Tag Archives: The Children’s Theatre of Cincinnati

September 5, 2017 · 3:49 pm

The Children’s Theatre of Cincinnati Hosts the Arts & Culture Sampler for Educators

TCTC_new logoEducators from around the Tri-State are invited to The Children’s Theatre of Cincinnati’s facility on Red Bank Road to learn more about 16 different local arts and culture organizations and their offerings for teachers this season.

This complimentary event will take place on Thursday, September 14, 2017 from 4:30 PM to 8:30 PM. Check-in begins at 4:30 PM with programs starting at 5 PM. Advanced registration is required. Visit www.tinurl.com/EducatorSampler to sign up.

Teachers will enjoy light fare, a cash bar and presentations from:

  • ArtWorks
  • Cincinnati Arts Association
  • Cincinnati Art Museum
  • Cincinnati Ballet
  • Cincinnati Museum Center
  • Cincinnati Opera
  • Cincinnati Playhouse in the Park
  • Cincinnati Public Radio
  • Cincinnati Shakespeare Company
  • Cincinnati Symphony Orchestra
  • Contemporary Arts Center
  • Ensemble Theatre Cincinnati
  • Madcap Puppets
  • May Festival
  • Taft Museum of Art
  • The Children’s Theatre of Cincinnati

Everyone who attends will be automatically registered to win amazing door prizes donated by the evening’s participating organizations. To view the entire schedule of events, visit http://tinyurl.com/EducatorSamplerSchedule.

This event is made possible in part by ArtsWave.

-end-

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July 26, 2017 · 12:12 pm

Full-Time Technical Director Sought by The Children’s Theatre of Cincinnati

TCTC_new logoTECHNICAL DIRECTOR (Full-Time)

Organizational Overview:
TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through three primary programs:

  • TCT MainStage at the Taft Theatre – We welcome 107,000 children, teachers, and family members from across the Tri-State, to one of our four family-friendly and professional musical theatre productions at the historic Taft.
  • TCT Showtime Series at Red Bank – New in 2017-2018, TCT will offer two Showtime Series productions annually. Fully-produced yet smaller, longer-run productions through which we can expand the age ranges of children we are reaching.
  • TCT On Tour – We see over 60,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 600 children will be provided fine arts instruction, including the group that participates in the four-week intensive summer NKU STAR Intensive where we offer professional musical theatre training to some of the region’s most talented youth.

Vision: To awaken a lifelong love of theater in children and the young at heart.

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The ideal Technical Director (TD) is a skilled theater professional who is highly knowledgeable in all aspects of scenic construction, is familiar with lighting, sound and AV, and will effectively navigate the complexities of a multifaceted work environment with an ambitious production calendar.

The Technical Director is responsible for overseeing all technical/scenic operations of The Children’s Theatre of Cincinnati’s productions, including lighting, sound, props, set design and construction.

The Technical Director maintains technical spaces and equipment and develops and enforces practices that ensure safe, efficient, and effective operation of the scenic operations of The Showtime Stage, The Scene Shop(s) and the Taft Theatre. The role directly supports the success of the scenic operations for 4 MainStage productions, 2 Showtime Stage Series Productions, and 4-5 touring productions per year.  The Technical Director reports to the Managing Director & CEO, and works alongside the Producing Artist Director and in conjunction with the Resident Scenic Designer and the Production Stage Manager. The Technical Director assists in identifying and prioritizing needs and initiatives, finding creative solutions to achieve goals while conserving resources.

Responsibilities:

  • Maintain and safeguard all technical assets of Showtime Stage facilities, including lighting, sound and communications equipment.
  • Determine technical needs for MainStage, Showtime Stage and touring productions – technical specifications, schedules, budget and assisting in determining IASTE crew sizes. Order materials and manage scenic design budgets. Coordinate the stage and equipment logistics; including the loading and unloading of trucks with crew. Work with the carpenters and designers to determine build and maintenance schedules. Hire and supervise over-hire technicians.
  • Approve designs with regard to safety, compatibility, feasibility and scheduling considerations. Create technical drawings and plans and oversee and build sets. Coordinate transportation of scenery to and from the theaters, coordinate the load-ins/strike and storage all sets, props, TCT’s lighting and sound equipment after the end of the shows.
  • Advise the members of the production team on technical aspects of each theatrical project.
  • Supervise and assist in the technical aspects of all shows, establish technical schedules for all productions; attend technical rehearsals. Ensure safety.
  • Maintain technical spaces and equipment in the shops and theater spaces; monitor the condition of equipment and perform preventive maintenance; inspect equipment on a regular basis; develop a replacement and upgrade schedule for tools and equipment and arrange for the repair and replacement within budgetary constraints. Work with the Operations Manager to orient facility users to the safety, technical elements and other areas of the facility’s operations.  Create and maintain inventories of technical supplies and equipment. Oversee the process of checking scenic elements in and out for rentals.
  • Develop and enforce practices that ensure safe, efficient and effective operations of all theater facilities and the Scene Shop.
  • Make recommendations regarding capital purchases of technical equipment.

 Current 2017-18 Season

          SHOW | Build Begin | Rehearsal Begin | Load-in |  Run

  • Young Abe Lincoln (Tour) | August 1 | August 7-18 | X | Sept-Nov
  • Cat in the Hat (Tour): August 1 | August 21-Sept 2 | X | Sept-May
  • Peter Pan JR (MainStage) | August 21 | Sept 18-Oct 20 | Oct 16 | Oct 21-30
  • Cinderella (MainStage) | October 23 | Nov 5- Dec 8 | Dec 4 | Dec 5-18
  • Celebrate the Season (Tour) | August 1 | November 8- 22 | X | Dec
  • Maya: A Writer’s Legacy (Tour) | December 5 January 2 – 12 | X | Jan – May
  • Madagascar (MainStage): January 2 | Jan 8 -Feb 9 | Feb 5 | Feb 10-19
  • Polkadots (Showtime Series): BUILT | Feb 5 -21 | Feb 16 | Feb 21- Mar 26
  • Mary Poppins Jr. (MainStage) | Feb 22 March 5 – April 6 | April 2 | April 7- 16

Knowledge/Skills:                                                                          

  • Bachelor’s Degree in Technical Direction with experience in a professional or educational environment, or an equivalent combination of education and experience.
  • Working knowledge of techniques, methods and procedures of theatre, dance, and music productions and presentations including stage, set, sound and lighting design and implementation; stage management; computerized lighting systems; appropriate safety precautions and procedures and ability to analyze and evaluate the need for technical support for various events and performances.
  • Working closely with a tight knit, passionate, and dedicated staff.
  • Working knowledge of PC and Mac based productivity software, as well as functional familiarity with industry standard theatrical software and able to learn other software as needed.
  • Prior supervisory experience of a team in a dynamic environment and in management of direct reports. Experience advising and training students preferred.
  • Excellent problem solving and communication skills, both written and oral. Establish and maintain effective working relationships with various groups.
  • Valid Driver’s License.
  • Able to lift, push or pull objects up to 100 pounds using appropriate tools, safely climb stairs and ladders, and use Genie lifts.
  • Able to maintain a flexible work schedule, which may include irregular and extended working hours.

Compensation & Benefits:

  • Salary range: Competitive
  • Health, vision and dental benefits available, partially subsidized by employer contributions, after a waiting period
  • 403(b) retirement plan participation available, after a waiting period, with eligibility for an employer match after one year of credited service
  • Generous PTO based on years of service
  • Generous paid holiday schedule

To apply, send your cover letter, resume, and any reference letters to submissions@tctcincinnati.com.

Please use the subject: “Technical Director Submission”

 

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July 20, 2017 · 2:48 pm

Auditions Announced for MADAGASCAR: A Musical Adventure and MARY POPPINS JR. at The Children’s Theatre of Cincinnati

TCTC_new logoALL ROLES ARE OPEN TO ALL ETHNICITIES!

For information concerning auditions call Eric Byrd at 513-569-8080 ext. 21 or email eric.byrd@tctcincinnati.com.

Click here to sign up for an audition time.

This year, we will be holding auditions in August for our last two MainStage productions of the 17-18 season.

All roles are paid positions.

Upon audition registration, you may indicate which shows you would like to be considered for this season.

Auditions are by appointment only.  You only need ONE audition appointment even if you are interested in both productions.

Children ages 9-17 and adults 18+ may make an audition appointment.  Appointments can be made for:

  • Monday, August 7th, 2017 between 5:30 PM and 8:30 PM
  • Tuesday, August 8th, 2017 between 5:30 PM and 8:30 PM
  • Wednesday, August 9th, 2017 between 5:30 PM and 8:30 PM
  • Thursday, August 10th, 2017 between 5:30 PM and 8:30 PM

You MAY be asked to return and attend a “movement callback” on the day of your audition, which will take place from 8:30 PM to 9:30 PM.

MADAGASCAR:  A Musical Adventure callbacks will take place on Saturday, August 12th, from 4:30 PM to 9:30 PM.

MARY POPPINS JR. callbacks will take place on Sunday August 13th, from 1 PM to 6 PM.

Auditions and Callbacks are held at our offices located at:  4015 Red Bank Road, Cincinnati OH 45227.

Please bring a memorized song that best shows your vocal range. (1 minute max). Remember your PIANO SHEET MUSIC for your song as we will NOT be auditioning your a cappella skills.  An accompanist will be provided. Your sheet music MUST have the piano part, not just the vocal line, and music should be in a 3-ring binder with the cut CLEARLY marked for the accompanist.

You do NOT need to prepare a monologue.

You may be asked to show your dance ability, please bring appropriate movement clothes and shoes.

Please bring a RECENT 8×10 headshot and UPDATED performance resume.

Please plan to arrive at least 10-15 minutes ahead of your appointment to check/correct previously submitted paperwork.

If we are ahead of schedule, we MAY audition you early.

Due to concentrated rehearsal periods, we ask that you do not have conflicts during rehearsals. In an effort to best facilitate all rehearsal times, all those auditioning will be asked to list all conflicts at the time of the audition. This season, all conflicts will result in a stipend adjustment. Please take note of when rehearsals begin, the day and evening tech and performance schedule, and bring your calendar with you to the audition.

Auditions are by appointment only. Click here to schedule your audition time.

MADAGASCAR: A Musical Adventure

Directed by: TBD
Choreographed by: Eric Byrd
Music Direction: TBD
Book by: Kevin Del Aguila
Original Music, and Lyrics by: George Noriega & Joel Someillan

Rehearsals: January 8th-February 3rd, 2018
Tech Rehearsals: February 7th-February 9th, 2018
Performances: February 10th-February 19th, 2018

SEEKING THE FOLLOWING:

  • [MARTY] Marty is a zebra with dreams of exploring beyond the confines of the Central Park Zoo and into the wild. Cast a young man who is a solid singer and actor who also possesses a sweet disposition. Strong singer/actor/mover.
  • ALEX] Alex, the lion, is the main attraction at the Central Park Zoo and undoubtedly “The King of New York City.” He’s a fun-loving fella whose devotion to steak is matched only by his devotion to his friends. Strong singer/actor/mover.
  • GLORIA] Gloria, the hippopotamus, is a bold young lady with a maternal streak that shines when she’s with her three closest friends: Alex, Marty and Melman. Strong singer/actor/mover.
  • MELMAN] Melman is a kind-hearted giraffe who is a bit of a hypochondriac. He’s always just a little bit nervous, but when it comes down to it, he’ll rise to the situation. Strong singer/actor/mover with comic chops.
  • [MASON] Mason is a chimpanzee with a bone to pick: though highly intelligent, his species seems to get a bad reputation for being simpleminded, and he takes that quite personally.
  • [THE PENGUINS] [Skipper] serves as the captain of the Penguins group, giving orders with ease and command. [Kowalski] is Skipper’s second-in-command and a dutiful one at that. [Rico] is the brute of the group and can karate chop anything in sight. [Private] His primary job in the group is to maintain the cute and fuzzy disguise.
  • [THE LEMURS] The Lemurs are a wild band of creatures native to Madagascar trying desperately to avoid being eaten by the cat-like creatures called the Fossa. [King Julien] is their leader a comedian who can sing, dance, act and has intuitive comedic timing. [Maurice] is King Julien’s assistant who is not so welcoming to Madagascar’s new inhabitants.  [Mort] is the littlest of the Lemurs, who can barely speak.
  • [MALE & FEMALE ENSEMBLE] Skilled and versatile dancer/actor/singers of all ages to portray Lemurs, Foosa, Servers, Camaraman, Candy Hammernose, Passerby, Old Lady, Police Officer #1 and #2, Animal Control Officers, Newspaper Man and Ship’s Captain and possibly cover principal roles.  Tumbling skills and dance technique a HUGE plus!

MARY POPPINS JR.

Directed by: Roderick Justice
Choreographed by: Paula Rakestraw
Music Direction: TBD
Book by: Julian Fellowes
Original Music & Lyrics by: Richard M. Sherman and Robert B. Sherman
New Songs & Additional Lyrics by: Anthony Drewe & George Stiles

Rehearsals: March 3rd-March 31st, 2018
Tech Rehearsals: April 2nd-April 6th, 2018
Performances:  April 7th-April 16th, 2018

SEEKING THE FOLLOWING:

  • [MARY POPPINS] Jane and Michael Banks’s new nanny. She is extraordinary and strange, neat and tidy, delightfully vain yet particular, and sometimes a little frightening but always exciting. She is practically perfect in every way and always means what she says. A mezzo soprano with strong top notes, she should be able to move well. Vocal range Gb3-C6
  • [BERT] The narrator of the story, is a good friend to Mary Poppins. An everyman, Bert has many occupations, including hurdy-gurdy player, sidewalk artist and chimney sweep. He has charm, speaks with a Cockney accent and is a song-and-dance man. Strong singer/dancer/actor, Baritenor, Vocal Range: B2-F#4
  • [GEORGE BANKS] The father to Jane and Michael Banks, is a banker to the very fiber of his being. Demanding “precision and order” in his household, he is a pipe-and-slippers man who doesn’t have much to do with his children and believes that he had the perfect upbringing by his nanny, the cruel Miss Andrew. Strong actor, a baritone, George may speak-sing as necessary.
  • [WINIFRED BANKS] George’s wife and Jane and Michael’s mother. A former actress, she is a loving and distracted homemaker who is busy trying to be the model wife and mother. She suffers from the conflicting feelings that she’s not up to the job of “being Mrs. Banks,” yet, she is, and more. Vocal Range: A3-D5
  • [JANE] The high-spirited 11 year old daughter of Mr. and Mr. Banks, is bright and precocious but can be willful and inclined to snobbishness. Vocal Range: A3-F#5
  • [MICHAEL] The cute and cheeky 9 year old son of Mr. and Mrs. Banks. Excitable and naughty, he adores his father and tries to be like him. Both he and Jane misbehave in order to get the attention of their parents, Vocal Range: A3- E5
  • [BIRD WOMAN] An elderly woman covered in a patchwork of old shawls, with her pockets are stuffed with bags of crumbs for the birds. She tries to sell her crumbs to passersby, who ignore her as if she doesn’t exist. Sings “Feed the Birds.” There can be a gruff, folksy quality to her voice that reflects the hardness of her life.  Vocal range: Gb3-C5
  • [MRS. CORRY] Owns a magical gingerbread shop. She is a mysterious woman of great age who speaks with a Caribbean accent (or any accent that would make her seem exotic).
  • [MISS ANDREWS] George’s overbearing and scary nanny. With her bottle of nasty-tasting brimstone and treacle to keep naughty children in line, she is a bully who only knows one way of doing things – her way. A soprano with an alto belt, there can be some heaviness to her voice along with range. Vocal range: Gb3-F5
  • [KATIE NANA] Jane and Michael’s nanny at the beginning of the show. Overwhelmed and upset, she has absolutely had her fill of the Banks children.
  • [POLICEMAN] A neighborhood fixture who is respected by and observant of households on his beat.
  • [BANK CHAIRMAN] The head of the bank where Mr. Banks is employed, is an Edwardian stuffed-shirt. Vocal range: C3-D4, He can speak/sing his lines if necessary.
  • [MRS. BRILL] The housekeeper and cook for the Banks family. Overworked and harrassed, she’s always complaining that the house is understaffed. Her intimidating exterior is a cover for the warmth underneath. Mrs. Brill doesn’t have a high opinion of nannies in general and Mary Poppins in particular. Vocal Range: F#3-D#5
  • [ROBERTSON AYE] The houseboy to the Banks family. Lazy, sleepy and grumbling, he never gets things right and believes himself to be useless. Vocal range top: F3-G#4
  • [PARK KEEPER] Uniformed and officious, he makes sure no one breaks park regulations. His life is defined by rules, but he secretly hankers after his childhood.
  • [NELEUS] The statue of a young boy posed with a dolphin in the park. Neleus was separated from his father, Poseidon, and misses him very much. A small and lonely being, he is very happy to befriend Jane and Michael. Extremely technical dancer.
  • [MISS SMYTHE] The Bank Chairman’s humorless secretary.
  • [VON HUSSLER] A businessman seeking a loan from the bank for a shady business deal. He speaks with a German accent.
  • [JOHN NORTHBROOK] An honest business man seeking a loan to build a factory for his community. He speaks with an accent from Northern England.
  • [MALE & FEMALE ENSEMBLE] 4 men, 4 women, to portray various characters in the ensemble, including Chimney Sweeps, Parkgoers.  Seeking extremely strong actor/singer/dancers with pop/rock voices and hip-hop/jazz dance training.  Puppeteer and tumbling skills a HUGE plus!

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June 22, 2017 · 4:08 pm

Resident Artist Company Music Director Sought by The Children’s Theatre of Cincinnati

TCTC_new logoOrganizational Overview:

TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through four primary programs:

  • TCT MainStage – We welcome 107,000 children, teachers, and family members from across the region, to one of our four family-friendly and professional musical theatre productions at the historic Taft Theatre.
  • TCT On Tour – We see over 47,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 750 children will be provided fine arts instruction, including the group that participates in summer intensive STAR summer programs through which we offer professional musical theatre training to some of the region’s most talented youth.
  • TCT Showtime Series – Our newest division, creating a premium theatrical experience in an intimate theatrical setting, located at our new facility on Red Bank Road.

Vision: To awaken a lifelong love of theater in children and the young at heart.

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview

The Resident Music Director/ Teaching Artist is part a team of production assistants in the TCT Resident Artist Company.  Each Artist is responsible for the quality and success of assigned projects, and/or theatrical productions, including but not limited to MainStage, The Showtime Stage Series, TCT on Tour, TCT Academy, or special outreach projects.  The Production Assistant, Artist teaches with the TCT Academy, as assigned.  Depending on the Production Assistant project track for the season, the Production Assistant/Artist, may be asked to take on into a variety of creative and administrative duties as schedules would allow.  The Production Assistants works closely with teachers, students, and the other members of the Production department, but each report directly to a different branch within the organization.

The Resident Music Director reports directly to the Producing Artistic Director.

Essential Duties and Responsibilities:

  • Identifying scripts for development in TCT Academy, TCT MainStage, TCT on Tour, and The Showtime Series.
  • Developing and implementing new projects/events associated with TCT Divisions.  (ie: Theatrical College Prep Convention)
  • Working with Marketing Department to cultivate audience growth.
  • Scouting potential for collaborations with other organizations or companies.
  • Representing TCT at industry events.
  • Teaching between 2-4 classes per session, unless excused to focus on a larger project.
  • Acting as the Resident Music Director for the organization.
  • Assisting with casting for musicals.
  • Playing piano for auditions.
  • Assisting TCT on Tour with production needs.
  • Compose/arrange music.
  • Create orchestrated tracks for new works.

Desired Qualifications:

A gifted collaborator with demonstrated ability to oversee projects. You must possess a high degree of integrity and transparency, a strong problem solver with a win/win attitude. We are seeking someone who is skilled at managing successful teams, with excellent interpersonal skills, both written and oral.  You must possess the ability to connect with young audiences and students to teach valuable lessons pertaining to the performing arts.

Must be able to compose and arrange music.  Must be proficient in orchestrating tracks.

Job Type:

Full-time, Full Benefits

Ideal experience:

2 years of teaching experience, 2 years of project management experience.

Starting Salary:

$25k

To apply, please take the assessment test by July 5th, 2017 by visiting:
http://tinyurl.com/TCT-RAC

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June 15, 2017 · 11:58 am

2017-2018 Properties Master Sought by The Chidren’s Theatre of Cincinnati

TCTC_new logo2017-2018 Properties Master
(10 Month Contract)

Organizational Overview:

TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through four primary programs:

  • TCT MainStage – We welcome 107,000 children, teachers, and family members from across the region, to one of our four family-friendly and professional musical theatre productions at the historic Taft Theatre.
  • TCT On Tour – We see over 47,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 750 children will be provided fine arts instruction, including the group that participates in summer intensive STAR summer programs through which we offer professional musical theatre training to some of the region’s most talented youth.
  • TCT Showtime Series – Our newest division, creating a premium theatrical experience in an intimate theatrical setting, located at our new facility on Red Bank Road.

Vision: To awaken a lifelong love of theater in children and the young at heart. 

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The 2017-2018 Season Properties Master will assist the organization in fulfilling its mission of educating, entertaining and engaging audiences of all ages through professional theatrical productions and arts education programming.  The Properties Master will be directly responsible for researching, designing, developing, and otherwise obtaining all props and rehearsal props for TCT MainStage, Showtime, and TCT on Tour divisions in collaboration with directors and stage managers of the productions, and the designated scenic designer of each show.  The Properties Master is also responsible for any prop needs associated with promotional appearances and photo shoots.

The Properties Master will report directly to the Technical Director, and will be responsible for maintaining and organizing future additions to our property stock.

Much of the props required for TCT on Tour can be pulled from our stock, located in our scenic shop facility in St. Bernard.  The ideal candidate will have experience creatively blending existing stock with their own design, building props from scratch, and purchasing creative solutions to satisfy the director’s vision.

Responsibilities and Qualifications:    

The Children’s Theatre of Cincinnati Properties Master’s duties include the following responsibilities and qualifications:

  • Creating or otherwise obtaining props and rehearsal props for all MainStage, Showtime, and Touring Productions.
  • Shopping for necessary materials
  • Working with power tools
  • Altering existing props to fit the director’s vision
  • Transporting props to and from the shop or renting company, rehearsal studio, and performance location. (Please note Taft Load-in dates for MainStage)
  • Repairing damaged props as necessary
  • Tracking a materials budget and promptly turning in receipts
  • Creating a master prop matrix for each show with Stage Management Team
  • Reading and responding to rehearsal reports in a timely manner
  • Ability to produce within a given deadline and in adherence with the production schedule
  • Building relationships with other arts organizations, share prop stock
  • Working knowledge of electrics and implementing electronic functions
  • Must have a background in carpentry, wood-working and welding
  • Artistic painting experience
  • Sewing, hemming, and upholstery skills

Systems and Operations:            

The TCT Properties Master will have access to tools, stock, and facility use in our Scenic Shop, located in St Bernard, as well as space in our facility on Red Bank Road.

The TCT Properties Master will have access to a tax-exempt form and a company credit card for purchases.

The TCT Properties Master will have access to use a TCT van, to transport items to and from the performance venue.  Contractor must schedule the van with the Operations Manager. If the van is unavailable, the Properties Master may need to use their own mode of transportation.  Per TCT policy, a $.40 per mile reimbursement will be in effect between a TCT location and a third party location.

TCT locations include: our headquarters on Red Bank Road, our scene shop in St. Bernard, and Downtown at the Taft Theatre.

Third party locations include:  retail locations, rental pick-up locations, or donation pick-up locations.

TCT does not reimburse for miles to or from the contractor’s home and any location, or between two TCT locations.  The contractor must keep a detailed log of mileage.

The TCT Properties Master is covered under worker compensation.

The TCT Properties Master position is treated as a contractor and is paid a stipend.

Commitment:                                                                                                                                  

The TCT Properties Master contract begins August 1st 2017.  The Properties Master must be available for production meetings prior to and during the rehearsal process, technical and dress rehearsals as assigned, and to meet the following deadlines for completed show designs: (Note:  rehearsal props should be present by first blocking rehearsal and final performance props are due by load-in or first dress.)

  • The Cat in the Hat (Tour):  Rehearses August 7st-18th, 2017
  • Young Abe Lincoln (Tour): Rehearses August 21st-September 2nd, 2017
  • Peter Pan Jr (MainStage): Rehearses September 18th-October 20th, 2017 (Taft Load in October 16th, Load out October 30th)
  • Cinderella (MainStage): Rehearses November 5th– December 8th, 2017 (Taft Load in December 4th, Load-out December 18th) NOTE: Cinderella requires a partial prop rental with The Children’s Theatre Company in Minneapolis.
  • Celebrate the Season (Tour): Rehearses November 8th– 22nd, 2017
  • Maya: A Writer’s Legacy (Tour): Rehearsals January 2nd– 12th, 2018
  • DreamWorks Madagascar (MainStage): Rehearses January 8th-February 9th, 2018 (Taft Load in February 5th, Load out February 19th)
  • Polkadots (Showtime Series): Rehearses February 5th-21st, 2018 (Strike: March 26th)
  • Mary Poppins Jr. (MainStage): Rehearses March 5th – April 6th, 2018 (Taft Load in April 2nd, Load out April 16th)

Minimum and Ideal Qualifications:

Education Level – Bachelor of Fine Arts or equivalent work experience.

Compensation/Payment Schedule:

  • A generous 10-month stipend of $22,000 will be paid to the contractor.
  • Contractor will be paid bi-monthly on the 1st and 15th of each month beginning August 15th, 2017 and ending May 31st, 2018.  $21,492 will be divided into 18 payments of $1,194.00.  A final payment of $508.00 will be paid upon strike of all TCT on Tour props on May 31st, 2018.

To apply, send your cover letter and resume, with any work samples to submissions@tctcincinnati.com.  Please use the subject:  “PROPERTY MASTER SUBMISSION”

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