Category Archives: Press Releases

The Carnegie Announces Cast, Production Dates for GODSPELL

TC_Godspell logoSocially Distant Performance at Pyramid Hill Sculpture Park

COVINGTON, KYThe Carnegie is set to present the uplifting musical extravaganza that is GODSPELL … And it will be presented in an innovative format where audiences can experience the performance at a safe, social distance.

GODSPELL
A Musical Based Upon The Gospel According to St. Matthew
Music and Additional Lyrics by Stephen Schwartz
Conceived by John-Michael Tebelak

Come sing about love! This uplifting musical, featuring songs from Stephen Schwartz (PIPPIN, WICKED), will be presented in an innovative format across Pyramid Hill Sculpture Park’s three-acre campus. Featuring physically distant staging and walk-through format, this will be like no production of GODSPELL you’ve experienced before!

Each performance features two start times, 4:30 p.m. and 6:30 p.m., to allow for social distancing within walking audience groups. This format does require sustained walking and standing throughout the show. If you need a more accessible way to view the show, please call the box office to set up an art cart ticket, allowing you to slowly drive between scenes and sit for the duration of the show in one of Pyramid Hill’s custom golf carts.

  • September 12 performance – Tour start times 4:30 p.m. and 6:30 p.m.
  • September 13 performance – Tour start times 4:30 p.m. and 6:30 p.m.

“With the inherent unique visuals of Pyramid Hill Sculpture Park serving as the backdrop, this production of GODSPELL will be as creative, inventive, experimental and fun as anything The Carnegie has ever done” said Maggie Perrino, Theatre Director for The Carnegie.

This socially distant production of GODSPELL has been organized by The Carnegie’s Creative Disruption Committee (The Carnegie CDC), the volunteer consortium launched in response to the COVID-19 pandemic. The Carnegie CDC acts as a creative engine and rapid response team to the current struggles of the entertainment industry. It also provides a new community-based structure for performing arts programming, such as safe, socially distance live experiences like GODSPELL.

The cast and production team for The Carnegie CDC production of GODSPELL is listed below.

CAST LIST

  • Jesus – Joshua Carandang
  • Judas/John the Baptist – Kyle Taylor
  • Socrates/Day by Day Soloist – Kaylee Michael
  • DaVinci/Turn Back O Man Soloist – Maddie Vaughn
  • Thomas Aquinas/Lessons Well Soloist – Kara Hancock
  • Gibbon/By My Side Soloist – Ashley O. Morton
  • Martin Luther/All Good Gifts – Je’Shaun Jackson
  • Sartre/Bless the Lord Soloist – Mackenzie Ruff
  • Ensemble – Royce Louden, Eric Klear, Elizabeth Taylor, Sam Johnson, Andi Angel, Maria Zierolf, Ethan Brooks Baker, Jordan Darnell, Logan Weinfurtner, Liam Sweeney, Savannah Boyd, Julia Olinger, Ezra Crist

 

PRODUCTION TEAM:

  • Maggie Perrino
  • Farley Norman
  • Caleb Redslob
  • Maddie Sensenstein
  • Genevieve Perrino
  • Christine Orr
  • Ria Viallaver Collins

Tickets for GODSPELL are $35 for adults ($32 for Carnegie members), $25 for students and $15 for children age 10 and under. To purchase tickets, visit The Carnegie Box Office (open Tuesday-Friday noon to 5 p.m.) in person, call (859) 957-1940 or visit www.thecarnegie.com.

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ABOUT THE CARNEGIE
The Carnegie is Northern Kentucky’s largest multidisciplinary arts venue providing theatre events, educational programs and art exhibitions to the Northern Kentucky and Greater Cincinnati community. The Carnegie facility is home to The Carnegie Galleries, the Otto M. Budig Theatre, and the Eva G. Farris Education Center. More information about The Carnegie is available at thecarnegie.com or by calling (859) 491-2030. 

The Carnegie receives ongoing operating support from Cincinnati International Wine Festival, The Greater Cincinnati Foundation, Kenton County Fiscal Courts, the Kentucky Arts Council and the City of Covington. The Carnegie is also supported by the generosity of more than 40,000 contributors to the ArtsWave Community Campaign.

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Broadway in Cincinnati Announces Rescheduling of Fall Shows

BIC_My Fair Lady 99

Shavey Brown, Mark Aldrich, Shereen Ahmed (center), William MichalsandColin Anderson in The Lincoln Center Theater Production of Lerner & Loewe’s MY FAIR LADY.

Pretty Woman and My Fair Lady
will now play Aronoff Center in Summer of 2021

Cincinnati, OH (August 5, 2020) – Broadway in Cincinnati has announced that due to the challenges of scheduling touring Broadway shows across the country during this unprecedented time, both fall shows scheduled for the 20/21 Fifth Third Bank Broadway in Cincinnati series presented by TriHealth have been rescheduled for summer of 2021.

The Cincinnati engagements of PRETTY WOMAN: THE MUSICAL originally scheduled for November 10 – 22, 2020 will now be presented August 17 – 29, 2021MY FAIR LADY originally scheduled for December 1 – 13, 2020 will now be presented July 13 – 25, 2021.

Season Ticketholders for both of these shows will retain their same seats for the rescheduled engagements.

Broadway in Cincinnati continues to work diligently to navigate the challenges of scheduling shows and touring Broadway as guided by medical and public health advice to comply with local government regulations.  The touring industry depends on an interconnected network of presenters in cities throughout the country and the Broadway in Cincinnati is prepared to make any necessary adjustments for the well-being of audiences, staff, cast and crew.

While there may be additional unforeseen scheduling changes in the season, ticket holders will be notified if any future productions need to be rescheduled or canceled. Additional updates will be provided at BroadwayInCincinnati.com.

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Fifth Third Bank Broadway in Cincinnati presented by TriHealth is committed to bringing the very best of Broadway to the Tri-State, presenting touring Broadway plays and musicals in Cincinnati since 1987. For over twenty years, Broadway in Cincinnati has presented all shows at the Aronoff Center. The Broadway in Cincinnati series brings more than 185,000 people downtown to the Aronoff Center each year, and contributes an average of $30 million to the local economy each season. Broadway in Cincinnati is a member of the Greater Cincinnati Convention & Visitors Bureau, the Greater Cincinnati Chamber of Commerce and The Broadway League. Fifth Third Bank is the sponsor of the Cincinnati 20/21 Season and the season is presented by TriHealth. 

Broadway Across America (BAA) is part of the John Gore Organization family of companies, which includes Broadway.com, The Broadway Channel, BroadwayBox.com and Group Sales Box Office.  Led by 14-time Tony-winning theater producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 47 markets with over 400,000 subscribers. Presentations include Disney’s The Lion King, Wicked, The Book of Mormon, The Phantom of the Opera and Hamilton. Current and past productions include Ain’t Too Proud, Beautiful, Cats, Chicago, Dear Evan Hansen, Mean Girls, Moulin Rouge! and To Kill A Mockingbird. 

The John Gore Organization is the leading developer, producer, distributor and marketer of Broadway theatre worldwide. Under the leadership of 14-time Tony-winning theater producer and owner John Gore, its family of companies includes Broadway Across America, Broadway.com, The Broadway Channel, BroadwayBox.com, and Group Sales Box Office. The company presents shows in 47 cities across North America as well as on Broadway, Off-Broadway, London’s West End, Japan, and China. It has won Tony Awards in every producing category as well as numerous other Drama League, Drama Desk and Olivier awards.

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Let’s Build a Theatre Where Everyone is Welcome to Play

KTC_Lets Play logoAn Action Plan for Equitable Theatre 

CINCINNATI, OH – This is an extraordinary time to be a theatre artist. The entire theatre sector has spent the last three months soul-searching about how we can keep our art and our community whole while a global pandemic prevents us from performing our most basic function: bringing people together for the shared experience of live performance.

But the spectacular displays of civil disobedience and impassioned protest in the wake of the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery have put these existential questions about the nature of live theatre into even clearer relief.

Because the truth is that the American theatre has done a poor job of bringing our whole community together for a very long time.

And that includes Know Theatre of Cincinnati.

Though many of us have proclaimed a commitment to diversity, we remain complicit in the establishment and maintenance of environments that do not value or foster Black voices. We have participated in racist structures and failed to recognize the voices in our own community that we should have been lifting up. We have prioritized efforts including gender parity and economic accessibility without giving the same energy or resources to anti-racist work.

It’s time to own that history, and take action.

Some of this work has already been going on behind the scenes – but solidarity cannot be silent, and it is important now to make plain the work we have quietly been undertaking, as well as the next steps we will take to make the Know a more expressly anti-racist organization.

The work already underway in support of an equitable Know Theatre includes:

  • Ensuring our board of directors better represents the Cincinnati community at large, which has taken us from a 6-person board with only 16% representation of people of color to a 15 person board with 27% representation of people of color. Our goal is to continue thoughtful recruitment until we reach at least 40% representation of people of color.
  • Forming a board-lead committee of staff, Diversity, Equity, & Inclusion professionals, and local artists, to define policies, review vendors to prioritize BIPOC-owned partnerships, and discover ways in which this artistic community can collectively liberate us all from the constraints of systemic racism and economic inequality.
  • Our staff is instituting a system of education and anti-racist training to acknowledge and interrogate existing biases and lack of education around anti-blackness and white supremacy. This is an ongoing learning and unlearning process necessary for us to fully engage with anti-racist work as a company; and our work in this space will focus on harm reduction, harm prevention, and relationship repair.
  • Sourcing funds specifically for hiring artists of color. This is a continuation of an effort we quietly undertook in the 2019-2020 season, with support of the David C. Herriman Foundation of the GCF, to enable us to bring visiting designers and directors of color to work with us, be paid competitively for their artistry, be offered housing to support their stay in Cincinnati, and give all of our artists the chance to work with rising artists they would otherwise not have had the chance to collaborate with.

It is clear that there is much, much more work to be done to ensure that members of our community who are Black, Indiginous, and People of Color (BIPOC) feel welcome and embraced as artists, as patrons, as board members, and as staff.

So as we launch into a new season, we commit to the following actions:

  • Over 22 seasons, we have maintained an average of just under 20% of shows on our MainStage by BIPOC writers, which we recognize is simply not good enough. To reflect the fact 40% of the Cincinnati population identifies as black or African American, we pledge to produce an average of 40% plays by BIPOC writers on our MainStage, and work to maintain that level of representation in future seasons.
  • We also pledge to not only cast BIPOC performers in BIPOC stories, but also seek to cast at least 50% of our roles across a season with artists of color. Our casting representation over the last 6 seasons has ranged from a high of 50% BIPOC actors to a low of 28% – we pledge to meet and maintain an average of 50% from now on.

  • The low salaries of small nonprofit theatre reinforce racial and economic privilege in hiring – unless you have inherited wealth or alternate sources of income, job opportunities in companies including the Know have not been open to you. We will work to raise full-time staff salaries to at least $30,000 so that job postings become more welcoming and viable for BIPOC applicants.

  • We will rewrite our artist and employee handbooks to ensure that we are no longer creating a hostile environment – intentionally or unintentionally – for BIPOC artists and staff members. We will use the guidance from the #dearwhiteamericantheatre petition and Stratford Festival’s #inthedressingroom conversations as starting points, as well as conversations with local artists who have come to us with concerns.
  • We will be open to criticism and we will not meet criticism with defensiveness. In all things, we will strive to honor our history as the Know Theatre Tribe and a voice for inclusion and change in Cincinnati’s theatre community.

Know Theatre began 22 years ago as the Know Theatre Tribe, a multicultural and nomadic arts collective committed to bringing the voices of diverse artists into Cincinnati communities.

As we launch into what already, due to the pandemic, will be an unprecedented season full of experimentation in how to deliver art in digital forms, we will no longer backburner the work that needs to be done to honor that history and take us toward an equitable, anti-racist theatre.

We will proclaim with both our work and our words that Black Lives Matter.

We welcome your thoughts and ideas about the theatre you want to see evolve across Cincinnati in this moment. We invite your stories and your criticisms. We look forward to building a theatre that better represents and celebrates all of our stories – not just the stories of a few.

Know Theatre is Cincinnati’s Theatrical Playground. The Know showcases unexpected voices, new works, and plays that embrace the inherent theatricality of the live experience. Know Theatre seeks to be a place where artists and audiences feel welcome to take artistic risks, creating work that is cutting edge and accessible.

Know Theatre’s work is made possible, in part, by the generosity of community contributions to the ArtsWave Campaign.

The Ohio Arts Council helps fund Know Theatre with state tax dollars to encourage economic growth, educational excellence, and cultural enrichment for all Ohioans.

Know Theatre is also supported by The Carol Ann & Ralph V. Haile, Jr./U.S. Bank Foundation, helping to change our communities for the better through collaboration and innovation, and the Greater Cincinnati Foundation, which provides a simple, powerful, and highly personal approach to giving.

Know Theatre is a member of Theatre Communications Group and an Associate Member of the National New Play Network.

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High School Opera Company Fills the Air with Classical Sound in Outdoor, Socially Distant Performances

CYAPP_Outside1Opera lovers can see performances outdoors August 6th and August 7th

Each year 20 or so exceedingly talented high school vocalists audition and are selected for Cincinnati’s Young Artist Preparatory Program (YAPP).  YAPP  is one of only a handful of High School Opera Programs in the United States.  The company traditionally concludes its training with an Opera Showcase in June.  That could not happen this year.  “But we just could not give up,”  said Lincoln Chapman, the group’s Director.  “These kids have worked too hard, and their sound is too beautiful.”  So, Lincoln, with the support of Karl Resnick and the Musical Arts Center, YAPP’s home conservatory, just kept working.  “We met by Zoom for months. Once we could meet again, and it was allowed, we began meeting outside. We feel incredibly lucky to have found two spaces where we can perform in a responsible and socially distant way for both performers and audience alike.”

Thanks to some innovative choreography and large, outdoor stages, YAPP will present works like Libiamo from LaTraviata and the Sextet from the Marriage of Figaro while at least 6 feet apart on stage to audiences nestled on blankets or in lawn chairs 20 feet away and 6 feet apart.  “Rehearsing in masks is challenging,” said Riley Spatz, a senior member of YAPP. “But it was a blessing in disguise, there has never been a better reminder to lean on your body or perfect your support,” they concluded.   Karl Resnick,  Founder and Executive Director of the Musical Arts Center said,  “Working in these dire conditions, the pandemic, the heat, the masks, the difficulty of summer schedules, etc. –  working through all of this to get an excellent product is so much more difficult. I’m so proud of  Lincoln, our Director,  Sam, our accompanist,  these incredible students, and the endurance of our wonderful parents. It takes a lot to do this.  They have proven their resilience, and work ethic, in addition to their talent.  Artists have to have all three.  I could not be prouder to provide a performance opportunity or to be a part of their development journey,”

If you would like to attend, there will be two performances:  1) August 6th, 7:30PM at the Beech Acers Amphitheater, 6881 Beechmont Ave, Cincinnati, OH and 2) August 7th, 7:30PM Anderson Center Plaza, 7850 Five Mile Road, Anderson, Ohio.  For either performance, please bring a blanket or lawn chairs, masks are required, and you are asked to stay at least 6 feet away from other parties.  Tickets are not necessary, but donations are very appreciated to cover expenses of the performance venues and the program.   The performance is approximately 1 hour long and is weather dependent.  

About The Young Artists Prepatory Program
Yapp is one of the only high school opera programs in the United States.  Members must be between the ages of 15 and 18 and are selected by audition.  YAPP students represent some of the most talented, classically trained high school vocalists in the tri-state.  Each year several go on to attend top 10 music conservatories, including CCM, The University of Michigan, and Oklahoma City University.  YAPP is directed by Lincoln Chapman, who holds a Masters of Music from CCM, and has himself performed with Her Majesty’s Theater (Australia), Charlestown Symphony, and the Cincinnati Symphony, among others. The Accompanist is Sam Kraus, who holds a BM from CCM and performs with the Cincinnati Vocal Arts Ensemble and Coro Volante Recording Choir.  YAPP is part of the unique training opportunity provided by Cincinnati’s Musical Arts Center.   YAPP training includes the vocal style, improvisation, mock auditions, movement, musical preparation, and dramatic interpretation in a small ensemble setting.  Auditions for the 2021 YAPP ensemble will be held in the first week of September.  Please call 513 321-2766 for more information

2020 YAPP MEMBERS 
* Part of the August performance

Ella Bennett*                                    Grant Shields*
Calvin Delay                                     Arielle Smith*
Lauren Dewald                                Danee Spatz*
Natalie Hudepohl*                           Kat Sweeney*
Norah Meisch*                                 Ella Vaughn*
Gabriela Pereda*                             Bretlyn Yetter*
Luke Randazzo*
Jadyn Riggs*
Brett Roebuck

About the Musical Arts Center
Founded in 1978,  the Musical Arts Center has become one of Cincinnati’s most successful private musical education conservatories.   MAC is proud to say It has helped over 150 students be accepted to top tier college conservatories including  Carnegie-Mellon, The University of Michigan, UC College-Conservatory of Music (CCM), Oklahoma City University, Baldwin-Wallace, Baylor, Manhattan School of Music, Miami University, Northwestern, Oberlin, Indiana University, Belmont, Vanderbilt, and Otterbein, among others.  MAC has had 70 finalists and 18 grand prize winners in The Cincinnati Arts Association Regional Overtures competition, winners and finalists in the National Young Arts Competition, Schmidt Competion, and Dayton Opera Guild Competition.

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THE AGITATORS Postponed at Falcon Theatre

FT_logoDue to ongoing COVID-19 concerns and restrictions on public gatherings THE AGITATORS, originally rescheduled to Aug. 14-29, will again be postponed.

We will absolutely be rescheduling this amazing work for later in the season when we can safely present it and give it the time on our stage it so richly deserves.

We are hard at work updating our scheduling plans for the season so stay tuned for new news!

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