Tag Archives: The Carnegie

Matt Distel Appointed Executive Director of The Carnegie

TC_Matt DistelAfter 9+ Years as The Carnegie’s Exhibitions Director, Distel will undertake a new role as the organization’s leader

COVINGTON, Ky. (April 27, 2023) – The Carnegie has announced the appointment of Matt Distel as its next Executive Director.

An accomplished curator and arts administrator, Matt Distel brings nearly 30 years of experience to the Executive Director position. Distel is stepping into this new role with a long history at The Carnegie and a decorated career leading community-centered arts organizations.

Distel first joined The Carnegie staff as its Exhibitions Director in 2013 and has been organizing exhibitions since 1994—with a particular focus on artists from the region. Prior to joining The Carnegie, Distel held curatorial roles at the Cincinnati Art Museum and the Contemporary Arts Center as well as served as Executive Director of Visionaries + Voices in Cincinnati and HVCCA in Peekskill, NY. He was also the co-founder and director of Country Club, a commercial gallery based in Cincinnati and Los Angeles.

Notably, Distel has curated and organized numerous exhibitions and installations including projects with SIMPARCH, Kendell Geers, Temporary Services, The Yes Men, Beth Campbell, Alexis Rockman, Jay Bolotin, Future Retrieval, Terry Berlier, Design 99, Courttney Cooper, Ryan McGinness, Ellen Berkenblit, Edie Harper, Tom Wesselmann and Atlas Group.

“We feel very fortunate that Matt will be our next Executive Director,” said Jamie Horn, Carnegie Board President. “We have an exceptionally strong team at The Carnegie—and Matt has been a foundational member of the staff for nearly a decade. I am certain The Carnegie will thrive under Matt’s leadership and believe he will usher in a dynamic era for the organization.”

The Carnegie is a three-tiered organization and Distel’s new role as Executive Director oversees each department: Gallery, Education and Theatre. Under his direction as Exhibitions Director, The Carnegie Galleries expanded its mission while deepening local relationships. In an effort to generate opportunities for regional artists, Distel experimented with several exhibition models that nurtured connections between guest curators, writers, gallerists and fellow artists. The Carnegie’s most recent FotoFocus exhibition These Things Are Connected beautifully illustrates Distel’s philosophy: he brought together five curators working inside and outside of the Cincinnati/Northern Kentucky region to select and develop projects based on linking artists across different geographies. In the same way, The Carnegie Galleries prioritizes connecting artists with a range of curatorial voices that provides new contexts for their work—an effort that subsequently nurtures the region’s vibrant and growing art community.

“Since my very first experiences in the art world nearly 30 years ago, I have always worked to amplify regional voices of both the performing and visual artists—and believe that a vibrant art community’s impact reaches beyond a single studio, stage or classroom.” Distel added “I’m honored to continue building upon the successes established by previous Executive Directors Kim Best and Katie Brass. Thanks to my predecessors, especially Kim’s Capital Campaign initiative, The Carnegie will continue to connect artists to each other and communities beyond our region.”

Distel’s appointment follows some major milestones for the organization, including The Carnegie’s inaugural Summer Theatre Series and the successful production of Singin’ in the Rain. The Theatre’s new season format led by Tyler Gabbard produced significant growth in audience and record sales for the organization. Under the guidance of Alissa Paasch, The Carnegie’s Education department has also seen a notable expansion in recent years, facilitating in-school arts integration programming in Covington school systems and beyond—plus on-site programming in their Eva G. Farris Education Center.

In conjunction with Matt Distel’s appointment, The Carnegie will also be announcing their search for a Development Director. This position will be pivotal in securing ongoing financial support and facilitating organizational growth.

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About The Carnegie 
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at http://www.thecarnegie.com or by calling (859) 491-2030.

The Carnegie is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Kentucky Arts Council, City of Covington, Kenton County Fiscal Courts, Carol Ann & Ralph V. Haile, Jr. Foundation, the Greater Cincinnati Foundation, and Cincinnati International Wine Festival.

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The Carnegie’s Creative Disruption Series Continues in March

TC_Creative Disruption Committee logoCOVINGTON, Ky. (March 10, 2023) – The Carnegie’s Creative Disruption Series continues this spring with two new productions. This workshop series focuses on supporting new theatrical works created by local theatre-makers, especially works with surprising themes or storytelling structures. The next productions in the series include MULTI-SHELLED HERMIT CRAB by Aki Hosada and ALL’S FAIRE written by Alexx Rouse and Zach Robinson with music by James Allen. 

MULTI-SHELLED HERMIT CRAB, a one-person show that follows Alex Hollow, a sweet timid man who has multiple unique personalities (his many shells). Absurdly, the crustaceous protagonist finds himself embroiled in the murder of a woman and under investigation by chief Oscar Charles DeanMulti-Shelled Hermit Crab is a comedic thriller that will keep you on the edge of your seats while laughing non-stop.  

The performance will take place on March 17 at 7:30 pm on The Carnegie’s Otto M. Budig stage. Tickets are $25. Purchase tickets at: thecarnegie.com.

ALL’S FAIRE, a new musical (which originally premiered as a touring production for The Know Theatre of Cincinnati in 2021, after wild success in their Serials! program in 2017) has been fully reimagined for the Carnegie stage. All’s Faire is a musical comedy that tells the story of Johnson, a tightly wound private eye, who has been invited to solve a crime at the local Renaissance festival. With their trusty (and highly distractible) sidekick Josh, surely this will be an open and shut case…or will it? With pirates, fair maidens, puppets, and tomfoolery, it soon becomes clear to Johnson that anything goes at Ye Olde Ren Faire. This might be a tougher case to crack than they thought.  

Performances will take place on March 31 & April 1, 2023 at 7:30 p.m. on The Carnegie’s Otto M. Budig stage. Tickets are $25. Purchase tickets at: thecarnegie.com. 

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About The Carnegie
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at www.thecarnegie.com or by calling (859) 491-2030.  

The Carnegie is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. The Carnegie receives ongoing operating support from the Kentucky Arts Council, City of Covington, Kenton County Fiscal Courts, Carol Ann & Ralph V. Haile, Jr. Foundation, the Greater Cincinnati Foundation, and Cincinnati International Wine Festival. 

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Video Auditions Announced for KINKY BOOTS and GUYS AND DOLLS at The Carnegie

TC_logo_newThe Carnegie is accepting video submissions for our Summer 2023 productions of KINKY BOOTS and GUYS AND DOLLS.

KINKY BOOTS
June 30 – August 19, 2023
Directed by Lindsey Augusta Mercer
Music Directed by Steve Goers

GUYS AND DOLLS
July 29 – August 18, 2023
Directed and Choreographed by Eric Byrd
Music Directed by Steve Goers 

Auditions by Video Submission.
Submissions are due by 11:59 PM EST on February 28, 2023.
Performers must be 16 years of age or older to submit an audition.

What to send:

  • 32 bars of a song in the style of KINKY BOOTS
  • 32 bars of a song in the style of GUYS AND DOLLS
  • Optional: Submit a 1-2 minute video showcasing your dance/movement abilities
  • Resume
  • Headshot

Audition videos will only be accepted as links. Files requiring download will not be accepted. Please create separate videos for each song and the dance combination. You will be asked to submit them separately in the online form.

Please ensure that privacy settings are such that we are enabled to view by the link only, with no need for password or additional access request. Please film your material in a horizontal/landscape frame on a solid background or plain wall.  A ¾ shot is preferred for vocal selections.

Your headshot must be an image file and your resume must be in PDF format. Both should be labeled with you name (i.e. Gabbard_Tyler.pdf)

Please submit your audition here: https://forms.gle/Cqsc3yGwshypKXfd7

Callbacks
Callbacks will be a mix of live and digital based on the availability of the auditionee and production staff. In-person callbacks are planned for Monday, March 20.

Casting
All auditionees will be notified of casting outcomes by March 31, 2023.

The Carnegie is committed to inclusive casting. All races, ethnicities, gender identities, body types, and mobilities are encouraged to apply. Pronouns listed in the character breakdown refer to the genders of the characters only. Actors should submit for any roles they feel comfortable playing. 

Also Note:

  • All Roles are paid. Principal Roles pay $1000 per show contract, Secondary Roles and Ensemble pay $800 per show contract. If selected for a two-show contract (KINKY BOOTS and GUYS AND DOLLS), pay is $2000 for the summer and is paid bi-weekly.
  • Not AEA eligible.
  • No housing provided. 

Rehearsals and Performances
Rehearsals will take place in the evenings and on weekends. Daytime rehearsals may be added based on the availability of the cast and production staff.

Conflicts will be accepted on a limited basis. The Carnegie strives to provide flexible opportunities for artists to pursue their craft in an environment that respects work-life balance. If conflicts are too numerous, we reserve the right to retract our offer. No performance conflicts will be accepted. 

COVID-19 Policies
The Carnegie fervently encourages all auditioners to seek the Covid-19 vaccination before attending in-person callbacks. Proof of a completed initial vaccine course is required before the start of rehearsals for all company members. Rehearsals may be conducted in masks depending on virus transmission rates. Performances and audiences will not be masked.


KINKY BOOTS
Music and Lyrics by Cyndi Lauper
Book by Harvey Fierstein
Original Broadway Production Directed and Choreographed by Jerry Mitchell
Based on the Miramax motion picture of the same name, written by Geoff Deane and Tim Firth

Directed by Lindsey Augusta Mercer
Choreographer TBA
Music Directed by Steve Goers

Rehearsals: June 4-29

Performances:
Friday, June 30, 7:30 PM
Sunday, July 2, 3:00 PM
Friday, July 7, 7:30 PM
Saturday, July 8, 7:30 PM
Friday, July 21, 7:30 PM
Sunday, August 6, 3:00 PM
Thursday, August 10, 7:30 PM
Saturday, August 19, 7:30 PM

KINKY BOOTS, the winner of six Tony® Awards, including Best Musical, is a huge-hearted, high-heeled hit featuring music and lyrics by pop legend Cyndi Lauper. Factory owner Charlie is struggling to save his business when he meets Lola, a drag queen with a wildly exciting idea that just might save the day. Inspired by true events, KINKY BOOTS tells the story of a mismatched pair of friends who together learn that sometimes, the best way to fit in… is to stand out!

Available Roles

Charlie Price (He/Him)
A bit confused, a bit unfocused, a hero hiding under a victim’s mantle.
Tenor (C3 -B4)

Lola/Simon (She/Her/He/Him)
A prize fighter’s physique draped in satin. A talented drag queen with a killer voice and winning ways.
Tenor (C3-B4)

Nicola (She/Her)
Charlie’s long-term girlfriend. Driven, uncompromising.
Mezzo-Soprano (B3-F5)

Lauren (She/Her)
Beautiful and strong working-class girl.
Mezzo-Soprano (B3-F5)

Don/Ensemble (He/Him)
Lola’s nemesis. Burly hypermasculine bear of a factory worker.
Baritone/Tenor (C3-F4, must have falsetto to D5 for finale)

Pat/Ensemble (She/Her)
Officious office manager who will let loose her wild side when allowed.
Mezzo-Soprano (B3-F5)

Trish/Ensemble (She/Her)
Factory worker with a husband and kids to worry over.
Mezzo-Soprano (B3-D5)

George/Ensemble (He/Him)
Factory manager keeping up traditions. Reserved.
Baritone (C3-F4)

Mr. Price/Ensemble (He/Him)
Charlie’s father. Also plays Richard Bailey, Nicola’s attractive boss.
Baritone (B2-G4)

Harry/Ensemble (He/Him)
A contemporary of Charlie’s but his opposite. Successful, self-aware and confident. Also plays Simon Sr., Simon’s unforgiving father.
Tenor (E3-C4)

The Angels (He/Him/She/Her/They/Them)
The drag performers who populate The Blue Angel Nightclub.
Baritones/Tenors (some sing to C5 and some sing to A4)


GUYS AND DOLLS
A Musical Fable of Broadway
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
Based on a Story and Characters of Damon Runyon

Directed and Choreographed by Eric Byrd
Music Directed by Steve Goers

GUYS AND DOLLS is musical theatre at its show-stopping best! Hailed by many as the perfect musical comedy, this colorful classic follows a rowdy bunch of gamblers and showgirls in a wild game of chance and love. Set in bustling 1950s Manhattan, GUYS AND DOLLS features some of the most memorable showtunes of all time, including “Luck Be a Lady,” “I’ve Never Been in Love Before,” and the irrepressible anthem “Sit Down, You’re Rockin’ the Boat.”

Rehearsals: July 2-28

Performances:
Saturday, July 29, 7:30 PM
Sunday, July 30, 3:00 PM
Friday, August 4, 7:30 PM
Saturday, August 5, 7:30 PM
Saturday, August 12, 7:30 PM
Sunday, August 13, 3:00 PM
Thursday, August 17, 7:30 PM
Friday, August 18, 7:30 PM

Available Roles

Nathan Detroit (He/Him)
A good-hearted gambler and craps game organizer who could never hit the bigtime. He loves Adelaide, but cannot quit his gambling ways. A broke schemer with unwitting ways.
Baritone (Eb4-B4)

Miss Adelaide (She/Her)
Nathan’s fiancé and a lead performer at the Hot Box nightclub. She loves Nathan more than anything in the world and desperately wants to get married. Pretty, outspoken, stubborn.
Mezzo-Soprano (A3-D5)

Sky Masterson (He/Him)
A high-stakes gambler whose luck never seems to run out, and a wild card who surprises himself when he falls in love with the unlikeliest of women. Suave, smart, handsome.
Baritone (Bb3-D5)

Sarah Brown (She/Her)
A pretty, bright-eyed woman who serves as Sergeant of the local Mission. She fully believes in her worthy cause and wishes to convert the gambling sinners to saints. Falls unexpectedly in love with Sky along the way. She is prudish and uptight, but eventually lets go.
Soprano (Bb3-E5)

Nicely-Nicely Johnson (He/Him)
Just like his name suggests, he is the nicest and cheeriest of the gambling crooks. High-spirited and a bit naïve, but sincere and genuine. Nathan’s loyal friend and lackey.
Tenor (Bb3-F5)

Benny Southstreet (He/Him)
Nathan’s right-hand man and a gambler himself. Smart, slick, always moving and shaking, but with what he thinks are Nathan’s best interest at heart.
Baritone (Bb3-E5)

Arvide Abernathy (He/Him or She/Her)
The bass drum and cymbal player in the Mission band and Sarah’s loving grandparent. Wise and sweet.

Harry The Horse (He/Him)
A crook and gambler. He is a tough guy with dollar signs as his bottom line. Brings Big Jule into Nathan’s craps game and backs his cheating but is also a man of his word in the gambling community.

Lt. Brannigan/Ensemble (He/Him)
A New York police officer who is on to Nathan’s illegal craps games and is dead set on catching him. A tough, no-nonsense character.

Big Jule (He/Him)
A big time craps player from Chicago who uses a gun and his own pair of rigged dice to bully his way into never losing. Tough looking. A bit of an oaf.

General Matilda B. Cartwright (She/Her)
The regional representative of the Save-a-Soul missions. Powerful, matronly, and no-nonsense.
Mezzo-Soprano

Rusty Charlie (He/Him)

Angie the Ox (He/Him)

Hot Box Dancers/Ensemble (She/Her)
A chorus of performers who back-up Adelaide in her nightclub act. Strong dancing, singing and character performance required.

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SINGIN’ IN THE RAIN Runs Jan. 28-Feb. 12

TC_Singin in the Rain logoSINGIN’ IN THE RAIN
The Carnegie
Jan. 28-Feb. 12
[Covington]

Directed & choreographed by Maggie Perrino
Music directed by Steve Goers

Cast: Logan Anthony* as Don Lockwood, Andy Donnelly as Cosmo Brown, Delaney Benson as Kathy Selden & Juno Brosas as Lina Lamont
Ensemble: Cody Combs, Annalese Fusaro, Aaron Marshall, Madison Osment & Tre Taylor
Teen Ensemble: Franny Bell, Arabella Bertucci, Clare Graff, Sarah Newland & Jameson Zoller
Youth Ensemble: Dez Hutchens & Seava Sierra King
Swings: Cody Combs & Julia Schick

*The Actor appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

SINGIN’ IN THE RAIN has all the makings of a Tinseltown tabloid headline – the starlet, the leading man, and a love affair that could change lives and make or break careers. Complete with technicolor costumes, show-stopping dance numbers, and an onstage rainstorm, audiences of all ages will delight in this glorious musical fantasy.

  • Sat, Jan. 28 at 7:30pm
  • Sun, Jan. 29 at 3pm
  • Fri, Feb. 3 at 7:30pm
  • Sat, Feb. 4 at 2pm & 7:30pm
  • Sun, Feb. 5 at 3pm
  • Fri, Feb. 10 at 7:30pm
  • Sat, Feb. 11 at 2pm & 7:30pm
  • Sun, Feb. 12 at 3pm

Official page | Facebook event |

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Video Auditions Announced for the Role of Billie Holiday for LADY DAY AT THE EMERSON’S BAR AND GRILL at The Carnegie

TC_logo_newLADY DAY AT EMERSON’S BAR & GRILL
By Lanie Robertson
Musical Arrangements by Danny Holgate

Directed by Darnell Pierre Benjamin
Music Direction by Jason Alexander Holmes

Rehearsals
Rehearsals will take place intermittently beginning in late May 2023. The rehearsal schedule will be set based on the availability of performers and the creative team. Technical and dress rehearsals will take place from July 9-14, 2023.

Performances

  • Saturday, July 15, 7:30 PM
  • Sunday, July 16, 3:00 PM
  • Saturday, July 22, 7:30 PM
  • Thursday, August 3, 7:30 PM
  • Friday, August 11, 7:30 PM
  • Sunday, August 20, 3:00 PM

About the Show
LADY DAY AT EMERSON’S BAR & GRILL is a riveting portrait of Billie Holiday and the songs that made her famous. In a captivating evening of story and song, audiences will be transported to the gritty Philadelphia bar where the legendary jazz singer gave one of her final public performances in 1959. The hard-hitting musical chronicles the singer’s life story – both humorous and heart-wrenching – and celebrates the music she gave the world including “What a Little Moonlight Can Do,” “Strange Fruit,” “God Bless the Child,” and “Ain’t Nobody’s Business if I Do.”

Available Role
Billie Holiday (Female, 43, Black/African Descent)

Legendary jazz singer, Billie Holiday, in one of her final concert performances at a small bar in Philadelphia. Throughout the evening, Billie oscillates between a full-octane passionate performance to utter desperation and loneliness—an effort that is likely inspired by substance abuse. She is passionate, profane, demanding, and sometimes cruel. Billie honestly recalls major moments and influences from her life with great humour and delight—oftentimes in contrast to the harsh experiences that she recounts. Billie’s stories carry her in and out of song, exposing both her triumphs and her hardships.

Auditions by Video Submission
What to send:

  • 32 bars of a song in the style of Billie Holiday
    • Please send a direct video link. Do not send the video as an attachment or download link.
  • Monologue showcasing your storytelling skills
  • Resume
  • Headshot

Please send the requested materials to Tyler Gabbard, Theatre Director at tgabbard@thecarnegie.com by Friday, January 20, 2023. In-person callbacks may be scheduled in January or February.

Also Note:

  • You will be asked to turn in a full list of conflicts for rehearsal dates listed. Please have that prepared if asked to provide this info.
  • No performance conflicts will be accepted.
  • Stipends offered will be between $1000-$1500 for all roles. Not AEA eligible. No housing provided.

COVID-19 Policies
The Carnegie fervently encourages all auditioners to seek the Covid-19 vaccination before attending in-person callbacks. Proof of a completed initial vaccine course is required before the start of rehearsals for all company members. Rehearsals may be conducted in masks depending on virus transmission rates. Performances and audiences will not be masked.

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