Monthly Archives: August 2026

LA CAGE AUX FOLLES Review

By Katrina “Kat” Reynolds

LA CAGE AUX FOLLES presented by The Carnegie through August 23rd. I attended the Opening Saturday matinee performance.

Kevin Kelly and Josh Walden. Photo by Mikki Schaffner.

The Carnegie is taking audiences to beautiful Saint-Tropez this August through its production of La Cage aux Folles with Book by Harvey Fierstein and Music and Lyrics by Jerry Herman. La Cage is described as a “dazzling celebration of family, love, and unapologetic fabulousness”.

Director Rachel Stevens along with Music Director Jacob Priddy and Choreographer Josh Walden have assembled a strong and talented group of performers to spin the once ahead-of-its-time tale. Ms. Stevens use of space along with Mx. Walden’s smart assembly of dancers and movers is smart and never static. Scenic Design by Tyler Gabbard is of course impressive as his creative use of the canvas The Carnegie offers is second to none. Costume Design by John Faas is appropriately sparkly and loud while still keeping in mind those characters who should be loud in a different way. Drag Wig and Makeup Design by local drag artist Kora Sline unsurprisingly possesses wonderful attention to detail and realism (yes, there is realism in good drag, my friends).

It may seem like cheating to sing the praises of the two lead artists, but said praises are well-deserved. And make no mistake: the ensemble which surrounds them doesn’t have a shrinking violet anywhere amongst it! Kevin Kelly tackles the role of Georges, the owner and emcee of the titular club. Mr. Kelly talents include a lovely singing voice, a fundamentally likable demeanour, and an innate professionalism every moment he is present. Scenes with him feel very much like we are a proverbial fly on the way of a real person’s actual experiences.

Matching wits with Mr. Kelly at every swish is Josh Walden as Albin. The role of Albin can be a caricature in the wrong hands, but luckily Mx. Walden’s hands are the right one for the task. They are charismatic, sympathetic, outlandish, and – ultimately – human. Mx. Walden is a true artiste who can hold their own both solo and with scene partners. With exception of a very appropriate cry, I found myself smiling each time Albin took the stage.

While I acknowledge and respect how ground-breaking this musical once was, truth be told it has become rather dated. There are certainly moving moments and notable numbers, but it’s not a terribly dynamic show. However, I do believe it is worth the time to see it live, on stage, at least once in your life and The Carnegie’s presentation is top-notch. A reminder that queer people have always existed and will continue to exist never hurt anybody – especially when, queer or not, we have all felt the need to hide certain parts of ourselves at one time or another. I’ll take a musical which celebrates raw, honest-to-goodness existence without apology any day of the week.

Click here for more information about the production.

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Auditions Announced for SWEENEY TODD at Springboro Community Theatre

Open Auditions for SWEENEY TODD: The Demon Barber of Fleet Street
Music and Lyrics by Stephen Sondheim
Book by Hugh Wheeler

Presented by Springboro Community Theatre
Directed by David Shough
Music Director – Sarah Lingg
Stage Manager – Carmen Martinez
Intimacy and Fight Coordinator – Kayla Graham
Producer – Carrie Robbins

Tuesday and Wednesday, September 8 & 9, 7-9pm. Callbacks Sept 10, 7-9pm
NOTE: Auditions will NOT be at the theatre.
Auditions will be at Pontecorvo Ballet Studios
20 Commercial Way, Springboro, 45066, near exit 38 off I-75

You need only attend one night. If you cannot attend either audition date, contact the director at davids@pbstudios.com, and we will make time or permit a video audition. Performance dates: November 6-15, 2026, Friday – Sunday. Rehearsals will generally be Monday through Thursday evenings, subject to cast schedules.

For the audition, please prepare 32 measures of a song appropriate to the role(s) you’re seeking or that best shows your voice, or both; do not sing from the show. Bring sheet music or an electronic track; a pianist and a Bluetooth speaker will both be available. Acapella singing is not favored.

When you sing, we’re interested not just in your voice, but also how well you can create a character expressing the song. Be fearless.

You may be asked to read from the script as well, though there is little non-singing dialogue in the show.

Please bring a resume, if you have one, and a list of all conflicts through November 15.

Callbacks are likely for some or all of the principal roles and will include singing from the score, so those seeking principal roles are urged to learn their character’s songs from cast recordings (but NOT the movie) or published scores before auditions. Sheet music will be provided in advance of call backs. Callback location is TBA.

Seeking:

9 principals (6 men and 3 women characters, listed below) and at least 8 ensemble (minimum 4 and 4, with an SATB mix). Race is not relevant to any role; all races & ethnicities are encouraged to audition. Character age does not necessarily limit actor age. Cross-gender casting is possible for some roles. The play is set in London around 1850. All characters speak with a British accent appropriate to their social status. Sondheim’s music can be challenging, so we are seeking strong voices, ideally with ensemble singing experience.

  • Sweeney Todd – 40s plus, Baritone. Angry, wronged, escaped convict, and excellent barber, mourning the loss of his wife and daughter, and seeking revenge on those responsible: the judge and his Beadle.
  • Mrs. Lovett – 40s – 50s, Mezzo. A not very good purveyor of meat pies. Somewhat addled, but not without a meaty idea here and there, and in love with Todd.
  • Tobias – Plays 16-20, Tenor. A young boy, not fully matured, nor very smart. Abused by his master Pirelli, then devoted to Mrs. Lovett who takes him under her wing.
  • Anthony – 20s, strong Tenor. A good-hearted sailor, who falls deeply in love with Joanna.
  • Johanna – Plays 16, Soprano. Beautiful young ward of, unfortunately, the judge, and, it is later revealed, Todd’s daughter. In love with Anthony.
  • Judge Turpin – 40s – 70s, Bass-Baritone. A lecherous, sadistic judge who imprisoned Todd in order to have Todd’s wife, and now plans to marry Johanna, Todd’s daughter. He is the focus of Todd’s desire for revenge.
  • Beadle Bamford – 30s plus, high tenor, preferably with falsetto. An obsequious city official, and close aide to Judge Turpin. He is another target of Todd’s obsession.
  • Beggar Woman – 30s-40s, Mezzo. Mysterious, mentally ill street beggar, later revealed to be Todd’s wife.
  • Pirelli – 30s – 40s, Tenor. Barber, showman, and fraud, who attempts to blackmail Todd. Needs a bad Italian accent and a believable Irish accent. The actor will join the ensemble in Act II.
  • Ensemble – Variety of ages, SATB mix. The ensemble plays a number of group character scenes as well as breaking the fourth wall with the many iterations of The Ballad of Sweeney Todd (“Attend the tale..”). Members will also play several incidental roles – Bird Seller, Mr. Fogg, Todd’s wife Lucy, policeman, etc.

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THE GREAT GATSBY at Broadway in Cincinnati Runs Sept. 15-27

THE GREAT GATSBY
Broadway in Cincinnati
Sept. 15-27
Aronoff Center Procter & Gamble Hall [Downtown]

The Great Gatsby is a “Broadway extravaganza that explodes with life and energy”(Entertainment Weekly). Based on the classic American novel by F. Scott Fitzgerald, the Tony Award®-winning new musical is an unforgettable journey of love, wealth and tragedy that brings the Roaring Twenties to life on stage. Directed by Marc Bruni (Beautiful: The Carole King Musical), this story of extravagance and longing features choreography by Dominique Kelley (So You Think You Can Dance), a book by Kait Kerrigan (The Mad Ones) and a jazz- and pop-influenced original score by Jason Howland (Little Women) and Nathan Tysen (Paradise Square). Recommended for ages 10 and up.

  • Tue-Fri, Sept. 15-18 at 7:30pm
  • Sat, Sept. 19 at 2pm & 7:30pm
  • Sun, Sept. 20 at 1pm & 6:30pm
  • Tue-Fri, Sept. 22-25 at 7:30pm
  • Sat, Sept. 26 at 2pm & 7:30pm
  • Sun, Sept. 27 at 1pm & 6:30pm

Official page

 

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THE OPPOSITE OF FAILURE at Cincinnati Playwright Initiative On Sept. 15

THE OPPOSITE OF FAILURE
Cincinnati Playwright Initiative
Sept. 15
Fifth Third Bank Theatre [Downtown]

A full-length play by Nancy Robinson Crist
Martie has been trying to get back on her feet ever since her thirty-year marriage ended. Crippled by chronic depression, she has tried, without success, to find a treatment that works. But just when she thinks her life won’t get better, hope arrives in the form of a philosophical teen, a flaky coworker, an innovative doctor, and a “flustrated” nephew. Martie learns that, while it’s important for her to help herself, it’s just as important to accept help from the other people sharing her corner of the world.

About the Playwright
Nancy Robinson Crist’s first play, Everything’s Relative, was published by Dramatic Publishing in 1990. Over the next eight years she wrote The Case of the Disappearing Drumsticks, a children’s play; Murder in Mayberry, a comedy; Soul Survivors, a comedy-drama that received a staged reading at Lincoln Center and productions in Chicago and New York; and Jack the Chipper, a musical written with composer Mark Hollmann and produced in Chicago. She was hijacked by life for twenty-eight years before returning to her passion in 2026, writing The Opposite of Failure. She lives in Greendale, Indiana, with her cat and confidante, Javy

  • Tue, Sept. 15 at 7:30pm

Official page |

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HEIST at Cincinnati Playhouse in the Park Runs Sept. 12-Oct. 11

HEIST
Cincinnati Playhouse in the Park
Sept. 12-Oct. 11
Rouse Theatre [Eden Park]

Directed by Blake Robison

Inspired by movies like Ocean’s ElevenNow You See Me and The Usual Suspects, this theatrical caper is a high-tech mystery for the stage. When Marvin assembles a team of professional thieves to pull off one last job, the heist goes sideways into a web of danger, betrayal and double crosses. What follows is a high-octane production that will keep you on the edge of your seat with lasers, aerial stunts and state-of-the-art projections. Blending quick-witted banter and unexpected laughs with clever surprises and heart-pounding suspense, Heist takes you on a fun and thrilling ride. HEIST is recommended for teenage and adult audiences. 

  • In preview Sat, Sept. 12 at 7:30pm
  • In preview Tue-Wed, Sept. 15-16 at 7:30pm
  • Thu-Fri, Sept. 17-18 at 7:30pm
  • Sat, Sept. 19 at 2pm & 7:30pm
  • Sun, Sept. 20 at 2pm
  • Tue-Fri, Sept. 22-25 at 7:30pm
  • Sat, Sept. 26 at 2pm & 7:30pm
  • Sun, Sept. 27 at 2pm
  • Tue, Sept. 29 at 7:30pm
  • Wed, Sept. 30 at 1pm
  • Thu-Fri, Oct. 1-2 at 7:30pm
  • Sat, Oct. 3 at 2pm & 7:30pm
  • Sun, Oct. 4 at 2pm
  • Tue-Fri, Oct. 6-9 at 7:30pm
  • Sat, Oct. 10 at 2pm & 7:30pm
  • Sun, Oct. 11 at 2pm

Official page 

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