Category Archives: Press Releases

MPI Season Announcement

MARIEMONT PLAYERS, INC.
2014-2015 SEASON

mpi_logoSeptember 12 – September 28, 2014
Taking My Turn
A Musical Conceived and Adapted by Robert H. Livingston; Music by
Garry William Friedman, Lyrics by Will Holt;
Directed by Skip Fenker

Taking My Turn is the award-winning, critically acclaimed musical by the same team that collaborated on the hit show The Me Nobody Knows. Taking My Turn was one of the first musicals to deal with aging. The spoken words were collected from interviews with people “in their prime”, which became the basis for the non-linear book.

Winner! 1984 Outer Critic’s Circle Award for Best Lyrics/Music 

Nominee! Drama Desk Award for Best Musical

November 7 – November 23, 2014
Is Life Worth Living?
A Comedy by Lennox Robinson;
Directed by Jef Brown

A traveling repertory troupe comes to a small village in Ireland and after a week or so of Ibsen, Chekhov, and Strindberg, the town is driven mad. Is Life Worth Living? is a gloriously goofy satire that imagines the undesirable effects a steady diet of serious drama might have on the amiable residents of the provincial seaside town of Inish. Lennox Robinson’s pointed and charming comedy was originally produced in 1933 and successfully revived in 2009 by New York’s Mint Theatre company.

January 9 – January 25, 2015
The Glass Menagerie
A Drama by Tennessee Williams;
Directed by Kristin Orr Henderson

In Tennessee Williams’ shattering classic, an aging Southern Belle longs for her youth and dreams of a better life for her children. Her restless son Tom – a would-be poet and the story’s narrator – gets swept up in his mother’s funny and heartbreaking schemes to find his painfully shy sister, Laura, a husband. The Glass Managerie is considered to be one of the most beautiful dramas in American theatre.

March 6 – March 22, 2015
Tuna Does Vegas
A Comedy by Ed Howard, Joe Sears and Jaston Williams;
Directed by Norma Niinemets

Tuna Does Vegas re-unites the lovable and eccentric characters from the ‘third smallest town in Texas’ as they take a rambling romp in Sin City. The hilarity begins when oddball-conservative radio host Arles Struvie announces on air that he and his wife Bertha Bumiller are heading to Vegas to renew their wedding vows…but everyone in Tuna, Texas goes along for the ride! Danny Davies and Wayne Wright return as all of your favorite characters from the award-winning Greater Tuna productions, plus some new characters too!

May 8 – May 24, 2015
Twelve Angry Jurors
A Thriller by Reginald Rose, adapted by Sherman L. Sergel;
Directed by Dan Maloney

A 19-year old man has just stood trial for the fatal stabbing of his father. “He doesn’t stand a chance,” mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case – until one of the jurors begins opening the others’ eyes to the facts. One of the jurors says, “We should not make it a personal thing.” But personal it does become, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted, and a new murder threat is born before their eyes!

July 10 – July 26, 2015
Bus Stop
A Comedy by William Inge;
Directed by Tom Peters

In the middle of a howling snowstorm, a bus out of Kansas City pulls up at a cheerful roadside diner. All roads are blocked, and four or five weary travelers are going to have to hole up until morning. Cherie, a nightclub chanteuse in a sparkling gown and a seedy fur-trimmed jacket, is the passenger with the most to worry about. A belligerent cowhand is right behind her, ready to sling her over his shoulder and carry her, alive and kicking, all the way to Montana.

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NKY’s Largest Performing Arts Companies Combine Forces for THE SOUND OF MUSIC

NORTHERN KENTUCKY’S LARGEST PERFORMING ARTS COMPANIES COMBINE FORCES FOR UNIQUE PRESENTATION OF THE WORLD’S FAVORITE MUSICAL

Bottom to top: Xela Keith-Chirch, Olivia Bayer, Anna Dudley (r) & Abigail Paschke (l), Rachel Zimmerman (r) & Seth Mundy (l), Elijah Prather & Kathryn Miller. Photo by Matt Steffen.

Bottom to top: Xela Keith-Chirch, Olivia Bayer, Anna Dudley (r) & Abigail Paschke (l), Rachel Zimmerman (r) & Seth Mundy (l), Elijah Prather & Kathryn Miller. Photo by Matt Steffen.

COVINGTON, KY- The Carnegie proudly continues its 2013-14 Theatre Series with a lightly staged production of the beloved Rodgers & Hammertstein musical THE SOUND OF MUSIC, playing weekends January 17 – 26, 2014 at The Carnegie in Covington, KY and co-produced with the Kentucky Symphony Orchestra. Musicians from that ensemble share the stage with a sterling cast of professional musical theatre and opera performers under the direction of Brian Robertson and the baton of maestro James R. Cassidy. Tickets are $19 – $28 and are available online at www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

What does “lightly staged” mean? Audiences will see a small orchestra on stage, costumes, evocative lighting, modest scenic design and a small company of performers. They will not see scripts in-hand, a multitude of props, scenic or costume changes or extensive choreography.

THE SOUND OF MUSIC is sponsored by Sally and Sandy Thompson.

Show Synopsis
Nestled in the majestic hills of Austria, under the looming shadow of Nazi Germany, free-spirited Maria leaves the abbey to serve as nanny to the motherless children of the austere Captain von Trapp. With music and boundless love, Maria restores joy to the children’s home and finds unexpected feelings for their father, whose heart has rekindled with “the sound of music.”

The Hills (of Kentucky) Are Alive: The Carnegie and Kentucky Symphony Orchestra
With a treasure trove of songs including “My Favorite Things,” “Do-Re-Mi,” “So Long, Farewell,” “Sixteen Going On Seventeen” “Climb Ev’ry Mountain” and “Edelweiss,” the triumphant score of THE SOUND OF MUSIC begs for a live, professional orchestra, making it an ideal collaborative platform for The Carnegie and Kentucky Symphony Orchestra (KSO). The two largest performing arts companies in Northern Kentucky, The Carnegie and KSO last collaborated on a successful production of OLIVER! in 2009, and have worked together on numerous performances. Partnership is central to the work of both organizations, according KSO Music Director James R. Cassidy.

“Working with your neighbor to create an event that will be memorable for many represents an opportunity that doesn’t come along every day,” says Cassidy. “The Carnegie has established a track record of assembling fabulous talent on their historic stage and the KSO is thrilled to bring its musicians to join them for this Rodgers and Hammerstein family classic. Besides, getting together to create something special is what good friends and colleagues do.”

Cassidy works for the first time with stage director Brian Robertson, who returns to The Carnegie following his award-winning staging of CAMELOT during the past season. A faculty member in the Department of Theatre and Dance at Northern Kentucky University, Robertson has directed locally with companies including the Cincinnati Opera (A FLOWERING TREE), Know Theatre and Ensemble Theatre, and around the country, including Des Moines Metro Opera, Opera North and University of Kentucky.

THE SOUND OF MUSIC: The World’s Most Beloved Musical
As cherished and timeless as THE SOUND OF MUSIC is, it’s hard to believe that this musical play started just as any other, in this case as a pet project pitch by actress Mary Martin (PETER PAN, I DO! I DO!) to the already legendary team of Richard Rodgers and Oscar Hammerstein II. THE SOUND OF MUSIC would open in Broadway’s Lunt-Fontanne Theatre in 1959 and catapult to instant success, garnering seven Tony Award wins and a run of 1,443 performances. A subsequent national tour starring Florence Henderson (FANNY, OKLAHOMA!) would run for more than two years, and the London production would run for over six years, still the longest-tenured American production in West End history.

Remarkably successful though the stage production was, it would be the silver screen that would truly launch THE SOUND OF MUSIC to international ubiquity. Starring the incomparable Julie Andrews (Mary Poppins, CAMELOT, MY FAIR LADY) alongside Christopher Plummer (Up, The Girl with the Dragon Tattoo), the film received five Academy Awards and became the most successful movie musical in history.

The Rodgers & Hammerstein Organization has licensed more than 17,500 productions of THE SOUND OF MUSIC worldwide.

Singing on the Shoulders of Giants: Playing Maria Von Trapp
On December 5, 2013, NBC will present a live television production of THE SOUND OF MUSIC, starring country music singer Carrie Underwood. Though not a traditional musical theatre actor, Underwood nonetheless follows in a long line of famous performers who have played the role of Maria Von Trapp, including Mary Martin, Julie Andrews, Florence Henderson and Marie Osmond.

Well aware of this lineage and honored to tackle the iconic role in The Carnegie’s production is opera and musical theatre actress Abigail Paschke. A master’s graduate of the University of Cincinnati College-Conservatory of Music, now living on the east coast, Paschke has made a career performing across the country with Virginia Opera, Kentucky Opera, Opera Saratoga, Sarasota Opera, and recently at Des Moines Metro Opera, where she met SOUND OF MUSIC director Brian Robertson. She’s had a wealth of experience with the show, but never in the role of Maria.

“Believe it or not,“ explains Paschke, “I am fortunate enough to have played four out of the five Von Trapp family girls, so as one can imagine, THE SOUND OF MUSIC is very near and dear to my heart. It is an absolute dream come true to have been given the challenge of tackling the fascinating role of Maria.”

Playing opposite Paschke in the role of Captain Georg Von Trapp is another actor who knows something about theatrical lineage, Jared Joplin*. Son of Joneal Joplin, beloved in Cincinnati for a storied career which included a long tenure as Ebenezer Scrooge in Cincinnati Playhouse in the Park’s annual A CHRISTMAS CAROL, Jared Joplin has carved out an impressive career of his own, with credits at New York’s Wings Theatre and Algonquin Theatre, the MUNY and Shakespeare Company of St. Louis, and locally at Cincinnati Shakespeare Company and Playhouse in the Park.

Other notables in the cast include Maria Ventura in the role of Mother Abbess (“Climb Ev’ry Mountain”). A faculty voice teacher at Xavier University, Ventura has enjoyed an extensive international opera career which has included performances in The Netherlands Opera, Teatre Royal de la Monnaie (Brussels), The Flanders Opera (Belgium) and the Staatstheater (Germany) amid myriad stateside credits.

Paschke, Joplin and Ventura join fifteen other actors making their Carnegie Theatre Series debut with THE SOUND OF MUSIC. Northern Kentucky University standout Kathryn Miller returns to The Carnegie (CHICAGO) to play “sixteen-going-on-seventeen” Liesl Von Trapp.

*Actor appears courtesy of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States.

Dine Under the Dome
On Saturday, January 18 at 6pm, The Carnegie will host Dine Under the Dome, a ticketed dinner in The Carnegie Galleries, to precede the performance. Tickets are $40 per person, and include a themed gourmet dinner by Jeff Thomas Catering, wine, dessert and gratuity. Dinner tickets do not include admission to the performance.

A full menu will be available at http://www.thecarnegie.com by December 16.

Reservations may be made by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

Ticketing
Tickets to The Carnegie and Kentucky Symphony Orchestra production of THE SOUND OF MUSIC are $19 – $28 and may be purchased online at http://www.thecarnegie.com or by calling The Carnegie Box Office at (859) 957-1940 (open Tu – Fr, noon – 5pm).

THE SOUND OF MUSIC will include eight performances over two weekends:

  • Friday, January 17, 7:30pm
  • Saturday, January 18, 2pm
  • Saturday, January 18, 7:30pm
  • Sunday, January 19, 3pm
  • Friday, January 24, 7:30pm
  • Saturday, January 25, 2pm
  • Saturday, January 25, 7:30pm
  • Sunday, January 26, 3pm

Single Ticket Pricing

  • $28 Adults
  • $25 Carnegie and Enjoy The Arts Members
  • $23 Groups of 8 or More
  • $19 Students
  • $16 Family Tickets (Groups of four or more with at least two children)

About The Carnegie
THE CARNEGIE is a multidisciplinary arts venue serving the Northern Kentucky and Greater Cincinnati community. Over the course of the past ten years The Carnegie has “morphed” from a grassroots gallery with an education component into an all-inclusive arts organization offering professional theatre, art exhibitions showcasing the best of local and regional artists, and a comprehensive arts education program.

The Carnegie is home to The Carnegie Galleries, comprised of more than 6,000 square feet of gallery space where emerging and established artists exhibit in multiple shows throughout the year; the Eva G. Farris Education Center, which provides arts education to thousands of children, many of whom are at or below the poverty level; and the newly renovated 447-seat Otto M. Budig Theatre, which offers an affordable theatre space for local, up-and-coming and established production companies and is home to The Carnegie’s Theatre Series and Carnegie in Concert series. The Carnegie is the largest arts venue in Northern Kentucky.

The Carnegie receives ongoing operating support from ArtsWave, Kenton County Fiscal Courts, the Kentucky Arts Council, the Greater Cincinnati Foundation and the Carol Ann and Ralph V. Haile Jr. / US Bank Foundation.

About the Kentucky Symphony Orchestra
The Kentucky Symphony Orchestra was founded (as the Northern Kentucky Symphony) by its current music director, James Cassidy, to make traditional symphonic music, as well as America’s musical heritage, attractive, accessible, and affordable for residents of Northern Kentucky and Greater Cincinnati. Innovative and varied programs together with a personal connection with its audiences is what differentiates the KSO from traditional orchestras. Now in its 22nd season, the KSO’s family-friendly brand of culture and entertainment has been enjoyed free of charge by nearly 315,000 people in parks, and more than 121,000 school-age students over the past 19 years. Another 156,000 have attended 21 years of subscription series, run-out and fundraising performances. From Bach to Mahler, Satchmo to Stan Kenton, Spike Jones to the 2CELLOS, or LA BOEHEME to THE SOUND OF MUSIC, KSO audiences know they are in for a unique concert experience each time they attend.

THE SOUND OF MUSIC Cast and Production Team List

Cast

  • Maria Rainer Abigail Paschke
  • The Mother Abbess Maria Ventura
  • Sister Berthe, Mistress of Novices Autumn West
  • Sister Margaretta, Mistress of Posutlants Julia Abanto
  • Sister Sophia Melanie Woodruff
  • Captain Georg von Trapp Jared Joplin*
  • Franz, Baron Elberfield Chris Albanese
  • Frau Schmidt / Ursula Torie Pate
  • Liesl Kathryn Miller
  • Friedrich Eli Prather
  • Louisa Rachel Zimmerman
  • Kurt TBA
  • Brigitta Anna Dudley
  • Marta Olivia Bayer
  • Gretl Xela Keith-Chirch
  • Rolf Gruber Maximillian Jansen
  • Elsa Schraeder Kemper Florin
  • Max Detweiler Mike Hall
  • Herr Zeller Nathan Neorr
  • Admiral Von Schreiber Eamon Hill

*Actor appears courtesy of Actors’ Equity Association, the union of professional Actors and Stage Managers in the United States.

Production Team

  • Director Brian Robertson
  • Music Director James R. Cassidy
  • Vocal Director Rebecca Childs
  • Scenic & Lighting Designer Angelina Vyushkova
  • Costumer Jim Stump
  • Sound Designer Kevin Semancik
  • Stage Manager Andi Schultes
  • Assistant Stage Manager, Properties Chandler Baer
  • Production Manager Bleu Pellman
  • Producer Joshua Steele

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Free Performance by Elementz’s Studio Kre8v

MISC_Arts Center At Dunham logoCINCINNATI, OH – December 31, 2013 —ArtsWave presents Elementz’s Studio Kre8v, supported by The Jacob G. Schmidlapp Trusts, on Saturday, January 11 at 8:00 p.m. at the Arts Center at Dunham. The free performance features Studio Kre8v, a high energy hip hop dance team filled with some of the most talented youth in Cincinnati.

Studio Kre8v will also host a free dance class on Saturday, February 1 at 8:00 p.m. at the Arts Center at Dunham. Space for the class is limited. To register, call 513-588-4988.

Where street art meets street smart, Elementz is an urban oasis of hope and a catalyst of change for Cincinnati’s inner-city youth. What began as a way to get kids off the streets in 2001 has transformed into a thriving Urban Arts Center that fosters talent, ignites potential and inspires possibilities. Elementz helps build dreams, and brighter futures.

Elementz was founded and is supported by community stakeholders – from various ethnicities, backgrounds and careers – who believe in Cincinnati’s youth, and the power of music, poetry and art to positively impact our youth. Included are artists, teachers and mentors who encourage self-discovery, creative expression and individual passion. Because of wide community support, we give kids the respect and support they need to believe in themselves and in their community.

Elementz’s dance team, Studio Kre8v, is one of the hottest hip hop dance teams in our area. Studio Kre8v has performed with the Cincinnati Symphony Orchestra and the Cincinnati Boychoir.

The Arts Center at Dunham is a fine arts center for the west side of Cincinnati. Housed in one of the three remaining buildings of what was the first municipally owned tuberculosis sanatorium in the United States, the Arts Center includes a 350-seat performance venue as well as extensive studio and programming space. The Arts Center is located in the Dunham Recreation Complex. See what is happening at the Arts Center at Dunham on Facebook.

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Cincinnati Playhouse Presents CLYBOURNE PARK

CLYBOURNE PARK, ACCLAIMED SATIRE OF RACE AND REAL ESTATE, MOVES INTO CINCINNATI PLAYHOUSE IN THE PARK JAN. 18 – FEB. 16 

PIP_Clybourne Park(CINCINNATI) – The Pulitzer Prize for Drama. Broadway’s Tony Award for Best Play. London’s Olivier Award for Best New Play. There’s only one show in history that can claim all three honors. The Playhouse is proud to kick off the second half of its Marx Theatre season with Bruce Norris’ CLYBOURNE PARK, running Jan. 18 through Feb. 16.

With successful runs in New York, Los Angeles, Chicago, San Francisco, London and Washington, D.C., among many others, CLYBOURNE PARK has become one of the most produced plays of the past two theatre seasons. It’s easy to understand why. For its biting satire of race and real estate, CLYBOURNE PARK earned accolades from critics as varied as The New Yorker (which described the show as “superb, elegantly written and hilarious”) and Entertainment Weekly (which hailed the play as “indisputably, uproariously funny”).

CLYBOURNE PARK’S two acts are set 50 years apart. The first takes place in 1959. Russ and Bev have recently sold their modest bungalow in the quaint Chicago neighborhood that provides the play’s title. But as they prepare for a move they hope will offer them a fresh start after a recent family heartbreak, they receive an unexpected visit from Karl Lindner, a representative of the local community association. Unknown to Bev and Russ, their home has been purchased by a black family, a first for the street and a point of concern for neighbors such as Lindner, who are worried about what such changes could mean for their own property values.

Fast forward to 2009. Steve and Lindsey, white suburbanites eager to start their new life as city dwellers, are deep in negotiations over proposed renovations to the same home owned 50 years earlier by Bev and Russ. They intend to raze the house in favor of new construction. That plan is met with frustration by their black neighbors Kevin and Lena, who worry about its effect on the historic character of the street and its existing homes.

Despite the separation of a half-century, the conversation in both acts takes a turn from the polite and politically correct, respectively, to the no-holds-barred, and no one is held blameless for the escalation. While the stakes have changed, the debate remains strikingly familiar as playwright Norris investigates the way we talk — or don’t — about race, class, gender and more.

CLYBOURNE PARK officially began life in 2010 at New York’s Playwrights Horizons, but its journey actually started years earlier. In 1959, first-time playwright Lorraine Hansberry made her Broadway debut with the seminal work A Raisin in the Sun. That play tells the story of the Younger family, whose matriarch uses her husband’s life insurance money to escape the projects of Chicago’s South Side. The Youngers are never mentioned by name in CLYBOURNE PARK but the one character who actually appears in both plays is: Karl Lindner, who visits the Youngers late in Raisin to try to convince them not to move to his neighborhood. Though each play stands entirely on its own, avid theatregoers who have seen A Raisin in the Sun on stage or film will enjoy the parallel stories when viewing CLYBOURNE PARK.

Associate Artist Timothy Douglas, who made his Playhouse debut with last season’s The Trip to Bountiful, will direct CLYBOURNE PARK. Douglas believes the issues raised in the play cover a lot more than race. “It’s only a play about race because it has black and white people on the stage at the same time,” he told the Salt Lake Tribune. “I prefer to think of it as a play about rhetoric and cultural sensitivities in which individuals in the audience get the chance to weigh in on themselves. Pardon the pun, but not all issues in the play are black and white.”

CLYBOURNE PARK’S cast features Deonna Bouye as Francine/Lena, Samuel Ray Gates as Albert/Kevin, Wilbur Edwin Henry as Russ/Dan, Deirdre Madigan as Bev/Kathy, Caley Milliken as Betsy/Lindsey, Michael Place as Jim/Tom, Sam Rueff as Kenneth and Rex Young as Karl/Steve. The creative team includes set designer Tony Cisek, costume designer Tracy Dorman, lighting designer Mary Louise Geiger and sound designer Matthew M. Nielson. Becky Merold is the stage manager. Jenifer Morrow and Andrea L. Shell are the second stage managers. The production is sponsored by Moe and Jack Rouse & Sallie and Randolph Wadsworth.

Prices for CLYBOURNE PARK range from $30 to $75, depending on seat location. Prices are subject to change, and patrons are encouraged to buy early for the best seats at the best prices. Teen and student tickets are $25 each. Previews are at 8 p.m. Saturday, Jan. 18; 2 p.m. Sunday, Jan. 19; 7:30 p.m. Tuesday, Jan. 21; and 7:30 p.m. Wednesday, Jan. 22. The official opening night is Thursday, Jan. 23, at 8 p.m.

Performances take place at 7:30 p.m. Tuesdays and Wednesdays, 8 p.m. Thursdays and Fridays, 4 p.m. and 8 p.m. Saturdays, and 2 p.m. and 7 p.m. Sundays.

CLYBOURNE PARK has inspired discussions about race and community in cities where the play has been performed. The Playhouse is hosting several special opportunities to join the conversation, including Playhouse Perspectives Post-Show Talk Backs after all performances (except for opening night and Meet the Artist nights). Funding for the talk backs is generously provided by Roderick and Barbara Barr.

Additionally, free post-show Meet the Artists programs that allow audiences to interact with cast members and others associated with the production will be offered at 2 p.m. Sunday, Jan. 26; 7:30 p.m. Wednesday, Jan. 29; 2 p.m. Sunday, Feb. 9; and 8 p.m. Thursday, Feb. 13.

The Playhouse will also join with Housing Opportunities Made Equal (HOME) and the University of Cincinnati’s Kunz Center for Social Research for a community-wide forum and discussion about CLYBOURNE PARK. The forum, featuring panelists Kathryne Gardette, president of the Walnut Hills Redevelopment Foundation; Jeffrey Timberlake, urban sociologist at the University of Cincinnati; and CLYBOURNE PARK director Timothy Douglas will be held at the United Way, 2400 Reading Road. The forum is free, but advance registration is required (call 513-977-2623 or email myra.calder@homecincy.org).

CLYBOURNE PARK will be audio described for those with visual impairments at 4 p.m. Saturday, Feb. 8, and signed for persons with hearing impairments at 2 p.m. Sunday, Feb. 9. The Playhouse is fully accessible. Audio enhancement receivers, large print programs and complete wheelchair access are available.

Tickets to CLYBOURNE PARK are on sale now. For more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky and Indiana at 800-582-3208) or visit http://www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

The 2013-14 Robert S. Marx Theatre season is sponsored by The Otto M. Budig Family Foundation, and Macy’s is the Robert S. Marx Theatre season design sponsor. The season sponsor of new work is The Lois and Richard Rosenthal Foundation.

The Playhouse is supported, in part, by the generosity of the tens of thousands of individuals and businesses that give to ArtsWave.

The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans.

The Playhouse also receives funding from the Shubert Foundation and the National Endowment for the Arts.

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AMERICAN IDIOT On Sale

NATIONAL TOUR OF GREEN DAY’S “GROUNDBREAKING MUSICAL EVENT”
MAKES CINCINNATI PREMIERE AT THE ARONOFF CENTER,
APRIL 11-12, 2014.
TICKETS ON SALE NOW!

Andrew Humann and the company of AMERICAN IDIOT.  Photo by  Jeremy Daniel.

Andrew Humann and the company of AMERICAN IDIOT. Photo by
Jeremy Daniel.

Fifth Third Bank Broadway in Cincinnati announced today that single tickets for the national tour of the explosive Broadway hit AMERICAN IDIOT, called “wonderfully raucous” and “emotionally charged” by The New York Times and “flat-out electrifying” by the Boston Globe are now on sale. Ticket prices start at $25 and are available at the Aronoff Center Box Office, by visiting CincinnatiArts.org, or by calling 513.621.ARTS(2787). Group orders of 10 or more may be placed by calling 513.369.4363.

AMERICAN IDIOT, a 2010 Tony Award®-nominated Best Musical and 2010 Grammy Award winner for Best Musical Show Album, features the music of Green Day with the lyrics of its lead singer Billie Joe Armstrong. The book is by Armstrong and Michael Mayer and direction is byTony Award®-winner Mayer (“Spring Awakening”).

The acclaimed creative team also includes choreography by Olivier Award-winner Steven Hoggett (“Black Watch”) and orchestrations and arrangements by Pulitzer Prize-winner Tom Kitt (“Next to Normal”).TheTony Award®-winning scenic design by Christine Jones and the Tony Award®-winning lighting design by Kevin Adams will also be featured in the tour.

Winner of two Tony Awards®, AMERICAN IDIOT is the story of three boyhood friends, each searching for meaning in a post 9-11 world. Through incredible spectacle, thrilling performances and with the hope embodied by a new generation, AMERICAN IDIOT has given audiences the time of their lives night after night since its Broadway run at the St. James Theatre (March 2010 – April 2011) and its subsequent national tour, which launched December 2011 in Toronto.

“Since its inception, audiences have been surprised by the emotional journey the show takes them on, told almost exclusively through Green Day’s songs, including many they are already familiar with and love,” said Tom Hulce, producer. “This is such a potent time for our country and the search of our characters for what to believe in is gorgeously celebrated through Billie Joe and Green Day’s wonderfully lush score,” he added.

The musical features the hits “Boulevard of Broken Dreams,” “21 Guns,” “Wake Me Up When September Ends,” “Holiday” and the blockbuster title track “American Idiot” from Green Day’s 2004 Grammy Award-winning, multi-platinum album. Also included in the score are several songs from Green Day’s 2009 release “21st Century Breakdown,” and an unreleased love song, “When It’s Time.”

AMERICAN IDIOT premiered at Berkeley Repertory Theatre in September 2009 and played through November of that year. In April 2010, the musical opened on Broadway where reviews were unanimously positive with Charles Isherwood of the New York Times calling the show “the most adventurous musical to brave Broadway in the past decade” and the Toronto Star naming it “the first great musical of the 21st century!”

AMERICAN IDIOT will play the Aronoff Center April 11-12, 2014: Friday at 8:00PM and Saturday at 5:00pm and 9:00pm. Tickets for AMERICAN IDIOT start at $25. They are available at the Aronoff Center Box Office downtown at 650 Walnut Street, online at CincinnatiArts.org, or by phone at 513.621.ARTS. For groups of 10 or more, contact the group sales department at 513.369.4363. Performance schedule, prices and cast are subject to change without notice. For more information visit http://www.BroadwayInCincinnati.com. For more information on AMERICAN IDIOT, visit www.americanidiotthemusical.com.

Fifth Third Bank Broadway in Cincinnati is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. Fifth Third Bank is the sponsor of the Cincinnati 12/13 Season. LOCAL 12 is the official television station of the 12/13 Cincinnati Season.

Broadway Across America
A leading Broadway producer and the foremost presenter of first-class touring productions in North America. BAA operates in 40 cities, bringing first-class touring musicals and plays to audiences across the US and Canada in markets such as Costa Mesa, Fort Lauderdale, Tempe, Boston, Minneapolis and New Orleans. As a producer, current and upcoming productions include Million Dollar Quartet, Pippin, Big Fish, Betrayal, Bullets Over Broadway, Little Miss Sunshine and Bull Durham. BroadwayAcrossAmerica.com

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