Category Archives: On Stage

THE BACCHAE Runs Sept. 25-Oct. 5

Sarah Alice Shull as Agave & Matt Krieg as Dionysus. Photo by Tyler Gabbard.

Sarah Alice Shull as Agave & Matt Krieg as Dionysus. Photo by Tyler Gabbard.

THE BACCHAE
Presented by Northern Kentucky University
Sept. 25-Oct. 5
Highland Heights

Directed by Sandra Foreman

Cast: Matt Kreig as Dionysus, also called Bacchus, Kyle Taylor as Teiresias, Connor Molton as Cadmus, Hunter Henrickson as Pentheu, Nate Doninger & Cody Oppel as Attendants to Pentheus, Garth Whitaker & Clayton Winstead as Messengers/Herdsmen, Sarah Alice Shull as Agave & Gabrielle Francis as Coryphaeus
The Bacchae: Erin Ballard, Keana Bartolome, Tealia Brown, Lauren Crawford, Anna Rose DLG, Leiren Jackson, Angela Kaesheimer, Angel Kerns, Britt Mahan, Madison Pullins & Christina Tully

After several decades, the god Dionysus returns to his birthplace in Thebes in order to clear his mother’s name and reclaim his godly status.  During Dionysus’ absence the kingdom is ruled by the misguided Pentheus who asserts reason and humanism over a belief in the gods.  It was Pentheus’ decision to not allow the worship of the beloved Dionysus in Thebes creating civil unrest.  Dionysus tries to persuade Pentheus to abandon his destructive path, but Pentheus does not relent ultimately forcing Dionysus to wield his power to protect his sacred homeland.

  • Thu-Sat, Sept. 25-27 at 8pm
  • Sun, Sept. 28 at 3pm
  • Wed-Sat, Oct. 1-4 at 8pm
  • Sun, Oct. 5 at 3pm

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DIRTY DANCING Runs Sept. 23-Oct. 5

Samuel Pergande as Johnny & Jillian Mueller as Baby. Photo by Matthew Murphy.

Samuel Pergande as Johnny & Jillian Mueller as Baby. Photo by Matthew Murphy.

DIRTY DANCING
Presented by Broadway in Cincinnati
Sept. 23-Oct. 5
Downtown

DIRTY DANCING – The Classic Story On Stage is an unprecedented live experience, exploding with heart-pounding music, passionate romance and sensational dancing. Seen by millions across the globe, this timeless love story features the hit songs “Hungry Eyes,” “Hey Baby,” “Do You Love Me?” and the heart-stopping “(I’ve Had) The Time Of My Life.” London’s Sunday Express says “This crowd-pleasing stage adaptation hits the jackpot!”

It’s the summer of 1963, and 17-year-old Frances ‘Baby’ Houseman is on vacation in New York’s Catskill Mountains with her older sister and parents. Mesmerized by the racy dance moves and pounding rhythms she discovers in the resort’s staff quarters, Baby can’t wait to be part of the scene, especially when she catches sight of Johnny Castle, the resort’s sexy dance instructor. Passions ignite and Baby’s life changes forever when she is thrown in to the deep end as Johnny’s leading lady, both on-stage and off.

  • Tue-Thu, Sept. 23-25 at 7:30pm
  • Fri, Sept. 26 at 8pm
  • Sat, Sept. 27 at 2pm & 8pm
  • Sun, Sept. 28 at 1pm & 6:30pm
  • Tue-Thu, Sept. 30-Oct. 2 at 7:30pm
  • Fri, Oct. 3 at 8pm
  • Sat, Oct. 4 at 2pm & 8pm
  • Sun, Oct 5 at 1pm & 6:30pm

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REEFER MADNESS Runs Sept. 19-28

SBP_Reefer Madness1REEFER MADNESS
Presented by Showbiz Players
Sept. 19-28
Covington

Directed by Adam Drake
Music direction by Alan Masters
Vocal direction by Gregory Shaffer
Choreography by Jillian Schwab
Produced by Jennifer Ryan, Cathy Bennett & Bunny Arszman

Cast: Kevin Rutkowski as Jimmy, Jered Ryan as Lecturer, Julie Wacksman as Mary Lane, Gregory Shaffer as Jack, Michelle Grove Shaffer as Mae, Sean Mize as Ralph, Jen Drake as Sally, Emily Rowekamp as Placard Girl
Ensemble: Liz Koch, Kati Bakes, Jill Blessing, Caitlin Brown, Jenni Sheets, Robert Fields, Mike Davis, Colin Shimrock & Stephen Cox

Inspired by the original 1936 film of the same name, this raucous musical comedy takes a tongue-in-cheek look at the hysteria caused when clean-cut kids fall prey to marijuana, leading them on a hysterical downward spiral filled with evil jazz music, sex and violence. You won’t be able to resist the spoofy fun of REEFER MADNESS. The addictive and clever musical numbers range from big Broadway-style showstoppers to swing tunes like ‘Down at the Ol’ Five and Dime’ and the Vegas-style ‘Listen to Jesus, Jimmy,’ featuring J.C. Himself leading a chorus of showgirl angels. This dynamic show will go straight to your head! REEFER MADNESS is a highly stylized and satirical political commentary. It contains adult humor, religious parody, and drug use, as well as suggested violence and sexual explicitness. It therefore may be inappropriate for younger performers and audiences.

  • Fri-Sat, Sept. 19-20 at 8pm
  • Sun, Sept. 21 at 7pm
  • Wed-Sat, Sept. 24-27 at 8pm
  • Sun, Sept. 28 at 3pm

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SIDE BY SIDE BY SONDHEIM Runs Sept. 19-27

MLT_Side by Side by SondheimSIDE BY SIDE BY SONDHEIM
Presented by Middletown Lyric Theatre
Sept. 19-27
Middletown

Directed by Charley Shafor
Musical Direction by Julia Abanto-Bethune

Cast: Robin Baker, Julia Abanto-Bethune, Tonda Hoefler, Melodie LaNicca, Alicia Moore, Kevin Stout & Beth Vestring Fischer Reinhart

This dazzling array of some of Sondheim’s best-known songs features numbers from landmark shows that revolutionized the musical theatre with their masterful craft and astounding creativity: COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, ANYONE CAN WHISTLE and PACIFIC OVERTURES, not to mention the classics written with musical theatre giants Leonard Bernstein, Jule Styne and Richard Rodgers, WEST SIDE STORY, GYPSY, and DO I HEAR A WALTZ?

  • Fri-Sat, Sept. 19-20 at 8pm
  • Fri-Sat, Sept. 26-27 at 8pm

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SWEENEY TODD Review

Links to all reviews can be found using the REVIEWS link at the top of the page. Blog postings, links and more are available on my Facebook fan page. You can also receive updates on Twitter from @BTCincyRob.

Justin Glaser as Sweeney Todd.

Justin Glaser as Sweeney Todd.

SWEENEY TODD presented by The Carnegie & Commonwealth Theatre Company through Aug. 23. Read the show description.

As I’m sure you’ve heard, SWEENEY TODD as The Carnegie is very good.

Justin Glaser as the title character has a great voice, and makes Sweeney a more tragic character than I’ve normally seen him portrayed. Also in strong voice is Helen Anneliesa Raymond as Mrs. Lovett. She offers some great comic moments as Sweeney’s partner in crime as well as glimpses of the evil within. The scene with Tobias and the scarf was a character highlight for me.

The talent and performance quality doesn’t stop with the two leads. Across the cast are strong actors with voices to match, creating a very enjoyable production under the direction of Ken Jones.

Costume design by Dean Walz complimented by the wig and makeup design of Scott Reeder create great visual looks for many of the characters.

Helen Anneliesa Raymond-Goers as Mrs. Lovett & Justin Glaser as Sweeney Todd.

Helen Anneliesa Raymond-Goers as Mrs. Lovett & Justin Glaser as Sweeney Todd.

With no major complaints about the production, there were a few things that pulled me out of the moment that I thought worth mentioning.

As I said earlier, there was some great character work throughout the ensemble. I would caution a few of you not to let your character work steal focus from the leads. The first scene at the asylum with Anthony and Johanna would be an example of too much character business too close to a lead.

Although creating a visually balanced element by having two body chutes, logically the need for, or time spent by Sweeney rigging two chutes, doesn’t make sense. Also the decision to have The Beadle’s body “wrapped up” stands out since the killer NEVER took the time to wrap any of the others and left me at a loss for how quickly Tobias identified the body.

Justin Glaser as Sweeney Todd & Andy Burns as Barbershop Chair Victim.

Justin Glaser as Sweeney Todd & Andy Burns as Barbershop Chair Victim.

The decision to use the grey metal rolling stairs was problematic for me because the item is immediately recognizable as a modern piece of equipment. Either facing it, or constructing something similar in form and function would have served the show better. Also obvious was the cast member plugging in the light source for the furnace, twice.

Overall a very strong and enjoyable production of this dark Sondheim classic.

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My rating: 4.5 out of 5

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