Category Archives: Casting Call

2017-2018 Properties Master Sought by The Chidren’s Theatre of Cincinnati

TCTC_new logo2017-2018 Properties Master
(10 Month Contract)

Organizational Overview:

TCT’s mission is to educate, entertain and engage audiences of all ages through professional theatrical productions and arts education programming.  We fulfill our mission through four primary programs:

  • TCT MainStage – We welcome 107,000 children, teachers, and family members from across the region, to one of our four family-friendly and professional musical theatre productions at the historic Taft Theatre.
  • TCT On Tour – We see over 47,000 children and their families at one of our touring performances or during an arts-integration workshop or residency.
  • TCT Academy – Over 750 children will be provided fine arts instruction, including the group that participates in summer intensive STAR summer programs through which we offer professional musical theatre training to some of the region’s most talented youth.
  • TCT Showtime Series – Our newest division, creating a premium theatrical experience in an intimate theatrical setting, located at our new facility on Red Bank Road.

Vision: To awaken a lifelong love of theater in children and the young at heart. 

Core Beliefs:

  • We believe in the power of theater to enrich lives and create deeper understandings of people, cultures, and perspectives.
  • We believe that our audiences deserve high quality experiences that are rich with wonder, honesty, compassion, joy, and wisdom.
  • We believe that the arts and education are not mutually exclusive.
  • We believe that the art we create must respect the diversity of our community.
  • We believe in the power of integrated arts education to enrich our lives and our communities.

Position Overview:

The 2017-2018 Season Properties Master will assist the organization in fulfilling its mission of educating, entertaining and engaging audiences of all ages through professional theatrical productions and arts education programming.  The Properties Master will be directly responsible for researching, designing, developing, and otherwise obtaining all props and rehearsal props for TCT MainStage, Showtime, and TCT on Tour divisions in collaboration with directors and stage managers of the productions, and the designated scenic designer of each show.  The Properties Master is also responsible for any prop needs associated with promotional appearances and photo shoots.

The Properties Master will report directly to the Technical Director, and will be responsible for maintaining and organizing future additions to our property stock.

Much of the props required for TCT on Tour can be pulled from our stock, located in our scenic shop facility in St. Bernard.  The ideal candidate will have experience creatively blending existing stock with their own design, building props from scratch, and purchasing creative solutions to satisfy the director’s vision.

Responsibilities and Qualifications:    

The Children’s Theatre of Cincinnati Properties Master’s duties include the following responsibilities and qualifications:

  • Creating or otherwise obtaining props and rehearsal props for all MainStage, Showtime, and Touring Productions.
  • Shopping for necessary materials
  • Working with power tools
  • Altering existing props to fit the director’s vision
  • Transporting props to and from the shop or renting company, rehearsal studio, and performance location. (Please note Taft Load-in dates for MainStage)
  • Repairing damaged props as necessary
  • Tracking a materials budget and promptly turning in receipts
  • Creating a master prop matrix for each show with Stage Management Team
  • Reading and responding to rehearsal reports in a timely manner
  • Ability to produce within a given deadline and in adherence with the production schedule
  • Building relationships with other arts organizations, share prop stock
  • Working knowledge of electrics and implementing electronic functions
  • Must have a background in carpentry, wood-working and welding
  • Artistic painting experience
  • Sewing, hemming, and upholstery skills

Systems and Operations:            

The TCT Properties Master will have access to tools, stock, and facility use in our Scenic Shop, located in St Bernard, as well as space in our facility on Red Bank Road.

The TCT Properties Master will have access to a tax-exempt form and a company credit card for purchases.

The TCT Properties Master will have access to use a TCT van, to transport items to and from the performance venue.  Contractor must schedule the van with the Operations Manager. If the van is unavailable, the Properties Master may need to use their own mode of transportation.  Per TCT policy, a $.40 per mile reimbursement will be in effect between a TCT location and a third party location.

TCT locations include: our headquarters on Red Bank Road, our scene shop in St. Bernard, and Downtown at the Taft Theatre.

Third party locations include:  retail locations, rental pick-up locations, or donation pick-up locations.

TCT does not reimburse for miles to or from the contractor’s home and any location, or between two TCT locations.  The contractor must keep a detailed log of mileage.

The TCT Properties Master is covered under worker compensation.

The TCT Properties Master position is treated as a contractor and is paid a stipend.

Commitment:                                                                                                                                  

The TCT Properties Master contract begins August 1st 2017.  The Properties Master must be available for production meetings prior to and during the rehearsal process, technical and dress rehearsals as assigned, and to meet the following deadlines for completed show designs: (Note:  rehearsal props should be present by first blocking rehearsal and final performance props are due by load-in or first dress.)

  • The Cat in the Hat (Tour):  Rehearses August 7st-18th, 2017
  • Young Abe Lincoln (Tour): Rehearses August 21st-September 2nd, 2017
  • Peter Pan Jr (MainStage): Rehearses September 18th-October 20th, 2017 (Taft Load in October 16th, Load out October 30th)
  • Cinderella (MainStage): Rehearses November 5th– December 8th, 2017 (Taft Load in December 4th, Load-out December 18th) NOTE: Cinderella requires a partial prop rental with The Children’s Theatre Company in Minneapolis.
  • Celebrate the Season (Tour): Rehearses November 8th– 22nd, 2017
  • Maya: A Writer’s Legacy (Tour): Rehearsals January 2nd– 12th, 2018
  • DreamWorks Madagascar (MainStage): Rehearses January 8th-February 9th, 2018 (Taft Load in February 5th, Load out February 19th)
  • Polkadots (Showtime Series): Rehearses February 5th-21st, 2018 (Strike: March 26th)
  • Mary Poppins Jr. (MainStage): Rehearses March 5th – April 6th, 2018 (Taft Load in April 2nd, Load out April 16th)

Minimum and Ideal Qualifications:

Education Level – Bachelor of Fine Arts or equivalent work experience.

Compensation/Payment Schedule:

  • A generous 10-month stipend of $22,000 will be paid to the contractor.
  • Contractor will be paid bi-monthly on the 1st and 15th of each month beginning August 15th, 2017 and ending May 31st, 2018.  $21,492 will be divided into 18 payments of $1,194.00.  A final payment of $508.00 will be paid upon strike of all TCT on Tour props on May 31st, 2018.

To apply, send your cover letter and resume, with any work samples to submissions@tctcincinnati.com.  Please use the subject:  “PROPERTY MASTER SUBMISSION”

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Deaf/Hard of Hearing Actors Needed for TRIBES at CenterStage Players

CSPOH_logoDirector Richard Zenk is seeking two actors for the upcoming production of TRIBES at CenterStage Players on March 23-31, 2018. Auditions are by appointment through Oct. 31, 2017.

Billy (stage age 20-30) – deaf since birth. Brought up Oral. Wears hearing aids. He meets Sylvia who teaches him to sign, opening him up to the world he never knew before. Sheltered, considerate, a gentle spirit.

Sylvia (stage age 20-30) – born with hearing but now rapidly going deaf. While she hasn’t wanted to let someone in, she falls for Billy. While Billy might see her as a vibrant new light in his life the rest of the family sees her as “nice and funny”. Experience with ASL and the piano a plus.

TRIBES is the story of Billy, the only deaf member of a loving yet comically dysfunctional British-Jewish family living in London. Along with Daniel, his depressive older brother and Ruth, his cosmically adrift older sister, Billy lives with his parents, Christopher and Beth, in their cluttered and yet comfortingly worn-in home. None of the family’s (Generation Y) children seem to be certain of the next step: Daniel attempts to write his thesis, Ruth half-heartedly tries to procure opera gigs, and Billy makes frustrating attempts to reintegrate himself into family life after having been away at University. Billy’s world is opened up, however, when he encounter’s Sylvia, a young woman who has grown up as the only hearing member of a deaf family. He quickly realizes how sheltered from the deaf world he has been by his family, and how, in their attempts to avoid making him feel like an “other,” they have actually made it impossible for him to take pride in his deafness. Much to his father’s chagrin, Sylvia begins teaching Billy sign language and introducing him to the deaf community. As he grapples with his own identity, we, too, are forced to ask questions about the meaning of belonging, community, and family.

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Actors Needed for Strong Brothers Films’ Cincinnati 48 Hour Film Project Entry

MISC_48 Hour Film Project logoOpen Call to All Cincinnati Actors!

We are Strong Brothers Films and have a team participating in the Cincinnati 48 Hour Film Project (http://www.48hourfilm.com/cincinnati-oh). Want to have some fun?

The project contest runs from July 21-23, 2017. Teams pull 1 of 30 genres, Comedy, Drama, Horror, etc. from a hat at 6:00 pm EDT Friday July 21 and must turn in a 7-minute film by 6:00 pm EDT Sunday July 23. We plan on all filming occurring Saturday July 22, 2017.

We had a wonderful time with all of the actors we met on Behind The Curtain who participated in the 2016 48 Hr. Film Project with us. They also praised our collective effort saying that they had fun. Here’s a link to our 2016 entry, “Abaddon.

**Actors cannot be paid per contest rules**

  • The shoot will be catered and have water/pop, etc. all day
  • We are professionals and want to have a fun, productive experience
  • This project is highly visible with a movie theater screening before an audience of hundreds of local people, including other local filmmakers who may want you for projects after the contest.
  • Many films end up on Youtube, etc.
  • There is a chance to win state, nationals, etc. which improves your visibility as an actor
  • We do not know what genre we will draw
  • So we don’t know what the location is other than in the Cincinnati metropolitan area.
  • We currently don’t know what the role is but there will not be anything untoward such as nudity, excessive expletives, general weirdness (e.g., not a Tarantino movie).
  • You DO NOT need to be a professional actor, just have acting experience even if it is just schooling.
  • You MUST be available all day and evening Saturday July 22, 2017.
  • Even if you have availability and commit you MAY NOT BE SELECTED based upon the genre we draw (e.g., a coming of age movie with teens can’t have too many middle-aged people). You may still be able to participate in other ways if you like.
  • DVDs of the finished 7 minute film are available upon request.

Contact us at hargis.kelson@gmail.com, or hargis.kelson@yahoo.com to sign up.

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Young Voices Needed for THE KING AND I at Voices of Indiana

VOI_logoThe actors who came today for YV’s summer production of THE KING AND I were AWESOME!!

We need some more to fill out this HUGE cast, however!! We need young children, and teenage girls and guys!!

Please come to the LHS Choir classroom tomorrow between 10am-2pm, or visit www.voicesofindiana.org to sign up for a time. You do NOT have to be in Young Voices to audition for this show! Join us!! Let me know if you have questions. This show is open to the whole community!

Performance dates are Aug. 11-12

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Technical Director Sought by Human Race Theatre Company

hrtc_red-logoTechnical Director

Job purpose
The Technical Director is responsible for overseeing all aspects of set construction along with the coordination of the load-in/strike schedule with other departments. A high level of interaction with designers is required in this position. The Technical Director also becomes the de facto representative for the venue when other organizations rent or use the facility.

Duties and responsibilities

  • Act as liaison with Scenic, Lighting and Sound Designers and determine with the Associate Artistic Director, the technical and budgetary feasibility of scene, prop and lighting designs.
  • Supply technical information and budget estimate for each design.
  • Determine construction methods, schedules, materials and mechanics for the building and painting of each set
  • Recommend and work with designers to adjust the design, if necessary, due to budgetary concerns
  • Supervise and assist in the construction of the set
  • Assist in the painting of the set
  • Produce construction drawings as needed
  • Supervise the installation and striking of each set, including all rigging and mechanical devices. Insure proper functioning and safety of all moving scenic elements
  • Maintain and enforce schedules for all builds, load-ins and strikes
  • Operate, maintain and safeguard all the technical aspects of the theatre and shop, including shop tools.
  • Attend technical week rehearsals, in order to supervise and assist in the technical aspects of mounting the show
  • Maintain Creativity Center (light bulbs, stage floor etc.)
  • In the absence of a master electrician, coordinate with the lighting designer on all electrical needs for the show having to do with scenery.
  • Assist as necessary when any other organization is present in the Loft Theatre
  • Be on call during all performances in case of technical emergencies
  • Inventory and order all supplies needed in scene shop
  • Work with Stage Manager to make sure all drawings are supplied and explained
  • Track and approve all scenic receipts for expenditures for shows and supplies
  • Read and analyze scripts for future possible shows
  • Attend weekly staff meetings, Production Meetings, Meet & Greets, Opening Nights and staff functions
  • Hire and supervise any over-hire labor needed for production
  • Serve as contact person for groups wanting to rent or purchase scenery
  • Maintain relationships with community partners exchange of goods and services
  • Monitor Performance Reports and address any technical issues before next performance
  • Educate and instruct stage management, run crew and actors to use specialized scenic elements
  • Move and set up offsite shop, as needed, for construction

In addition to the duties listed above, The Human Race Theatre Company expects the following of each employee: adheres to theatre’s policies and procedures; works in a safe manner; performs duties as workload necessitates; maintains a positive and respectful attitude; communicates regularly with supervisor about department issues; demonstrates efficient time management and prioritizes workload; demonstrates regular and consistent attendance and punctuality; meets department productivity standards; participates in HRTC events as needed or required; and completes other duties as assigned.

Qualifications

  • Five years’ theatrical construction experience working in a professional theatre and a bachelors degree in technical theatre or a related field
  • Minimum of two years technical supervisory experience
  • Proven ability as a carpenter, draftsman, welder and theatre technician with experience in rigging and utilizing standard mechanical devices (electric winches, turntables, pneumatic cylinders, etc.) is required
  • Ability to communicate effectively with guest artists and colleagues
  • Ability to bid accurately and execute designs within a specific budget and schedule
  • Good communication skills and the ability to organize and direct crews
  • Proven skills and aptitude with Microsoft Office programs
  • Understanding of basic budgeting and bookkeeping practices
  • Ability to work at the conceptual level as well as the implementation phase
  • A genuine interest in and knowledge of the theatre
  • Proven organizational skills and ability to multi-task

Working conditions
• Proven ability to work independently and collaboratively in a fast paced, rapidly changing environment
• Ability to work long hours and to manage an irregular schedule including weekends and holidays
• Able to work successfully under pressure and meet deadlines and goals

Physical requirements

  • A high degree of physical ability is associated with the Technical Director position. S/he must be able to:
  • Stand throughout the work day with walking, bending, stooping and kneeling.
  • Heavy lifting (at least 75 pounds)
  • Work on a lift or ladder from heights up to 30 feet
  • Ability to work in an environment with a moderate to loud noise level
  • Sit for 2 or more hours at a time
  • Climb 3 flights of stairs

Reports to
President & Artistic Director

Direct reports
Head Carpenter/Charge Artist, Prop Master & Costume Shop Manager and various independent contractors

Full Time/Exempt Position.
Salary negotiable based upon experience.
Benefits package includes: Medical & Dental coverage (employee pays 50%).

Send letter of interest, resume and at least three references by June 16 to:
Tara Lail, Associate Artistic Director
The Human Race Theatre Company
126 N. Main Street, Suite 300
Dayton, Ohio 45402-1766

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