Category Archives: Auditions

Auditions Announced for THE BEACON at Dayton Theatre Guild

Open audition notice for THE BEACON by Nancy Harris

Auditions will be held Mon & Tue, March 30 & 31, 2026, starting at 7:00 pm both nights.

Production dates: May 22-June 7, 2026

The Dayton Theatre Guild at the Caryl D. Philip TheatreScape
430 Wayne Ave, Dayton OH, 45410
937-278-5993 — www.daytontheatreguild.org

Directed by Debra Kent
Produced by K.L.Storer

On a storm-battered island off the Irish coast, a renowned artist retreats to a skeletal cottage, trying to rebuild a life from the wreckage of her past. But when a young woman goes missing, submerged secrets are dragged to the surface, and the past refuses to stay hidden.

Casting Requirements:

  • Auditions will consist of cold readings from the script.
  • A résumé and headshot are not required but are appreciated.
  • Please provide a list of all known conflicts between April 1 & June 7, 2026

Roles

  • Beiv:
    late 50s-mid 60s, from Dublin — family matriarch, and artist
  • Colm:
    mid-late 30s, from Dublin — Beiv’s son
  • Bonnie:
    mid-20’s-early 30s — from California — Colm’s new wife
  • Donal:
    mid-late 30s, from Dublin — Colm’s childhood friend
  • Ray:
    late 20s-30s — from Dublin — Podcaster

NOTE: If you are auditioning for any role except Bonnie, please be prepared to attempt an Irish dialect. It doesn’t matter how good it is. Coaching will be available later, if need be.

FOR MORE INFORMATION please contact Producer K.L.Storer at kl.storer@daytontheatreguild.org
If you cannot attend auditions and need an earlier audition time, also contact K.L.Storer.)

Dayton Theatre Guild is a community theatre that values community representation, and we are committed to diversity, equity, and inclusion on and off stage. People of all ethnicities, gender identities, and abilities are welcome and encouraged to participate and will be given full consideration in casting and all volunteer opportunities. Unless explicitly specified by the playwright in the text of the play, all roles will be open to all performers.

The show runs weekends May 22-June 7, 2026
First Weekend: Friday 8pm, Saturday 8pm, Sunday 3pm
Second & Third Weekend: Friday 8pm, Saturday 5pm, Sunday 3pm

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Video Auditions Announced for GODSPELL at The Story Collective of Cincinnati

The Story Collective is seeking vibrant, soulful, and authentic performers for our upcoming production of GODSPELL.

We are mounting a contemporary, multimedia-driven production that explores community, humanity, and hope in a modern world. We want to see your story, your personality, and your voice. Casting all roles. Stipend included.

Submission Details
We are currently accepting virtual video auditions.

  • What to Prepare: A one-minute song of your choice that showcases both your vocal range and your unique personality. (Contemporary MT, Pop, Folk, or Soul styles encouraged!)
  • How to Submit: Email your video (link or file) to Director Susan Jung.
  • Email: susanj@thestorycollective.org
  • Deadline: All digital submissions must be received by March 20th.

Important Dates

  • Callbacks: Monday, March 23rd (In-person at the Sharonville Public Library) 6-8:30pm
  • Rehearsals: Will start mid May and be scheduled around the casts’ conflicts and held in the Northern Cincinnati area (Sharonville, Mason, Loveland, Blue Ash, etc)
  • Production Dates: July 24th – 26th at the Lindner Theatre at Cincinnati Hills Christian Academy.

The Vision
Directed by Susan Jung, this production will blend live performance with multimedia elements to create a visceral, immersive experience. We are looking for a diverse ensemble of storytellers who are ready to build something beautiful together.

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Auditions Announced for THE SEAGULL and NATASHA, PIERRE & THE GREAT COMET OF 1812 at Commonwealth Artists Student Theatre

THE SEAGULL and NATASHA, PIERRE & THE GREAT COMET OF 1812

Auditions will be Sunday, March 15th from 6pm to 9:30pm and Sunday, March 22nd from 6pm to 9:30pm in the School of the Arts (SOTA) Building at Northern Kentucky University located at 100 Nunn Drive, Highlands Heights, KY 41076.

If you are auditioning for:

  • THE SEAGULL – you need to bring a memorized 60 second serio-comedic monologue and please bring out the subtext of the material.
  • NATASHA, PIERRE & THE GREAT COMET OF 1812 – you need to bring a memorized 45 second to 1 minute serio-comedic monologue and 32 measures of music from a Broadway show. Also, you need to learn the dance audition which will be posted here soon.
  • If you are auditioning for both, please cater your memorized monologue towards THE SEAGULL and your song towards NATASHA, PIERRE & THE GREAT COMET OF 1812. Also, you need to learn the dance audition which will be posted here soon.

Please make sure to fill in an audition form which can be found here. Please fill in the audition form completely as well as including all schedule conflicts. Please bring your resume and headshot to your audition time if you have one.  Please show up for the auditions on time and ready to go.  Also, remember to learn the dance audition before you arrive. There will be a voluntary dance audition workshop/brush-up for 30 minutes prior to auditions starting at 5:30pm.  

​​Callbacks for THE SEAGULL and NATASHA, PIERRE & THE GREAT COMET OF 1812 will be Sunday, March 29th from 6 PM to 10 PM at School of the Arts (SOTA) Building at Northern Kentucky University located at 100 Nunn Drive, Highlands Heights, KY 41076

To Sign up for a time click here.

Official page |

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Video Auditions Announced for CLOS(IN)G at American Legacy Theatre

MISSION
American Legacy Theatre generates inviting, reimagined theatrical experiences for all people to have a voice in enriching society.

PROJECT
Clos(in)g is a new play by Megan Benjamin Bennett, developed through ALT’s Playwrights for Change residency program, that is in its 2nd round of workshops. Set inside a soon-to-be-shuttered apartment building, the piece explores family, love, and the constant act of code-switching to survive.

As neighbors face the loss of their homes, the story unpacks what it means to belong — and what’s at stake when communities are displaced. At its heart, Clos(in)g is about resilience, relationships, and the fight to hold on when the world tells you to let go.

TIMELINE
Video Auditions: NOW. Submit by March 13th, 2026 for first consideration. Auditions accepted after as well.

Rehearsals: May 11th, 2026 – May 15th, 2026 ; 6:00pm – 10:00pm (2-3 hour rehearsals each day in this timeframe, exact time TBD)

Performances: May 16th 6:00pm-10:00pm, May 17th 5:00pm-9:00pm

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

EXPECTATIONS
The Actor will structure, manage and execute the steps required to implement a high-quality acting process that serves the integrity of the musical, bonds the other artists, aligns artistic vision, and heightens audience engagement with the piece. 

COMPENSATION

This contract provides a one-time stipend of $225. 

Artists are able to earn additional compensation for key audience referrals. 

For inquiries, referrals, and consideration contact Matthew David Gellin, Executive Artistic Director, at info@americanlegacytheatre.org.

ROLES 

Character List

  • George- African American, Male, 68
  • Theresa- African American, Female, 42
  • Brent- African American, Male, 16
  • Carter – Any race, Male, 59
  • Brandy – Caucasian, Female, 39
  • Theodore – African American, Male 38
  • Lucas – Caucasian, Male, 57
  • Marina – Latina, Female, 45
  • Isabelle – Latina, Female 17

A Character Breakdown and audition sides can be found HERE

SUBMISSION

Video Auditions: NOW. Submit by March 13th, 2026 for first consideration. Auditions accepted after as well. 

Rehearsals: May 11th, 2026 – May 15th, 2026 ; 6:00pm – 10:00pm (2-3 hour rehearsals each day in this timeframe, exact time TBD)

Performances: May 16th 6:00pm-10:00pm, May 17th 5:00pm-9:00pm

To submit a video audition: 

  • Prepare no more than 2 of the attached sides provided in the Casting Call.

Send a video submission to info@americanlegacytheatre.org with the subject line of “CLOS(IN)G – (Character(s) Auditioning For) – (Last Name).”

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Auditions Announced for THE NANCE at Middletown Lyric Theatre

THE NANCE
By Douglas Carter Beane
Original Music by Glen Kelly​

Directed by Charley Shafor​

AUDITIONS

  • Sunday, March 29, 2026 – 1pm – 4pm
  • Monday, March 30, 2026 – 6:30pm – 8:30pm
  • Tuesday, March 31, 2026 – 6:30pm – 8:30pm

First Meeting: April 6, 2026
Rehearsals will be 3-4 times a week beginning in May
You must be CONFLICT FREE: June 13 – June 28, 2026

SYNOPSIS:
A bold, heartfelt comedy/drama set in 1930s New York, where burlesque and politics collide. At its center is Chauncey Miles, a witty performer who plays the flamboyant “Nance” caricature onstage, an outrageous stereotype of a gay man, while secretly living as one in a world that refuses to accept him. As Mayor LaGuardia cracks down on “indecency” in entertainment, Chauncey grapples with the rising tide of censorship, the costs of hiding his true self, and a surprising romance that threatens his carefully constructed facade. A sharp blend of comedy, tragedy, music and showbiz sparkle, The Nance explores identity, repression, and the fight for dignity with unflinching honesty. This play deals with mature themes, gay & political issues and suggestive humor of the era. Recommended for 16+​

AUDITION REQUIREMENTS
You must complete an audition form & sign up for an audition time slot cold reading from the script

CHARACTERS
While this is a play with music. Musical abilities is a bonus as there is light singing and movement. The three female burlesque performers will be costumed in “burlesque style” costumes. (no nudity) They are bold, brash and unapologetic. They all have been around the block and then some. This is an historic piece and deals with burlesque style humor, there is no room for being offended by jokes and dialogue that may be considered inappropriate by today’s standards. When it comes to singing the males are baritones and there are 2 mezzo-sopranos and one alto. Do not let your fear of singing keep you from auditioning.

Chauncey Miles:
Should appear to be in his mid 40’s. He is a closeted gay comic who plays a “nance” on-stage. Witty, quick humored, sarcastic and a little bitter about life. On stage he is over-the-top. This will be a challenging but albeit rewarding role for even the most seasoned performer. The actor must be comfortable with male intimacy.

NED:
Should appear to be in his 20’s. Good-looking, fit and a little innocent. He was once married but now shares in a secret relationship with Chauncey. He later becomes a stage performer. Role will require the illusion of being nude. Must be comfortable with male intimacy.

EPHRAIM:
Should appear to be in his 50’s. Straight, homophobic, a little gruff and is the lead comedian and theatre manager.

SYLVIE:
Should appear to be in her mid 20’s to early 30’s. A burlesque dancer and member of the communist party. Not afraid to argue politics.

JOAN:
Should appear to be in her 20’s. Somewhat innocent, perky and vivacious.

CARMEN:
Should appear to be in her mid 20’s to early 30’s. On stage she specializes in playing with an exaggerated Latin-American accent.

There are two additional roles one female and one male. These are non-singing roles who may play a variety of characters both verbal and non-verbal. Both should range in age from 30’s to 50’s

Official page |

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