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Auditions Announced for THE FULL MONTY at The Carnegie

TC_logo_newThe Carnegie Announce Auditions for THE FULL MONTY 

Directed by Matthew Wilson
Music Direction by Xan Jeffery
Choreography by Jay Goodlett 

Performances: August 12, 13, 18, 19, 20, 25, 26, 27
Friday & Saturday Evenings at 7:30pm, Sundays at 3:00pm

Rehearsals evenings and weekends July 9th – August 13th

A loveable band of unemployed steelworkers in Buffalo, NY cook up a hilarious scheme to reinvigorate their bank accounts and their self-confidence by becoming a male striptease act. But it won’t be easy…between learning to dance, dealing with body issues, and revealing the plan to their wives, the men must expose more than their bare-bottoms to make their plan a reality.

Based on the hit film of the same name, THE FULL MONTY is full of heart, humor, and the most highly anticipated closing number you’ll ever see at the theatre. Get ready to hoot and holler as the guys “let it go” in a finale performance you won’t forget!

Auditions by Appointment Only on the Following Dates:

  • May 13 1pm-5pm
  • May 15 6:30pm-9:30pm

Callbacks May 16 7pm

To schedule a time slot, please contact Maggie Perrino, mperrino@thecarnegie.com.

Please Prepare:

  • 32 bars of a musical theatre song in the style of the show.
  • Wear dance attire and be prepared to learn a dance combination
  • Bring sheet music in the correct key for the accompanist. A cappella auditions will not be accepted

Also note:

  • Resume listing theatrical experience and headshot/picture are required to audition. Please bring with you to the audition, do not send in advance.
  • Cast members do not have to be the actual ages of the characters, but must be able to look age appropriate and act accordingly.
  • All roles are paid. Not AEA eligible.

Auditions will take place at The Lincoln Grant Scholar House Auditorium
824 Greenup St. Covington, KY (block and a half from The Carnegie)

Please note: Lead roles will be required to perform in g-strings on stage. Please be sure you are comfortable with this element of the script before auditioning. Due to local ordinances, we cannot allow full nudes onstage, but will go down to everything but the g-string. Those invited to callbacks should be prepared to perform the dance combo in underwear only. 

Available Roles:

  • Jerry Lukowski: Male, 30-40, an unemployed mill worker, fighting to maintain his pride and the custody of his only son; all-American jock and the definitive man’s man; spontaneous; very prideful; brief nudity. Vocal range: Tenor, C4-D6.
    Requires Stripping: Yes
  • Dave Bukatinsky: Male, 30-40, Jerry’s best friend and fellow unemployed mill worker; very much a man’s man, but more of a follower than leader; the definitive sidekick; prideful; self-conscious about his size; brief nudity. Vocal range: Tenor, C4-E6.
    Requires Stripping: Yes
  • Harold Nichols: Male, 35-49, an unemployed supervisor at the mill. Hot Metal’s choreographer; thinks his worth comes from providing for his wife, so he hides his unemployment from her; brief nudity. Vocal range: Bari/tenor, B3-A5.
    Requires Stripping: Yes
  • Malcolm MacGregor: Male, 25-35, an unemployed mill worker; lives at home with his mother; depressed, suicidal, awkward, and feeble; pigeon-chested; finds comfort in Ethan; brief nudity. Vocal range: Tenor, C4-E6 (smooth falsetto).
    Requires Stripping: Yes
  • Ethan Girard: Male, 25-35, an unemployed mill worker; lonely; has a blind determination and confidence to succeed; finds company with Malcolm; brief nudity. Vocal range: Bari/tenor, D3-A5.
    Requires Stripping: Yes
  • Noah ‘Horse’ T. Simmons: Male, 30-50, a retired mill worker; embarrassed about being an “average-sized” black man; despite being old and slow when walking, he still has explosive dance moves; frequently grumpy; brief nudity. Vocal range: Baritone, F2-B5.
    Requires Stripping: Yes
  • Georgie Buktanisky: Female, 30-40, Dave’s wife; she loves her husband, and worries about him; loud, outgoing, and brash; she is the “leader” of her group of girlfriends. Vocal range: Mezzo/Soprano, G3-A5.
    Requires Stripping: No
  • Vicki Nichols: Female, 25+, Harold’s wife; she enjoys the finer things in life; loves her husband more than anything, and supports him no matter what. Vocal range: Alto/mezzo, G3-A5.
    Requires Stripping: No
  • Jeannette Burmeister: Female, 60-75, a piano player of indeterminate years and show-business pro; sassy, quick-witted, and larger than life; has slowed down in recent years. Vocal range: Alto, F4-B5.
    Requires Stripping: No
  • Nathan Lukowski: Male, 14-18, to play 12-14 year old kid. Jerry’s young son; Nathan can be stoic, sincere, and charming, but ultimately real as he deals with his parents’ custody battle; key player who does a lot of witnessing. Vocal range: Open.
    Requires Stripping: No
  • Male Ensemble (Chorus / Ensemble): Male, 20-50 to play various characters, all vocal types, all ethnicities. Role of Keno specifically should be a fit, “professional” stripper who moves well.
    Requires Stripping: Yes (maybe one or two male ensemble who do not need to strip)
  • Female Ensemble (Chorus / Ensemble): Female, 20-40 to play various characters, all vocal types, all ethnicities
    Requires Stripping: No

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DISENCHANTED! Runs March 25-April 9

tc_disenchanted-logoDISENCHANTED!
The Carnegie
March 25-April 9
Covington

Directed by Jodie Meyn
Music Directed by Erin McCamely
Choreographed by Maggie Perrino

Cast: Sara Kenny as Snow White, Allison Evans as Cinderella, Blair Godshall as Sleeping Beauty, Gabriella Francis as Little Mermaid/Belle/Rapunzel, Mikayla Renfrow as Pocahontas/Mulan/Princess Badroulbador & Brittany Hayes as The Princess Who Kissed the Frog

Poisoned Apples. Glass slippers. Who needs ‘em? Join these fairytale princesses for an uproarious evening of irreverent humor and satirical snipes as they throw out their tiaras and start getting real. Snow White leads an all-star cast featuring Cinderella, Belle, Rapunzel, Sleeping Beauty, and many more in this not-for-the-kiddies cabaret. Forget the princesses you think you know. These ladies will have you rolling in the aisle with their piercing take on happy ever after.

  • Sat, March 25 at 7:30pm
  • Sun, March 26 at 3pm
  • Fri-Sat, March 31-April 1 at 7:30pm
  • Sun, April 2 at 3pm
  • Fri-Sat, April 7-8 at 7:30pm
  • Sun, April 9 at 3pm

Official page |

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The Carnegie Hosts TEAM KARAOKE CHALLENGE

karaoke-finalSaturday, February 11, 2017
Registration Deadline: Friday, February 3, 2017

(COVINGTON, KY) – Carpool crooners, secretive singers, and daring divas are invited to show off their karaoke chops on Saturday, February 11, as part of The Carnegie’s Team Karaoke Challenge. 

The team-based karaoke event, part of The Carnegie’s new G.E.T. Together series, will pit teams of two to four against each other in a knock-out style tournament with audience members as judges. During the first round, teams will sing their best group number, then play or steal in the karaoke trivia round, and finally put up their best soloist to win the game. Audience members will have fun cheering for their friends, jeering for their opponents, and voting for the winner. The 1st – 3rd place teams will receive $1,000 in prizes.

“Karaoke is one of those things that just screams party,” said Maggie Perrino, Theatre Director at The Carnegie. “We want people to give us their best popstar impression and have a blast doing it, all in a fun, friendly atmosphere at The Carnegie.”

Doors open for happy hour in The Carnegie Galleries at 6pm, with the karaoke challenge beginning at 7pm.

Team registration is $60 and must be completed by Friday, February 3. Teams can register by emailing Carnegie Theatre Director Maggie Perrino at mperrino@thecarnegie.com. Registration includes one complimentary drink per person.

Tickets to the Team Karaoke Challenge are $21 for adults and $18 for students, and include one complimentary drink.  Tickets are available at The Carnegie Box Office, open Tuesday-Friday 12 p.m. – 5 p.m., online at www.thecarnegie.com, or by phone at (859) 957-1940.

New for the 2016-17 season, the G.E.T. Together series is a collaborative, interactive series brining together the talents of The Carnegie’s Gallery, Education, and Theatre departments. The series Media Sponsor is WMKV.

About The Carnegie: The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from Cincinnati Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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THE MUSIC MAN Review

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Photo by Mikki Schaffner Photography.

THE MUSIC MAN presented The Carnegie through Feb. 5. Click here for more information on the production. I attended the opening night performance.

THE MUSIC MAN was possibly my first exposure to a Broadway musical. Knowing my parents, there is probably still a Betamax copy of it floating around the house somewhere. So for me, a visit to River City is a bit of a nostalgic homecoming and this production boasts the largest cast in a production by The Carnegie.

Dave Wilson is solid as the charming con man, Harold Hill. Sara Viola’s strong vocals are a highlight of the show and it is fun to watch her as Marion begins to fall under Harold’s spell. Together, the real-life husband and wife have an easy chemistry that plays well from the playful “Marion the Librarian” to the honest “Then There Was You.”

A favorite of the audience was the school board barbershop quartet played by Michael Bell, Paul Gilman, Mike Connelly & Zac Coleman. The “Lida Rose/Will I Ever Tell You” number was extremely well-received.

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Sarah Viola as Marian Paroo & Dave Wilson as Harold Hill. Photo by Mikki Schaffner Photography.

Always fun to watch on stage, Sean Mette takes on the role of Marcellus. I would have like to have seen a stronger friendship between Marcellus and Hill. During “Shipoopi,” Mette did seem to get lost amid the young dancers. Maybe moving him downstage and to the side would have made him more visible. There was also fun character work by Angela Alexander Nalley as Mother Paroo, Jim Stump and Torie Pate as Mayor Shinn and his wife, and the Pick-A-Little Ladies (Lori Valentine, Sara Kenny, Burgess Byrd, and Lauren Carr).

Director Greg Procaccino kept the pacing tight and fast, but there were several times when I would like to have seen a bit more of a moment taken with the scene. Even the queues for some of the held poses at the end of the scenes seemed rushed.

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Torie Pate as Eulalie Shinn, Sara Kenny as Ethel Tofflemeier, Sarah Viloa as Marian Paroo, Burgess Byrd as Alma Hix, Lori Valentine as Maude Dunlop & Lauren Carr as Mrs. Squires. Photo by Mikki Schaffner Photography.

The eight musicians, under the conductor Michael Kennedy had a strong and full presence. Sound designer Eric Bardes did a great job in this somewhat temperamental venue.

Maggie Perrino’s choreography worked well for this production even when dealing with the entire cast on stage together. I thought the teen and youth ensembles really shined in their numbers.

Personally I was not a fan of the set. I think it’s great to use a local artist, and while I found the set to be functional, I also felt it was static and uninspired.

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The School Board and Sarah Viola as Marion Paroo. Photo by Mikki Schaffner Photography..

Small complaints aside, THE MUSIC MAN is a charming and fun, big musical perfect for the whole family.

My rating: 4.0 out of 5

I would enjoy hearing what you think about the show or my review. All I ask is that you express your opinion without attacking someone else’s opinion. You can post your comments below.

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The Carnegie Announces Tenth Anniversary Season

TC_logo_newCOVINGTON, KY– Broadway pizazz, hometown nostalgia, pure imagination, and parenting at its funniest – audiences can expect all this and more during The Carnegie’s 2017-18 Theatre Season.

The Carnegie is proud to present the 10th Anniversary of the Theatre Series in the Otto M. Budig Theatre with a lineup that is sure to please. A raucous and revealing evening will be had by all who attend the season opener, THE FULL MONTY, in August. Then in November, TENDERLY: THE ROSEMARY CLOONEY MUSICAL will captivate audiences with the life story of the local legend. Audiences can grab a golden ticket in January to see ROALD DAHL’S WILLY WONKA with all the songs from the film and a few more to boot. Finally, this very special season wraps up with MOTHERHOOD OUT LOUD, a warm and comic salute to the women (and men) who take on the challenge of child-rearing.

The Carnegie’s 2017-18 Theatre Series

THE FULL MONTY
The Broadway Musical
Book by Terrence McNally
Music and Lyrics by David Yazbek

Based on the motion picture, released by Fox Searchlight Pictures, written by Simon Beaufoy, produced by Uberto Pasolini and directed by Peter Cattaneoe

Playing August 12-27, 2017

A loveable band of unemployed steelworkers in Buffalo, NY cook up a hilarious scheme to reinvigorate their bank accounts and their self-confidence by becoming a male striptease act. But it won’t be easy…between learning to dance, dealing with body issues, and revealing the plan to their wives, the men must expose more than their bare-bottoms to make their plan a reality.

Based on the hit film of the same name, THE FULL MONTY is full of heart, humor, and the most highly anticipated closing number you’ll ever see at the theatre. Get ready to hoot and holler as the guys “let it go” in a finale performance you won’t forget!

Eight Performances:
Saturday, August 12, 7:30pm ● Sunday, August 13, 3pm
Friday, August 18, 7:30pm ● Saturday, August 19, 7:30pm ● Sunday, August 20, 3pm
Friday, August 25, 7:30pm ● Saturday, August 26, 7:30pm ● Sunday, August 27, 3pm

The Full Monty is presented through special arrangement with Music Theatre International (MTI).

_____________________

TENDERLY: THE ROSEMARY CLOONEY MUSICAL
Based on the life of Rosemary Clooney
By Janet Yates Vogt and Mark Friedman

Playing November 4-19, 2017

Fresh, poignant, and remarkably personal, TENDERLY: THE ROSEMARY CLOONEY MUSICAL explores the highs and lows lived by legendary singer, Rosemary Clooney. In a story that begins just 60 miles from The Carnegie in Maysville, KY, the show follows Rosemary’s career successes, personal struggles, and her triumphant reinvention as a jazz singer.

Featuring her greatest songs, including “Come On-A My House,” “Tenderly,” and “Hey There (you with the stars in your eyes),” TENDERLY stunningly portrays the making of an American icon.

Eight Performances:
Saturday, November 4, 7:30pm ● Sunday, November 5, 3pm
Friday, November 10, 7:30pm ● Saturday, November 11, 7:30pm ● Sunday, November 12, 3pm
Friday, November 17, 7:30pm ● Saturday, November 18, 7:30pm ● Sunday, November 19, 3pm 

TENDERLY: THE ROSEMARY CLOONEY MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide.

_____________________

ROALD DAHL’S
WILLY WONKA
Music and Lyrics by Leslie Bricusse and Anthony Newley
Adapted for the Stage by Leslie Bricusse and Timothy Allen McDonald
Based on the book, “Charlie and the Chocolate Factory” by Roald Dahl

Playing January 18 – 28, 2018

The classic tale of Charlie and Willy Wonka’s famous chocolate factory comes to life on The Carnegie stage for our annual family-friendly production! Cheer on Charlie as he finds his golden ticket, sing along with the Oompa-Loompas, and take a fantastical tour of the most famous candy factory of all time.

Based on the enchanting 1971 film starring Gene Wilder, WILLY WONKA features all of your favorite tunes, including “The Candyman,” “I’ve Got a Golden Ticket,” and “Pure Imagination.” It’s a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth.

Ten Performances:
Thursday, January 18, 7:30pm ● Friday, January 19, 7:30pm ● Saturday, January 20, 2pm & 7:30pm ● Sunday, January 21, 3pm
Thursday, January 25, 7:30pm ● Friday, January 26, 7:30pm ● Saturday, January 27, 2pm & 7:30pm ● Sunday, January 28, 3pm

ROALD DAHL’S WILLY WONKA is presented through special arrangement with Music Theatre International (MTI).

_____________________

MOTHERHOOD OUT LOUD
Written by Leslie Ayvazian, Brooke Berman, David Cale, Jessica Goldberg,
Beth Henley, Lameece Issaq, Claire LaZebnik, Lisa Loomer, Michele Lowe,
Marco Pennette, Theresa Rebeck, Luanne Rice, Anne Weisman and Cheryl L. West
Conceived by Susan R. Rose and Joan Stein

Playing April 14– 29, 2018

Lots of laughter and a few tears are guaranteed in this insightful take on the many forms of motherhood. From moms to stepmoms, mothers-in-law, and even dads who double as moms, MOTHERHOOD OUT LOUD skewers and savors the journey of parenthood.

A hilarious hit with audiences from NYC to Main Street USA, MOTHERHOOD sports a famous line-up of contemporary playwrights, including Pulitzer Prize winner Beth Henley (CRIMES OF THE HEART, MISS FIRECRACKER) and Cincinnati-area native Theresa Rebeck (BAD DATES, NBC’s television show, SMASH.) A great show to enjoy with the mother in your life!

Eight Performances:
Saturday, April 14, 7:30pm ● Sunday, April 15, 3pm
Friday, April 20, 7:30pm ● Saturday, April 21, 7:30pm ● Sunday, April 22, 3pm
Friday, April 27, 7:30pm ● Saturday, April 28, 7:30pm ● Sunday, April 29, 3pm

MOTHERHOOD OUT LOUD is presented by special arrangement with Dramatists Play Service, Inc., New York.

Ticketing
Subscriptions for the 2017-18 Theatre Season are currently on sale. Single tickets go on sale Friday, March 24, 2017 at noon. Tickets may be purchased through The Carnegie Box Office at (859) 957-1940, open Tuesday through Friday, noon to 5pm, or online at http://www.thecarnegie.com.

About The Carnegie Theatre Series
The Carnegie Theatre Series produces professional, innovative stagings of an eclectic range of theatrical works. Striving to unite the greater Northern Kentucky and Cincinnati theatre community through partnerships and collaborations, the series engages and nurtures both emerging and established talent, including working professionals, committed part-time theatre artists, university performing arts students and younger students. The Carnegie Theatre Series productions bring together these forces to provide quality theatre for Northern Kentucky and the Greater Cincinnati area.

About The Carnegie: The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center.  More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie receives ongoing operating support from Cincinnati Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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