweedle-Dee and Tweedle-Dum, the Mad Hatter, the Caterpillar, the mysterious Cheshire Cat and the Queen of Hearts. This is a world-premiere production that you most certainly cannot miss!

Book, Music and Lyrics are by Janet Yates Vogt and Mark Friedman who created the hit Rapunzel! Rapunzel! A Very Hairy Fairy Tale for The Children’s Theatre of Cincinnati for the 2011-2012 season, as well as How I Became a Pirate which the company produced in 2010-2011, and The Magical Adventures of Merlin for The Children’s Theatre of Cincinnati for the 2012-2013 season. The Children’s Theatre of Cincinnati last produced a version of Alice in Wonderland for the 1992-1993 season. The new production will be based on both of Lewis Carroll’s classic books, Alice’s Adventures in Wonderland and Through the Looking Glass.

ALICE IN WONDERLAND begins the 2016-2017 season at The Children’s Theatre of Cincinnati, October 15-23, 2016. Saturday October 15 at 2 PM; Sunday October 16 at 2 PM and 5PM; Friday October 21 at 7:30 PM; Saturday October 22 at 2 PM and 5 PM; and Sunday October 23 at 2 PM at the Taft Theatre, 5th and Sycamore Streets in Downtown Cincinnati. Tickets $10-30. 1-800-745-3000 and www.ticketmaster.com. Tickets are selling as fast as the White Rabbit!

The Children’s Theatre of Cincinnati’s production of ALICE IN WONDERLAND is made possible by the generous support of Edyth B. Lindner. The Children’s Theatre of Cincinnati is supported by the generosity of community contributions to the ArtsWave Campaign. The Children’s Theatre’s Season Sponsors are the Charles H. Dater Foundation and the Marge and Charles J. Schott Foundation. The Ohio Arts Council helped fund this program with state tax dollars to encourage economic growth, educational excellence and cultural
enrichment for all Ohioans. Media sponsors are the Cincinnati Enquirer, LOCAL 12 and Q102. Kids Club Sponsors are AAA and Time Timer.

Cast Members include:

  • Ensemble; Flower – Natalie Bellamy
  • Mock Turtle – Brandon Bentley
  • Ensemble – Wesstin Jade C. Bin
  • March Hare; King of Hearts – Rhys Boatwright
  • Ensemble; Flower – Madeleine Burgoon
  • Alice – Brooke Chamberlin
  • Tweedle Dum – Josh Galloway
  • White Rabbit – Korey Harlow
  • 7 of Hearts – Montez O. Jenkins-Copeland
  • 5 of Hearts – Sam Johnson
  • 2 of Hearts; Cheshire Cat – A. James Jones
  • Ensemble – Aubrey E. Jones
  • Ensemble – Charlie Klesa
  • Knave of Hearts – Tyler Kuhlman
  • Alice’s Mother – Jamie Martin
  • Caterpillar – Deondra Kamau Means
  • Queen of Hearts – Danielle Muething
  • Ensemble – Janie Nalbandian
  • Door Mouse – Courtni Nicolaci
  • Dodo Bird – Dain Alan Paige
  • Mad Hatter – Spenser Smith
  • Loreena; Tweedle Dee – Megan Urz
  • Ensemble; Flower – Kealy Welage
  • Ensemble – Rachel Zimmerman

Understudies:
For Tweedle Dum, 2,5,&7 of Hearts: Rhys Boatwright, For Loreena & Tweedle Dee: Madeleine Burgoon, For Knave & Mock Turtle: Montez Jenkins, For Dodo: Aubrey E. Jones, For White Rabbit, Dooormouse, & March Hare: Charlie Klesa, For Queen of Hearts: Jamie Martin, For Alice: Janie Nalbandian, For Flowers: Rachel Zimmerman

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