Monthly Archives: August 2014

SERIALS! Midseason Break Review

KTC_SerialsTonight, Aug. 11th, Know Theatre of Cincinnati presents the fourth episodes of their summer theater experiment, SERIALS!

If you have missed the previous performances, there is a brief recap before each episode.

Having seen three episodes of the six plays, below are some thoughts at the halfway point.

  • FLESH DESCENDING – After a slow start, the second and third episodes have done much to move the show forward. The origin of the falling meat has been explained, and all the signs point to the coming of the Anti-Christ.
  • FETUS AND THE GOD – In the second and third episode, God and the fetus “hit the road” together, giving the show an energy boost and some good laughs. A smart idea to recast God in each episode.
  • THE LISTENER – Continues to hold steady. I would like to see the energy level vary a bit within the episodes as the cast seems to be holding the same tone throughout, making it a bit flat.
  • SATURDAY THE 14TH – Continues to be my personal favorite. The would-be jumpers have indeed crashed that party, only to run into the man partly responsible for [Nik Pajic] suicidal leanings. The couple ducked into a bathroom to avoid him, only to become trapped inside. This allows [Miranda McGee] to share her hysterical “poop in a bag” story.
  • THE FUNERAL – In episode two, they pull a “Bewitched,” as Jared Earland assumes the male role originally portrayed by writer/director Jon Kovach. The show continues to be smartly-written and emotionally true. I do feel that the lengthy recaps created by the re-staging of previous scenes is starting to affect the forward momentum of the story.
  • MARS VS. THE ATOM – Much like FLESH DESCENDING, the second and third episodes have done much to move the story forward. Paul Kerford Wilson gains confidence on stage with each episode. The relationship between his character, and the two ladies in his life, has come together nicely. In the second episode, it was nice to get Sam Rueff out of his wheelchair for a charming flashback with Miranda McGee. The end of the third episode introduces the possible cause of the damage to Wilson’s home and of Rueff’s catatonia. Could it be aliens!!??!! (Great puppet btw!)

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SSCC Announces Auditions for THE IMPORTANCE OF BEING EARNEST

SSCC_The Importance of Being EarnestSSCC Theatre is pleased to announce their upcoming auditions for the fall production of Oscar Wilde’s “The Importance of Being Earnest.”

Oscar Wilde’s classic is a delight from the first cucumber sandwich on as Jack’s double life catches up with him. The problems are resolved in an extremely charming and quite unexpected way as Jack and Algernon discover the importance of being earnest while answering to the name of Ernest.

Auditions, open to community members and students, will be held on Friday, August 29 at 6:30 p.m. in The Edward K. Daniels Auditorium at the Central Campus of Southern State Community College, in Hillsboro, OH. Those interested in auditioning should prepare and memorize a comedic, one to two-minute monologue. Those interested on working in available crew positions will be asked to complete an interview the night of auditions. If you’re interested in auditioning, but unavailable to attend the audition date, please contact Rainee Angles (rangles@sscc.edu) to schedule an alternate audition date prior to August 29.

“The Importance of Being Earnest,” directed by Rainee Angles, will be performed November 7 – 9. For more information about “The Importance of Being Earnest,” available roles, and a rehearsal schedule, please visit www.sscctheatre.com.

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7 (X1) SAMURAI On Aug. 17

CFF_7x1 Samurai7 (X1) SAMURAI
Presented by Cincinnati Fringe Festival
Aug. 17
Over-the-Rhine

Kurosawa’s epic tale of victimized peasants, marauding bandits, and samurai warriors – retold at comic breakneck pace, through movement, by one exhausted and ridiculous actor. This piece is performed in an original energetic style with accompanying gibberish and vocal sound effects. What will surprise you: This unusual style of theatre is like Kill Bill meets The Magnificent Seven in a Bugs Bunny cartoon. It is original, different, riveting to watch, and very funny.

“Best Solo Performance” in DC Fringe! “Best Solo Show and Best of the Fest” in Orlando Fringe! “Critics Pick” and “Acclaim Award” in Cincinnati Fringe! Sold out shows from Vancouver to Tel Aviv.

Know Theatre is excited to welcome back David Gaines in his solo show from Cincy Fringe ’09!

  • Sun at 8pm

Official page |

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Fundraising Opportunity for ACT Member Theatres

ACT_purpleWe have $1500 to give…up for grabs for all ACT Groups!

Mason Community Players provides the volunteer army that directs traffic in the parking lots for the Western & Southern ATP (Tennis) tournament, in Mason, August 9-17. The work is very easy. Anyone who can stand, be friendly, and occasionally wave an arm can do it.

With the tournament coming next week, we still have about 10% of our 500 slots open. Available Shift Times: Monday 8/11 through Saturday 8/16: 3:30-8:00 PM. Sunday 8/17: 11:30-3:00 PM, 2:30-7:00 PM.

Ridiculously easy fast money to your group. Nothing to learn, nothing to sell, no pledges to collect, zero heavy lifting. All you need to do is give some time, while hanging in a great fun team environment with fellow theatre folks, many of whom they may already know.

If you can find some time next week, Monday August 11 through Sunday August 17, can spend that time bringing in fast easy money to your group.

Special Note to folks who can be free at 3:30 PM: Although our early shift officially runs from 3:30 to 8:00, we can let you leave as early as you need to. We usually can bring in late shift people earlier to cover. It’s the 3:30 end where we need the most help. Just make sure to leave a note to that effect when they sign up.

MCP_logoWhat’s it worth to your group? A lot. When you work 3 (4.5 hour) shifts, your group makes about 100 bucks. And that can add up really fast. Five people from your group coming up and pulling three shifts together makes about $500 for your group. We’ll gladly assign group members together.

It’s easy to sign up. Just go to http://vols.pt/f83fAV .

When you sign up, please type your group’s name right after yours, separated by a colon. As in “Fred Hunt:TDW.”

Must be 13+. Under-18’s must be accompanied by an over-18. (We are glad to sign for student community service hours when parents request.)

We provide water and snacks. You’ll receive specific directions, instructions, and handy-dandy tips, before the day of your first shift.

Thank you so much for your help! Hope we can give your group a lot of money!

Joel Lind, Mason Community Players
joel.s.lind@gmail.com

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CSC’s Phillips Named ‘Forty Under 40’ Winner

Cincinnati Shakespeare’s Producing Artistic Director Brian Isaac Phillips named one of Business Courier’s Forty Under 40 Winners

The Business Courier has announced this year’s class of Forty Under 40 winners!

Brian Isaac Phillips.

Brian Isaac Phillips.

CINCINNATI,— August 6, 2014— Cincinnati Shakespeare Company is proud to announce the nomination of their Producing Artistic Director, Brian Isaac Phillips as a member of the Business Courier’s Forty Under 40 class. The program recognizes Greater Cincinnati’s next generation of young leaders and innovators — people who have already made a mark professionally and in the community.  The Forty Under 40 winners, along with this year’s Second Act honorees, will be recognized at a luncheon Sept. 30 at Music Hall, 1241 Elm St. downtown Cincinnati.

Producing Artistic Director, Brian Isaac Phillips, has been with the company for sixteen seasons.  He also just celebrated his 11th season of artistic leadership of Cincinnati Shakespeare Company.  He was named Producing Artistic Director in 2010 after being Artistic Director since 2003. Prior to these responsibilities, he served with the organization as Associate Artistic Director for one season, as well as four seasons as a member of the acting company. He is a proud member of Actor’s Equity Association and the Stage Director’s and Choreographer’s Society. Mr. Phillips, originally from Pittsburgh, is a graduate of Morehead State University and has been a resident of Cincinnati for sixteen years. In that time he has worked for Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati, Cincinnati Opera, Cincinnati Ballet, Cincinnati Symphony Orchestra, The Children’s Theatre, Know Theatre of Cincinnati, New Stage Collective, as well as over 100 productions with CSC. He also has worked regionally at theatres in North Carolina, Wisconsin, Pennsylvania, Kentucky and Northern Ohio. Most recent credits include The Two Noble Kinsmen, Henry IV pts. 1 and 2, Hamlet, The 39 Steps, Measure for Measure, Richard II, The Importance of Being Earnest, The Grapes of Wrath, Henry VIII: All is True, Macbeth, A Man for All Seasons, Bedroom Farce, The Two Gentlemen of Verona, The Handmaid’s Tale (world premiere), The Life and Death of King John, Dracula, Blithe Spirit, Krapp’s Last Tape,  Amadeus, Timon of Athens, The Seagull, Long Day’s Journey Into Night, King Lear, and Cymbeline. He upcoming credits includeThe Great Gatsby, The Birds, Waiting for Godot and Henry V, all appearing on CSC’s stage this season.

Outside of CSC, Mr. Phillips has recently been seen onstage in Collapse at Know Theatre, Porgy and Bess at Cincinnati Opera, as well as The Seafarer and Dead Man’s Cell Phone at Ensemble Theatre. Mr. Phillips will also appear in the film Miles Ahead featuring Don Cheadle and Ewan McGregor which will be released in 2015.  He staged Know Theatre’s recent productions of When the Rain Stops Falling and Angels in America: Millennium Approaches, directed the Xavier University/CSC collaboration of The Crucible and served as dramaturg on Cincinnati Ballet’s A Midsummer Night’s Dream.

In addition to this 2014 nomination, he was named a finalist for the 2013 class of Forty Under 40 and a finalist for the Ohio Governors’ Arts Awards. On May 3, 2013, Mr. Phillips was recognized by Mayor Mark Mallory and the City of Cincinnati for his decade of achievement and service at CSC.  Mr. Phillips is honored that CSC was named as a finalist the past three years for Cincinnati Chamber of Commerce’s Non Profit of the Year Award and was named Best of 2013 by the Cincinnati Enquirer. He is thrilled to have led CSC to becoming one of the first five theatres in the United States to have produced Shakespeare’s complete 38 play canon and to have personally completed the canon as well. The completion of the canon and CSC’s 20th Anniversary milestone were recognized by Mayor John Cranley and the City of Cincinnati on April 23, 2014 when that day was proclaimed Cincinnati Shakespeare Company Day.

Brian lives in Cincinnati with his wife, Corinne Mohlenhoff and their two children, Holden & Annabel.

For additional information or for interviews, contact Jeanna Vella, Director of Education and Communications as jeanna.vella@cincyshakes.com or 513.381.2273 ext. 3202.

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About Cincinnati Shakespeare Company:

Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  Located in the heart of downtown Cincinnati, CSC produces a dozen mainstage productions each season.  The repertoire is made up of the works of William Shakespeare, literary adaptations and contemporary classics. CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Cincinnati Shakespeare Company’s Education and Outreach Programs reached nearly 30,000 young people and underserved community members last season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions at its home on Race Street.  Last season, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About the 2014-2015 Season:

This season is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported, in part, by the generosity of thousands of individuals and businesses that give annually to ArtsWave.  Cincinnati Shakespeare Company’s production of “Henry V” is part of Shakespeare in American Communities, a program of the National Endowment for the Arts in partnership with Arts Midwest.  The season design sponsor is Mark & Sue Ann Painter.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online atwww.cincyshakes.com.

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