Category Archives: Season Announcements

Mariemont Players Inc. is thrilled to announce our 2024-25 season! Learn more about our season and get your tickets at mariemontplayers.com. Season subscriptions will be on sale in April (2024) and single tickets will be on sale for all 2024-25 shows in mid-June. Follow Mariemont Players Inc. on Facebook and Instagram for updates!

Mariemont Players is located in the historic Walton Creek Theatre at 4101 Walton Creek Road, Cincinnati, Ohio 45227. See you at the theatre!

Clybourne Park by Bruce Norris (Dramatic Comedy)
Directed by Elizabeth Leigh Taylor
Performance dates: September 5 – 22, 2024

Clybourne Park explodes in two outrageous acts set fifty years apart. Act One takes place in 1959, as white community leaders anxiously try to stop the sale of a home to a black family. Act Two is set in the same house in the present day, as the now predominantly African-American neighborhood battles to hold its ground in the face of gentrification. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris’s excruciatingly funny and squirm-inducing satire explores the fault line between race and property. Inspired by Lorraine Hansberry’s play “A Raisin in the Sun” 

Dr. Jekyll and Mr. Hyde adapted by Jeffrey Hatcher
from the novella “Strange Case of Dr. Jekyll and Mr. Hyde” by Robert Louis Stevenson (Thriller)
Directed by jef brown
Performance dates: October 31 – November 17, 2024

A new and shocking version of Robert Louis Stevenson’s classic tale of depravity, lust, love and horror. On the fog-bound streets of Victorian-era London, Henry Jekyll’s experiments with exotic “powders and tinctures” have brought forth his other self—Edward Hyde, a sensualist and villain free to commit the sins Jekyll is too civilized to comprehend. When Hyde meets a woman who stirs his interest, Jekyll fears for her life and decides to end his experiments. But Hyde has other ideas, and so the two sides battle each other in a deadly game of cat-and-mouse to determine who shall be the master and who his slave. With multiple Hydes portrayed by members of the cast.

Cat on a Hot Tin Roof by Tennessee Williams (Drama)
Directed by Dee Anne Bryll
Performance dates: January 9 – 26, 2025

In a plantation house, a family celebrates the sixty-fifth birthday of Big Daddy, as they sentimentally dub him. The mood is somber, despite the festivities, because a number of evils poison the gaiety: greed, sins of the past and desperate, clawing hopes for the future spar with one another as the knowledge that Big Daddy is dying slowly makes the rounds. Maggie, Big Daddy’s daughter-in-law, wants to give him the news that she’s finally become pregnant by Big Daddy’s favorite son, Brick, but Brick won’t cooperate in Maggie’s plans and prefers to stay in a mild alcoholic haze the entire length of his visit. Maggie has her own interests at heart in wanting to become pregnant, of course, but she also wants to make amends to Brick for an error in judgment that nearly cost her her marriage. Swarming around Maggie and Brick are their intrusive, conniving relatives, all eager to see Maggie put in her place and Brick tumbled from his position of most-beloved son. By evening’s end, Maggie’s ingenuity, fortitude and passion will set things right, and Brick’s love for his father, never before expressed, will retrieve him from his path of destruction and return him, helplessly, to Maggie’s loving arms.

Ken Ludwig’s Moon Over Buffalo (Comedy/Farce)
Directed by Aaron Whitehead
Performance dates: March 6 – 23, 2025

In the madcap comedy tradition of Lend Me a Tenor, the hilarious Moon Over Buffalo centers on George and Charlotte Hay, fading stars of the 1950s. At the moment, they’re playing Private Lives and Cyrano De Bergerac in rep in Buffalo, New York with five actors. On the brink of a disastrous split-up caused by George’s dalliance with a young ingénue, they receive word that they might just have one last shot at stardom: Frank Capra is coming to town to see their matinee, and if he likes what he sees, he might cast them in his movie remake of The Scarlet Pimpernel. Unfortunately for George and Charlotte, everything that could go wrong does go wrong, abetted by a visit from their daughter’s clueless fiancé and hilarious uncertainty about which play they’re actually performing, caused by Charlotte’s deaf, old stage-manager mother who hates every bone in George’s body.

Four Old Broads by Leslie Kimball (Comedy)
Directed by Jennifer Day
Performance dates: May 1 – 18, 2025

Retired burlesque queen Beatrice Shelton desperately needs a vacation – and NOT another trip up to Helen, Georgia to see that “precious little German village for the umpteenth time.” A Sassy Seniors Cruise through the Caribbean may be just the ticket if she can just convince her best friend, Eaddy Mae Clayton, to stop praying and go with her. Unfortunately, things have not been very pleasant at Magnolia Place Assisted Living since Nurse Pat Jones began working there. The newest resident, Imogene Fletcher, is suddenly losing her memory. Maude Jenkins is obsessed with her favorite soap opera and planning her own funeral. Sam Smith, retired Elvis impersonator, keeps trying to bed every woman in the building. A mystery unfolds with laughter as the gals try to outsmart the evil Nurse Pat Jones and figure out why so many residents have been moved to “the dark side,” what exactly IS that mysterious pill, and what happened to Doctor Head? Hilarity ensues as Imogene goes undercover and Maude enters the Miss Magnolia Senior Citizen Pageant to throw Pat off their trail. If they can solve the mystery, they may make it to the cruise ship after all.

The Sign in Sidney Brustein’s Window by Lorraine Hansberry (Dramatic Comedy)
Directed by David Derringer
Performance dates: July 10 – 27, 2025

Lorraine Hansberry’s second Broadway play is the probing, hilarious and provocative story of Sidney, a disenchanted Greenwich Village intellectual, his wife Iris, an aspiring actress, and their colorful circle of friends and relations. Set against the turmoil of a stormy 1964 political campaign, the play follows its characters in their unorthodox quests for meaningful lives in an age of corruption, alienation and cynicism. With compassion, humor and poignancy, the author examines questions of morality, ethics, interracial relationships, drugs, rebellion, conformity, global responsibility and the fragility of love.