Category Archives: Auditions

Auditions Announced for YOU’RE A GOOD MAN, CHARLIE BROWN at Middletown Lyric Theatre

ANNOUNCING AUDITIONS for the musical YOU’RE A GOOD MAN, CHARLIE BROWN

Based on the comic strip PEANUTS by Charles M. Schultz
Book, Music & Lyrics by Clark Gesner
Additional Dialogue by Michael Mayer
Additional Music & Lyrics by Andrew Lippa

AUDITIONS:

  • February 15: 1pm-4pm
  • February 16: 6:30pm-8:30pm
  • February 17: 6:30pm-8:30pm
    ALL auditions are by appointment. Age 18 & up

Visit for more information and to sign-up
https://www.middletownlyric.org/47-auditions-charlie-brown

PERFORMANCES: May 1, 2 & 3 2026

CHARACTERS:

  • Sally Brown – Range: (opt. A3) B3-Ab5 (opt. Bb5)
  • Lucy Van Pelt – Range: G3-F5 (opt. F#5)
  • Snoopy – Range: (opt. A2) C3-A4 (opt. D5)
  • Schroeder – Range: (opt. A2) Bb2-Ab4
  • Charlie Brown – Range: (opt. A2) Bb2-F4
  • Linus Van Pelt – Range: (opt. A2) Bb2-E4 (opt. F#4)

In addition to the above roles, we are looking to cast 2-4 chorus members who will help fill out the group numbers and do some specialty stuff.

​ABOUT THE SHOW:
YOU’RE A GOOD MAN, CHARLIE BROWN finds the beloved Peanuts gang in this fresh, high-energy revival. With updated musical arrangements this heartwarming musical captures the simple joys and everyday adventures of childhood.

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Auditions Announced for THE GLASS MENAGERIE at Dayton Playhouse

Performances: March 13–22, 2026 (Fridays, Saturdays, Sundays)

Auditions: January 19 & 20, 2026, 7pm.

  • Attend one or both nights.
  • Auditions will consist of cold reads from the script.
  • Please bring a current photo and résumé, if available.
  • Please arrive by 6:45 to complete the audition form.

Rehearsals: Beginning January 26, 2026. Typically Monday–Thursday evenings and some weekends. Please bring a complete list of conflicts between January 26 and March 22, 2026. A sample rehearsal schedule can be found here (tentative and subject to change).

About: A story of love, longing, and fragile dreams, this American classic follows the Wingfield family as they navigate hope and heartbreak. When Amanda pressures her son, Tom, to find a suitor for his shy sister, Laura, their carefully built illusions begin to shatter.

Style: While the design will be expressionistic, performances should feel real, honest, and complex. Characters are big and bold but never caricatures (think White Lotus). This is a contemporary take: funny, dark, emotionally grounded, and sharp. Find the humor. Avoid the melodrama.

Roles available: 2 men, 2 women. All roles are open to actors of any race, ethnicity, gender identity, body type, and ability. Actors of all backgrounds are strongly encouraged to audition.

Please note: Light intimacy required for Laura and Jim.

Character breakdown:

  • TOM (He/him; 20s–30s)
    Queer; closeted, but thinly veiled. Sarcastic, restless, and too smart for the life he’s stuck in. Funny and guarded. Desperate to escape his dead-end day job and toxic relationship with his mother, but haunted by the cost of doing so.
  • AMANDA (She/her; late 40s–early 50s)
    Larger-than-life, faded Southern belle. Controlling but charming; fierce but fragile. An aging single mother trying her best. Vain, narcissistic, and deeply in denial, she clings to the shreds of the life she dreamed of, unable to face the truth of what remains.
  • LAURA (She/her; 20s)
    Strong, capable, and tender, but treated like glass. Introverted and intensely anxious, Laura escapes into vinyl records and fragile fantasies. We strongly encourage actors with visible or invisible disabilities to audition. Please do not make any disability-related acting choice if you are able-bodied.
  • JIM (He/him; 20s)
    Golden retriever energy. Charming, flirty, handsome, genuine, bright, and warm. A former jock who peaked in high school and is coasting on natural charisma. Confident, light, and easy.

Production Team:

  • Director: Matt Meier
  • Producer: Brandon Shockney
  • Stage Manager: Emma Allington
  • Set Designer: Rachel Robinson
  • Costume Designer: Kate LaFollette
  • Light Designer: Michael Lee
  • Sound Designer: David Sherman
  • Props/Carpentry: Tommy Baudendistel
  • Movement/Intimacy: Kayla Graham

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Auditions Announced for JAMES AND THE GIANT PEACH JR at Rivertown Players Inc.

This show is open to current 3rd-12th graders.

Jan 9 & 10 from 5:20-8pm
Hamline Chapel – 102 W High St, Lawrenceburg, IN 47025

Please prepare 1 minute of a song to sing. During your audition hour, you will be doing a reading and learning some short choreo, as well as singing.

  • Show dates are: Friday March 27th, Saturday 28th, Sunday 29th
  • Tentative rehearsal schedule will include the following times: Mondays, Tuesdays, Thursdays from 6-9pm

If you are unable to make it to an in-person audition time, you may email us a video singing 1 minute of a song to rtpboard@gmail.com by January 10th.

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Auditions Announced for BONNIE & CLYDE at Springboro Community Theatre

Jan. 5-6 at 7pm
Potential Callbacks January 7th, 7 P.M.

  • Please note that actors auditioning need only attend one day of auditions, not both.

Performance Dates: March 6th, 7th, 8th, 13th, 14th, and 15th, 2026

Audition Requirements:

  • Please prepare no more than 32 bars that best showcase your vocal abilities and bring sheet music in the correct key. An accompanist will be provided. If you prefer to sing to a backing track, you may do so; however, the track must not exceed 1 minute in length. Bluetooth speakers will be available for you to pair your device with if needed. No acapella auditions will be accepted.
  • Please bring a change of clothes and proper footwear for a dance/movement call.
  • Dance/movement call will occur once vocal auditions have concluded.
  • There may be cold readings from the script as well.
  • You will also be asked to provide any and all rehearsal conflicts from January 5th – March 15th. No conflicts will be accepted for the duration of tech week and performances.

About the Show: BONNIE & CLYDE is a thrilling musical that tells the electrifying true story of America’s most infamous outlaw couple. Set against the backdrop of the Great Depression, the show follows Bonnie Parker and Clyde Barrow as they chase their dreams of fame, freedom, and a life bigger than the one they were born into. With a sweeping score that blends blues, gospel, and rockabilly, this fast-paced, emotionally charged musical explores love, legacy, and the high cost of notoriety.

Join us as Springboro Community Theatre brings this bold, iconic story to life.

Available Roles – Adult & Youth:

Clyde Barrow
A charming small-town boy who craves notoriety. Bonnie’s reckless, bold, daring lover.
Gender: male
Age: 18 to 25
Vocal range top: C5
Vocal range bottom: A2

Bonnie Parker
A beautiful girl torn between love and fame. Clyde’s ambitious, stubborn lover.
Gender: female
Age: 18 to 25
Vocal range top: F5
Vocal range bottom: G3

Marvin “Buck” Barrow
Clyde’s brother and an outlaw troubled by his wife’s distaste for his lifestyle. Adventurous and loyal.
Gender: male
Age: 25 to 35
Vocal range top: G4
Vocal range bottom: B2

Blanche Barrow
A religious woman who disapproves of the criminal lifestyle. Honorable and righteous. Married to Buck Barrow.
Gender: female
Age: 25 to 35
Vocal range top: Eb5
Vocal range bottom: G3

Young Clyde
Gender: male
Age: Current 4th – 8th grader
Vocal range top: A5
Vocal range bottom: B3

Young Bonnie
Gender: female
Age: Current 4th – 8th grader
Vocal range top: C5
Vocal range bottom: C#4

Cumie Barrow
A kind woman among those suffering in the Depression. Loyal and selfless. Mother to Clyde and Buck.
Gender: female
Age: 40 to 55

Sheriff Schmid
A determined lawman committed to stopping Bonnie and Clyde’s growing crime spree. Stern, seasoned, and steadfast in his pursuit of justice.
Gender: male
Age: 40 to 60

Ted Hinton
A police officer struggling to separate his feelings from his duties. Kind and honest. Madly in love with Bonnie.
Gender: male
Age: 18 to 25
Vocal range top: A4
Vocal range bottom: C3

Emma Parker
Bonnie’s widowed mother. Fragile, caring, sensitive.
Gender: female
Age: 40 to 55

Preacher
The town’s evangelist. Loud, passionate, boisterous.
Gender: male
Age: 45 to 65
Vocal range top: C5
Vocal range bottom: A2

Henry Barrow
A hard-working man, struggling to survive. Humble and quiet. Father of Clyde and Buck.
Gender: male
Age: 45 to 55

Governor Miriam Ferguson
An enforcer of the law and Governor of Texas. Tough and harsh.
Gender: female
Age: 40 to 60

Captain Frank Hamer
A retired Texas Ranger who joins the hunt for Bonnie and Clyde. Recruited by Governor Ferguson.
Gender: male
Age: 45 to 65

Bob Alcorn
The best sharpshooter in Texas. Recruited by Frank Hamer, he helps hunt down Bonnie and Clyde.
Gender: male
Age: 30 to 45

Ensemble (5-10 ensemble members)
All genders and gender expressions – 18-60+

No roles for this production have been pre-cast.
For video submissions & further questions, please contact the director, Kaleigh-Brooke Scheiding: k.brooke19@gmail.com.

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Auditions Announced for 1776 at Warsaw Federal Incline Theatre

Open Audition dates/times:

  • Saturday, February 7, 2026 1:00pm to 4:00pm
  • Sunday, February 8, 2026 1:00pm to 4:00pm
    Callbacks: Saturday, February 14, 2026 1:00pm to 4:30pm

Audition Location:

The Warsaw Federal Incline Theater – 801 Matson Place, Cincinnati, OH 45204

LEARN MORE AT: www.cincinnatilandmarkproductions.com/Incline/Auditions.aspx


1776
May 27 – June 21, 2026

Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a concept by Sherman Edwards

It’s the summer of 1776, and the nation is ready to declare independence… if only our founding fathers can agree to do it! 1776 follows John Adams of Massachusetts, Benjamin Franklin of Pennsylvania and Thomas Jefferson of Virginia as they attempt to convince the members of the Second Continental Congress to vote for Independence! With stirring songs like “Is Anybody There?”, “The Egg”, “He Plays the Violin”, “The Lees of Old Virginia” and more, 1776 reveals the failings and the ultimate nobility of our nation’s founders. Come celebrate the 250th anniversary of the Declaration of Independence with this classic show.

Production Team: Tim Perrino, Director; Michael Kennedy, Music Director; Jennifer Perrino, Choreographer; Shannon Eaton, Production Stage Manager

If you’d like the audition forms sent to you in advance, email Jennifer Perrino @ jenniferperrino@clpshows.org.

Important Audition Information!

  • You may be asked to read from the script.
  • Please prepare 16–32 bars of a song in the style of the show (classic musical theater or a contemporary excerpt in a traditional style).
  • Must be a minimum of 16 years of age to audition.
  • MUST HAVE A RESUME listing theatrical experience in order to audition
  • A headshot/picture is appreciated. Please bring a headshot and resume
  • We will accept video auditions as well. Please contact Jennifer Perrino at jenniferperrino@clpshows.org for submission info.
  • No more than 2 conflicts will be accepted during the rehearsal process.
  • All roles are paid positions. No Roles have been precast.Cast members do not have to be the actual ages of the characters in any of the productions – But must be able to look age appropriate and act accordingly.

Roles include:

John Adams (Massachusetts) – Age 41. High baritone or medium tenor, strong oratory skills, brilliant mind, bold and brash personality, slight Boston dialect. Not tall. The running joke throughout the show is that he is “obnoxious and disliked,” but actually he must have a magnetic quality that commands respect from his fellow members of congress. Harvard graduate, experienced lawyer.

Benjamin Franklin (Pennsylvania) – He is an energetic, older man, 70 years old, but often acts much younger. Baritone or low tenor. Franklin is pleasant, philosophical, boyish, often funny, but he does show his anger and seriousness in a couple scenes. Can be played by a rich bass voice or a slightly raspy baritone-tenor. Must have excellent acting skills – this man is a highly experienced statesman, diplomat, inventor, writer, humorist, and philosopher.

Thomas Jefferson (Virginia) – 33 years old. Medium tenor or high baritone. Jefferson is a man of few words, but when he speaks, he commands attention. Should be taller than average. Pensive, quiet, strong silent type. Sense of humor. Architect, writer, farmer, scientist, statesman, lawyer, violin player.

John Dickinson (Pennsylvania) – Age 44. Baritone, or strong mezzo. Dickinson is the primary adversary of the show, portrayed as opposing Independence. He has lots of dialogue, but only one major solo (Cool, Cool, Considerate Men). He represents the conservative side of Congress, the wealthy landowners who do not want to break from Great Britain.

Edward Rutledge (South Carolina) – 26 years old. Strong Baritone (or if played by a woman, rich mezzo voice). Must be a commanding actor, with excellent oratory skills. He is the secondary antagonist role, next to Mr. Dickinson. Youngest member of congress. Speaks with an elegant, educated South Carolina accent. Has the most dramatic song in the show, the sarcastic and riveting “Molasses to Rum to Slaves” which showcases the hypocrisy of the North regarding slavery and the triangle trade. Statesman, lawyer. Large amounts of dialogue.

Abigail Adams – 32 years old. Soprano or Mezzo. Abigail’s tone is one of maturity, intellectual support, and strong encouragement to her husband John Adams. She is quieter and calmer than Martha Jefferson, and less flirtatious, but with a subtle sense of humor. She appears in three songs, all duets with John Adams. She cannot touch him, since they are communicating via letters, but she sits onstage with him, and converses with him naturally. In real life, Abigail’s letters are filled with highly intellectual discussions on government, politics, and the economics of running their farm, and they provide a valuable eyewitness account of the American Revolution.

Martha Jefferson – 27 years old. Mezzo or soprano. Martha is flirtatious, young, and attractive. She is well aware that she causes a stir among the men who are present (Adams and Franklin), but she is fiercely devoted to her husband Thomas Jefferson. She appears in only one extended scene, and sings “He Plays the Violin.” Her one scene often steals the show and can be very memorable. In real life, Martha died at the young age of 33, and at her request, Jefferson never re-married.

Richard Henry Lee (Virginia) – Age 45. Baritone (could possibly be played by a woman with a strong singing voice and excellent comic character but is usually played by a strong baritone). Although he appears in several scenes with the rest of Congress, his one solo song often steals the show, and is the song that won the original Broadway actor a Tony Award (he reprised the role in the movie). Speaks and sings with a noticeable country/southern twang. His song is a bragging song about all the famous Lees in his family tree.

Robert Livingston (New York) – Age 30, Tenor

Roger Sherman (Connecticut) – Age 55. Tenor

Samuel Chase (Maryland) – Age 35. Often portrayed by a slightly larger actor, Chase is shown in one scene eating a large meal during a break in Congress.

Charles Thomson (congressional clerk and secretary) – Age 47. He reads all the letters from General George Washington, introduces each item up for vote, gives minutes from previous sessions of congress, and has one short solo when he reads a final letter from General George Washington. Sound efficient in reading letters and in rattling off long lists of congressional duties and committees.

Andrew McNair (congressional custodian and bellringer) – Age unknown. Baritone, or low mezzo). In the show, he is portrayed as a quirky, exasperated middle-aged man who lights the fires and candles, opens and closes the windows, fills the ink wells, and keeps the continental congress meeting room clean, in addition to ringing the Liberty Bell. He is supervisor to the young boy known as the Leather Apron apprentice, who is learning McNair’s job. McNair’s additional job is to fetch mugs of rum, mostly for Stephen Hopkins of Rhode Island.

The Leather Apron (apprentice) – Age 16 or so. Tenor or high baritone. Young apprentice in training to learn MacNair’s custodial trade.

John Hancock (president of Congress, Massachusetts) – Age 40. Baritone

The Courier – Age 18 or so – High Baritone or low tenor. Mostly known for his clomping entrances several times during the show to deliver letters from General George Washington.

Dr. Josiah Bartlett (New Hampshire) – Age 47. I s present throughout show .

Stephen Hopkins (Rhode Island) – Age 70. Crusty old geezer who loves his rum. Supporter of Independence. Is a memorable character.

Lewis Morris (New York) – Age 50. Lead delegate of New York, who abstains from every vote.

Reverend John Witherspoon (New Jersey) – age 56. Lead delegate from New Jersey. Has moderate amount of dialogue. No major solos but sings in opening number.

James Wilson (Pennsylvania) – Age 34. Wilson is portrayed as a mere “sidekick” to his fellow delegate John Dickinson, and usually parrots whatever John Dickinson says. He holds a key role in the passage of Independence at the very end of the show.

Caesar Rodney (Delaware) – Age 48. Caesar Rodney wears a type of chin strap or head scarf that apparently covers some sort of injury or malady. He is a supporter of Independence, but he has a dramatic collapse in the middle of the show and doesn’t reappear until the end after his long ride from Delaware.

Colonel Thomas McKean (Delaware) – Age 42. Thick Scottish accent. Argumentative and very loud. Usually portrayed as very tall. Some dialogue.

George Read (Delaware) – Age 43. – argues with members of his own delegation. Usually portrayed as a rather prissy “weasel” who always seconds the motions of the opposition (those against Independence).

Joseph Hewes (North Carolina) – Age 46. His main characteristic is that he is always deferring to Edward Rutledge of South Carolina and does not seem to have much independent thought for himself. He is against Independence.

Dr. Lymon Hall (Georgia) – Age 52. Physician and pastor.

The Painter – Age undetermined. Is seen in one part of the show painting a portrait of Benjamin Franklin. May be used in other parts of the show to help backstage and with scene changes.

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