Category Archives: Auditions

Auditions Announced for Season 25 at Know Theatre of Cincinnati

KTC_Lets Play logoThe information below is taken from the Google form available here.

Know Theatre Season 25 Auditions

Thanks for your interest in auditioning for Season 25 with Know Theatre.

We’ll start by asking for some basic information, then let you indicate which roles you’re interested in being considered for.

To be considered for a role you must be available for all performances of that show. Know Theatre performs 5 show weeks, Wednesday-Sunday.  We generally rehearse 6 days and 30 hours per week. Rehearsals can vary between daytime and evenings for productions based upon cast and director availability.

We primarily cast from within the Cincinnati area, but are happy to consider out of town performers who have an interest in reading.

Once you’ve indicated which roles you’re interested in, the form will ask for availability for auditions in the coming weeks!

After you’ve completed this form, please send a head shot and one page theatrical resume to our Operations & Company Manager, Ri Moodie at rmoodie@knowtheatre.com with the Subject Line “Season 25 Auditions.”

Please name your files using the following convention: FullName-headshot and FullName-resume.

Once we’ve compiled all the information, we’ll follow up with audition times and materials.

Thanks again!

Auditions slots options are Sept. 12-22 in hour slots from 3-8pm.

Sign up here.

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Auditions Announced for BOEING BOEING and KISS ME KATE at the Covedale Center

CCPABOEING BOEING and KISS ME KATE

  • Saturday, October 8th from 1-3:30 pm
  • Sunday, October 9th  from 6:30-9pm

Callbacks:

  • Monday, October 10, 2022  6:00pm to 7:30pm (BOEING BOEING)
  • Monday, October 10, 2022  7:30pm to 9:30 pm (KISS ME KATE)    

Audition Location:
The Madcap Education Center
3064 Harrison Avenue
Cincinnati, OH  45211

If you’d like the audition forms sent to you in advance, email Jennifer Perrino at Jenniferperrino@clpshows.org

Important Audition Information

BOEING BOEING
Bob Brunner, Director; Holly Mills, Stage Manager

  • Must be a minimum of 21 years of age to audition.
  • You will read from the script.
  • MUST HAVE A RESUME listing theatrical experience in order to audition.
  • Please bring a headshot and resume.

KISS ME KATE
Genevieve Perrino, Director/Choreographer; Greg Dastillung, Music Director; Cassidy Steele, Asst. Choreographer; Holly McGowan, Stage Manager

  • Must be a minimum of 16 years of age to audition.
  • You may be asked to read from the script.
  • Please prepare a song to sing for 32 measures in musical theatre style.
  • You will be taught a dance combination as well.
  • MUST HAVE A RESUME listing theatrical experience in order to audition.
  • Please bring a headshot and resume.

CLP is actively seeking a diverse cast. Performers of all races and ethnicities, gender identities, sexualities and abilities are encouraged to audition.

BOEING BOEING
By Marc Camoletti
January 26 – February 19, 2023

This 1960’s French farce adapted for the English-speaking stage, features self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each a beautiful airline hostess with frequent layovers – one up, one down, and one pending – until unexpected schedule changes bring all three to Paris, and Bernard’s apartment, at the same time!   Winner of the 2008 Tony Award, 2008 Drama Desk Award and 2008 Olivier Award.

  • Bernard (Mail 30 – 50 yrs.) An American architect and lothario who resides in Paris. Bernard is the quintessential 1960’s playboy who is managing three love affairs at the same time. He is a charming, hustling, lovable rascal who has no idea just how in over his head he really is.  Must have strong comedic timing. Physical comedy is a plus.
  • Gloria (Female 20-40yrs.) An American airline stewardess from New York City and fiancée to Bernard.  She isa go-getter, sexy and works for TWA. Gloria is looking to settle down with the perfect man and Bernard fits the bill, which to her is pure bliss. She is chipper, friendly, and take-charge if not a little on the sensual opportunistic side.  Must have strong comedic timing. Physical comedy is a plus.
  • Gabriella (Female 20 – 40 yrs.) An Italian airline stewardess and fiancée to Bernard.   She is passionate and feisty and works for Alitalia.  Gabriella is in love with Bernard but her jealousy can run deep. She is sentimental, lusty, nurturing, and loving but when her jealousy is aroused her temper can flair in the most dramatic fashion. Italian accent required. Must have strong comedic timing.
  • Gretchen (Female 20 – 40 yrs.) A German airline stewardess, and Gretchen is also engaged to Bernard. She is strong and beautiful and works for Lufthansa.  Gretchen yearns for extreme passion and has found the perfect fix in Bernard, or so she thinks. She is strong, dominating, and caring but can become quite thin-skinned particularly when her feelings of passion are conflicted.  German accent required.  Must have strong comedic timing.  Physical comedy a plus.
  • Berthe (Female 30 – 70 yrs.)  Bernard’s French housekeeper, Berthe is always exhausted and exasperated. She has honed her French existential brand of sarcasm to a T.  She is the classic grumbling, rye, clever and ever-complaining house maid who, in the end, knows how to play her cards right to get what she wants
  • Robert  (Male 30 – 50 yrs.)  An old time friend of Bernard’s from Wisconsin, Robert shows up unexpectedly at Bernard’s Paris home.  Robert has lived a simple somewhat sheltered life in Wisconsin. He is sweet, unobtrusive, and shy but turns quickly nervous and clumsy when trying to help Bernard conceal his secrets when circumstances demand.  Must have strong comedic timing.  Physical comedy is a plus.

KISS ME KATE
Music and Lyrics by Cole Porter, Book by Sam and Bella Spewack  
March 16 – April 8, 2023

The battle of the sexes takes center stage as former spouses feud onstage and off during a musical presentation of The Taming of the Shrew.  Sophisticated, romantic and delightfully hilarious with great songs like:  “Always True to You Darling”, “Tom, Dick and Harry” and “We Open in Venice”. Winner of 10 Tony Awards, five in 1949 and five in 2000!

  • LILLI VANESSI/ KATHERINE FEMALE (30-45) Soprano with metzo/ belt. Vocal range A3-Bb5 A regal diva with a fierce temper and rapier- wit. Must have beauty, poise and the elegance of a 1940s movie star. Prepare to sing “So In Love” and “Wunderbar”
  • FRED GRAHAM/ PETRUCHIO MALE (35-50) classic baritone vocal range Bb2-G4 Leading Man, writer, producer, director, superman with ego as large as his resume. Must be handsome, charismatic, funny and have a physically imposing presence. Should be familiar and comfortable with Shakespearean text. Prepare to sing “So in Love” and “Were Thine that Special Face”
  • BILL CALHOUN/ LUCENTIO MALE (25-45) Bari-Tenor. Vocal Range G2-F4 His compulsive gambling constantly gets him in trouble with girlfriend, Lois. Must be an excellent actor, singer/dancer with irresistible charm. Prepare to sing “Bianca”
  • LOIS LANE/ BIANCA-Female (20-32) Belt/Mix Vocal Range G3-F5 Sexy and charismatic. An expert at employing her feminine wiles. Must be excellent dancer/belter with strong comedic ability. Prepare to sing “Always True to You in My Fashion”.
  • HATTIE Female (25-40) Vocal Range G3-F4 . Belt Lilli’s dresser. She has seen it all. Should be an accomplished singer/dancer. Prepare to sing “Another Op’nin’, Another Show”
  • PAUL Male (26-39) Vocal Range C3-F#4 Fred’s dresser. Cool under pressure. Featured vocalist with jazz styling. Must be excellent and charismatic dancer. Tap required. Prepare to sing “Too Darn Hot”
  • FIRST AND SECOND MAN (25-65) Vocal range B2-F4 Two tough gangsters, who, after six years in the prison library, have developed a unique way with words and an appreciation of Shakespeare and the theater. Must move well and have a great sense of classic vaudevillian comedy. Prepare to sing “Brush up your Shakespeare”
  • GENERAL HARRISON HOWELL Male (40-60) Baritone, Vocal range B2-F4. Highly distinguished U.S. army general with strong political ties to the White House. A rigidly conservative character with military discipline and patriarchal values. Must have excellent comedic skills. Prepare to sing “From this Moment On”
  • POPS-male (45-62) Stage door keeper. Prepare to sing “Another Op’nin’, Another show”
  • PRIEST (40-70) Marries Kate and Petruchio in Taming of the Shrew. Must speak Shakespearean English well
  • HARRY TREVOR/BAPTISTA (45-65) Veteran Actor who plays the father of Kate and Bianca in Taming of the Shrew Prepare to sing “Another Op’nin’, Another show”
  • ENSEMBLE/HORTENSIO: Suitor to Bianca in Taming of the Shrew. Prepare to sing “Tom, Dick or Harry” Must be competent dancer.
  • ENSEMBLE/GREMIO: Suitor to Bianca in Taming of the Shrew. Prepare to sing “Tom, Dick or Harry”
  • ENSEMBLE- Male and Female (22-55) Stagehands, dancers, assistants, various parts in both Kiss Me Kate and Taming of the Shrew Prepare to sing “Another Op’nin’, Another show”

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Auditions Announced for SINGIN’ IN THE RAIN at The Carnegie

TC_logo_newThe Carnegie Announces In-Person and Digital Auditions for
SINGIN’ IN THE RAIN

Screenplay by Betty Comden and Adolph Green
Songs by Arthur Freed and Nacio Herb Brown
Based on the classic Metro-Goldwyn-Mayer film by special arrangement with Warner Bros. Theatre Ventures, Inc.

Directed and Choreographed by Maggie Perrino
Music Direction by Steve Goers

Ten Performances:

  • 1/28/2023 – 7:30pm
  • 1/29/2023 – 3pm
  • 2/3/2023 – 7:30pm
  • 2/4/2023 – 2pm & 7:30pm
  • 2/5/2023 – 3pm
  • 2/10/2023 – 7:30pm
  • 2/11/2023 – 2pm & 7:30pm
  • 2/12/2023 – 3pm

Rehearsals: Evenings and weekends Dec 5th – Jan 27th. We will not rehearse every day, but this is the date range for rehearsals. 2 weeks off will be given around Christmas and New Year Holidays.

The “Greatest Movie Musical of All Time” is lovingly adapted for the stage, with each unforgettable scene, song and dance accounted for, including the show-stopping title number, complete with an onstage rainstorm! Hilarious situations, snappy dialogue and a hit-parade of popular songs like “Good Mornin,” “Moses Supposes,” and “Broadway Melody,” make Singin’ in the Rain the perfect entertainment for any fan of the golden age of movie musicals.

In Person Auditions by Appointment:
Please prepare 32 bars of an uptempo song or 16 bars of a ballad in the style of the show. Bring sheet music for the accompanist, as well as headshot and resume for production team. There will be a dance audition, so please dress for movement and bring tap shoes. You may be asked to stay and read scenes or sing from the score.

Dates:

  • October 16- Groups beginning on the hour 11am, 12pm, 1pm, 2pm
  • October 17- Groups beginning on the half hour 6:30pm, 7:30pm, 8:30pm
  • October 18- Groups beginning on the half hour 6:30pm, 7:30pm, 8:30pm

Sign up for an in-person audition spot at https://www.signupgenius.com/go/9040F48AFAF2D6-singin

Auditions by Video Submission. What to send:

  • 32 bars of an uptempo or 16 bars of a ballad in the style of the show
  • A comedic or romantic monologue no longer than 1 minute in length
  • A movement reel featuring both tap dancing and jazz movement.

Please send video with resume and headshot attached to Theatre Director at The Carnegie, mperrino@thecarnegie.com by October 15 @ 10pm to be considered for the show.

Auditions will take place in The Carnegie Education Center. Please use doors on Robbins St. by flying pig statue to enter. Carnegie Address: 1028 Scott Blvd. Covington, KY, 41011.

ALSO NOTE:

  • You will be asked to turn in a full list of conflicts for rehearsal dates listed. Please have that prepared if asked to provide this info.
  • No performance conflicts will be accepted.
  • Cast members do not have to be the actual ages of the characters, but must be able to look age appropriate and act accordingly.
  • All Adult Roles are paid. Stipends offered will be between $800-$1000 for all roles. Not AEA eligible. No housing provided.
  • Student Roles are included in the production as part of our Education Department. As such, The Carnegie Theatre Series commits to making opportunities for children and teens on our mainstage once a year. These roles are not paid, nor is there any cost associated with this educational experience.

COVID-19 Policies
The Carnegie fervently encourages all auditioners to seek the Covid-19 vaccination before attending auditions or rehearsals should they be cast. It is in the best interest of our cast, crew, and artform if everyone is vaccinated in our show circle. A return to theatre-making is only possible if we help protect each other. Rehearsals may be conducted in masks depending on Covid situation at the time. Performances and audiences will not be masked.

Available Roles
The Carnegie is committed to inclusive, non-traditional casting of classic musical theatre shows to give them new relevance and accessibility to all actors. All races, ethnicities, ages, gender identities, body types, and mobilities encouraged to apply.

Adult Roles

  • Don Lockwood: Male-presenting, handsome song & dance leading man; must sing & dance (especially tap) extremely well; vocal range: G2-Ab4.
  • Cosmo Brown: Male-presenting, high energy, very athletic comedian; must sing & dance (especially tap) extremely well; tumbling & acrobatic ability a plus; vocal range: C3-Ab4.
  • Kathy Seldon: Female-presenting, bright and spunky ingenue; must sing & dance (especially tap) extremely well; vocal range: G3-F5.
  • Lina Lamont: Female-presenting, silent film diva with a big personality and a grating nasal voice; strong comedic skills a must; may double in the dance ensemble
  • Adult Ensemble: 4 roles. Will cover a variety of characters such as Miss Dinsmore, R.F. Simpson, Rosco Dexter, Dorothy Bailey, Movie Stars, Featured Tenor, and Dance Ensemble. Must be strong dancers and singers, especially tap.

Student Roles

  • Teen Chorus: 8 roles for students 14-18. Will include a variety of ensemble roles such as party guests, movie stars, fans, and dance chorus. Must be strong dancers and singers, especially tap
  • Youth Chorus: 4 roles for students 10-14. Will include Young Don and Young Cosmo as well as roles as fans, children, and movie extras. Must have some experience with dance, tap dancing a plus, and strong singers.

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Auditions Announced for A COUNTRY CHRISTMAS CAROL at Kincaid Regional Theatre

KRT new_logoAUDITIONS for A COUNTRY CHRISTMAS CAROL
Book by Ron Kaehler
Music by Albert Evans
Lyrics by Albert Evans and Ron Kaehler

No appointment needed.

Choose one of the following dates to attend:

  • Monday, September 12th, 5:30pm to 7:30pm
  • Wednesday, September 14th, 5:30pm to 7:30pm

Demographics Needed:

  • Men, women and children, ages 10 and up.
  • Musicians who play guitar, banjo, harmonica, or piano.

Requirements:

  • Prepare a one-minute monologue and a musical selection (preferably of the country genre or a Christmas Carol) that is 16-20 bars in length.
  • Be prepared to read a selection from the script.

Rehearsals will begin September 21st with performances December 9th-11th, and 16th-18th.

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Auditions Announced for THE TRIAL OF EBENEZER SCROOGE at Troy Civic Theatre

TROY_logoThe trial of the century!! A year after his miraculous transformation, Ebenezer Scrooge is back to his old ways. He is suing Jacob Marley, the Ghosts of Christmas Past, Present, and Future, for breaking and entering, kidnapping, slander, pain and suffering, attempted murder, and the intentional infliction of emotional distress. The Ghosts employ Solomon Rothschild, England’s most charismatic, savvy, and clever barrister. Scrooge, that old penny-pincher, represents himself. What could go wrong?

Auditions are Monday and Tuesday, October 3 and 4, at 7:00 pm at the Barn in the Park.

Director Don Campbell is seeking actors for the following (some parts might be doubled, or gender-swapped):

  • Mr. Connally – the Bailiff, male, age 25 +, comedic guy who really runs the courtroom under the Judge’s
    thumb, somewhat physical role
  • Judge Stanchfield R. Pearson – male, 45 +, curmudgeon, set in his ways, not a lover of Christmas
  • Solomon Rothschild – male, age variable, solicitor, champion for the underdog, charming
  • Ebenezer Scrooge – male, 50 +, grumpy tightwad who has a fool for a client-himself
  • Bob Cratchit – male, 35 +, goodhearted assistant to Scrooge, a poor family man
  • Mrs. Cratchit – female, 35 +, Bob’s long-suffering wife
    Fred – Scrooge’s nephew, male, age variable, kind-hearted people person
  • Sarah Wainwright – female, age variable, do-gooder for a local charity
  • Jacob Marley – male, age 45 +, dead 7 years, he is the ghost who started all the trouble
  • Ghost of Christmas Past – female, age variable, light-hearted bearer of good cheer
  • Fan -female, age 20-25, Scrooge’s loving sister
  • Belle – female, age 18-30, Scrooge’s one and only true love, when he was a young man
  • Mrs. Dilber -female, age variable, Cockney accent, charwoman employed by Scrooge
  • Ghost of Christmas Yet to Come -male, age 50 +, non-speaking, yet very vocal-this role will be a challenge
  • Translator – female, age 60+, Ghost of Christmas Yet to Come’s interpreter (as he doesn’t speak English), sweet and helpful

Audition Requirements: Cold readings from the script, British accents will be used for this production (so please come prepared to demonstrate your best British accent-it does not need to be perfect-just need to see what you can do)

The show will be presented December 2-4, 9-11, Fridays and Saturdays at 8:00 pm and Sundays at 2:00 pm.

THE TRIAL OF EBENEZER SCROOGE is written by Mark Brown and is being presented by special arrangement through Dramatic Publishing.

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