Category Archives: Auditions

Auditions Announced for MISCAST at Troy Civic Theatre

TROY_Miscast logoEver wanted to perform a song from a show but you aren’t exactly who they’re looking to cast? Well then, Troy Civic Theatre is proud to announce auditions for our second MisCast!

This is your chance to perform a piece of musical theatre that you normally would’t be cast for due to age, race, gender, or any other reason.

Monday, Dec. 5 at 7pm

Troy Civic Theatre
76 Adams St.
Troy

Director Derek Dunavent is asking you to come audition with up to 5 songs you wish to have the chance to perform. Please provide you own accompaniment (YouTube is a great source) and prepare a 30 second selection from each song for audition.

Acts will be picked based on response and availability. There will be 3 rehearsals before the performances on January 13th and 14th. Solos, Duets, and Groups welcomed!

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Auditions Announced for CRUSHIN’ IT Fundraiser at Loveland Stage Company

LSC_logoLoveland Stage Company proudly presents a Valentine’s Day Variety Show featuring Music • Comedy • Dance • and More!

This is a fundraiser for the Loveland Stage Company and a part of Hearts Afire Weekend in Loveland, Ohio.

Come one, come all!!! Bring your song, dance, comedy, skit, monologue or talent to show case for our Valentine themed Variety show! Family friendly and fun, we want this to be a show Loveland remembers! Get a chance to showcase your talent, while helping our community theater raise money. A good cause and a great time!

Audition dates:

  • Thu, Dec. 1 from 6-9pm
  • Sun, Dec. 4 from 2-5pm

Video auditions can be sent to: development@lovelandstagecompany.org until December 4th.

Audition requirements: Please bring a backing track because as we won’t have a live accompanist. For skits and monologues you don’t need to show the whole act or have to have the whole thing memorized for auditions, but please be prepared to pitch the entire idea.

Your co-directors & hosts: Jenna & Justin want to make this fun and cohesive, we will support you in making your act come to life!

Rehearsal dates:
1/24 Tuesday 7-9pm
1/31  Tuesday 7-9pm
Tech Rehearsal 2/7 Tuesday 7-9pm

Show dates are Feb. 10 & 11 at 7pm

Please use our sign up genius to reserve your audition spot today, and become a part of our fabulous fundraiser: www.signupgenius.com/go/10C0E4BA9AD2DABFBC34-crushin.

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2023 Troupe Auditions Announced at Queen City Vaudevillians

QCV_2023 Audtions

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November 21, 2022 · 5:41 am

Auditions Announced for TWO ON THE AISLE, THREE IN A VAN at Oxford Area Community Theatre

OXACT_logoNov. 22 at 5pm
Nov. 28 at 5pm

Oxford Community Arts Center
10 South College Ave.
Oxford, OH 45056

Roles available for 3 men 20+ and 1 woman 30+

Performance dates: Feb. 17-26

Directed by Kayleigh Swatzell

For more information contact the director at kaswatzell@outlook.com.

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Auditions Announced for STEPPING OUT at The Drama Workshop

TDW_VERTThe Drama Workshop will hold auditions for Stepping Out, a play with dancing, on Sunday, December 4 at 7:00 p.m. and Monday, December 5 at 7:00 p.m. Invitation-only call backs will be held on Tuesday, December 6 at 7:00 p.m. All auditions will be held at the Glenmore Playhouse, 3712 Glenmore Avenue, 45211.   The theater will open at 6:30 p.m. each evening.

Stepping Out is a comedy by Richard Harris. The play centers around the instructor and members of a weekly tap-dancing class. As the class prepares for an upcoming performance, we learn about their lives outside of the dance studio as well.   Liza Minnelli starred in a 1991 film based on the play.

Dianna Davis will direct the play with choreography by Genevieve Perrino and Jerry Weisenhahn.

Performance dates: May 12-28.

There are roles for eight women and one man who play the instructor and members of the tap class and one woman who plays the piano for the class.

Those auditioning do not need to be proficient in tap, but a background in tap dancing would be helpful. For anyone with little or no tap/movement experience, we are simply looking for a willingness and commitment to learn during rehearsals.  Most of the choreography is very basic during the scenes taking place during class. But the play does end with the cast performing a polished finale tap dance.

Auditions will consist of readings from the script, a brief tap dance audition, and a jazz dance audition for those auditioning for the role of Mavis.  Auditionees should bring tap shoes and dance wear if they have them. A resume and photo would also be helpful.

Covid policy: The Drama Workshop requires all staff and performers to be vaccinated.   Please bring your vaccination card to the audition.

CHARACTERS IN THE PLAY
*Ages are approximate “playing ages”.

  • Mavis: the tap-dancing instructor; Mavis is an ex-pro dancer, 30 – 50 years old. Mavis is considerate, organized and always in charge of the group. Mavis must be a proficient tap and jazz dancer.
  • Lynne: an eager to please student nurse, 20 – 25 years old.
  • Dorothy: anxious, birdlike, between 25 – 45 years old; has a habit of repeating other people’s last words.
  • Maxine: a confident Jewish business woman who wears big diamond rings, 30 – 40 years old.
  • Andy (woman):  timid, bullied by her husband, 25 – 40 years old.
  • Geoffrey: a shy, quiet, bumbling widower who has a crush on Andy, 30 – 50 years old. The ability to play the piano is a plus.
  • Sylvia: bubbly, flirty, chews gum all of the time, 25 – 40 years old.
  • Rose: a larger-than-life Trinidadian who wears an obvious wig, a crucifix around her neck and lots of finger rings, 30 – 50 years old.
  • Vera: a neat, proper, British, well-meaning snob with expensive tastes in clothes who doesn’t quite get it right. Vera does have immaculate hair & make-up. She is aspiring middle-class, 35 – 50 years old.
  • Mrs. Fraser: the pianist; intolerant, sarcastic, grumpy. Mrs. Fraser believes she is doing everyone a favor by being there. 50+ years old. The ability to play the piano is a plus.

Casting note This play is very story and character driven, therefore we are looking for those who can embody their roles, define their own interpretation and bring their character to life. We ask that preparation involves making some decisions about the character and how it could be performed, but also being open to change and direction. For anyone with little or no tap or movement experience, we are simply looking for a willingness to learn. The audition will involve a movement audition to gauge how the performer approaches and enjoys dancing rather than how well it is performed.

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