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2020 Summer Season Announced by NKU Commonwealth Theatre

CTC_logo

NKU COMMONWEALTH THEATRE ANNOUNCES 2020 SUMMER SEASON

HIGHLAND HEIGHTS, KY – Commonwealth Theatre Company at Northern Kentucky University’s School of the Arts is proud to present the musical comedy of BEGUILED AGAIN, and the comedy of NANA’S NAUGHTY KNICKERS as their 2020 summer dinner theatre season. A buffet dinner will be served in the NKU SOTA Art Gallery with performances taking place in the NKU Robert & Rosemary Stauss Theatre.

BEGUILED AGAIN – The Songs of RODGERS & HART
Music by Richard Rodgers
Lyrics by Lorenz Hart
Conceived By J. Barry Lewis, Lynnette Barkley and Craig D. Ames
Music Arrangements by Craig D. Ames
Co-Directed by Dee Anne Bryll and Ed Cohen
Music Directed by Damon Stevens
June 4-21, 2020

The remarkable partnership of composer Richard Rodgers and lyricist Lorenz Hart spanned twenty-four years, resulting in the scores for thirty stage musicals and nine films. While their songs are acknowledged as among the most sophisticated and witty of their time, they could also be stunning in their simplicity and directness. BEGUILED AGAIN illuminates the astonishing breadth of their output with a musical menu offering nearly fifty selections from the incomparable Rodgers and Hart songbook. This cleverly compiled potpourri juxtaposes the urbane and the melancholy, the sardonic and the romantic, providing ever-changing and contrasting emotional journeys that give this revue real momentum. There is no linear plot or ‘and then they wrote’ narrative. Rather, the songs are grouped thematically in ways that allow them to tell their own stories and reveal their splendor in the process. BEGUILED AGAIN is presented by arrangement with Concord Theatricals. 

NANA’S NAUGHTY KNICKERS
By Katherine DiSavino
Directed by Michael Hatton/Corrie Danieley
July 9-26, 2020

Bridget and her grandmother are about to become roommates. However, what Bridget saw as a unique opportunity to stay with her favorite nana in New York for the summer quickly turns into an experience she’ll never forget. It seems her sweet grandma is running an illegal boutique from her apartment, selling handmade naughty knickers to every senior citizen in the five-borough area! Will Bridget be able to handle all the excitement? Will her nana get arrested – or worse – evicted? NANA’S NAUGHTY KNICKERS is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company.

Event Details

Dates: June 4-21 & July 9-26 (dark on Mondays, Tuesdays, and Wednesdays)

Times:

  • Thursdays through Saturday performances at 7:30 p.m., Dinner served at 6:30 p.m.
  • Sunday matinees at 6 p.m., Dinner served at 5 p.m.

Place: Fine Arts Center on NKU Campus – 1 Louie B. Nunn Drive, Highland Heights, KY 41099

Tickets: $40 single tickets or $65 for two-show package (includes buffet dinner and show). Tickets will go on sale in March 2020.

More information: nku.edu/ctc or 859-572-5464

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Cincinnati Shakespeare Company Presents the Award Winning Racing, Political, Thriller ALL THE WAY by Robert Schenkkan

CSC_All The Way2 promo

Sylvester Little, Jr. as Martin Luther King Jr. in ALL THE WAY. Photo by Mikki Schaffner Photography.

Experience when politics and passion helped to shape America for good in this gripping drama,on stage January 24-February 15, 2020

Cincinnati, January 10, 2020 – Cincinnati Shakespeare Company welcomes the New Year and continues its 2019-2020 Season of the Woman at The Otto M. Budig Theater with Robert Schenkkan’s ALL THE WAY. The production is directed by Producing Artistic Director, Brian Isaac Phillips and features a 17 person cast with CSC returning favorites Jim Hopkins as President Lyndon B. Johnson, Sylvester Little, Jr. as Rev. Martin Luther King Jr., Kate Wilford as Lady Bird Johnson, Brent Vimtrup as Sen. Humphrey, and Bruce Cromer as J. Edgar Hoover. ALL THE WAY Is also the first production in The Otto M. Budig Theater to offer special on-stage seating for patrons!

ALL THE WAY tells the story beginning in the wake of an assassination that shook a nation to its core, when a larger-than-life figure is propelled into the national spotlight. Faced with civil unrest at home and an unpopular war abroad, accidental president Lyndon B. Johnson struggles at the eleventh hour to get the hotly contested Civil Rights Act across the finish line, and to keep an already divided country from tearing itself apart.

The selection of ALL THE WAY in this season was inspired by the 2020 Centennial of Women’s Suffrage. From June of 1919 to August of 1920, these United States passed and ratified the 19th Amendment to the Constitution, granting women the right to vote. However, the passage of the 19th Amendment, while worthy of celebration, did not in fact guarantee voting rights for all. The struggle for complete equality continued into the 1960’s and beyond. ALL THE WAY continues the story from inside the Oval Office with LBJ’s fight to enact the Civil Rights Act of 1964 working closely with Martin Luther King and other activists and politicians of the era.

Robert Schenkkan’s racing political thriller, ALL THE WAY, was first commissioned by the Oregon Shakespeare Festival as a part of their “American Revolutions: The United States History Cycle.” The American Revolutions Project began in 2008 with the final of the 37 new plays commissioned and developed in 2019. The project showcases moments of change in the history of the United States. As stated by Oregon Shakespeare Festival, “bringing together artists and theaters and from around the country, American Revolutions works to establish a shared understanding of our nation’s past while illuminating the best paths for our nation’s future.” ALL THE WAY ran at Oregon Shakespeare Festival in 2012 before moving to Broadway in 2014. The
Broadway production featured Bryan Cranston as LBJ. After a staggering success, in 2016, ALL THE WAY became a biographical TV drama film for HBO with Bryan Cranston continuing as LBJ.

ALL THE WAY has been celebrated by audiences and critics alike winning the 2014 Tony Award for Best Play, the Drama Desk Award, the Outer Critics Circle Award, the Drama League Award, the Co-Recipient of the inaugural Edward M. Kennedy Prize for Drama Inspired by American History, and the recipient of the Harold and Mimi Steinberg/American Theatre Critics Association for New Play Award. The TV drama has been nominated for a Television Critics Association Award for Outstanding Achievement in Movies, Miniseries and Specials, as well as eight Primetime Emmy Awards.

The creative team transforming The Otto M. Budig Theater stage into the 1964 Oval Office and America is made up of Shannon Moore (Scenic Designer), Justen N. Locke (Lighting Designer), Douglas J. Borntrager (Sound Designer), Rainy Edwards (Costume Designer), and Darnell PierreBenjamin as Assistant Director. They are joined by Projections Designer, G. “Max” Maxin IV.

The set includes a stunning replica of the Resolute desk used by several presidents of the United States in the White House Oval Office. It was a gift from Queen Victoria to President Rutherford B. Hayes in 1880 and was built from the English oak timbers of the British Arctic exploration ship HMS Resolute. The desk is still in use today.

For the first time ever at The Otto M. Budig Theater, there will be special on stage seating being offered for our production of ALL THE WAY. On Stage seats start at $38 and are general admission and will be assigned first come, first served. You will meet before the start of the show at thefoot of the stage to be seated. Sit on stage and join LBJ in the Oval Office for this unique theater experience.

ALL THE WAY runs January 24—February 15, 2020 with performances on Thursdays, Fridays, and Saturdays at 7:30 PM and Sundays at 2:00 PM, as well as Saturday,February 15th at 2:00 PM. Preview performances are Wednesday, January 22nd and Thursday, January 23rd at 7:30 PM and tickets are$45. Advance sale single ticket prices start at $28. Day-of Student Rush tickets are $14 and may be purchased thirty minutes before a show with a valid student ID if available. This production is a part of this season’s subscription package. Visa, Discover, MasterCard, and American Express are accepted. Ticketing fees apply. To purchase tickets or for more information, call the CSC Box Office at 513.381.BARD (2273) ext. 1, or go online at www.cincyshakes.com.

Content Advisory: This production contains scenes of violence and strong language.

Cincinnati Shakespeare Company is located at The Otto M. Budig Theater at 1195 Elm Street in OTR, adjacent to Washington Park. There are many parking spaces available on the street and in nearby lots and garages – for more information visit http://www.otrchamber.com/pages/WheretoPark.

CSC also offers Valet Parking for every performance! Make reservations for $20 in advance when purchasing tickets or visit http://www.cincyshakes.com/parking. Purchasing in advance guarantees a spot. Valet is available right at the corner of 12th and Elm Street in front of the theater and begins approx. 1.5 hours before a performance. Carscan be picked up for up to onehour following a performance. (After one hour, you will need to arrange pick up with the valetservice directly.) The valet will have your name on the list after you purchase-it’s that easy!

About Cincinnati Shakespeare Company:
Cincinnati Shakespeare Company is a professional theatre company dedicated to bringing Shakespeare and the classics to life for audiences of all ages. In the summer of 2017, the theater relocated to the Otto M. Budig Theater, a brand new facility in OTR. CSC’s repertoire is made up of the works of William Shakespeare, literary adaptations, and contemporary classics. CSC performs on a Small Professional Theatre contract with Actors’ Equity Association. Cincinnati Shakespeare is a member of the Theater Communications Group and the Shakespeare Theatre Association. Each year, Cincinnati Shakespeare Company’s Education and Outreach Programs reach over 50,000 young people and underserved community members each season by taking Shakespeare into schools, parks, community centers and by hosting educational matinees of mainstage productions. In 2015, CSC was proud to become one of the first five theaters in the United States to “Complete the Canon” by producing all 38 plays by William Shakespeare. CSC is a 501 (c)(3) non-profit organization and all donations are tax deductible. Cincinnati Shakespeare Company is proud to be Cincinnati’s stage for the classics!

About The 2019-2020 Season of the Woman:
From June of 1919 to August of 1920, these United States passed and ratified the 19th Amendment to the Constitution, granting women the right to vote. In commemoration of this centennial, Cincinnati Shakespeare Company will shine the spotlight on the Women of Cincinnati Shakespeare Company in our “Season of the Woman,” both onstage and off, and join organizations across the city in an Arts Wave led initiative called “Power of Her” to celebrate the 100th anniversary of Women’s Suffrage!

This season is also funded by ArtsWave. Cincinnati Shakespeare Company receives operating support from The Carol Ann and Ralph V. Haile, JR./U.S. Bank Foundation, The Ohio Arts Council, and The Shubert Foundation. The season’s marketing design sponsor is Grey Midwest. TheOhio Arts Council helped fund this program/organization with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. Production dates and information on the season are available online at www.cincyshakes.com.

About POWER OF HER:
POWER OF HER is a collaboration of organizations across the Greater Cincinnati region, united to activate and amplify women’s voices in the arts. Led by ArtsWave, and inspired by the women’s suffrage movement, the initiative salutes the women who came before us, and honors female leadership and woman-centric works of all kinds.

At its core, POWER OF HER underscores creativity as a vehicle for inclusion and equality by celebrating the female voice—and the many ways it champions a more diverse and vibrant world. Learn more at https://www.artswave.org/discover/power-of-her.

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Auditions Announced for BANDSTAND at Cincinnati Music Theatre

cmt_logoCMT proudly announces auditions for the regional premiere of BANDSTAND, a new Tony Award-winning musical with music by Richard Oberacker and book and lyrics by Robert Taylor & Richard Oberacker.

Auditions by appointment—please reserve your audition time on SignUp Genius: https://www.signupgenius.com/go/60b054fa5a92fa5f49-bandstand

BANDSTAND is about the journey to find your voice and face the impossible. Private First Class Donny Novitski returns to a post-WWII America with the hope of rebuilding his life with just the shirt on his back and a dream in his heart. When NBC announces a national competition to find the next swing band sensation, Donny sees a lifeline for himself and some fellow veterans, giving them the purpose they so desperately need. He and a motley crew join together, discovering the power of music to bring people home as they form a band unlike any the nation has seen.

SPECIAL NOTICE: The following roles require actor/musicians who not only sing and act, but also play the indicated instruments onstage: Donny Novitski (piano), Wayne Wright (trombone), Jimmy Campbell (reed player – saxophone and clarinet), Johnny Simpson (drums), Davy Zlatic (upright bass) and Nick Radel (trumpet).

AUDITION DATES:

  • Sun, Feb. 16 from 4-10pm
  • Mon, Feb. 17 from 6:30-10pm
  • Wed, Feb. 19 from 6:30-9:30pm

AUDITION LOCATION: Bassett Hound Sounds, 5633 Vine St, Elmwood Place, OH 45216

ABOUT AUDITIONS

  • Please reserve your audition time at the following link: https://www.signupgenius.com/go/60b054fa5a92fa5f49-bandstand
  • After you sign up, you will be emailed an audition form. Please print and bring the completed form to your audition. Walk-ins are welcome and will be seen in the next available slot.
  • Please prepare 16-32 bars of a song that showcases your vocal range (no songs from Bandstand, please).
  • Bring sheet music in the proper key with cuts marked. There will be an accompanist. No tapes or a cappella numbers, please.
  • Wear (or bring) shoes and clothing appropriate for a dance audition.
  • Bring a copy of your resume and current headshot.
  • In addition to the vocal audition, those auditioning for the roles of the following band members should prepare 30-60 seconds of a memorized swing, jazz or classical piece. Instruments as follows:
    -piano (Donny Novitski)
    -drums (Johnny Simpson)
    -trumpet (Nick Radel)
    -bass (Davy Zlatic)
    -saxophone/clarinet (Jimmy Campbell)
    -trombone (Wayne Wright).
  • For band member auditions, a keyboard and basic drum set will be available. Drummers should bring their own cymbals or contact Music Director Kendra Struthers (creative@cmtmail.org) in advance. Brass, reed, and bass players should bring their own instruments.

Callbacks will take place at Clifton United Methodist Church on Sunday, Feb 23, 4pm.

Production rehearsals begin August 30, 2020. Please note: Actors cast as band members may have occasional rehearsals in the spring, dependent on cast availability and skill level.

Performances will be November 13-21, 2020, in the Jarson-Kaplan Theater at the Aronoff Center.

Recently named one of “The Ten Best Musicals of the Decade” by the editors of Theatremania, Bandstand is produced by Kathy Beiting and directed by Skip Fenker, with musical direction by Kendra Struthers with associate Michael Spresser and choreography by Mike Fielder. Bandstand is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company.

CHARACTER BIOS

  • DONNY NOVITSKI – Approximately 24 years old, ruggedly handsome with his Italian and Polish heritage. A piano prodigy, he is passionate about swing music and writing his own songs. While dearly shining with that elusive star quality, he carries the dark weight of wartime experiences. Baritone/tenor, B-flat 2 to B-flat 4.
  • JULIA TROJAN – Approximately 24 years old, beautiful in a wholesome and effortless way. A gifted singer, but one without the drive to be a star. Her talents are personal to her and not showy, a means of expression and discovery. She is smart, honest, arid no one’s fool. Her star quality is born of her natural ability to simply tell the truth when singing; she is emotionally translucent on a stage. Soprano with strong belt, G3 to F-sharp 5.
  • MRS. JUNE ADAMS – Mid-40s to mid-50s, she is Julia’s mother and a woman of very modest means. She has a nervous anxiety most of the time and a desire to please that belies a personal history filled with disappointment and loss. Out of this energy comes her very quirky sense of comedy. But her grounded honesty is never far away when it comes to Julia’s happiness. Alto, G3 to B4,
  • WAYNE WRIGHT – Late 20s to late 30s, he is a gifted jazz trombone player and a veteran Marine lieutenant. Wayne manifests his war experiences in a severe case of obsessive compulsive disorder. He carries enormous tension in his body and mind and maintains an aloofness that hides his emotional turmoil. He is a man that can be very intimidating in his silence. High baritone, C3 to B-flat 4.
  • JIMMY CAMPBELL – Late 20s to mid-30s, he is a gifted jazz reed player, predominantly saxophone and clarinet. Jimmy is very bookish, thin, and well put together. He is wisely studying law, having just returned from the Navy. He has a careful and guarded personality but is fiercely loyal to Donny and the band. While the text never gives him away, Jimmy is privately gay and committed to fighting injustices in whatever ways he can. Baritone, C3 to G-sharp 4.
  • JOHNNY SIMPSON – Mid-20a to late 30s, he is a drumming phenomenon. A returning Army private, he suffers from severe back pain due to an injury requiring three surgeries. He is therefore reliant on pain medication, which affects his mental clarity. He also shows signs of traumatic head injury with memory loss. But mostly this all combines to give Johnny an almost childlike and gentle personality. He is by no means stupid – he has very honest insight -but he carries a charming simplicity that is in contrast to his sharp and impressive musical skills. High baritone, B2 to G-sharp 4.
  • DAVY ZLATIC – Late 20s to early 40s, he is a wiz on the upright bass. A recent Army veteran who served in the European theater and liberated Dachau, Davy is modeled heavily on Shakespeare’s lovable Falstaff. A big man of big appetites, he drinks to no end and maintains a constant stream of silly jokes to entertain. He is an incredible talent and a loyal friend, playing the clown but in reality the protector. Baritone, B2 to F-sharp 4.
  • NICK RADEL – Late 20s to early 40s, he is a genius trumpet player. A recent veteran of the Army who spent the last months of the European battles in a German prisoner-of-war camp, Nick is a man desperate for career and personal security. He is outrageously confident in his gifts as a musician and always on the lookout for those who would shortchange him of his deserved credit and compensation. Everything seems to be a personal affront to him and he has not yet been able to stop fighting for his life every day since returning to the home front He prides himself on his ability to play exceptionally high notes on his trumpet and sometimes has a hard time being a team player. Baritone, B2 to F4.
  • JEAN ANN RYAN – Mid 30s to late 50s, a glamorous local radio personality. Jean Ann prides herself on being the voice of several of WTAM Radio’s most popular programs. She believes herself to be more worldly and sophisticated than she likely is, but her outsized persona is matched by a sentimental and dramatic heart. A voice that recalls early Judy Garland and Kate Smith, she is a warm alto.
  • OLIVER – Mid-40s to early 60s, a magnanimous owner of one of Cleveland’s most popular nightclubs. The club that bears his name may not be the fanciest in town, but it is respected for its music scene. Oliver treats his guests like family and enjoys the spotlight whenever possible. Ensemble vocal track.
  • AL – Mid-40s to early 60s, an elegant and gracious owner of the most prestigious supper club in Cleveland, The Pavilion. He is suave and attentive to his guests but carries the confidence of the upper classes of Midwestern society. Ensemble vocal track.
  • JO – Late 20s to early 50s, a forthright owner of the hole-in-the-wall jazz club The Blue Wisp. Jo is a woman in a man’s game and has incredible confidence. She’s possibly pretty masculine herself and doesn’t care who knows it. She’s proud of her little club and loyal to her musicians and her decidedly blue-collar clientele. Ensemble vocal track.
  • ANDRE BARUCH – Mid-40s to mid-50s, the real-life radio host and personality of several popular radio programs on NBC Radio in New York City. Andre is debonair and sincere with a classic radio voice that has the trained Mid-Atlantic accent of the time. Ensemble vocal track.
  • ROGER COHEN – Late 20s to early 50s, a corporate businessman in the much larger entertainment machine of the National Broadcasting Company. Roger is officious, efficient and very good at his job. While he enjoys show business and is comfortable and confident in its rarified world, he has no patience for conflict. Ensemble vocal track.
  • JAMES HAUPT – Early 30s to early 50s, a success full of radio programs at NBC Radio in New York City. He has the slickness of a New York show business professional with all the attendant charm and smarts. He always appears genuine and gracious when dealing with the talent, but is all business behind the scenes. Ensemble vocal track.
  • PAULA – A woman of indiscriminate age, a no-nonsense New Yorker in the heart of the professional radio entertainment capital of the world. Ensemble vocal track.
  • BETSY – Late teens, an excitable bobby-soxer fan of the Donny Nova Band. She is all smiles and enthusiasm when meeting her favorite band. Her comic sense comes out of her blithe honesty and unabashed love of the band. Ensemble vocal track.
  • ENSEMBLE – Includes various service men, club patrons, swing dancers, wait staff, radio staff, stagehands, jazz musicians, residents of Cleveland and New York.

EXCERPTS FROM BANDSTAND
“Right This Way” – Performed by Corey Cott and Company
https://www.youtube.com/watch?v=tJA6UUdF3vE

“This Is Life” – Performed by Corey Cott and Laura Osnes
https://www.youtube.com/watch?v=gV9PTvT90sQ

“Nobody” – Performed by Corey Cott and Company
https://www.youtube.com/watch?v=JOSpQZgWJfw&list=PLRJMCG5nQwCpvaxYp440xEurkHwF0CE01&index=6

“Welcome Home” – Performed by Laura Osnes
https://www.youtube.com/watch?v=owa9GbQlrhg&list=PLRJMCG5nQwCpvaxYp440xEurkHwF0CE01&index=8

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Celebrated All-Male Vocal Jazz Ensemble Seeks Tenor

No Promises_logoCINCINNATI, OH – NO PROMISES Vocal Band is on the hunt for a tenor.

The Ideal Singer
A tenor who can sing close harmony parts and solo in multiple styles. Strong musicianship is a plus. Plans to remain in the Greater Cincinnati / Dayton region in the long term.

What Is NO PROMISES?
Formed in 2015, NO PROMISES is a Cincinnati-based professional a cappella ensemble bringing exhilarating vocals and breathtaking harmonizations to favorites of jazz, Motown, yacht rock and other genres. Its singers have performed across North America on theatrical tours, graced the stages of Broadway, fronted major symphony orchestras, and backed the likes of Jim Messina, Steve Winwood, Kenny Loggins and POCO. In their day-to-day lives, the men of NO PROMISES are clinical psychologists, theatrical talent buyers, real estate moguls and hairdressers, with a passion for fine a cappella singing.

Listen to our most recent studio recordings here.

Read about the current group members here.

What’s The Commitment?
NO PROMISES rehearses weekly on Tuesday nights, with rehearsals alternating weekly between Cincinnati and Dayton. In the first six months of 2020, we will be preparing for a set of two or three concerts in June, as well as for two recording projects.

A tenor brought on board would join us as a guest artist for this six-month period. Thereafter, we’d mutually evaluate permanent membership in the group.

Each year, we tend to perform 10 – 15 times, and regularly do recording projects.

I’m Interested… What Next?
Send a link of a video or audio recording to Joshua Steele at joshuaTsteele@gmail.com. Doesn’t need to be a cappella, just something that shows off your chops. If we dig it, we’ll reach out about finding a night for you to come in and sing with us.

For More Information
Contact Nat Comisar at 513.378.5801 or booking@nopromisesvocalband.com.

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Universes Collide in Groundbreaking New Work at Cincy Playhouse in the Park

PIP_americUS logo

Steven Sapp by Arthur Cohen; Mildred Ruiz-Sapp by Mildred Ruiz-Sapp; Gamal Abdel Chasten by Lawrence Turner.

americUS fuses theatre, jazz, poetry and hip hop to weave together experiences of modern life

CINCINNATI – The award-winning, multi-cultural performance ensemble Universes will bring its groundbreaking style of live storytelling to Cincinnati Playhouse in the Park with the world premiere of americUS. With support from The Rosenthal Family Foundation, this infusion of slam poetry, music, dance and theatre runs from Feb. 1 through March 8, with opening night on Feb. 6 at the Rosenthal Shelterhouse Theatre.

The Universes ensemble originated in The Bronx in 1995, inspired by the urban music and poetry scene that took over New York City in the ‘90s. Having performed off-Broadway, internationally and at major stages across the country, Universes has been praised by critics for their singular and unforgettable performance style. The production of americUS, which was commissioned by the Playhouse, brings Universes to Cincinnati for the first time.

“When I first saw Universes perform, I was simply blown away by their performance style, the variety of what they do, and the depth of feeling and thought that they can engender within the audience,” says Blake Robison, artistic director. “This show promises to be unlike anything seen before on Playhouse stages.”

An unfiltered, honest portrait of contemporary America, americUS is directed by Joan Herrington, who has worked with Universes in past productions, and will feature an ensemble cast including Universes’ co-founders Steven Sapp and Mildred Ruiz-Sapp as well as Gamal Chasten and Asia Mark.

americUS is an exploration of what it means to be in America at this time — what our joys are, what our challenges are and how we find our way in the midst of some very crazy days,” says Herrington. “Everything Universes does has contemporary relevance and this piece is no different.”

Sapp and Ruiz-Sapp are excited to engage with the community and hope that audiences take something away and feel empowered to open a dialogue about the issues presented in the show.

“It’s exciting because it’s a new audience, it’s new grounds to walk through, new people to meet and interact with,” says Ruiz-Sapp. “We’re going to walk into it like we’ve been there before, like it’s family, like these are the people that we’re living with and the people that are us. No differences, no barriers, no boundaries, no borders.”

For more information on americUS, visit cincyplay.com.

CAST
Gamal Chasten, Asia Mark, Mildred Ruiz-Sapp and Steven Sapp

PRODUCTION
Joan Herrington (Director); Misha Kachman (Set/Costume Designer); Mike Durst (Lighting Designer); Broken Chord (Sound Designers)

TICKETS
To purchase tickets or for more information, call the Playhouse Box Office at 513-421-3888 (toll-free in Ohio, Kentucky, and Indiana at 800-582-3208) or visit www.cincyplay.com. Call 513-345-2248 for Telecommunications Device for the Deaf accessibility.

Performances will begin at 7:30 p.m. Tuesdays through Thursdays, at 8 p.m. Fridays, 4 and 8 p.m. Saturdays and 2 and 7 p.m. Sundays. Individual tickets start at just $35. Tickets to all performances of americUS are priced at just $10 for college students with a valid school ID. Discounted ticket prices for teens are available for $30 to $50, depending on seat location.

americUS is suitable for adult and older teenage audiences. Universes performance ensemble presents an insightful and hard-hitting social commentary on contemporary America while discussing race, class and social inequality. The show covers these topics through powerful poetry, original music and dance movement, but it also contains some strong language.

EVENTS
ADULT ENRICHMENT WORKSHOP: PERSONAL STORYTELLING
Saturday, Jan. 15 | 10 a.m. to noon at the Playhouse | Cost: $50
This class will teach you how to write your own story and perform it in front of others. Learn the essentials of oral storytelling that will engage listeners, initiate discussion and create a sense of community. Share your story — we’d love to hear it!

MEET THE ARTISTS
Sundays, Feb. 9 and Feb. 16, at 2 p.m. | Wednesday, Feb. 19, at 7:30 p.m. | Thursday, Feb. 27, at 7:30 p.m.
Stick around after the performances listed above for a special Q&A with the americUS company. Learn about their craft, creative process and what inspires their storytelling and performance.

POST-SHOW DISCUSSIONS
Following every performance, excluding the dates of Meet the Artists Q&As.
Engage with the artists of americUS in in-depth conversations about the themes and ideas represented in the play. These discussions provide an opportunity for patrons to dive deeper into the show’s subject matter and connect with other audience members about their interpretations.

CINCINNATI VOICES PROJECT
Saturdays, Feb. 15, Feb. 22, and Feb. 29
In recent years, the Playhouse has developed important relationships with diverse groups throughout the region, hosting special discussions and facilitating creative workshops. Inspired by the artistic vision of Universes performance ensemble, the Playhouse has partnered with the Greater Cincinnati Native American Coalition and the Holocaust & Humanity Center to create the Cincinnati Voices Project. Individuals from these groups and others will perform original personal monologues between the 4 p.m. and 8 p.m. performances of americUS on select Saturdays. Performances are free and open to the public. For details and to learn more about the performance schedule, visit cincyplay.com, or call the Box Office at 513-421-3888.

SPONSORS
Sponsored by Andrea and Dr. Edward Herzig. Design sponsor is Geiler. Additional support provided by The Harold and Mimi Steinberg Charitable Trust. americUS was commissioned through the Playhouse’s Jerome Fey Endowment. The season is sponsored by Heidelberg Distributing Company. Season Sponsor of New Work is the Rosenthal Family Foundation.

The Playhouse is supported by the generosity of almost 40,000 contributors to the ArtsWave Community campaign. The Ohio Arts Council helps fund the Playhouse with state tax dollars to encourage economic growth, educational excellence and cultural enrichment for all Ohioans. The Playhouse also receives funding from the Shubert Foundation.

ACCESS
The Playhouse is fully accessible. Audio enhancement receivers, large print programs, and complete wheelchair access are available.

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