Category Archives: Press Releases

The Human Race Theatre Company Announces Changes to 34th Season Schedule

A letter from Kappy Kilburn and Kevin Moore

HRTC_new logoThe Human Race Theatre Company would like to thank our artists, audiences and community for their support and commitment to our work during this troublesome time. We could not continue to do what we do without that support.

Since March, when the pandemic forced us to close our season, we have worked with state and local officials, union representatives and other producers around the country to strategize reopening our theatre. We have listened to our audiences’ concerns about group gatherings and desires for a safe and celebratory return to LIVE theatre on our stage. After much thoughtful contemplation, we have decided to move forward with a new time frame for our full “Dayton Premieres” season.

In order to provide the safest experience for our audience and our artists, we are moving the entire season into the 2021 calendar year and will reopen The Loft in February, 2021. Below is the new schedule. Additional information on each production can be found at www.humanracetheatre.org.

34th Loft Theatre Season – Dayton Premieres
Revised Schedule

NOW AND THEN by Sean Grennan
February 18 -March 7, 2021

INCIDENT AT OUR LADY OF PERPETUAL HELP by Katie Forgette
April 15 – May 2, 2021

MY 80-YEAR-OLD BOYFRIEND: A New True Musical
Book & Lyrics by Christian Duhamel Music & Lyrics by Edward Bell
Originally Conceived & Performed by Charissa Bertels
June 10 – 27, 2021

EVERYTHING THAT’S BEAUTIFUL by Elyzabeth Gregory Wilder
July 22 – August 8, 2021

AIRNESS by Chelsea Marcantel
October 21 – November 7, 2021

HUMAN RACE EXTRAS:

WHO’S HOLIDAY by Matthew Lombardo
December 10 -27, 2020*
At this time, if circumstances allow, we hope to kick-off our season with this wildly outrageous holiday feast. If we are unable to do it during this holiday season, we will present it in 2021.

THE ART OF US: A DAYTON MOSAIC
September 18, 19, 2021

For those who have already renewed their subscription – Thank You! Season packages will be mailed in the fall. Tickets will be adjusted based on preferred date and time in the run. HRTC is also refining our “Reopening Safety Protocol” so that everyone can return to the theatre with confidence. This plan will be announced to our audience before our season begins so that you will know what to prepare for and expect.

In the meantime, we are working on more virtual events for this fall that will both amuse and provide thoughtful escape. Stay tuned to www.humanracetheatre.org for updates.

For now, we encourage everyone to stay safe – wear masks in public – keep safe distances – and wash your hands regularly. These actions will allow us to gather together that much sooner. Of course, as the world changes we will remain flexible and will adapt. We look forward to bringing you these amazing stories and many more in the future. See you soon!

Kappy Kilburn
Executive Director

Kevin Moore
Artistic Director & Founding Member

HRTC_34th Season

Ways to join HRTC:

Subscriptions
More than just super savings, subscribers always get the best available seats!

Flex Pass
Get a set of 2020-2021 season ticket vouchers that can be redeemed for any seat
to any public performance of any Loft Theatre production in any combination. It’s
the ultimate in flexibility!

Monthly Membership
HRTC Members pay $14.99 a month and have access to up to four $10 tickets per
production in their membership year. New and exciting perks available throughout
the season!

Go to www.humanracetheatre.org
or Call Dayton Live at (937) 228-3630
to Order Subscriptions Today!

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Ohio Performer Candice Handy in International Live Shakespeare

TSMGO_Handy promoHandy joins THE SHOW MUST GO ONLINE’S production of HENRY IV Part II

Candice Handy, a Cincinnati-based actor will be playing Earl of Westmorland in Henry IV Part II with The Show Must Go Online at 2pm this Wednesday. Candice Handy will be joining an international cast on Rob Myles’ Youtube channel here: https://youtu.be/OvDqG4sncrM.

Candice is a professional actor and teaching artist, originally from Birmingham, AL, currently based in Cincinnati, OH. She is a resident ensemble member of the Cincinnati Shakespeare Company.

The Show Must Go Online, created by actor-writer-director Rob Myles and producing partner Sarah Peachey, brings together a global cast to perform Shakespeare’s plays live and online every week in the order they were believed to have been written, for free. The first show went live on 19th March, and was the first online Shakespeare performance produced in response to COVID-19.

Casting, led by Sydney Aldridge, aims for 50/50 male/female, and actively seeks to maximise inclusion for underrepresented groups in theatre. Anyone, whether an experienced professional, amateur or recent grad, can apply. The cast is truly global, with actors coming from 5 of the 7 continents.

Each show is cast, produced and rehearsed in under a week. Since launching, over 300 actors and creatives have volunteered their time to bring 21 shows to life. All shows are performed on Zoom and streamed live to audiences around the world on YouTube, who participate in a live chat throughout the show, playing games, exchanging insights and reactions, and engaging in a wonderful shared experience. Many audience members say they’ve found a new community with The Show Must Go Online during quarantine.

The show has driven the innovation of Zoom-theatre, and creative solutions to staging problems have been a highlight of the shows for audiences. Props, action, costume and set-pieces are created using found items, ingenuity, and inventiveness.

The Show Must Go Online will complete the entire cannon by November 18, with all performances staying online for free as a stunning collection of Shakespeare’s plays for the 21st century available for all to enjoy, forever.

Henry IV Part II promises to continue The Show Must Go Online’s innovation and creativity in the exciting new field of live-streamed theatre.

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KSO Safely Navigates the Summer of 2020 with Distanced Performances in the Park

KSO_Purple logoThe Kentucky Symphony Orchestra moves its 26th Summer Series of free family-friendly programming to the Tower Park amphitheater in Fort Thomas, KY. Adhering to Kentucky’s “Health at Work” guidelines, the KSO’s three socially-distanced (on-stage and off) performances will return musicians to work and offer Northern Kentucky residents a return to a safe semblance of tradition.

At a unique time in history, the Kentucky Symphony Orchestra cautiously moves outdoors with its 26th free summer series at the beautiful amphitheater at Tower Park in Fort Thomas, KY. The KSO’s last performance was March 12, after which four scheduled programs and events were canceled due to the pandemic. The KSO eagerly anticipated the Summer, where the ability to physically distance on the lawn and on-stage (with smaller resources), during sunny, warm weather, offered opportunities for all. Providing varying degrees of PPE for volunteers, staff and attendees, together with individual personal responsibility, the KSO and the City of Fort Thomas saw the summer series as a guarded way for musicians to return to work, while providing a safe semblance of tradition and normalcy for residents, as we collectively find our way forward.

In compliance with Kentucky’s June 29, 2020 Healthy at Work Requirements, the KSO and City of Fort Thomas have taken extra measures to ensure the safety and well-being of its musicians, staff, volunteers and audience members. KSO General Manager, Angela Williamson, is coordinating directly with the City of Fort Thomas Recreation Department to meet current public health guidelines.

For those considered to be at risk (health/age), or are sick/exposed can watch on Facebook Live. Seniors are also invited to attend the morning dress rehearsals in the park. Those planning to attend the performance are strongly urged to register on-line, observe distance postings and instructions, don masks as you share close proximity with others and pack your hand sanitizer. The KSO and its guest artists will handle the music, nostalgia and quality entertainment.

For 25 Summers the KSO performed at the WPA-built bandshell in Devou Park. With COVID-19 projections and guidelines evolving and uncertain, Covington city officials thought it best not to host the series at Devou Park this Summer. The KSO, in its efforts to safely employ its talented musicians, turned to Fort Thomas, which after deliberation, agreed to permit these three safe, distanced activities for its residents.

KSO 2020 Summer Series at Tower Park

Swingin’ Cirque Revue
(KSO meets Circus Mojo)
7:30 p.m. Saturday, July 11, 2020

The KSO and Ludlow’s Circus Mojo first teamed-up in 2010 to bring high-wire acts, jugglers and hi-jinx to the Symphony. Ten year’s later they are back together with the orchestra’s 10-pc. swing group (The Devou-Doo Daddies), performing the high-energy 1990s swing revival music of The Squirrel Nut Zippers, Royal Crown Revue and Big Bad Voodoo Daddy and more. “Hey Pachuco” — What other symphony would combine zany high-flying acts with Swing? (Full playlist attached)

“The Band Played On”
(An Old-Fashioned Band Concert)
7:30 p.m. Saturday, August 8, 2020

100 years ago towns used to gather in the Summer to hear their own local or national touring concert band perform at the bandshell or gazebo. Most wind, brass and percussion players of today’s symphony orchestras started their careers via middle and high-school band programs, playing the warhorse works penned in the early to mid 20th century. Current band students and teachers are invited to experience their musical heritage. The KSO’s wind ensemble re-creates this nostalgic setting and sound, with cornet soloist Michael Mergen from the “President’s Own” Marine Corps Band. (Full playlist attached)

Pop-pourri
(Pop hits for Boomers to Centennials)
7:30 p.m. Saturday, September 5, 2020

The KSO’s 21-pc. studio orchestra with vocalists — The KSO Boogie Band — has covered some of the most popular radio hits of the past seven decades. With 300 charts in its repertoire (adapted by arranger Terry LaBolt), the group this Labor Day weekend offers nostalgic hits for all generations attending, including chart toppers from Patsy Cline to Camila Cabello and The Beach Boys to Bruno Mars. Be ready to dance, sing along and toe-tap to music of your youth (1950s-2010s), and say — so long to Summer.

“The circumstances of the last few months have made us all understand how simple gatherings and traditions, like sharing a nostalgic and cultural moment together, are quite fragile and can be lost to significant threats and fears. We hope that those who can attend will take precautions to protect their families and citizens, as well as the right to assemble at a distance.” — James Cassidy, KSO Music Director.

The KSO appreciates the generous support of the following local corporate sponsors: St. Elizabeth Health Care, Fischer Homes, Duke Energy, Schneller & Knochelmann, The Milburn Family and the Wohlgemuth-Herschede Foundations, and the City of Fort Thomas for hosting the KSO’s 2020 free series of family-friendly and safe summer programs.

Join the Kentucky Symphony Orchestra Saturdays at 7:30 p.m. — July 11, August 8 and September 5. Food trucks will be on-site. Bring blankets, picnics or lawn chairs. For more information, registration and directions, visit the KSO at http://www.kyso.org or call (859) 431-6216. $5 (per person) suggested donation. Free parking in Tower Park (though it is limited).

For 29 seasons the Kentucky Symphony Orchestra has taken the “phony” out of symphony by eliminating traditional barriers and presenting engaging, live, thematic concerts that enrich, educate and entertain the residents of Northern Kentucky and Greater Cincinnati. The KSO performs three series of concerts annually throughout Northern Kentucky.

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NKU School of the Arts Announces Appointments to Program Heads

HIGHLAND HEIGHTS, KY – Northern Kentucky University has appointed new program heads for its School of the Arts (SOTA).

NKU_Brad McCombs headshot

Brad McCombs.

Brad McCombs will transition from Program Head of Music over to the Program Head of Visual Arts. Brad received a B.F.A. from Washington University in St. Louis and a M.F.A. from Carnegie Mellon University. Brad’s interest in leadership of the arts rests in the power of the arts to transform individuals and communities that both inspires and provokes thought. His research focuses on creating powerful connections with an audience whether they are physical, virtual or somewhere in-between. His role as an artist is comprehensive and embraces activism, anthropology, ecology, and sociology. His regional public art project, the Driftwood Institute, engages students to help educate the community about our watershed. Brad has shown his work both nationally and internationally including a recent project in collaboration with the Cincinnati Chamber Orchestra where he created visuals to accompany the live performance of Darius Milhaud’s “La Création du Monde”.

NKU_Kimberly Gelbwasser Lazzeri headshot

Kimberly Gelbwasser Lazzeri.

Kimberly Gelbwasser Lazzeri will be assuming the role of Program Head of Music. She is Associate Professor of Voice and Vocal Area Coordinator at NKU’s School of the Arts. In 2016, she was the recipient of the Outstanding Junior Faculty Award in the College of Arts and Sciences. Dr. Lazzeri currently serves as President of the Kentucky Chapter of the National Association of Teachers of Singing. In the summer, she often serves on the music faculty of the Kentucky Institute for International Studies in Salzburg, Austria. Dr. Lazzeri is a certified Kripalu yoga teacher and she teaches a course at NKU entitled “Yoga for Creativity.” Dr. Lazzeri holds a Doctor of Musical Arts degree and a Master of Music degree in Vocal Performance from the University of Cincinnati College-Conservatory of Music. She holds a Bachelor of Music degree in Vocal Performance from Northwestern University. To learn more, visit “Kimberly Gelbwasser Lazzeri Voice Studio” on Facebook.

NKU_Michael Hatton

Michael Hatton.

Michael Hatton will be continuing as Program Head of Theatre + Dance. Michael received his M.F.A. in Theatre Pedagogy and Directing from Virginia Commonwealth University and his B.F.A. in Theatre Management from Northern Kentucky University and has been a full-time faculty since 2005. He has served in various forms of university governance and service, including general education, university and college curriculum, e-learning, master advising, international education, and planning committees, and currently serves on the executive board of the Cooperative Center for Study Abroad (CCSA). Additionally, Michael has won awards for teaching, including from the Greater Cincinnati Consortium of Colleges and University as well as the NKU Michael C.C. and Susan S. Adams Outstanding Non-Tenure Track Faculty award. He is a freelance director and stage manager having worked with numerous regional theatre companies.

About NKU School of the Arts
SOTA is the creative engine of Northern Kentucky University. The School of the Arts combines dance, music, theatre, and visual arts to bring unparalleled artistic opportunities to current and future students. Our minors come from every college on campus from nursing to mathematics, political science to construction management. SOTA’s Prep programs, including the nationally recognized String Project, engage 900 students from children to adults annually. SOTA offers 12 degrees with 30 specializations in addition to seven minors. With innovative curriculum, small class sizes and award-winning instructors, students develop expertise and the qualities most in-demand for today’s changing career landscape. To learn more, please visit nku.edu/sota or find us on social media @NKUSOTA.

### NKU ###

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ON CUE June 2020 – The Electronic Newsletter of ACT of Greater Cincinnati

ACT_purple

This year is not what any of us expected. Because of the Corona Virus, theater productions were halted in mid-March. Some shows were in the middle of their run and a lot of shows were not allowed to go on. People were asked to stay home in order to try to prevent the spread of the infection.

Not only were local productions cancelled, but the ACT/OCTAfest, OCTA Jr and the OCTA State Conference were all cancelled. So “virtual” has become the word of the day. Thanks to the ACT board, the awards were held online. Dan Maloney, Amanda Emmons Shumate, Fred Hunt, Dennis Murphy, Wayne Kirsch and Gary Rogers worked to make the event happen. (To any one else involved in making this happen, kudos to you as well). So, here is a wrap up of the presentations.

The evening was opened with remarks from President, Dan Maloney. Amanda Emmons Shumate, ACT 1st VP, also contributed opening remarks.

Wayne Kirsch presented the first awards of the evening. The Spirit of Community Theatre awards are presented in each region to a person or persons who have contributed to the promotion of community theatre both on the local as well as the state level. The winners this year were Valeria Amburgey and Joel Lind.

The Rising Star award is the newest award and it is given by the various member theatres to recognize individuals who have exemplified a new level of exceptional dedication and commitment to their theatre or the ACT community as a whole.

Those winners are:

  • Acting Up – Kathy Maritato
  • CenterStage Players- Trisha Cooper
  • Cincinnati Music Theatre – Adrianna Boris
  • Footlighters – Katie McCarthy
  • INNOVAtheatre – Michael J. Schumacher
  • Loveland Stage Company – David Vest
  • Mariemont Players – Becky Collins
  • Mason Community Players – Jess Braun
  • Sunset Players – Ross Hazlett
  • The Drama Workshop – Lindsey Pullam

Dan Maloney presented the President’s Award. This award is given annually by the President of ACT to a an Act board member who has demonstrated outstanding commitment and dedication to the goal’s of the ACT during that particular year. This year’s recipient is Fred Hunt.

Dennis Murphy, the Awards Chair, presented the three big ACT awards. He introduced last year’s winners who have the honor of announcing the various winners. ACT member groups can nominate any person to receive an award based on the attributes attributed to their namesakes. Then a committee meets to select the various winners. This year’s winners are:

  • Mario Pitocco Award-this award is presented annually to honor an individual who has shown continuous service and excellence in creative technical theatre-
    Jason Cox-The Drama Workshop
  • Roger Grooms Award-presented to honor an individual who has demonstrated dedication to raising the artistic quality of community theater production through active teaching and/or by demonstrating sustained excellence in the categories of directing, acting, choreography, musical or vocal direction-
    Jerry Wiesenhahn-Beechmont Players
  • Art Rouse Award-presented to an individual or couple who has shown exceptional commitments and dedication to community theatre-
    Tom & Nancy Ann Storey-Mariemont Players

Fred Hunt, ACT 2nd VP, presented the Orchid Awards throughout the evening.There were 43 shows in this abbreviated season with 882 Nominations and 439 Orchids.

The following are the categories with the number of nominations and orchids in each category.

Category | # of Nominations | # of Orchids

  • Sound Design | 28 | 8
  • Sound Execution | 17 | 1
  • Light Design | 32 | 18
  • Light Execution | 20 | 5
  • Set Design | 33 | 23
  • Set Décor | 33 | 22
  • Set Construction | 21 | 15
  • Costume Design | 34 | 23
  • Makeup | 7 | 1
  • Hair/Wigs | 12 | 6
  • Photography | 13 | 3
  • Video Production Design | 2 | 0
  • Video Execution | 1 | 0
  • Other | 17 | 6
  • PreShow | 4 | 1
  • Original Program Art | 27 | 13
  • Program | 25 | 9
  • Special Effects | 5 | 2
  • Lobby Display | 23 | 10
  • House | 21 | 9
  • Properties | 30 | 8
  • Stage Management | 26 | 15
  • Stage Combat | 4 | 2
  • Dialect Coaching | 3 | 1
  • Producing | 36 | 23
  • Overall Technical Quality | 16 | 5
  • Ensemble | 47 | 16
  • Choreography | 10 | 7
  • Dance Execution | 11 | 5
  • Musical Direction | 13 | 10
  • Vocal Direction | 9 | 3
  • Orchestral Performance | 13 | 11
  • Direction | 39 | 23
  • Overall Performance Quality | 11 | 5
  • Musical Theatre Performance | 104 | 55
  • Acting in a Play | 135 | 75

Here is the breakdown by theatre group

Theatre | # of Shows | # of Nominations | # of Orchids

  • Acting Up | 1 | 19 | 10
  • Beechmont Players | 4 | 80 | 26
  • Center Stage | 2 | 41 | 27
  • Cincinnati Music Theatre | 1 | 34 | 18
  • Fairfield Footlighters | 3 | 62 | 32
  • Footlighters | 3 | 83 | 55
  • INNOVAtheatre | 2 | 28 | 20
  • Inspiring Arts Productions | 1 | 23 | 12
  • Loveland Stage Company | 4 | 79 | 36
  • Mariemont Players | 4 | 89 | 44
  • Mason Community | 4 | 71 | 25
  • Merit | 1 | 23 | 9
  • Riverstage Community | 1 | 8 | 2
  • Sunset Players | 2 | 44 | 34
  • The Drama Workshop | 4 | 93 | 49
  • Tri-County Players | 3 | 57 | 23
  • The Village Players | 3 | 48 | 17

For information for winners from each theatre, you can visit this blog entry at Behind the Curtain Cincinnati.

Any errors, mistakes or omissions are not intentional.
Thanks to all of you for being a part of Greater Cincinnati theatre.

Please, everyone stay safe. Hope to see you all soon.
Linda Roll, editor

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