Category Archives: Auditions

Auditions Announced for SUPERIOR DONUTS at Dayton Theatre Guild

DTG_logoArthur Przybyszewski, a former 1960’s radical, owns a rundown donut shop in Chicago’s Uptown. His only employee, an energetic but troubled young African American assistant, Franco, wants to update the establishment with lively music and healthy menu options. The writing is on the wall that things are going to change – maybe even for the better. Superior Donuts explores the challenges of embracing the past, and the redemptive power of friendship.

Production Dates: June 7 – 23, 2024

Directed by: Jared Mola
Produced by: Debra Kent

Audition Dates: Monday and Tuesday, March 25 & 26, 2024, at 7:00 p.m.

For further information contact: Jared Mola at mola.jared@gmail.com

Casting Requirements

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are encouraged.
  • Please bring all scheduling conflicts between March 27 and June 23, 2024

Character Descriptions:
The ethnicities are noted in the script to indicate cultural divides within this Chicago neighborhood, but only MAX and KIRIL speak with an accent (Russian). ARTHUR PRZYBYSZEWSKI – Male, 50s-60s. Polish-American. An unambitious ex-hippie. He runs the dated donut shop of the title. Will be involved in fight choreography.*

  • FRANCO WICKS – Male, 20s. African American. An energetic and intelligent young man who comes to work for Arthur. He may have written the ‘great American novel’.
  • MAX TARASOV – Male, 50+. Russian immigrant and owner of the neighboring video store. Boisterous and lacking in social nuance. Speaks with a Russian accent.
  • OFFICER RANDY OSTEEN – Female, 40s-50s. Irish-American. A beat cop with a big heart. She’s sweet on Arthur.
  • OFFICER JAMES BAILEY – Male, 40s-50s. African-American. Randy’s partner. No-nonsense on the job, a Trekkie in his off-time.
  • LUTHER FLYNN – Male, 40s-50s. Irish/Italian-American. A thug and bookie to whom Franco owes money. He’s the boss. Will be involved in fight choreography.*
  • LADY BOYLE – Female, 70s. Irish-American. A homeless woman and regular ‘customer’ of the shop.
  • KEVIN MAGEE – Male, 20s. Irish-American. Luther’s henchman and enforcer. A mean and intimidating guy.
  • KIRIL IVAKIN – Male, 20s-30s. Russian. Max’s nephew who appears at the end of the play. A large man, he is described as looking like Ivan Drago from Rocky IV. Speaks with a Russian accent.

*There will be a simple fight audition for the characters of Arthur and Luther. Previous stage combat experience is NOT REQUIRED. It is recommended to dress comfortably for movement.

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Auditions Announced for WORLD BUILDERS at Xenia Area Community Theatre

XACT_logoMax and Whitney both have personality disorders that cause them to retreat into imaginary worlds. When participating in a clinical drug trial that aims to rid them of their delusions, they fall in love. As the pills take effect and the fantasies subside, Max and Whitney must decide if romance is worth leaving their worlds behind.

  • WHITNEY 30s Outgoing and awkward. Has a schizoid personality disorder, but you might not suspect it.
  • MAX 30s Withdrawn and depressed. Has a schizoid personality disorder. You probably would suspect it.

Auditions Mon. Mar. 11 & Tues. Mar. 12 @ 7:00 p.m.
Production: May 10 – 12, 17 – 19 2024

  • Auditions consist of cold reading from the script.
  • Please come 15 mins. early to fill out the audition form, and please list all conflicts. A resume and headshot are helpful, but not required.

NOTE: All are encouraged to audition. However, please be advised that actors with experience and/or discipline are needed. Both actors are carrying 50% of the script in dialogue and action.

Can’t make the audition? Contact the director and alternatives will be easily arranged. jmhauwiller@gmail.com

Rehearsals are flexible. While a Mon. thru Thurs. 7:00 to 9:00 is generally planned, not every night will be at the theatre. Several evenings may consist of actors staying home to rehearse on their own for a minimum of an hour’s commitment; also possible are rehearsing together via Google Meet. We will work with you and your schedule!

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Cincinnati Opera Hosts Open Casting Calls for Supernumerary Roles for 2024 Summer Festival

co_logoThe company seeks to fill 20 non-singing roles. No stage experience is necessary!

CINCINNATI (March 4, 2024)—For anyone who’s dreamed of appearing on the Cincinnati Music Hall stage, Cincinnati Opera is ready to give you your moment in the spotlight. No singing or acting skills are required!

Cincinnati Opera will hold two open casting calls for supernumerary roles for the company’s 2024 Summer Festival. The information and casting sessions are scheduled for Saturday, March 23, 2024, 10 a.m.–12 p.m., and Tuesday, March 26, 2024, 5:30 p.m.–7:30 p.m., at the Corbett Opera Center at Music Hall (1243 Elm Street, Cincinnati, OH 45202).

Supernumerary—or “super”—roles are non-singing, non-speaking roles, much like extras in film and television. Supers will share the stage with internationally renowned artists and work with celebrated directors and conductors. No experience is necessary and all super positions are filled on a voluntary basis. Individuals of all ages, races, ethnicities, genders, and abilities are welcome and encouraged to apply.

Cincinnati Opera seeks applicants for the following roles:

Don Giovanni
Commitment period: May 20–June 15, 2024
Performances: June 13 and 15, 2024
Supers needed:
• Two male-identifying individuals to play footmen, a café owner, a café waiter, and cemetery workmen; must be able to lift up to 40 lbs
• Two female-identifying individuals to play chambermaids, a housekeeper, and hotel maids; must be able to lift up to 30 lbs
• All participants must feel comfortable playing characters from a servant class.

La Traviata
Commitment period: June 4–30, 2024
Performances: June 27, 28, 30, 2024
Supers needed:
• Five male-identifying individuals to play Baron’s attendants, bartenders, bar staff, friends of Alfredo and Gastone, and a bare-chested bouncer/doorman

Paul McCartney’s Liverpool Oratorio
Commitment period: June 20–July 27, 2024
Performances: July 18, 20, 21, 27, 2024
Supers needed:
• Two to three children to play an orphan boy and evacuees
• Five female-identifying individuals to play mothers, grandmothers, nurses, and midwives
• Four male-identifying individuals to play fire officers, soldiers, and a trumpet player

Cincinnati Opera’s productions of Don Giovanni, La Traviata, and Paul McCartney’s Liverpool Oratorio will be presented in Springer Auditorium at Cincinnati Music Hall. Supers are required to attend approximately 10–15 rehearsals. Daytime rehearsals may be scheduled.

Attending a casting call does not obligate a person to participate. Interested individuals may attend simply to learn more about supernumerary opportunities. For more information, please visit cincinnatiopera.org or email supers@cincinnatiopera.org.


CALENDAR INFORMATION

What:
Cincinnati Opera’s 2024 Supernumerary Open Casting Calls and Information Sessions

When:
Saturday, March 23, 2024, 10 a.m.–12 p.m.
Tuesday, March 26, 2024, 5:30 p.m.–7:30 p.m.

Where:
Corbett Opera Center, Cincinnati Music Hall, 1243 Elm Street, Cincinnati, OH 45202
Entrance is at the corner of Elm and 14th Streets.

For information:
supers@cincinnatiopera.org


About Cincinnati Opera
Cincinnati Opera’s mission is to enrich and connect our community through diverse opera experiences. Founded in 1920 and the second-oldest opera company in the nation, Cincinnati Opera presents a thrilling season of grand opera every summer and engaging programs throughout the year. The company’s repertoire includes beloved classics and contemporary masterworks brought to life by some of the world’s most dynamic performers and creative artists.

Cincinnati Opera is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign. Cincinnati Opera also receives support from the Ohio Arts Council, which receives support from the State of Ohio and the National Endowment for the Arts. Cincinnati Opera receives season support from The Louise Dieterle Nippert Musical Arts Fund, Patricia A. Corbett Estate and Trust, and the Harry T. Wilks Family Foundation, along with season and project support from many other generous individuals, corporations, and foundations. Lead funder for Paul McCartney’s Liverpool Oratorio is Western & Southern Financial Group. Cincinnati Opera is a proud member of OPERA America. Learn more at cincinnatiopera.org.

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Auditions Announced for MOONLIGHT & MAGNOLIAS at Beechmont Players

BPI_logoBeechmont Players Inc. is proud to announce auditions for our Summer production of Moonlight and Magnolias.

A play by Ron Hutchison

Directed by Laura Berkemeier
Produced by Dan Cohen

Moonlight and Magnolias rehearsals will start in April in order to accommodate Summer vacation schedules. Production dates are August 2nd-10th, 2024

When: March 18th & 19th from 6:30pm to 9:30pm.
Where: Cherry Grove United Methodist Church, 1428 Eight Mile Rd, Cincinnati, OH 45244

Please bring a theatrical resume, headshot (if able), and a complete list of conflicts from April 1st through August 10th.

Auditions will consist of selected readings from the script on both nights. You do not have to attend both sessions.

The Play:
1939 Hollywood is abuzz. Legendary producer David O. Selznick has shut down production of his new epic, Gone with the Wind, a film adaptation of Margaret Mitchell’s novel. The screenplay, you see, just doesn’t work. So what’s an all-powerful movie mogul to do? While fending off the film’s stars, gossip columnists and his own father-in-law, Selznick sends a car for famed screenwriter Ben Hecht and pulls formidable director Victor Fleming from the set of The Wizard of Oz. Summoning both to his office, he locks the doors, closes the shades, and on a diet of bananas and peanuts, the three men labor over five days to fashion a screenplay that will become the blueprint for one of the most successful and beloved films of all time.

The Characters and age requirements.
– David O. Selznick – 37(ish).
– Ben Hecht – 35(ish).
– Victor Fleming – 50(ish)
– Miss Poppenghul – No age requirements.

Moonlight and Magnolias is, of course, based on actual people, and *mostly* true events. With that in mind, the above ages are accurate to the ages the real people would have been in 1939. That said, please do not feel constrained by the ages listed above. The final cast will be determined based on chemistry and believability.

Please contact Beechmont Players at beechmontplayersinc@gmail.com with any questions.

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Auditions Announced for THE CHURCH BASEMENT LADIES: PLOWIN’ THRU at La Comedia Dinner Theatre

LAC_logoLa Comedia Dinner Theatre in Springboro, Ohio, will hold an Open Call audition for their upcoming production of THE CHURCH BASEMENT LADIES: PLOWIN’ THRU on Saturday, March 16, 2024, at 765 W. Central Ave., Springboro, Ohio.

9:00 A.M.
SEEKING:

  • The Pastor: Of indeterminate age, a nice man, if perhaps not a terribly dynamic preacher. He lives a life of service and humility.
  • Mrs. Elroy Engelson (Karin): 50’s, Karin is the most fashionable and the best cook. She strives to be a good wife and mother.
  • Mrs. Glimer Gilmerson (Mavis): 60’s. An able-bodied farm wife, Mavis is always willing to fix a tractor, peel a potato, or scrub the lutefisk pot.
  • The Widow Snustad (Vivian): 70’s. The matriarch of the kitchen, Vivian holds tightly to tradition with both hands.
  • Beverly (Engleson) Hauge: (30’s) Mother of three, daughter of Karin.

Prepare 16 bars of standard musical theatre song.
May be asked to read from script.
Please provide a current headshot and resume.

Rehearsals: April 22 – May 8, 2024 (Mon – Sat 9:00 A.M. – 5:00 P.M.)
Performances May 9 – June 16, 2024. Thur-Sun matinees and evenings

Director/Choreographer is Chris Beiser.
Questions contact Kris Byerly at 937-746-4554 ext. 241 or productionmanager@lacomedia.com
Non-Equity.

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