Author Archives: robbucher

2020 Season Announced by La Comedia Dinner Theatre

LAC_logoNUNSENSE
January 23 – February 16, 2020
For the first time in 25 years, the (surviving) Little Sisters of Hoboken will host their hilarious talent show on the La Comedia stage! Get in the habit of laughing, because this over-the-top musical will restore your faith in the power of comedy!

THE KING AND I
February 20 – April 5, 2020
One of Rodgers and Hammerstein’s finest works returns to our stage for the first time in 21 years from February 20 – April 5, 2020. Featuring such classic songs as “Getting To Know You,” “Whistle A Happy Tune,” and “Shall We Dance,” THE KING AND I remains an American musical masterpiece that is not to be missed.

FOOTLOOSE
April 9 – May 24, 2020
“Let’s Hear It For The Boy,” “Almost Paradise,” “Holding Out For A Hero,” and “Footloose” are just some of the smash hit songs from the classic musical score and soundtrack.

THE LITTLE MERMAID
June 4 – July 26, 2020
Our stage will transform into a magical kingdom “Under The Sea” next summer! This production is sure to thrill the whole family.

WAIT UNTIL DARK
July 30 – September 13, 2020
For the first time ever on our stage comes the white-knuckle thriller that will have you sleeping with the lights on. First performed on Broadway in 1966, the 1967 film adaptation starring Audrey Hepburn is considered one of the most gripping thrillers of all time.

JEKYLL & HYDE
September 17 – November 1, 2020
The Broadway hit version of the epic struggle between good and evil makes its La Comedia debut next year.

A CHRISTMAS STORY the Musical
Nov. 5-Dec. 31
Ralphie Parker returns to our stage in the musical version of the classic 1983 movie.

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Auditions Announced for I LOVE YOU BECAUSE at Middletown Lyric Theatre

MLT_logoTue, July 9th from 7-8:30pm

Middletown Lyric Theatre
1530 Central Ave, Middletown, Ohio 45044

Based on Jane Austen’s novel of love and heartache, Pride and Prejudice, this tune filled, modern day musical follows the path of four lovelorn and love-lost young professionals, friends and siblings in New York City. Along with a couple other eccentric characters find out what it is to fall in love with someone not in spite of their faults but because of them.

AUDITION REQUESTS:

  • Please prepare an up-tempo and a ballad – (please keep your songs under 5 minutes.)
  • Please have your music cut for our accompanist
  • Please choose music that shows a wide range of your vocal abilities
  • You will be ask to do cold-readings from the script

REHEARSAL INFORMATION:

  • First Rehearsal: SUNDAY August 4th. We will rehearse 3 – 4 times a week. Days may include Saturday and Sundays. Full rehearsal schedule determined when show is cast.
  • IMPORTANT DATES – Outside of the rehearsal schedule you MUST be conflict free the following dates. If you are not please do not audition.
    September 3 – 14 & September 19 – 21 – evenings
    September 7 – All day tech rehearsal
  • Actual Performances: September 13, 14, 20 & 21 – (There will be a matinee on one of the Saturday’s)

CHARACTERS – If you look under 40 please feel free to audition. ALL ethnicities

  • Austin (Lead): Male, 25-35
    straight-laced, romantic, conservative, methodical, greeting card writer who is very devoted to his ex-girlfriend and desperately wants her back (tenor to A).
  • Marcy (Lead): Female, 25-35
    free-spirited, evolving, fun-loving, and eccentric photographer who is more than willing to help Austin get his ex-girlfriend back as he is her perfect Mr. Wrong (soprano, strong mix to F, belt to D).
  • Jeff (Lead): Male, 25-35
    quirky, not always the best with words, no-strings-attached, older brother to Austin; wants to help him rebound quickly from the breakup and in the meantime, he is perfectly content to have a friendship with benefits (baritone to G).
  • Diana (Lead): Female, 25-35
    intelligent, no-nonsense, by-the-numbers, best friend and roommate to Marcy, she encourages Marcy to find her Mr. Wrong so that she can then be with her Mr. Right; she will happily have a friendship with benefits with Jeff (alto to D).
  • NYC Woman (Supporting): 25-40
    plays multiple characters and must be comfortable with improvisation, movement, and have excellent comedic timing (mezzo soprano).
  • NYC Man: Male, 25-40
    plays multiple characters and must be comfortable with improvisation, movement, and have excellent comedic timing (bari-tenor).

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Julie Gieseke Presents BORDERLINE A**HOLE at Cincy Fringe

CFF19_Borderline AssholeRelationships can be so triggering . . .

BORDERLINE A**HOLE
Performed by: Julie Gieseke
Written by: Julie Gieseke in collaboration with Nina Wise
Directed by: Nina Wise (www.ninawise.com)

Dates/Times:   June 1-11, 2019

Place : Cincinnati Fringe Festival – The Mini Microcinema (MMC) 1329 Main Street, Cincinnati, OH 45202

Link for tickets: https://knowtheatre.vbotickets.com/event/Borderline_Ahole/34688

BORDERLINE A**HOLE, a darkly funny comedy that examines the complex dynamics  of identity, mental health  and romantic relationships.

What do you do when your new girlfriend accuses you of having Borderline Personality Disorder?

After years of chasing unavailable women, Julie may have found her ideal girlfriend. Monica isn’t afraid to break all the rules, prefers to make art rather than watch Netflix and thinks Julie’s a creative genius. Best of all, she’s really into Julie. The only trouble is they can’t agree on one thing – that Julie is the problem.

What follows is a one-hour story about one woman’s struggle with her sense of self, love, expectation and her mental health all while dealing with her mother’s terminal illness.

The work is surprisingly funny, insightful, and deeply moving.

Reviews from New York and Dublin, Ireland:

Bio
Julie Gieseke is a performance artist and writer from San Francisco. Her autobiographical work, notable for being both moving and hilariously funny,  has been performed internationally. She has gained an avid and loyal following for her no-holds-barred and courageously authentic true stories. Gieseke has been featured at  Frigid New York Festival, International Dublin Gay theater Festival, San Francisco  Solo Performance Festival,, Vancouver Fringe Festival,  Cincinnati Fringe Festival, and the Toronto Soulo Festival, Toronto.

Julie studied solo performance  with Martha Rymberg, Tanya Taylor Rubinstein, Ann Randolph and Tracey Erin Smith and is working in collaboration with Nina Wise on her current shows.

Julie earned a Bachelor of Arts in Theater Arts and Film and Video Production from UC Santa Cruz.

Julie  went on to earn a Masters in Organizational Management and Development from Fielding Graduate University. In addition to working as a performer, Julie coaches and consults individuals and corporations in storytelling, creativity, and strategic visioning. Her clients include,  Facebook, Hewlett Packard Enterprise, Apple, Stanford, the University of California, and Cal State University.

Websites: 

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Gideon Productions Present THIS HOUSE WILL NEVER LET US GO as Part of Cincy Fringe Festival

CFF19_This House Will Never Let Us GoWORLD PREMIERE AS PART OF THE CINCY FRINGE FESTIVAL!
WRITTEN BY MAC ROGERS
DIRECTED BY JORDANA WILLIAMS 

JUNE 2nd – JUNE 7th @ GABRIEL’S CORNER

Gideon Productions, the company behind the Cincy Fringe hits God Of Obsidian (2017 Linda Bowen Full Frontal Pick) and Musical Chairs (2018 Critic’s Pick Award), will present the World Premiere of playwright Mac Rogers’ (The Honeycomb Trilogy; the global hit podcasts The Message, LifeAfter and Steal The Stars) horror drama THIS HOUSE WILL NEVER LET US GO, running from June 2nd to June 7th at Gabriel’s Corner as part of the Cincinnati Fringe Festival. The production will be directed by Jordana Williams (The Honeycomb Trilogy; Steal the Stars) and will feature Rebecca Comtois (Viral; Crystal Skillman’s Geek! with Vampire Cowboys), Mac Rogers (NYIT Outstanding Lead Actor Nominee for The Adventures of Nervous-Boy with Nosedive Productions), and Kristen Vaughan (Frankenstein Upstairs, The Honeycomb Trilogy, NYIT Outstanding Lead Actress Winner for Benefactors).

Joan hasn’t had a real home since she left Griffin. Instead, she’s been living off of house-sitting, maintaining the neglected homes of rich people who live far away. It looks like she just  landed the perfect summer gig – watching a lavish beach house with an absent owner – until Joan discovers there’s another woman already living there. A mysterious, ageless woman named Iris, who has plans for Joan. As Griffin worms his way back into her life and frightening forces close in, Joan realizes she’s going to have to make an agonizing choice.

This House Will Never Let Us Go will run June 2nd at 7:00pm, June 4th at 8:30pm, June 5th at 6:30pm, and June 7 at 6:30pm, as part of the Cincinnati Fringe Festival at Gabriel’s Corner (Sycamore & Liberty, Cincinnati, OH, 45202). Tickets ($15) may be purchased online at www.cincyfringe.com. The show will run 60 minutes with no intermission.

MAC ROGERS (Playwright and Griffin) is an award-winning playwright and audio dramatist. His sci-fi thriller podcasts THE MESSAGE, STEAL THE STARS, and LIFEAFTER were downloaded over 7 million times.  His plays God of Obsidian and Musical Chairs were both Cincy Fringe award-winners. His plays include THE HONEYCOMB TRILOGY (New York Times and Backstage Critic’s Picks and winner of the NYIT Award for Best Premiere Production), VIRAL (winner of Outstanding Play at FringeNYC 2009), and UNIVERSAL ROBOTS (nominated for four New York Innovative Theatre awards). Mac’s plays have earned acclaim from The New York Times, The Guardian, Time Out New York, The New York Post, and many others. 

JORDANA WILLIAMS (Director) has directed numerous plays by Mac Rogers, including the CityBeat Critic’s Picks God Of Obsidian, Musical Chairs, and Ligature Marks, as well as The Honeycomb Trilogy (NY Times and Time Out NY Critics’ Picks), Universal Robots and Viral. She also directed Mac’s Steal the Stars, a 2018 Audie Award finalist for Best Audio Drama. Other favorite directing work includes Kill Shakespeare at NY Comic Con, Vince Gatton’s Alexandria and The Particulars at FringeNYC.

REBECCA COMTOIS (Joan) previously worked with Mac Rogers and Jordana Williams on CityBeat Critic’s Picks God Of Obsidian, Musical Chairs, and Ligature Marks, as well as Viral (Winner of FringeNYC’s Outstanding Production of a Play) and The Honeycomb Trilogy (NY Times and Time Out NY Critics’ Picks).  Other notable roles include Minnie the Minotaur in Cystal Skillman’s Geek! (Vampire Cowboys), Jenny in James Comtios’ Infectious Opportunity (Nosedive Productions) and Mag in Taylor Mac’s The Hot Month  (Boomerang’s Legacy Reading Series).

KRISTEN VAUGHAN (Iris) is a three-time NYIT Awards nominee for Lead Actress, winning for Jane in Benefactors (Retro Productions).  Among Kristen’s other roles; Amelia Cooke in The Honeycomb Trilogy and Victoria Frankenstein in Frankenstein Upstairs (Gideon Productions), and Blanche DuBois in A Streetcar Named Desire (Bleecker Company).  www.kristenvaughan.com

Critical acclaim for Gideon Productions:

“Television is where you find complicated storytelling. Film is the home of epic sci-fi trilogies. Giant aliens are expensive. Mac Rogers’s “Honeycomb Trilogy,” a titanic story about humanity in crisis wedged into a small theater in Queens, laid waste to these truisms, and provided giddy, cerebral fun along the way.” The New York Times 

“Mac Rogers—genre playwright extraordinaire—can rant like Sorkin, plot like Mamet, banter like Whedon and sting like a bee.”  Time Out New York

“One of the most intelligent and complex theatrical events of the year.” Flavorpill 

GIDEON PRODUCTIONS crafts gripping plays that explore what’s strange about being human and what’s human about being strange, using familiar genres and cultural touchstones as a springboard to something wholly unexpected.

#   #   #   #

 

www.gideonth.com

www.cincyfringe.com

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The Drama Workshop Present Annual Showcase of Local Playwrighting, HOME BREW THEATER

TDW_Home Brew 2019 logo

The Drama Workshop is thrilled to present its annual showcase of the best of local playwrighting, HOME BREW THEATER.

This is the fourth installment of the annual festival, which runs one weekend only, June 7, 8 at 8pm and June 9 at 2pm. The production features ten short plays by ten local playwrights. It’s followed by a “Meet the Artists” reception featuring beer sponsored by West Side Brewing. Audience members are encouraged to meet and toast the authors, directors, and cast members. All performances are at The Glenmore Playhouse, 3716 Glenmore Ave in Cheviot.

HOME BREW THEATER was the brainchild of Co-Producer and Artistic Director Clint Bramkamp, who is one of the featured authors this year as well. HOME BREW THEATER is one of the few opportunities to see short plays produced. Short plays are typically no more than ten minutes and pose unique challenges to the author. “I enjoy the short format; it makes you stick to the essentials,” Clint said. “In 2016, I suggested doing a program of ten-minute plays to The Drama Workshop, and they adopted the idea.” Home Brew has continued to grow over each of the four years. This year there were a record 38 short plays submitted by local Cincinnati playwrights.

HOME BREW THEATER has added a couple new elements this year. The Drama Workshop received a generous grant for Home Brew Theater from Summerfair Cincinnati, toward the promotion of the local arts of Cincinnati. This year will also feature awards! A Best on the Page award will be voted on by the play selection team, the directors and The Drama Workshop board. A Best on the Stage award will be voted on by the audience after each performance and awarded at the end of the weekend.

TDW’s production will include plays written by local authors Clint Bramkamp, Chris Charlson, Susan Decatur, Jennifer Davis, Teri Foltz, AK Forbes, Greg Hatfield, Fred Tacon, Eric Thomas, and Robb Willoughby. Ten very different plays from ten authors means there will be something for every taste, including silly comedies (with and without extra-terrestrials!), touching dramas and heartfelt romantic plays.

Author of ‘Denise’s Do-Over’, Susan Decatur said, “I wrote this play to inspire adults to never give up on finding love at any age.”. Author of ‘Brave’, Jennifer Davis added, “Participating in a production like Home Brew as a writer is an exercise in trust and ego-checking. Once the script is in the directors’ hands, our jobs are done. I’m excited to see what (director) Richard Zenk and his cast find in ‘Brave’ that maybe I didn’t even realize was there.”

HOME BREW THEATER has again attracted the best talent in local community theater, including directors Lynne Aronson, Elizabeth Beatty, Greg Hatfield, Julie Jordan, Ray Lebowski, Patricia Mullens, and Richard Zenk. Director of ‘The Ten Minute Play’ and ‘The Seminar’, Julie Jordan said, “What first drew me to the ten-minute plays was the chance for local playwrights’ work to be showcased. The whole concept lends itself to community and local flavor.” Director of ‘Indian Sign’ and ‘Denise’s Do-Over’, Lynne Aronson added, “Working with two different shows and casts stretched my directing muscles a bunch.”

This year’s HOME BREW THEATER production team is rounded out by pillars of the Cincinnati theater community: Jason Cox, Alexa Justice, Dennis Murphy, Eric Thomas, Elaine Volker, and Narissa Williams.

A large and talented cast was selected to present the local authors’ works, including Heather Abbot, Peggy Allen, Jamie Ball, Aaron Bates, Chris Bishop, Betsy Brossart, Trevor Browning, Trisha Cooper, Ally Donohue, Amy Eyers, Cathy Judge, Ben Lacy, Rusty Lacy, Darren Lee, Fred Murrell, Megan Schultheis, and Arny Stoller. Actor and NKU student Trevor Browning said, “I am so excited and honored to perform in my first production with The Drama Workshop. It’s been an incredible experience to meet so many kind-hearted, passionate people.”

Tickets to HOME BREW THEATER are $12 each. Show dates and times are June 7th and 8th at 8pm, and June 9th at 2pm. Shows frequently sell out, and reservations are strongly recommended.

Tickets can be ordered through The Drama Workshop’s ticket line at 513.598.8303, or ordered online via the TDW website at www.thedramaworkshop.org.

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