Tag Archives: Cincinnati Shakespeare Company

Cincinnati Shakespeare Company Announces the 25th Anniversary Season at The Otto M. Budig Theater

The nation’s fastest growing Shakespeare company turns 25!

 CINCINNATI (February 21, 2018 @ 8pm) – Cincinnati Shakespeare Company (CSC) announced the titles for its 25th Anniversary at The Otto M. Budig Theater in an event on February 21.  CSC’s 2018-2019 Season is generously sponsored by The Otto M. Budig Family Foundation and all productions will feature Cincinnati Shakespeare Company’s Resident Company of Actors.

“It is almost hard to believe that it has only been 25 years since Cincinnati Shakespeare Company became Cincinnati’s stage for the classics!  This organization has accomplished so much in a relatively short span of time as it continues to look towards the future. The season ahead is a fantastic example of that!” said Producing Artistic Director, Brian Isaac Phillips who is celebrating his 16th Anniversary as leader of Cincinnati Shakespeare Company.

“Next season, we are thrilled to offer three powerful plays by our house playwright William Shakespeare, which celebrate the best of the Bard! One of his most beloved comedies (Twelfth Night), his most moving romance (The Winter’s Tale), and his most exciting tragedy (Macbeth) are all sure to delight and move new and long-time lovers of Shakespeare,” says Mr. Phillips.  In addition to these classics of the canon, CSC is also exploring new territory by producing works by artists new to Cincinnati Shakespeare Company’s stage. For the first time the geniuses of August Wilson (Fences), Stephen Sondheim (A Funny Thing Happened on the Way to the Forum), and Georges Feydeau (A Flea in Her Ear) will be on the stage, as well as George Orwell (1984) in a regional premiere of the recent West End and Broadway hit.

“Presenting the company’s first musical has been a long time dream of mine and has been requested by our patrons for many years” says Mr. Phillips. “Now that we have the new theater and added space we can fully realize this vision.” CSC welcomes Choreographer Vince DeGeorge to the creative team to design the dance elements for “A Funny Thing Happened on the Way to the Forum”. Mr. DeGeorge is Assistant Professor and Joseph Weinberger Chair of Acting for the Lyric Stage at University of Cincinnati College Conservatory of Music (CCM) teaching both directing and choreographing.  Since 2013, while at CCM, Vince has directed and choreographed 12 productions to rave reviews and accolades.  CSC also welcomes Music Director Erin McCamley who will direct and lead the live music used in the production.  Ms. McCamley is a Cincinnati native that is now New York based and has music directed for The Carnegie, CCM, Know Theatre Cincinnati, Showbiz Players, and more.  She is also a co-founder of the Queen City Queer Theatre Collective (QCQCTC).  “Besides,” Mr. Phillips adds, “what better way to celebrate our 25th Anniversary than by having a Toga Party?!”

CSC is also thrilled to welcome new and distinguished collaborators to the Director’s Chair next season! New to CSC will be Christopher Luscombe, Associate Artist of the Royal Shakespeare Company (RSC) directing “The Winter’s Tale”.  While at the RSC, Mr. Luscombe directed “Shakespeare Revue”, which transferred to the Vaudeville Theatre in London. Mostly recently at the RSC, Mr. Luscombe directed the hit production of “Twelfth Night” which closed Feb. 24, 2018 and was played live in cinemas in February 2018.  Subsequent productions at Stratford include “Love’s Labour’s Lost” and “Much Ado About Nothing”, both of which transferred to the Theatre Royal, Haymarket in the West End. In addition to the Royal Shakespeare Company and Stratford, he now adds Cincinnati Shakespeare Company to his list of directing credits that also includes such institutions as Shakespeare’s Globe, Menier Chocolate Factory, Lyric Theatre, Apollo Theatre, Birmingham Rep, Oxford Stage Company, and more.

The director of “Twelfth Night” will be Austin Tichenor, co-managing partner of the Reduced Shakespeare Company. “CSC has been a long-time fan and producer of Austin’s works such as ‘The Complete History of America (abridged)’ and ‘The Complete History of America (abridged)’. We connected with him during our work with the Shakespeare Theatre Association and we are thrilled he has decided to join us next season and bring his comedic eye to our holiday time Shakespeare, ‘Twelfth Night’”!  Austin recently performed at Cincinnati Playhouse in “The Complete History of Comedy (abridged)” as a co-writer, co-director, and actor.

CSC also welcomes back Christopher V. Edwards to direct CSC’s first ever August Wilson work, “Fences”.  Christopher directed last season’s powerful hit “A Raisin in the Sun” and is currently directing “Othello” opening March 2, 2018 at Cincinnati Shakespeare Company.  Mr. Edwards was recently named the Artistic Director of Actors Shakespeare Project (ASP) in Boston, MA.  Prior to ASP, he was the Artistic Director of Nevada Conservatory Theatre (NCT) in Las Vegas.  In addition to Cincinnati Shakespeare Company, Mr. Edwards has worked in London’s West End, Off-Broadway, Chicago Shakespeare Theater, Cleveland Playhouse, Utah Shakespeare Festival, SOHO Rep, and the Guthrie Theatre to name a few.

Directing the other productions in the season will be members of CSC artistic team.  Associate Artistic Director Sara Clark will be directing “The Complete Works of William Shakespeare (abridged); Associate Artist Miranda McGee will be directing “Macbeth” in her mainstage debut after directing CSC’S FREE Shakespeare in the Park tour; Director of Creative Education, Jeremy Dubin will be directing “A Flea in Her Ear” and “Every Christmas Story Ever Told (and Then Some!)”; and Producing Artistic Director Brian Isaac Phillips will open the season by directing “A Funny Thing Happened on the Way to the Forum” and “1984”.

Cincinnati Shakespeare Company continues to offer audiences great value with affordable, flexible subscriptions that include flexible tickets that can be used in any combination for any performance. Adult Subscriptions in packages of 7 tickets are $324, Senior Subscriptions are $290, and Student Subscriptions are $179.  Budget-conscious patrons can also subscribe to the company’s preview series.  A Preview Subscription is just $200 and includes seven tickets that can be used for any preview performance, typically Wednesday and Thursday evenings before Opening Night.  All subscriptions are currently on sale now and may be purchased through the Cincinnati Shakespeare Company website http://www.cincyshakes.com or box office by calling 513-381-BARD (2273) ext. 1.  Single tickets for all shows will go on sale Monday April 2, 2018 but the recommended way to get the best price and first access to seats is by becoming a subscriber!  There are also discounts available for students, seniors, local residents, and community partners.

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The 2018-2019 25th Anniversary Season at The Otto M. Budig Theater is as follows:

September 7- 29, 2018
A Funny Thing Happened on the Way to the Forum
Book by Burt Shevelove and Larry Gelbart
Music and Lyrics by Stephen Sondheim
Originally Produced on Broadway by Harold S. Prince

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Matthew Lewis Johnson as Pseudolus. Photo by Mikki Schaffner Photography.

It’s Cincinnati Shakespeare Company’s 25th anniversary season! How are going to celebrate? Two words: Toga Party. Come see the CSC ensemble as you’ve never seen them before- in their first full blown MUSICAL! Shenanigans, hijinks and tomfoolery abound as a lowly slave by the name of Pseudolus endeavors to scheme his way to freedom in Stephen Sondheim’s antic romp through Ancient Rome.

October 12- November 3, 2018
1984 by George Orwell
a new play by Robert Icke and Duncan Macmillan

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Sara Clark as Julia in 1984. Photo by Mikki Schaffner Photography.

In a dystopian future where persecution masquerades as patriotism and surveillance as security, the shadowy government entity known only as Big Brother watches your every move. When Winston Smith stumbles upon a secret resistance movement, he soon finds himself in dire straits, tumbling down a rabbit hole and grappling with everything he thought that he believed. Fresh off a smash run on London’s West End and a special limited engagement on Broadway, the regional premiere of this taut political and psychological thriller is not to be missed.

November 16- December 8, 2018
William Shakespeare’s Twelfth Night

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Caitlin McWethy as Viola. Photo by Mikki Schaffner Photography.

What do you get when you combine a shipwreck, a cross-dressed Lady, a lovelorn Lord, a fickle Countess, a drunken uncle, a flamboyant fop, an uptight servant, a mischievous clown, a protective pirate and an identical twin? You get the kind of delightfully and deliciously twisted knot that only Shakespeare can untie. CSC invites you to celebrate the holiday season with one of the Bard’s most lively, lovely and lyrical comedies Twelfth Night.

 January 25- February 16, 2019
August Wilson’s Fences

Set against the backdrop of 1950’s Pittsburgh, August Wilson’s Pulitzer Prize winning drama tells the story of Troy Maxson, a one-time star of the Negro baseball leagues who now works as a garbage man, holding court and expounding on life from the chair in his backyard. Due to his race, Troy was denied his shot at the big league, so when his son Cory wants his own chance to play ball, Troy’s bitterness and resentment threaten to tear their relationship apart.

March 1- 17, 2019
William Shakespeare’s The Winter’s Tale

An irrational and unfounded jealousy has consumed Leontes, the king of Sicilia. Convinced his wife Hermione has been carrying on an affair, he unleashes his rage upon her and their newborn child, whom he banishes to the wilderness. The consequences of his actions unfold over many years, in ways no one, most of all Leontes could have anticipated. Shakespeare’s magical tale of wrath and redemption, of loves lost and then found is a sure way to warm the heart on a cold winter’s night.

April 5- May 4, 2019
William Shakespeare’s Macbeth

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Kelly Mengelkoch as Lady Macbeth. All photos by Mikki Schaffner Photography.

When the noble Scottish Lord Macbeth sees a path to power open up before him, he is determined to trod that path to its bloody end, consequences (and maybe himself) be damned. With his ruthless wife at his side, the two plot a Machiavellian course to put and to keep Macbeth on the Scottish throne. Shakespeare’s heart-pounding thrill ride of a play is a harrowing exploration of ambition, morality, tyranny and corruption.

May 17- June 3, 2019
A Flea in Her Ear
A new version of Georges Feydeau’s farce by David Ives

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Sara Clark as Lucienne and Kelly Mengelkoch as Raymonde.

Come spend a hilarious evening in Paris’s most notorious hotel, The Frisky Puss, where the bourgeoist of the bourgeoisie let their peccadilloes out to play. Propriety takes a vacation, and ribaldry rules the roost, as a colorful cast of characters runs amok through the corridors, leaving chaos and occasionally clothing in their wake. David Ives fresh translation of Georges Feydeau’s classic turn-of-the-century French sex farce will have you rolling in the aisles, so make yourself a reservation and allons-y!

Special Events*

July 20- August 11, 2018
The Complete Works of William Shakespeare (abridged)
by Adam Long, Daniel Singer, & Jess Winfield

What better way to celebrate the start of the 25th Anniversary Season than by doing all of Shakespeare’s canon – in one evening! The Complete Works of William Shakespeare (Abridged) features three actors on a mission: to bring the entirety of Shakespeare’s works to life on the stage in one fell swoop. Gallop along with us as we careen wildly through all the comedies, histories and tragedies using a trunkful of props, wigs, and outrageous costumes – it’s a joyous Shakespeare jambalaya you definitely don’t want to miss.

December 14-30, 2018
Every Christmas Story Ever Told (And Then Some!)*
by Michael Carleton, James FitzGerald and John K. Alvarez

CSC’s holiday smash hit Every Christmas Story Ever Told (And Then Some!) is back! What begins as another annual production of A Christmas Carol, soon devolves into a slightly irreverent look at all of our favorite “Beloved Holiday Classics” including It’s a Wonderful Life, Frosty, Rudolph, Charlie Brown and more! Three actors (with the help of Santa) send up everything from Dickens to Dr. Seuss in 90 minutes of high octane jollity and frivolity.
*Not part of the subscription package
.

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2018-2019 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

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OTHELLO, Shakespeare’s Infamous Tale of Obsession, Jealousy, and Betrayal, Comes to Cincinnati Shakespeare

OTHELLO marks the first of Shakespeare’s tragedies to be performed on Cincinnati Shakespeare Company’s new stage at The Otto M. Budig Theater

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Nicholas Rose as Iago & William Oliver Watkins as Othello.

CINCINNATI, Feb. 8, 2018 – Cincinnati Shakespeare Company continues the Debut Season at The Otto M. Budig Theater with William Shakespeare’s Othello. The production will be directed by Christopher V. Williams, who also directed last season’s highly-praised A Raisin in the Sun at CSC, and will feature founding company member Nicholas Rose at Iago, as well as newcomer to CSC William Oliver Watkins as Othello, and CSC Resident Ensemble Member Courtney Lucien as Desdemona.  Othello is generously sponsored by Matson Money and Pete Strange Family.

Othello (William Oliver Watkins), a Moor, has won fame and glory for his many victories leading the Venetian army, but tensions spark when he elopes with the wealthy Desdemona (Courtney Lucien). Othello’s scheming underling, Iago (Nicholas Rose) is bitterly jealous of Othello’s successes and launches a series of plots and snares to bring ruin to Othello and Desdemona. Through whispers, innuendoes, and a deception involving a purloined handkerchief, Iago sets out to ruin Desdemona’s reputation and drive Othello to wild fits of jealousy.

“This is a play that speaks to a national conversation that we’re having right now about inequality and bias,” says Producing Artistic Director Brian Isaac Phillips. “Othello is a classic work that deals with these very timely issues, and also explores the universal themes of insecurity, trust, and betrayal.” Director Christopher V. Edwards said of the staging of this production: “Though quite old, the play has a contemporary soul. Our Othello is set in a contemporary world – a Venice that is technologically and digitally capable, where war is the norm and not the exception. It is a nation with the responsibility of a superpower, where political and economic interests often outweigh ethical or moral concerns.”

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William Oliver Watkins as Othello & Courtney Lucien as Desdemona.

The production is part of an exciting collaboration between Cincinnati Shakespeare Company and Ensemble Theatre Cincinnati.  These neighboring local theaters are collaborating to present William Shakespeare’s “Othello” and Lola Chakrabarti’s “Red Velvet” simultaneously only blocks apart in OTR! Cincinnati audiences will have a rare opportunity to experience both Shakespeare’s searing tragedy of deception and betrayal and see Chakrabarti’s telling of the little-known but true story of Ira Aldridge, the first African-American actor to play Othello. Cincinnati Shakespeare Company’s Producing Artistic Director, Brian Isaac Phillips will be directing “Red Velvet” and the cast will feature actors from Cincinnati Shakespeare Company’s Resident Ensemble. This is a once in a lifetime opportunity to see literature and history collide in this unique way on two of Cincinnati’s greatest stages in March!

Othello runs March 2-24 with performances on Thursdays, Fridays, and Saturdays at 7:30 PM and Sundays at 2:00 PM, as well as Saturday March 24 at 2:00 PM.  Preview performances are February 28 and March 1 at 7:30 PM.  Red Velvet runs March 6- 31 at Ensemble Theatre Cincinnati.

On Sundays March 11 and 18, bring your younger kids (4+) for artist-led childcare DURING the performance! The “Playdate” program is only $15 and free for subscribers. The option to add this program will be available as you are buying tickets for either of these show dates. Activities will range from Shakespeare Storytime to theatre games and crafts. Share the great benefits of CSC’s programming with your children: Playdate will style activities to correspond with each production, so even your youngest can join in the discussion on the ride home!

The theater is now located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park. Single ticket prices range from $14-$52.  Student/Children and Preview tickets are only $28. If available that day, $14 student rush tickets may be purchased thirty minutes before a show with a valid student ID. This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees may apply.  Discounts are available for students, seniors and groups as well as AAA members. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at http://www.cincyshakes.com.

Valet Parking is now available for every performance! Make reservations for $10 in advance when purchasing tickets. Purchasing in advance guarantees a spot at the discounted rate of $10 (vs. $15-20+ at the curb).  Valet is available right at the corner of 12th and Elm Street in front of the theater and begins approx. 1.5 hours before a performance. Cars can be picked up for up to one hour following a performance. (After one hour, you will need to arrange pick up with the valet service directly.) The valet will have your name on the list after you purchase- it’s that easy!

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2017-2018 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare

Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported.  The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Cincinnati Shakespeare Company was one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle- and high-school students in communities across the United States.

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Cincinnati Shakespeare Company to Receive $15,000 Grant from the National Endowment for the Arts

Cincinnati Shakespeare Company joins Cincinnati Ballet, Cincinnati Art Museum, Cincinnati Opera, Cincinnati Playhouse in the Park, Cincinnati Symphony Orchestra, and Educational Theatre Association as local organizations receiving funding totaling $186,000

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A scene from Cincinnati Shakespeare Company’s PROJECT38 Educational Initiative.

CINCINNATI, Feb. 7, 2018 – National Endowment for the Arts Chairman Jane Chu has approved more than $25 million in grants as part of the NEA’s first major funding announcement for fiscal year 2018.  Included in this announcement is an Art Works grant of $15,000 to Cincinnati Shakespeare Company for PROJECT38, Cincinnati Shakespeare’s groundbreaking educational initiative. The Art Works category is the NEA’s largest funding category and supports projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and/or the strengthening of communities through the arts.

“It is energizing to see the impact that the arts are making throughout the United States. These NEA-supported projects, such as this one to Cincinnati Shakespeare Company, are good examples of how the arts build stronger and more vibrant communities, improve well-being, prepare our children to succeed, and increase the quality of our lives,” said NEA Chairman Jane Chu. “At the National Endowment for the Arts, we believe that all people should have access to the joy, opportunities and connections the arts bring.”

 This grant will go to support the arts education and community initiative PROJECT38. Through this arts education and community initiative, students directly engage with Shakespeare’s text. Over the course of the year, students from 38 schools in the community work with the Cincinnati Shakespeare Company Resident Ensemble of teaching artists to co-create 38 interpretations (dramatic, musical, visual, and dance) of all of Shakespeare’s 38 plays. The project culminates in a weekend festival in which all of the students will come together to share what they have created with their families, friends, and the community at-large.  The dates of the festival are April 12-15, 2018.

 To learn more about the $25 million in National Endowment for the Arts grants supporting art projects nationwide announced today, visit the following page:

https://www.arts.gov/news/2018/25-million-grants-support-art-projects-nationwide

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About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages.  In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics.  CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theater Association.  Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions.  In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible.  Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2017-2018 Season:
This season is funded by ArtsWave and is generously sponsored by The Otto M. Budig Family Foundation.  Cincinnati Shakespeare Company receives operating support from The Ohio Arts Council, the Shubert Foundation and is supported, in part, by the generosity of thousands of individuals and businesses that give annually to ArtsWave. The Ohio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com. The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Cincinnati Shakespeare Company is one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle- and high-school students in communities across the United States.

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OTHELLO Runs March 2-24

CSC_Othello logoOTHELLO
Cincinnati Shakespeare Company
March 2-24
[Over-the-Rhine]

Directed by Christopher V. Edwards

Although a Moor and an outsider in Venice, Othello’s military prowess has earned him the respect of many—and the seething animosity of one. Othello’s long-time underling Iago is resentful of the Moor’s success, and when Othello elopes with a Venetian’s daughter, Iago sets in motion a devious plot to exact revenge. With an insinuation here, a whisper there, and the duplicitous deployment of a purloined handkerchief, he masterfully plays on the virtues and vulnerabilities of those around him, weaving with Machiavellian glee “the net that shall enmesh them all.”

  • In preview, Wed-Thu, Feb. 28-March 1 at 7:30pm. All seats $28.
  • Fri-Sat, March 2-3 at 7:30pm
  • Thu-Sat, March 8-10 at 7:30pm
  • Sun, March 11 at 2pm
  • Thu-Sat, March 15-17 at 7:30pm
  • Sun, March 18 at 2pm
  • Thu-Fri, March 22-23 at 7:30pm
  • Sat, March 24 at 2pm & 7:30pm

Official page |

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GUESS WHO’S COMING TO DINNER Review

GUESS WHO’S COMING TO DINNER presented Cincinnati Shakespeare Company through Feb. 17. I attended the first of two preview performances.

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Caitlin McWethy as Joanna Drayton and Darnell Pierre Benjamin as Dr. John Prentice. By Mikki Schaffner Photography.

Cincinnati Shakespeare Company begins 2018 celebrating the silver anniversary of the silver screen classic, GUESS WHO’S COMING TO DINNER.

Guest director D. Lynn Myers has gathered an excellent ensemble that creates an engaging, heartfelt, and emotionally-true production.

The young, engaged couple of Dr. John Prentice and Joanna Drayton are portrayed by Darnelle Pierre Benjamin and Caitlin McWerthy. Benjamin gives Prentice a quietly- grounded and deliberate personality, countered by McWerthy’s Joanna who is free-spirited, happy and eternally-optimistic. Together the two enjoy a united, easy chemistry as they are confronted with objections to their relationship.

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Annie Fitzpatrick as Christina Drayton. By Mikki Schaffner Photography.

As Joanna’s mother Christina, Annie Fitzpatrick projects a brave face to hide the concerns she has for her daughter’s future. Father Matt (Barry Mulholland) struggles to balance his held beliefs with the realities his daughter would face in a mixed marriage.

The arrival of Dr. Prentice’s parents, Ken Early and Thursday Farrar, only heightens the tension. Farrar brings a quiet dignity to Mary who suffers seeing her husband and son so at odds. As John Sr., Early displays a barely-contained rage at what he sees as a betrayal to the sacrifices he made to give his son the best possibly life.

Rounding out the cast is Kelly Mengelkoch as Hillary St. George, the high-strung manager of Christina’s high-end art gallery; Burgess Byrd as Tillie, the Drayton’s long-time and much put-upon maid; and Jim Hopkins as Monsignor Ryan who is equally adept at dispensing wisdom as he is wise-cracks.

The scenic design by Shannon Moore provides four distinct play areas that speak well to the affluence of the Drayton family. Amanda McGee’s costume designs establish not only the period, but the economic divide of the two families.

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Thursday Farrar as Mary Prentice, Ken Early as John Prentice, Sr., Caitlin McWethy as Joanna Drayton, and Darnell Pierre Benjamin as Dr. John Prentice. By Mikki Schaffner Photography.

After the performance, I half-joked to my guest that I really enjoyed the show, but why did they do it as a period piece. Sadly, the script holds up very well fifty years later. Many of the concerns both families have for the how the world will treat the young, interracial couple are still valid today. In fact, the events of the past few years have re-exposed an ugliness that still infects this country.

But the play also instills hope. Several beautifully-staged scenes elicit tears from the audience as the characters connect over shared experiences and loss. There isn’t a dry eye on stage or off as Matt Drayton delivers his requested decision about their relationship.

Well-staged, emotionally strong and beautifully acted, GUESS WHO’S COMING TO DINNER holds a mirror up to the audience. Do you like what you see?

My rating: 4.75 out of 5.

Click here for more information on the production.

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The cast of Cincinnati Shakespeare Company’s 2018 production of GUESS WHO’S COMING TO DINNER. By Mikki Schaffner Photography.

 

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